Kara Walker. Exodus of Confederates from Atlanta, from the portfolio Harper’s Pictorial History of the Civil War (Annotated). 2005. One from a portfolio of fifteen lithograph and screenprints, 39 1/16 x 52 15/16" (99.2 x 134.4 cm). Publisher and printer: LeRoy Neiman Center for Print Studies, Columbia University, New York. Edition: 35. The Museum of Modern Art. General Print Fund and The Ralph E. Shikes Fund. © 2007 Kara Walker

This exhibition examines how artists from the late nineteenth century to today have explored contemporary concerns by challenging, redeeming, or personalizing historical subjects. Many of the works take a narrative approach, referring to events in history, ancient mythology, the Bible, or centuries-old fables. Traditionally, artists have used printmaking’s serial format to build such narratives; more recently, artists have exploited printmaking’s ability to easily reproduce and alter existing images to interject their own commentary. This selection of works includes key print cycles and individual prints from earlier periods by Max Beckmann, James Ensor, Pablo Picasso, and others, as well as contemporary prints by such artists as Christian Boltanski, Anselm Kiefer, and William Kentridge. The installation culminates in a gallery devoted to Kara Walker’s monumental series of prints Harper’s Pictorial History of the Civil War (Annotated) (2005), which confronts the legacy of slavery and is a new addition to the Museum’s collection.

Organized by Judith B. Hecker, Assistant Curator, Department of Prints and Illustrated Books.

Installation views

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