Frank Lloyd Wright. American System-Built Houses for The Richards Company project. 1915–17. Lithograph, 11 × 8 1/2" (27.9 × 21.6 cm). Gift of David Rockefeller, Jr. Fund, Ira Howard Levy Fund, and Jeffrey P. Klein Purchase Fund. © 2022 Frank Lloyd Wright Foundation/Artists Rights Society (ARS), New York

“I wouldn’t like to change so much the way we live, as what we live in, and how we live in it.”

Frank Lloyd Wright

A pragmatist, technical innovator, and independent thinker, Frank Lloyd Wright designed cities and buildings and their interior furnishings across a prolific 72-year career, reflecting his vision of an ideal American society.

Raised in rural Wisconsin in a family of Unitarians, Wright relocated to Chicago and gained experience in various architectural practices, most notably with Louis Sullivan, who Wright referred to as his “Lieber Meister” (beloved master). In the office of Dankmar Adler and Sullivan, he absorbed an appreciation for technology and engineering—and for Sullivan’s exuberant organic ornament (as in Sullivan’s frieze paneling for the trading room of the former Chicago Stock Exchange, c. 1893).

In 1893, Wright established his independent practice, eventually opening a studio in his home in suburban Oak Park, Illinois, and becoming the leading figure of the so-called Prairie School of architecture. His Ward W. Willits House (1902–03) and Frederick C. Robie House (1908–10) showcased open plans and broad horizontal lines and cantilevers that evoked the expanse of the flat Midwestern landscape. His ideas for an organic architecture were predicated on an integral relationship of a building to its site, and a unity in design of all of its interior furnishings and colorful art glass windows, which he also designed.

While Wright shared the Arts and Crafts movement’s ethos of social reform and art and design having a role in improving society, he drew inspiration from many sources, including nature; Platonic geometric shapes underlying the theory and methods of the 19th-century educator Friedrich Froebel; and the abstraction inherent in the art and architecture of Japan, where he first traveled in 1905. He also embraced a lifelong interest in modern technology and materials, which could be applied toward system-built affordable housing (for example, his series of American Ready Cut Houses and Usonian houses), and which afforded possibilities for dramatic new formal expression, as in the daring cantilevers at Fallingwater, Edgar J. Kaufmann House (1934–37) , the dendriform concrete columns and Pyrex glass tube windows in the S. C. Johnson & Son building, and the central spiral of the Solomon R. Guggenheim Museum (1943–59).

In 1909, Wright faced personal and professional crises that caused a rupture in his practice. Over the next two decades he spent time in Europe and had studios in Tokyo (where he designed a number of buildings, most notably the Imperial Hotel [completed 1923; demolished 1968]) and Los Angeles, where he produced a series of remarkable concrete block houses. He eventually settled at Taliesin (begun 1911), his home and studio at his family farm in Spring Green, Wisconsin, and later at a winter home and studio, Taliesin West (begun 1937), in Scottsdale, Arizona, where he established an apprentice program that remains an active school of architecture today.

Wright’s complex relationship with the city and America’s agrarian past reached its most ambitious expression in his visionary, polemical Broadacre City model (1935). The 12' x 12' scale model and its accompanying text panels depicted a four-square-mile section of a utopian, decentralized city, made possible by new developments in transportation and telecommunications. Within a grid of roads and highways, gas stations, houses, schools, factories, shopping centers, and office buildings were dispersed across the landscape—Wright’s antidote to the congested city.

Until his death in 1959, Wright remained prolific. In his many designs for houses, workplaces, and institutions such as schools, churches, and synagogues, he continued to explore materials and to expand his repertoire of planning devices, including designs based on hexagonal grids and circular elements. His efforts to reshape the modern city are evinced by large-scale civic and cultural-center projects for cities from Madison, Wisconsin, to Baghdad, Iraq, and in The Mile High Illinois skyscraper (1956), whose proposed height would far surpass that of any of today's tall buildings.

