The Blood of Jesus. 1941. USA. Directed by Spencer Williams. Courtesy Sack Amusement Enterprises/Photofest

The Department of Film’s companion series to the exhibition One-Way Ticket: Jacob Lawrence’s Great Migration Series and Other Visions of the Great Movement North features the world premiere of a new MoMA commission: Thom Andersen’s Juke: Passages from the Films of Spencer Williams (2015). In Juke, Andersen reconsiders the work of Williams, the pioneering African American writer-director whose central dramatic theme in such films as The Blood of Jesus (1941) and Go Down, Death! (1944) was the battle between the sacred and the profane, the church and the juke joint.

Accompanying the premiere of Juke is a concise selection of fiction films by independent African American writer-directors, including Eloyce and James Gist, Oscar Micheaux, and Spencer Williams; and nonfiction films of the 1920s–40s, including newsreels, amateur films, ethnographic studies, home movies, and New Deal social documentaries by William D. Alexander, Zora Neale Hurston, Pare Lorentz, Edgar Ulmer and others. For black audiences during the Great Migration, these moving images stood in stark contrast to their lives in the South, offering the promise of deliverance from impoverishment, injustice, and violence—the promise, though perhaps not the fulfillment—as well as visions of a new black urban modernity.

The legacy of the Migration is reflected in more contemporary films like Charles Burnett’s To Sleep with Anger (1990), Julie Dash’s Daughters of the Dust (1991), and Kevin Jerome Everson’s Company Line (2009). Guest presenters include Hilton Als, Thom Andersen, Lynne Sachs, and Jacqueline Najuma Stewart.

Organized by Joshua Siegel, Curator, Department of Film, The Museum of Modern Art; and Thomas Beard, independent curator; with Candace Ming, research assistant. Special thanks to Martin L. Johnson and Dan Streible.

The MoMA presentation of One-Way Ticket: Jacob Lawrence’s Great Migration Series and Other Visions of the Great Movement North and accompanying initiatives are made possible by the Ford Foundation.

Major support is provided by The Museum of Modern Art’s Research and Scholarly Publications endowment established through the generosity of The Andrew W. Mellon Foundation, the Edward John Noble Foundation, Mr. and Mrs. Perry R. Bass, and the National Endowment for the Humanities’ Challenge Grant Program.

Generous funding is provided by Edith Cooper and Robert Taylor, GS Gives; The Friends of Education of The Museum of Modern Art; Marie-Josée and Henry Kravis; Sue and Edgar Wachenheim III; MoMA’s Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation; Crystal McCrary and Raymond J. McGuire; Valentino D. Carlotti; Bernard Lumpkin and Carmine Boccuzzi; Karole Dill Barkley and Eric J. Barkley; and the MoMA Annual Exhibition Fund.

Media sponsorship is provided by EBONY.

Special thanks to The Jacob and Gwendolyn Knight Lawrence Foundation.

If you would like to reproduce an image of a work of art in MoMA's collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).

If you would like to license audio or video footage produced by MoMA, please contact Scala Archives (all geographic locations) at firenze@scalarchives.com.

If you would like to reproduce text from a MoMA publication or moma.org, please email text_permissions@moma.org. If you would like to publish text from MoMA's archival materials, please fill out this permission form and send to archives@moma.org.

This record is a work in progress. If you have additional information or spotted an error, please send feedback to digital@moma.org.