"Comrade, what is your visual bond today?", 2016, at MoMA PS1 as part of VW Sunday Sessions. © 2016 MoMA PS1, New York. Photo: Charles Roussel

Sondra Perry invites fellow artists Danielle Dean, Ja’Tovia Gary, Tiona McClodden and Sable Elyse Smith to screen selected video works.

The title of the program is borrowed from an essay by Hito Steyerl titled, ‘In Defense of the Poor Image.’ Referencing Soviet director and theorist Dziga Vertov’s concept of ‘visual bonds,’ Steyerl imagines the utopian implications of the distribution of low-resolution digital images. Circumventing verification, homogenization or regulation, GIFS, thumbnails, JPEGS, and memes, may offer digital space for alternative sharing economies and niche visual languages.

What politics are expressed in the creation and dissemination of digital ephemera? In particular, how is black and queer personhood visualized in digital and filmic space? Collectively critiquing and re-imagining Steyerl’s utopia, Perry moderates a discussion about self-imaging, the familial, and dissenting technologies.

MoMA PS1’s acclaimed VW Sunday Sessions program welcomes visitors to experience art live and in real time. Embracing performance, music, dance, conversations, and film, the program vividly demonstrates how these art forms can push us to engage with our contemporary world in creative, illuminating ways. With an emphasis on artistic practices that blur and break traditional genre boundaries, the program supports and commissions new work, inviting artists, curators, and other cultural instigators to share their latest projects.

Sunday Sessions is organized by Jenny Schlenzka, Associate Curator, with Alex Sloane, Curatorial Assistant; Taja Cheek, Curatorial Assistant; Rosey Selig-Addiss, Associate Producer and Lucy Lie, Production Assistant.

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Sunday Sessions and the VW Dome at MoMA PS1 are made possible by a partnership with Volkswagen of America.

This performance is part of VW Sunday Sessions.