Right On! 1970. USA. Directed by Herbert Danska

Described as “a conspiracy of ritual, street theater, soul music, and cinema,” Right On! is a pioneering concert film, a compelling record of radical Black sentiment in 1960s America, and a precursor of the hip-hop revolution in musical culture. Shot guerilla-style on the streets and rooftops of lower Manhattan, it features the original Last Poets performing 28 numbers adapted from their legendary Concept-East Poetry appearance at New York’s Paperback Theater in 1969. Opening almost simultaneously with Melvin Van Peebles’s Sweet Sweetback’s Baadasssss Song, Right On! was described by its producer as “the first ‘totally black film,’” making “no concession in language and symbolism to white audiences.” The film has rarely screened over the past 30 years, and this is the premiere run of MoMA’s new restoration, made from the recently recovered 35mm negative. This restoration was undertaken by The Museum of Modern Art with support from the Celeste Bartos Fund for Film Preservation and Paul Newman (San Francisco). A special appearance by the Original Last Poets accompanies the premiere; details are forthcoming.

Organized by Ron Magliozzi, Associate Curator, Department of Film.

If you would like to reproduce an image of a work of art in MoMA's collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).

If you would like to license audio or video footage produced by MoMA, please contact Scala Archives (all geographic locations) at firenze@scalarchives.com.

If you would like to reproduce text from a MoMA publication or moma.org, please email text_permissions@moma.org. If you would like to publish text from MoMA's archival materials, please fill out this permission form and send to archives@moma.org.

This record is a work in progress. If you have additional information or spotted an error, please send feedback to digital@moma.org.