The Magnificent Cuckold. 1964. Italy. Directed by Antonio Pietrangeli. Courtesy Continental Distributing Inc./Photofest

Ugo Tognazzi Tragedies of a Ridiculous Man

Through December 30 The Museum of Modern Art

The great Italian actor, director, and screenwriter Ugo Tognazzi (1922–1990) was among the inimitable quintet of actors from Italian cinema’s golden age—Tognazzi, Marcello Mastroianni, Vittorio Gassman, Alberto Sordi, and Nino Manfredi—who invented and popularized commedia dell’Italia, that tragicomic admixture of folly and melancholy, and commanded the lion’s share of Italy’s box-office receipts in the 1960s and ’70s. Tognazzi’s career began opposite Raimondo Vianello in satirical sketch comedies of fledgling 1950s Italian television—his gifts of impersonation and improvisation are hilariously on display in films like Dino Risi’s I mostri (1963) and Luigi Zampa’s A Question of Honor (1965)—and deepened as his roles in later years became more acidic and introspective. If a typical Tognazzi character was virile and dissolute, sweet-talking his way into beds, executive offices, and corridors of power, he was also confronted with the sinking awareness of his own mortality. One witnesses in this retrospective, then, a man’s seemingly inexorable passage from brash ambition to bitter regret, a man seeking to preserve his dignity in the face of diminishing prowess.

In collaboration with Luce Cinecittà, Rome, MoMA celebrates Tognazzi with a retrospective that spans his four-decade career. The series features 25 of his nearly 150 films, including his unforgettable, award-winning performances in Luciano Salce’s The Fascist (1961), Carlo Lizzani’s La Vita agra (1964), Pier Paolo Pasolini’s Porcile (1969), Marco Ferreri’s La Grande Bouffe (1973), Elio Petri’s Property Is No Longer a Theft (1973), Mario Monicelli’s Amici miei (1975), Édouard Molinaro’s La Cage aux folles (1978) and Bernardo Bertolucci’s Tragedy of a Ridiculous Man (1981), for which he won the Cannes prize for Best Actor.

Organized by Joshua Siegel, Curator, Department of Film, The Museum of Modern Art, and Camilla Cormanni and Paola Ruggiero, Luce Cinecittà.

Support for the exhibition is provided by the Annual Film Fund. Leadership support for the Annual Film Fund is provided by the Kate W. Cassidy Foundation and Steven Tisch, with major contributions from Jo Carole and Ronald S. Lauder, Association of Independent Commercial Producers (AICP), Yuval Brisker Charitable Foundation, The Brown Foundation, Inc., of Houston, Marlene Hess and James D. Zirin, Karen and Gary Winnick, and The Junior Associates of The Museum of Modern Art.

Events

Licensing

If you would like to reproduce an image of a work of art in MoMA's collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).

All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at firenze@scalarchives.com. Motion picture film stills or motion picture footage from films in MoMA's Film Collection cannot be licensed by MoMA/Scala. For licensing motion picture film footage it is advised to apply directly to the copyright holders. For access to motion picture film stills please contact the Film Study Center. More information is also available about the film collection and the Circulating Film and Video Library.

If you would like to reproduce text from a MoMA publication or moma.org, please email text_permissions@moma.org. If you would like to publish text from MoMA's archival materials, please fill out this permission form and send to archives@moma.org.

Feedback

This record is a work in progress. If you have additional information or spotted an error, please send feedback to digital@moma.org.