Introduction
Marina Abramović (Serbian Cyrillic: Марина Абрамовић, pronounced [marǐːna abrǎːmoʋitɕ]; born November 30, 1946) is a Serbian performance artist, writer, and art filmmaker. Her work explores body art, endurance art and feminist art, the relationship between performer and audience, the limits of the body, and the possibilities of the mind. Being active for over four decades, Abramović refers to herself as the "grandmother of performance art". She pioneered a new notion of identity by bringing in the participation of observers, focusing on "confronting pain, blood, and physical limits of the body".
Wikidata
Q47496
View or edit the full Wikipedia entry
Information from Wikipedia, made available under the Creative Commons Attribution-ShareAlike License
Introduction
Academy of Fine Arts in Belgrade (1965–70) before completing her post-diploma studies at the Academy of Fine Arts, Zagreb, in 1972. Her first significant performances began in 1973 and established a practice of exploring the physical limits of the human body. From 1976-1989 she worked in collaboration with Frank Uwe Laysiepen, known and Ulay. In 2010 she was the subject of a retrospective at the Museum of Modern Art, New York, titled The Artist is Present.
Nationalities
Serbian, Yugoslav
Gender
Female
Roles
Artist, Installation Artist, Performance Artist, Sculptor, Video Artist
Names
Marina Abramović, Marina Abramovic
Ulan
500115967
View the full Getty record
Information from Getty’s Union List of Artist Names ® (ULAN), made available under the ODC Attribution License