This work combines video and sculpture to complicate our perception of linear time. While the video monitor shows a recording of melting ice played in reverse, a plate of ice melts in front of the monitor in real time. The artist intended for this correspondence to be maintained by the strategically timed replacement of the ice; in the iteration here, the ice is replaced Monday–Friday. This play with temporal duration and inversion, enabled by the new medium of video, recalls an exhortation in EXPORT’s text “Women’s Art: A Manifesto” (1972): “We women must participate in the construction of reality via the building stones of media.”
Gallery label from 2021