Reuse, Renew, Recycle

Recent Architecture from China

Sep 18, 2021–Jul 4, 2022

MoMA

Dong Gong, Shengliang Su, Vector Architects. Alila Yangshuo Hotel, Yangshuo, Guilin, Guangxi, China. 2013–17. Gift of Dong Gong/Vector Architects. Photo: Shengliang Su
  • MoMA, Floor 1, 1 South

During the past three decades, China has undergone a building boom that has made it the largest construction site in human history. After years of urban megaprojects and spectacular architectural objects, many of which were designed by Western firms, a new generation of independent Chinese architects have challenged this approach. Reuse, Renew, Recycle: Recent Architecture from China highlights their commitment to social and environmental sustainability. The exhibition presents eight projects that speak to a multiplicity of architectural approaches—from the reuse of former industrial buildings, the recycling of building materials, and the reinterpretation of ancient construction techniques, to the economic rejuvenation of rural villages and entire regions.

The architects featured in this exhibition have championed small-scale interventions that seek to meaningfully engage with the preexisting built environment and established social structures. “As with any new generation,” Beijing-based architect Zhang Ke has observed, “you start by going back to the original questions, back to the basics, to rethink and re-ask how architecture of our time could be.”

Through models, drawings, mock-ups, photographs, and videos, Reuse, Renew, Recycle brings together some of the most imaginative built work in China today and explores how contemporary architecture can be firmly grounded in the country’s unique cultural context. From the vaulted ceilings of the Jingdezhen Imperial Kiln Museum in Jiangxi, to an open-air bamboo theatre in Hengkeng Village in Songyang County, to a former sugar factory turned into a hotel near Guilin, the exhibition examines an array of bold interventions that serve as a blueprint for more resource-conscious and socially oriented architectural practices around the world.

Organized by Martino Stierli, The Philip Johnson Chief Curator of Architecture and Design, and Evangelos Kotsioris, Assistant Curator, Department of Architecture and Design. Curatorial advice was provided by Prof. Li Xiangning of Tongji University, Shanghai.

The exhibition is made possible by Allianz, MoMA’s partner for design and innovation, and supporter of programs that look to a more sustainable future.

Leadership support is provided by Xin Zhang and Shiyi Pan.

Additional funding is provided by The International Council of The Museum of Modern Art.

Leadership contributions to the Annual Exhibition Fund, in support of the Museum’s collection and collection exhibitions, are generously provided by Sue and Edgar Wachenheim III, Jerry I. Speyer and Katherine G. Farley, the Sandra and Tony Tamer Exhibition Fund, The Contemporary Arts Council of The Museum of Modern Art, Eva and Glenn Dubin, the Kate W. Cassidy Foundation, Alice and Tom Tisch, Mimi Haas, the Noel and Harriette Levine Endowment, The David Rockefeller Council, the William Randolph Hearst Endowment Fund, the Marella and Giovanni Agnelli Fund for Exhibitions, Anne Dias, Kathy and Richard S. Fuld, Jr., Kenneth C. Griffin, The International Council of The Museum of Modern Art, Marie-Josée and Henry R. Kravis, and Jo Carole and Ronald S. Lauder.

Major contributions to the Annual Exhibition Fund are provided by The Junior Associates of The Museum of Modern Art, Emily Rauh Pulitzer, Brett and Daniel Sundheim, Karen and Gary Winnick, and Anna Marie and Robert F. Shapiro.

Publications

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