The woman in this image prefigures the central character of Saar’s Black Girl’s Window, her hand raised to the viewer, a band of suns and moons above her head. Layers of marks and imagery fill the rest of the composition, with textures from fabric, letters from rubber stamps, and hand-drawn astrological signs and symbols revealing Saar’s interest in incorporating found materials and popular symbols in her prints. Influenced by the work of Joseph Cornell, whose shadow boxes of collected props she saw exhibited in 1967, she would soon transition to using three-dimensional objects in this way.
Gallery label from October 21, 2019–January 4, 2020