Lucifer Landing I, a new commission by Jonathan González, is the first in a series of works that conceptualize Blackness and post-anthropocentrism. In Lucifer Landing I, González takes the ideas of poet June Jordan and CHARAS as starting points to create an immersive environment in the VW Dome intended to function as an interactive model for sustainable living. Active in the Lower East Side during the 1970s, CHARAS was a collective founded on the ideas of Buckminster Fuller, proposing geodesic domes as an alternative model for social housing.

Over the course of two days on April 19 and 20, González invites visitors to enter his environment one at a time. Surrounded by a geo-responsive lighting design and a sonic score referencing celestial cosmologies, each visitor can reflect on alternative hierarchies of biodiversity. In this work, González proposes that solitary dwelling within this space can be considered a choreographic action unto itself. He posits that Lucifer Landing I will offer visitors a contemplative space to consider what he terms “the entanglements between the state of dispossessed non-being that is Black life with the non-human and the architectural.” This extended exploration concludes on Sunday, April 21 as González presents a solo choreography that signals the close of the work through the representation of self-immolation.

Lucifer Landing II will be presented at Abrons Arts Center from Thursday, May 2 through Saturday, May 4, 2019.

This is one of six new commissions presented as part of VW Sunday Sessions 2018/2019. The VW Sunday Sessions commissioning program supports local and international emerging artists in the development and presentation of new performance work

Tickets required for April 21 only:
General Admission: $15
MoMA / MoMA PS1+ Members: $13

MoMA PS1’s acclaimed VW Sunday Sessions performance series welcomes visitors to experience and participate in live art. Since its founding in 1976, MoMA PS1 has offered audiences one of the most extensive programs of live performance in the world. VW Sunday Sessions highlights artists responding to contemporary social and political issues through a wide variety of creative and critical lenses. Encompassing performance, music, dance, conversation, and film, the series develops and presents projects by established and emerging artists, scholars, activists, and other cultural instigators. With a focus on artists that blur and break traditional genre boundaries, VW Sunday Sessions embraces the communities in New York City that create and sustain artistic practice.

Since 2012, VW Sunday Sessions has presented a commissioning program resulting in new work by Trajal Harrell, Mårten Spångberg, Anne Imhof, Tobias Madison and Matthew Lutz Kinoy, Hannah Black, and Colin Self. Additionally, the VW Dome Artist Residency offers a platform for creative development and experimentation for artists at all stages of the creative process.


VW Sunday Sessions is organized by Taja Cheek, Assistant Curator, and Alex Sloane, Assistant Curator, with Alexandra Rosenberg, Associate Producer, Chris Masullo, Production Coordinator, and Enrique Alba, Production Assistant, and Cody Simons, Production Assistant.

Volkswagen logo

VW Sunday Sessions and the VW Dome at MoMA PS1 are made possible by a partnership with Volkswagen of America, who have supported the program since its inception.

Major support is provided by the Anna-Maria and Stephen Kellen Foundation.

Dance programming as part of VW Sunday Sessions at MoMA PS1 is supported in part by the Mertz Gilmore Foundation.

  1. Friday, April 19,
    12:006:00 p.m.

    MoMA PS1
    Free with Museum admission
  2. Saturday, April 20,
    12:006:00 p.m.

    MoMA PS1
    Free with Museum admission
  3. Sunday, April 21,
    12:006:00 p.m.

    MoMA PS1
This performance is part of VW Sunday Sessions 2018-2019.