Theater of Operations

The Gulf Wars 1991–2011

Nov 3, 2019–Mar 1, 2020

MoMA PS1

Jamal Penjweny. Saddam is Here. 2010. 23 2/3 ×31 ½" (60 ×80 cm). Courtesy the artist

American-led military engagement in Iraq over the last 30 years has had an indelible impact on contemporary culture and the work of artists around the world. This large-scale group exhibition examines the legacies of these conflicts beginning with the Gulf War in 1991, featuring over 300 works by more than 80 artists based in Iraq and its diasporas, as well as those responding to the war from the West.

While brief, the 1991 Gulf War marked the start of a prolonged conflict with Iraq that led to more than a decade of sanctions and the 2003 Iraq War. These wars and their aftermaths have had devastating impacts on Iraq and its people, contributing to the destabilization of the broader Middle East. Conflict with Iraq has also become an enduring part of American life, influencing culture, politics, and identity.

The artists in Theater of Operations were also impacted by significant cultural change during this period—including the advent of the 24-hour news cycle, the Internet, and new media and military technologies. The wide range of perspectives included in this exhibition attests to the rich artistic traditions of contemporary Iraq, with artists working under conditions of war, embargo, and occupation placed in conversation with those responding to these wars from afar.

Theater of Operations: The Gulf Wars 1991–2011 is organized by Peter Eleey, Chief Curator, and Ruba Katrib, Curator, MoMA PS1; with Jocelyn Miller, Assistant Curator; Josephine Graf, Curatorial Assistant; and Oliver Shultz, former Curatorial Associate.

Major support for Theater of Operations: The Gulf Wars 1991–2011 is provided by The Andy Warhol Foundation for the Visual Arts.

Generous funding is provided by The International Council of The Museum of Modern Art, an anonymous donor, Dana Farouki, Tony and Elham Salamé, Barjeel Art Foundation, Darat al Funun-The Khalid Shoman Foundation, and Rana Sadik and Samer Younis.

Additional support is provided by the MoMA PS1 Annual Exhibition Fund.

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