Note: Opening quote is from Frank Lloyd Wright Foundation, “A Man 100 Years Ahead of His Time: Excerpts from the Mike Wallace Interview.” August 20, 2019.

Peter Reed, Senior Deputy Director for Curatorial Affairs, 2016

Wikipedia entry
Frank Lloyd Wright Sr. (June 8, 1867 – April 9, 1959) was an American architect, designer, writer, and educator. He designed more than 1,000 structures over a creative period of 70 years. Wright played a key role in the architectural movements of the twentieth century, influencing architects worldwide through his works and mentoring hundreds of apprentices in his Taliesin Fellowship. Wright believed in designing in harmony with humanity and the environment, a philosophy he called organic architecture. This philosophy was exemplified in Fallingwater (1935), which has been called "the best all-time work of American architecture". Wright was a pioneer of what came to be called the Prairie School movement of architecture and also developed the concept of the Usonian home in Broadacre City, his vision for urban planning in the United States. He also designed original and innovative offices, churches, schools, skyscrapers, hotels, museums, and other commercial projects. Wright-designed interior elements (including leaded glass windows, floors, furniture and even tableware) were integrated into these structures. He wrote several books and numerous articles and was a popular lecturer in the United States and in Europe. Wright was recognized in 1991 by the American Institute of Architects as "the greatest American architect of all time". In 2019, a selection of his work became a listed World Heritage Site as The 20th-Century Architecture of Frank Lloyd Wright. Raised in rural Wisconsin, Wright studied civil engineering at the University of Wisconsin and then apprenticed in Chicago, briefly with Joseph Lyman Silsbee, and then with Louis Sullivan at Adler & Sullivan. Wright opened his own successful Chicago practice in 1893 and established a studio in his Oak Park, Illinois home in 1898. His fame increased and his personal life sometimes made headlines: leaving his first wife Catherine "Kitty" Tobin for Mamah Cheney in 1909; the murder of Mamah and her children and others at his Taliesin estate by a staff member in 1914; his tempestuous marriage with second wife Miriam Noel (m. 1923–1927); and his courtship and marriage with Olgivanna Lazović (m. 1928–1959).
Information from Wikipedia, made available under the Creative Commons Attribution-ShareAlike License
Getty record
Architect, draftsman, furniture and interior designer and author, Wright is internationally recognized as one of the most important figures in 20th century architecture. However, unlike other architects whose success and reputation are measured in part by the dispersal of their ideals into the everyday landscape, Wright remained an individualist who made only a slight impact on the evolution of 20th century architecture. Instead, his fame is derived from its intuitive ability to mold space within an environment and within space itself. He is best known for his "Prairie style" homes, efficient office buildings, and innovative furniture and chinaware designs.
Artist, Author, Art Collector, Architect, Furniture Designer, Printseller, Interior Designer
Frank Lloyd Wright, Frank Lloyd Lincoln Wright, Frank Lloid Rait, Frank Luyd Rayt
Information from Getty’s Union List of Artist Names ® (ULAN), made available under the ODC Attribution License


118 works online



  • Emerging Ecologies: Architecture and the Rise of Environmentalism Exhibition catalogue, Hardcover, 224 pages
  • MoMA Highlights: 375 Works from The Museum of Modern Art Flexibound, 408 pages
  • MoMA Now: Highlights from The Museum of Modern Art—Ninetieth Anniversary Edition Hardcover, 424 pages
  • Frank Lloyd Wright: Unpacking the Archive Exhibition catalogue, Hardcover, 256 pages
  • Counter Space: Design and the Modern Kitchen Exhibition catalogue, Hardcover, 88 pages
  • Studies in Modern Art 8: The Show to End All Shows: Frank Lloyd Wright and The Museum of Modern Art, 1940 Paperback, 240 pages
  • Frank Lloyd Wright: Architect Paperback, 344 pages
  • Frank Lloyd Wright: Architect Hardcover, 344 pages
  • The Drawings of Frank Lloyd Wright Exhibition catalogue, Paperback, pages
  • A New House by Frank Lloyd Wright Paperback, pages



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