For this Modern Mondays discussion, Bill Morrison focuses on his use of archival and found footage, tracing the ideas that surfaced in some of his earliest titles (Footprints , The Film of Her ) and continue in his most recent work (Light Is Calling , All Vows , Beyond Zero: 1914–1918 ). The range and diversity of his manipulation of found footage reveals his profound use of film as a metaphor for reflections on the historical and existential nature of time. Program approx. 90 min.
The Museum of Modern Art, Floor T2, Theater 2