This is a weeklong run of MoMA’s recently struck 35mm print of Mikey and Nicky, the third of Elaine May’s brilliant contributions to 1970s American cinema, after A New Leaf and The Heartbreak Kid. (Ishtar, from 1987, also has its fierce partisans.) In this noir chamber piece, set over a long, tense night in some of the seedier redoubts of Philadelphia, a jittery John Cassavetes becomes convinced that a local mobster has put a price on his head. As he looks to childhood friend and small-time crook Peter Falk for salvation, old wounds and new treacheries arise.
Organized by Anne Morra, Associate Curator, Department of Film.