A modern movement that developed in Weimar Germany in the 1920s. It offered a return to unsentimental reality and a focus on the objective world, as opposed to the more abstract, romantic, or idealistic tendencies of Expressionism. The artists associated with the movement were not formally organized and worked in many different locations. They are linked by their embrace of naturalism in their drawings and paintings and by their vivid, often satirical depictions of Weimar society following Germany’s defeat in World War I.
New Objectivity
8 examples
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Otto Dix Self-Portrait (Selbstporträt) 1922
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Max Beckmann Minette 1922
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Georg Scholz Newspaper Carrier (Zeitungsträger) from the periodical in portfolio form Die Schaffenden, vol. 4, no. 4 1921, published 1923
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Max Beckmann Self-Portrait with a Cigarette Frankfurt 1923
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Otto Dix Dr. Mayer-Hermann Berlin 1926
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George Grosz Circe (recto); Untitled (verso) 1927
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George Grosz The Poet Max Herrmann-Neisse 1927
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Jeanne Mammen Carnival in Berlin N III (Fasching Berlin N III) c. 1930