New Work/New Acquisitions

July 1–August 31, 2005

MoMA

To date, The Museum of Modern Art’s film and media archive comprises nearly 25,000 individual titles. The Department of Film and Media deems these materials essential to moving-image history, and preserves and stores them in the climate-controlled Celeste Bartos Film Preservation Center, in Hamlin, Pennsylvania, a facility offering ample space for the care and cataloguing of future acquisitions. From Hollywood feature productions and independent works that explore social issues to experimental works that reframe vintage footage and foreign films that examine cultural values, the works in this exhibition illustrate the diversity of MoMA’s notable film and media collections.

This program is part of the Museum-wide New Works/New Acquisitions exhibition.

Organized by Anne Morra, Assistant Curator, Department of Film and Media.

Licensing

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).

All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at firenze@scalarchives.com. Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. For licensing motion picture film footage it is advised to apply directly to the copyright holders. For access to motion picture film stills please contact the Film Study Center. More information is also available about the film collection and the Circulating Film and Video Library.

If you would like to reproduce text from a MoMA publication or moma.org, please email text_permissions@moma.org. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to archives@moma.org.

Feedback

This record is a work in progress. If you have additional information or spotted an error, please send feedback to digital@moma.org.