Joaquín Torres-García
- Introduction
- Joaquín Torres-García (28 July 1874 – 8 August 1949) was an Uruguayan-Spanish artist ("l'artista uruguaianocatalà Joaquín Torres-García") born in Montevideo, Uruguay. As an adolescent, Torres-García emigrated to Catalunya, Spain, where he began his career as an artist in 1891. For the next three decades, Torres-García embraced the Catalan identity and led the cultural scene in Barcelona and Europe. As a painter, sculptor, muralist, novelist, writer, teacher and theorist, Torres-García was considered to be a "renaissance" or "universal man." He used a simple metaphor to deal with the eternal struggles he faced between the old and the modern, between the classical and the avant-garde, between reason and feeling, and between figuration and abstraction: there is no contradiction or incompatibility. Like Goethe, Torres-García sought integration between classicism and modernity. Although he lived and worked primarily in Spain, Torres-García was also active in the United States, Italy, France and Uruguay, where his influence encompassed a personal presence in European, North American and South American modern art. Torres-García is known for his collaboration with Antoni Gaudi in 1903 on the stained glass windows for both the Palma Cathedral and the Sagrada Família. He also decorated the medieval Palau de la Generalitat seat of the Catalan government with monumental frescoes. His art is associated with archaic universal cultures, including Mediterranean cultural traditions, Noucentisme, and Modern Classicism. Torres-García developed a unique style (first described as "Art Constructif") in the 1930s while living in Paris. Arte Constructivo (Constructive Art), a school he opened in Madrid, was continued as Universalismo Constructivo (Universal Constructivism), a treatise he published in South America while teaching through his workshop schools, “Asociación de Arte Constructivo” (Constructive Art Association) and El Taller Torres-García. Torres-García's art combines classic/archaic traditions with twentieth-century "-isms": Cubism, Dada, Neo-plasticism, Primitivism, Surrealism, Abstraction. As a theoretician, Torres-García published more than 150 books, essays and articles written in Catalan, Spanish, French, and English. During his lifetime, he gave more than 500 lectures. An indefatigable teacher, Torres-García founded several art schools in Spain and Uraguay (Montevideo) and numerous art groups, including the first European abstract art group. He also founded the magazine Cercle et Carré (Circle and Square) in Paris, in 1929. Retrospectives in Paris (1955) and Amsterdam (1961) are the earliest shows to historically document the position of Torres-García in the world of abstract art. In the United States, he exhibited in New York in the 1920s just as the Whitney Studio Club, the Society of Independent Artists and the Societe Anonyme were emerging. In the 1930s, Albert Eugene Gallatin exhibited Torres-García's work in the Museum of Living Art alongside such Modern masters as Picasso, Georges Braque, Henri Matisse and Fernand Léger. The Museum of Modern Art opened its Latin American collection exhibition in the 1940s with the acquisition of Torres-García's work, and the Sidney Janis and Rose Fried galleries sponsored important shows during the 1950s. In the 1970s, the Solomon R. Guggenheim Museum opened a retrospective exhibition, and more recent retrospectives at The Museum of Modern Art (2015) and Acquavella Galleries (2018) exhibited Torres-García's art from a contemporary perspective.
- Wikidata
- Q520713
- Nationalities
- Uruguayan, Central American, South American, Spanish
- Gender
- Male
- Roles
- Artist, Teacher, Fresco Painter, Muralist, Painter, Toymaker, Theorist
- Names
- Joaquín Torres-García, Joaquin Torres Garcia, Joaquin Torres-Garcia, Joaquín García, Joaquim Torres-García, Joaquim García, Joaquín Torres- García, J. Torres-García, Joaquím Torres-García, Joaquím Torres- García, Torres-Garcia
- Ulan
- 500031259
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Read a short essay about the seminar A Flâneur in Montevideo: Joaquín Torres-García´s "La ciudad sin nombre" at the post
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Read a short essay about the seminar Growing Up With Style at the post
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Read a short essay about Joaquín Torres-García at the post
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Read a short essay about Joaquín Torres-García at the post website (part
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Read a short essay about Joaquín Torres-García at the post website (part
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Read a short essay about Joaquín Torres-García at the post website (part
3)
Exhibitions
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512: Circle and Square, Joaquin Torres-Garcia and Piet Mondrian
Ongoing
MoMA
Collection gallery
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509: New York City, 1920s
Ongoing
MoMA
Collection gallery
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Sur moderno: Journeys of Abstraction—The Patricia Phelps de Cisneros Gift
May 28–Sep 12, 2020
MoMA
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Lincoln Kirstein’s Modern
Mar 17–Jun 15, 2019
MoMA
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Joaquín Torres-García: The Arcadian Modern
Oct 25, 2015–Feb 15, 2016
MoMA
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Joaquín Torres-García has
31 exhibitionsonline.
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Joaquín Torres-García Street Scene New York 1920-22
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Joaquín Torres-García Guitar 1924
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Joaquín Torres-García Untitled (Figures) 1927
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Joaquín Torres-García Color Structure 1930
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Joaquín Torres-García Composition 1931
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Joaquín Torres-García Construction with Curved Forms 1931
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Joaquín Torres-García Composition 1932
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Joaquín Torres-García Composition 1932
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Jean (Hans) Arp, Alexander Calder, Giorgio de Chirico, Hans Erni, Max Ernst, Justino Fernández, Alberto Giacometti, Julio González, Nikos Hadjikyriakos-Ghika, Jean Hélion, Vasily Kandinsky, Fernand Léger, Jacques Lipchitz, Alberto Magnelli, Joan Miró, Ben Nicholson, Amédée Ozenfant, Pablo Picasso, Kurt Seligmann, Sophie Taeuber-Arp, Joaquín Torres-García, Gérard Vulliamy, Ossip Zadkine, Various Artists 23 Gravures 1930–35, published 1935
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Joaquín Torres-García Plate (folio 45) from 23 Gravures 1934, published 1935
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Joaquín Torres-García Construction in White and Black 1938
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Joaquín Torres-García Portrait of Wagner 1940
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Joaquín Torres-García The Port 1942
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