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Ground in
Reserve
Picasso's economical
integration of the ground layer into
the composition is illustrated in these
details.
Pictured above:
Pablo Picasso.
Les Demoiselles d'Avignon.
1907. Oil on canvas, 8' x 7' 8"
(243.9 x 233.7 cm). Acquired through
the Lillie P. Bliss Bequest. ©
2003 Estate of Pablo Picasso/Artists
Rights Society (ARS), New York
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Fig. 1
This detail shows how the ground was
used as a contrast to the painted areas, even those
that are painted white, providing a subtle and luminous
sense of space in these passages.
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Fig.
2
A
photomicrograph
of flesh-colored paint next to exposed ground,
crouching figure's elbow, right edge.
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