In her series It’s Not My Body, Pryde makes reference to the history of darkroom experimentation and contemporary medical–imaging techniques. She superimposes low–resolution MRI scans of a human embryo in its mother against desert landscapes shot through tinted filters, engaging questions about the reproduction of images and the impact visuals have on political debates surrounding “personhood” and a woman’s right to choose.
Gallery label from New Photography 2013, September 14, 2013–January 6, 2014