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Events

  • Tue, Feb 23

    • The Half of It. 2020. Directed by Alice Wu Into the Night. 2020. Directed by Laci Dent

      12:00 a.m.–12:00 p.m.

      Online

      Film, for members

      The Half of It. 2020. USA. Directed by Alice Wu. Courtesy of Netflix

    • She Dies Tomorrow. 2020. Directed by Amy Seimetz Sisters! 2020. Directed by Nicole Emanuele

      12:00 a.m.–12:00 p.m.

      Online

      Film, for members

      She Dies Tomorrow. 2020. USA Directed by Amy Seimetz. Courtesy of Neon

    • Shirley. 2020. Directed by Josephine Decker Memory Xperiment: Kathy Acker. 2019. Directed by Aïda Ruilova

      12:00 a.m.–12:00 p.m.

      Online

      Film, for members

      Shirley. 2020. USA. Directed by Josephine Decker. Courtesy of Neon

    • Stray. 2020. Directed by Elizabeth Lo KAMA'AINA. 2020. Directed by Kimi Howl Lee

      12:00 a.m.–12:00 p.m.

      Online

      Film, for members

      Stray. 2019. USA. Directed by Elizabeth Lo. Courtesy of Magnolia Pictures

    • The Mauritanian. 2021. Directed by Kevin MacDonald

      12:00 a.m.–12:00 p.m.

      Online

      Film, for members

      The Mauritanian. 2021. Directed by Kevin MacDonald. Courtesy of STX Films

    • A Celebratory Reading for Japanese Expanded Cinema and Intermedia

      Tue, Feb 23, all day

      Online

      Film, for members

      Screening of Phenomenology of Zeitgeist (1967), by Rikuro Miyai, at Tate Modern, 2016. Photo: Go Hirasawa

    • Make Art Together: Piece by Piece

      10:00 a.m.

      Online

      Workshop, for kids

      Anne Ryan. Collage, 353. 1949. Cut-and-pasted colored paper, cloth, and string on paper, 7 1/2 x 6 7/8" (19 x 17.5 cm). Gift of Elizabeth McFadden. Photo: John Wronn

    • Nomadland. 2020. Directed by Chloé Zhao

      12:00–11:59 p.m.

      Online

      Film, for members

      Nomadland. 2020. USA. Directed by Chloé Zhao. Courtesy of Searchlight Pictures

    • Druk (Another Round). 2020. Directed by Thomas Vinterberg

      12:00–11:59 p.m.

      Online

      Film, for members

      Druk (Another Round. 2020. Denmark. Directed by Thomas Vinterberg. Courtesy of Nordisk Film

    • Judas and the Black Messiah. 2021. Directed by Shaka King

      12:00–11:59 p.m.

      Online

      Film, for members

      Judas and the Black Messiah. 2020. Directed by Shaka King. Courtesy of Warner Bros.

    • Member Orientation

      6:30 p.m.

      Online

      Workshop, for members

      A MoMA staff member leads a Member Orientation session

  • Wed, Feb 24

    • Nomadland. 2020. Directed by Chloé Zhao

      Wed, Feb 24, all day

      Online

      Film, for members

      Nomadland. 2020. USA. Directed by Chloé Zhao. Courtesy of Searchlight Pictures

    • An Evening with Heecheon Kim

      Wed, Feb 24, all day

      Online

      Film, for members

      Lifting Barbells. 2015. South Korea. Directed by Heecheon Kim. Courtesy the artist

    • Druk (Another Round). 2020. Directed by Thomas Vinterberg

      Wed, Feb 24, all day

      Online

      Film, for members

      Druk (Another Round. 2020. Denmark. Directed by Thomas Vinterberg. Courtesy of Nordisk Film

    • Japanese Cinema Expanded

      Wed, Feb 24, all day

      Online

      Film, for members

      Motoharu Jonouchi. Shinjuku Station. 1968–74. 16mm film (black and white, sound), 15 min. Courtesy Collaborative Cataloging Japan

    • A Celebratory Reading for Japanese Expanded Cinema and Intermedia

      Wed, Feb 24, all day

      Online

      Film, for members

      Screening of Phenomenology of Zeitgeist (1967), by Rikuro Miyai, at Tate Modern, 2016. Photo: Go Hirasawa

    • Judas and the Black Messiah. 2021. Directed by Shaka King

      Wed, Feb 24, all day

      Online

      Film, for members

      Judas and the Black Messiah. 2020. Directed by Shaka King. Courtesy of Warner Bros.

