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“I had always considered my work another activity of some kind,” remarked artist Donald Judd. “I certainly didn’t think I was making sculpture.” One of the foremost sculptors of our time, Judd refused this designation and other attempts to label his art: his revolutionary approach to form, materials, working methods, and display went beyond the set of existing terms in mid-century New York. His work, in turn, changed the language of modern sculpture. Bringing together sculpture, painting, drawing, and rarely seen works from throughout Judd’s career, Judd is the first US retrospective in over 30 years to explore this artist’s remarkable vision.
Judd (1928–1994) began his professional career working as a painter while studying art history and writing art criticism. Among a new generation of artists who sought to move past the breakthroughs of Abstract Expressionism, Judd shifted from two to three dimensions, into what he called “real space,” relinquishing a focus on the artist’s gesture. In his constructed reliefs and wooden floor pieces from this time, he established a new type of object-making that rejected illusion, narrative, and metaphorical content.
By the mid-1960s, Judd commenced his lifelong practice of using industrial materials, such as aluminum, steel, and Plexiglas, and delegating production of his work to local metal shops. With the help of these specialized fabricators, he developed a signature vocabulary of hollow, rectilinear volumes, often arranged in series. In the following years, “boxes,” “stacks,” and “progressions” continued as Judd’s principal framework to introduce different combinations of color and surface. Judd surveys the complete evolution of the artist’s career, culminating in the last decade of his life, when Judd intensified his work with color and continued to lay new ground for what ensuing generations would come to define as sculpture.
Organized by Ann Temkin, The Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture, with Yasmil Raymond, former associate curator; Tamar Margalit, Curatorial Assistant; and Erica Cooke, Research Fellow, Department of Painting and Sculpture.
See where Donald Judd lived and worked in New York City. Judd Foundation, at 101 Spring Street in SoHo, has an expanded visit schedule during Judd, with guided visits Sunday and Tuesday through Friday and new self-guided visits on Saturdays. Advance booking is required. Learn more.