Henri de Toulouse-Lautrec La Goulue at the Moulin Rouge 1891–92

  • Not on view

Louise Weber, nicknamed La Goulue (the glutton), is depicted in the Moulin Rouge—a Montmartre cabaret frequented by the Parisian demimonde—flanked by her sister to her right and, to her left, her lover. Toulouse-Lautrec made many paintings of Weber, a star performer known for her appetite. Throughout his work he portrayed unconventional individuals in an audacious manner both frank and sympathetic. The shallow space, bold cropping, and heavy, form-flattening outlines reflect the pictorial devices of Japanese woodblock prints and the work of Edgar Degas, which Toulouse–Lautrec greatly admired. The artist considered this work to be the best of his dance-hall paintings and exhibited it four times the year it was completed.

Gallery label from 2008.
Additional text

La Goulue (The Glutton), born Louise Weber, was an ambitious country laundress who became famous dancing the cancan. Nicknamed for her insatiable appetite for both life and food, she aggressively courted fame, dancing in transparent muslin knickers, posing topless in publicity photos, and cultivating a reputation for bawdiness. Her costume consisted of a low-cut gown, a much-copied hairstyle, and a black ribbon choker. Her look was so distinctive that in Lautrec’s most famous images of her, he did not even need to show her from the front. These images reveal his debt to Japanese ukiyo-e woodcuts, in which subjects are often identified by gestures, hairstyles, or accessories rather than a traditional likeness.

Gallery label from The Paris of Toulouse-Lautrec: Prints and Posters, July 26, 2014–March 22, 2015.
Oil on board
31 1/4 x 23 1/4" (79.4 x 59.0 cm)
Gift of Mrs. David M. Levy
Object number
Drawings and Prints

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Provenance Research Project

This work is included in the Provenance Research Project, which investigates the ownership history of works in MoMA's collection.

[Madame Holzer, Paris]
[M. Julien, Paris]
By 1919 - [April 15, 1940], Gaston Bernheim-Jeune (Gaston Bernheim de Villers, 1870-1953), Paris.
April 15 - May 1940, Knoedler & Co., New York (stock no. A2227) and Sam Salz, New York, jointly purchased from "Bernheim Jeune Paris".
May 1940 - 1957, Adele R. and David M. Levy, New York, purchased from Knoedler & Co. and Sam Salz.
1957, The Museum of Modern Art, New York, acquired as gift from Adele R. Levy.

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