  • Thu, Feb 25

    • Nomadland. 2020. Directed by Chloé Zhao

      Thu, Feb 25, all day

      Online

      Film, for members

      Nomadland. 2020. USA. Directed by Chloé Zhao. Courtesy of Searchlight Pictures

    • An Evening with Heecheon Kim

      Thu, Feb 25, all day

      Online

      Film, for members

      Lifting Barbells. 2015. South Korea. Directed by Heecheon Kim. Courtesy the artist

    • Druk (Another Round). 2020. Directed by Thomas Vinterberg

      Thu, Feb 25, all day

      Online

      Film, for members

      Druk (Another Round. 2020. Denmark. Directed by Thomas Vinterberg. Courtesy of Nordisk Film

    • Japanese Cinema Expanded

      12:00 a.m.–12:00 p.m.

      Online

      Film, for members

      Motoharu Jonouchi. Shinjuku Station. 1968–74. 16mm film (black and white, sound), 15 min. Courtesy Collaborative Cataloging Japan

    • A Celebratory Reading for Japanese Expanded Cinema and Intermedia

      12:00 a.m.–12:00 p.m.

      Online

      Film, for members

      Screening of Phenomenology of Zeitgeist (1967), by Rikuro Miyai, at Tate Modern, 2016. Photo: Go Hirasawa

    • Judas and the Black Messiah. 2021. Directed by Shaka King

      Thu, Feb 25, all day

      Online

      Film, for members

      Judas and the Black Messiah. 2020. Directed by Shaka King. Courtesy of Warner Bros.

    • Closer. 2004. Directed by Mike Nichols

      12:00–11:59 p.m.

      Online

      Film, for members

      Closer. 2004. Directed by Mike Nichols. Courtesy of Photofest

    • The Fortune. 1975. Directed by Mike Nichols

      12:00–11:59 p.m.

      Online

      Film, for members

      The Fortune. 1975. Directed by Mike Nichols. Courtesy of Photofest

    • Who’s Afraid of Virginia Woolf? 1966. Directed by Mike Nichols

      12:00–11:59 p.m.

      Online

      Film, for members

      Who’s Afraid of Virginia Woolf? 1966. Directed by Mike Nichols. Courtesy of Photofest

    • Angels in America: Millennium Approaches. 2003. Directed by Mike Nichols

      12:00–11:59 p.m.

      Online

      Film, for members

      Angels in America: Millennium Approaches. 2003. Directed by Mike Nichols. Courtesy of Photofest

    • Educator Activism: Social Justice, Antiracist Education, and Cultural Responsiveness

      5:00 p.m.

      Online

      Lecture/panel, for educators

      Jacob Lawrence. In the North the Negro had better educational facilities, from the Migration Series. 1940–41. Casein tempera on hardboard. Gift of Mrs. David M. Levy. © 2021 Jacob Lawrence/Artists Rights Society (ARS), New York

    • Art and Practice with Studio K.O.S.

      6:30–8:30 p.m.

      Online

      Workshop

      Photo courtesy of Robert Branch, Rick Savinon, Angel Abreu, and Jorge Abreu

    • Virtual Views: Engineer, Agitator, Constructor, a Live Q&A

      8:00 p.m.

      Online

      Lecture/panel

      Valentina Kulagina. Maquette for We Are Building (Stroim). 1929. Cut-and-pasted printed and painted paper, sandpaper, gouache, and pencil on paper. The Museum of Modern Art, New York. The Merrill C. Berman Collection

  • Fri, Feb 26

    • Nomadland. 2020. Directed by Chloé Zhao

      Fri, Feb 26, all day

      Online

      Film, for members

      Nomadland. 2020. USA. Directed by Chloé Zhao. Courtesy of Searchlight Pictures

    • An Evening with Heecheon Kim

      Fri, Feb 26, all day

      Online

      Film, for members

      Lifting Barbells. 2015. South Korea. Directed by Heecheon Kim. Courtesy the artist

    • Druk (Another Round). 2020. Directed by Thomas Vinterberg

      Fri, Feb 26, all day

      Online

      Film, for members

      Druk (Another Round. 2020. Denmark. Directed by Thomas Vinterberg. Courtesy of Nordisk Film

    • Closer. 2004. Directed by Mike Nichols

      Fri, Feb 26, all day

      Online

      Film, for members

      Closer. 2004. Directed by Mike Nichols. Courtesy of Photofest

    • The Fortune. 1975. Directed by Mike Nichols

      Fri, Feb 26, all day

      Online

      Film, for members

      The Fortune. 1975. Directed by Mike Nichols. Courtesy of Photofest

    • Who’s Afraid of Virginia Woolf? 1966. Directed by Mike Nichols

      Fri, Feb 26, all day

      Online

      Film, for members

      Who’s Afraid of Virginia Woolf? 1966. Directed by Mike Nichols. Courtesy of Photofest
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