Tempo

Jun 29–Sep 9, 2002

MoMA

Erwin Wurm. One Minute Sculpture. 1997. C-print, 17 11/16 × 11 13/16″ (45 × 30 cm). Courtesy the artist and Art: Concept, Paris

This exhibition focuses on distinct perceptions of time-phenomenological, empirical, political, and fictional. Contemporary artists from the Americas, Europe, Africa, and Asia map the show into five areas of multimedia installations that examine cultural differences in the construction of time.

In Time Collapsed, the systemic and the random are interfaced in a cacophony of clocks, watches, and metronomes. Transgressive Bodies probes the metabolic processes and erotic drives exercised by the body. Liquid Time explores the ever-changing flow of time through images of water. Trans-Histories addresses issues of postcolonialism by engaging the viewer’s critical perception of the present through memory. Finally, in Mobility/Immobility, seemingly static video and sculptural pieces, actually in constant motion, destabilize the viewer’s perception of time.

Organized by Paulo Herkenhoff, Adjunct Curator, with the assistance of Roxana Marcoci and Miriam Basilio, Department of Painting and Sculpture.

The exhibition catalogue is written by Herkenhoff, Marcoci, and Basilio.

This exhibition is supported by Philip Morris Companies Inc.

Additional support is provided by Agnes Gund and Daniel Shapiro and The International Council and The Contemporary Arts Council of The Museum of Modern Art.

The accompanying educational programs are made possible by BNP Paribas.

LCD monitor, plasma displays and DVD players courtesy of Hitachi America, Ltd. Travel support provided by Goethe-Institut Inter Nationes, New York.

Publications

  • Tempo Paperback, 80 pages
  • Tempo : [brochure] Out of print, 16 pages
  • Press release 5 pages

Artists

Installation images

How we identified these works

In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now being identified by MoMA staff.

If you notice an error, please contact us at [email protected].

Licensing

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).

MoMA licenses archival audio and select out of copyright film clips from our film collection. At this time, MoMA produced video cannot be licensed by MoMA/Scala. All requests to license archival audio or out of copyright film clips should be addressed to Scala Archives at [email protected]. Motion picture film stills cannot be licensed by MoMA/Scala. For access to motion picture film stills for research purposes, please contact the Film Study Center at [email protected]. For more information about film loans and our Circulating Film and Video Library, please visit https://www.moma.org/research/circulating-film.

If you would like to reproduce text from a MoMA publication, please email [email protected]. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected].

Feedback

This record is a work in progress. If you have additional information or spotted an error, please send feedback to [email protected].