Afrofuturism, a term first used by Mark Dery in his essay Black to the Future, addresses African American themes within the context of science fiction, techno-culture and sci-fi aesthetics. The history of African Americans is reflected sharply within the core concepts of speculative fiction, which frequently explore notions of the Other and of abducted peoples facing intolerance and violence by oppressors in an alien land. From Sun Ra’s Omniverse Arkestra to Funkadelic, Octavia Butler to Kwodo Eshun and Jean-Michael Basquiat to Wangechi Mutu, African American artists and musicians continue to look to futuristic technology and iconography in their work, imagining an Afrofuture from within the fractured world.
MOONDANCE is a celebration of Afrofuturism within contemporary culture. The journey is in three parts featuring lecture, dance and live music, each of which highlights the depth to which our popular culture is indebted to the ideas of a black alter destiny. King Britt, a key figure within the sonic movement of Afrofuturism, presents a program featuring artists and thinkers who represent the continued influence of an Afrofuturistic aesthetic and mythology within our cultural and academic institutions.
Speakers, Ytasha Womack, Dr Alondra Nelson and Hank Shocklee, discuss the true definition of the word, afrofuturism, and its major influences on pop culture.
Interdisciplinary choreographer D. Sabela Grimes gives a truly unique performance on the influences of afrofuturism in dance.
Live music performances by Shabazz Palaces, Fhloston Paradigm featuring Pia Ercole, Ursula Rucker, HPrizm and Ras G, complete the journey. Visuals provided by Mike Todd.
12:00 p.m. – Ambient Recording
12.15 p.m. – HPrizm live
12.45 p.m. – D. Sabela Grimes Dance Piece
1:15 p.m. – Hank Shocklee DJ Set
1.45 p.m. – Panel discussion with Ytasha Womack, Dr Alondra Nelson, Hank Shocklee and Ursula Rucker
2:30 p.m. – Fhloston Paradigm featuring Pia Ercole live
3:30 p.m. – Ursula Rucker live
4:15 p.m. – Ras G live
4:45 p.m. – Shabazz Palaces live
MoMA PS1’s acclaimed VW Sunday Sessions performance series welcomes visitors to experience and participate in live art. Since its founding in 1976, MoMA PS1 has offered audiences one of the most extensive programs of live performance in the world. VW Sunday Sessions highlights artists responding to contemporary social and political issues through a wide variety of creative and critical lenses. Encompassing performance, music, dance, conversation, and film, the series develops and presents projects by established and emerging artists, scholars, activists, and other cultural instigators. With a focus on artists that blur and break traditional genre boundaries, VW Sunday Sessions embraces the communities in New York City that create and sustain artistic practice.
Since 2012, VW Sunday Sessions has presented a commissioning program resulting in new work by Trajal Harrell, Mårten Spångberg, Anne Imhof, Tobias Madison and Matthew Lutz Kinoy, Hannah Black, and Colin Self. Additionally, the VW Dome Artist Residency offers a platform for creative development and experimentation for artists at all stages of the creative process.