Made at MoMA

Nov 20, 2004

MoMA

The Museum of Modern Art has been a highly visible New York City location for many American films, as memorable a cinematic geographic locus as San Francisco’s Golden Gate Bridge in Alfred Hitchcock’s Vertigo (1958) or Fifth Avenue’s quintessential luxury store in Blake Edwards’s Breakfast at Tiffany’s (1961). This series features films from the 1930s through the 1970s that reveal the ever-evolving appearance of the Museum, demonstrating how brick, mortar, and steel can function as a compelling on-screen character.

Organized by the staff of the Department of Film and Media.

Licensing

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).

All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at firenze@scalarchives.com. Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. For licensing motion picture film footage it is advised to apply directly to the copyright holders. For access to motion picture film stills please contact the Film Study Center. More information is also available about the film collection and the Circulating Film and Video Library.

If you would like to reproduce text from a MoMA publication or moma.org, please email text_permissions@moma.org. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to archives@moma.org.

Feedback

This record is a work in progress. If you have additional information or spotted an error, please send feedback to digital@moma.org.