In Tableau Rastadada, the artist depicted himself as a playboy (kicked by women’s pumps), a failure (as suggested by the words “le raté”), and even a social climber (the “rasta” in Rastadada stands for rastaquouère, a rich, foreign upstart). These elements together created a self-deprecating, punning self-portrait.
Gallery label from 2019
We have identified these works in the following photos from our exhibition history.
Francis Picabia: Our Heads Are Round so Our Thoughts Can Change Direction
Nov 21, 2016–Mar 19, 2017
Francis Picabia: Our Heads Are Round so Our Thoughts Can Change Direction
Nov 21, 2016–Mar 19, 2017
Francis Picabia: Our Heads Are Round so Our Thoughts Can Change Direction
Nov 21, 2016–Mar 19, 2017
508: Readymade in Paris and New York
Fall 2019–Fall 2020
7 other works identified
508: Readymade in Paris and New York
Fall 2019–Fall 2020
7 other works identified
508: Readymade in Paris and New York
Fall 2019–Fall 2020
8 other works identified
508: Readymade in Paris and New York
Fall 2019–Fall 2020
4 other works identified
508: Readymade in Paris and New York
Fall 2019–Fall 2020
12 other works identified
508: Readymade in Paris and New York
Fall 2019–Fall 2020
10 other works identified
508: Readymade in Paris and New York
Fall 2019–Fall 2020
10 other works identified
508: Readymade in Paris and New York
Fall 2019–Fall 2020
9 other works identified
508: Readymade in Paris and New York
Fall 2019–Fall 2020
10 other works identified
508: Readymade in Paris and New York
Fall 2019–Fall 2020
6 other works identified
508: Readymade in Paris and New York
Fall 2019–Fall 2020
6 other works identified
In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now being identified by MoMA staff.
If you notice an error, please contact us at [email protected].
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