Goran Trbuljak. Zagreb: Galerija suvremene umjetnosti. 1973
  • Mezzanine, Education and Research Building

The New Art Practice was a term created for a generation of artists in the former Yugoslavia active in the late 1960s and throughout the 1970s. These artists shifted their practice to spaces outside the traditional studio, onto city streets, into artist-run spaces, and in multimedia performances and experimental publications. Focusing on artists working in the city of Zagreb, this exhibition documents aspects of this shift and highlights the ability of artists’ publications to record these often ephemeral gestures and ideas. While artists such as Goran Trbuljak, Braco Dimitrijević, Sanja Iveković, Mladen Stilinović, and Vlado Martek, among others, worked in a variety of mediums, they shared a common impulse to produce publications. These artists questioned and played with ideas about the place of an artist within this particular political and socioeconomic context. Their work often involved public participation and blurred traditional notions of authorship through collective activities, chance operations, and the appropriation of language and imagery from the state and commercial media. The materials in this installation resonate with other contemporaneous scenes in Eastern and Central Europe and with broader international trends, while also providing an insight into very local networks of experimental artists and writers in Zagreb. All materials are drawn from the collection of the Museum of Modern Art Library.

Organized by David Senior, Bibliographer, MoMA Library.

MoMA’s Contemporary and Modern Art Perspectives (C-MAP) program for global research is made possible by The Andrew W. Mellon Foundation and The International Council of The Museum of Modern Art, and through the generous support of Marlene Hess, Sharon Percy Rockefeller, the Patricia and Adriana Cisneros C-MAP Fund for Latin America (in honor of Kathy Halbreich), Agnes Gund, and other individual members of The International Council of The Museum of Modern Art.

The recent acquisition of Maj 75 was made possible by generous donations from Phillip and Shelley Aarons, Estrellita Brodsky, Marie-Josée Kravis, and Jo Carole Lauder.

If you would like to reproduce an image of a work of art in MoMA's collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).

If you would like to license audio or video footage produced by MoMA, please contact Scala Archives (all geographic locations) at firenze@scalarchives.com.

If you would like to reproduce text from a MoMA publication or moma.org, please email text_permissions@moma.org. If you would like to publish text from MoMA's archival materials, please fill out this permission form and send to archives@moma.org.

This record is a work in progress. If you have additional information or spotted an error, please send feedback to digital@moma.org.