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Michael Krebber

German, born 1954

https://www.moma.org/artists/19163?locale=en

Exhibitions

  • Mark Leckey. *UniAddDumThs*. Installation view, Gavin Brown’s enterprise, Sant’Andrea de Scaphis, Rome, May 25–July 16, 2016. Courtesy the artist and Gavin Brown’s enterprise

    Mark Leckey: Containers and Their Drivers

    October 23, 2016–March 5, 2017

    MoMA PS1

  • Martin Kippenberger. *Content on Tour (Inhalt auf Reisen).* 1992. Screenprint mounted on plywood, with unique alterations by the artist, 70 7/8 x 59" (180 x 150 cm). Publisher and printer: Edition Artelier, Graz, Austria. Edition: 3 this size; 5 for three smaller sizes. Collection Estate Martin Kippenberger, Galerie Gisela Capitain, Cologne. © Estate Martin Kippenberger, Galerie Gisela Capitain, Cologne. Photo: Lothar Schnepf, Cologne

    Print/Out

    February 19–May 14, 2012

    The Museum of Modern Art

  • Parallax View: New York-Köln

    April 18–June 20, 1993

    MoMA PS1

12 works online

Martin Kippenberger, Michael Krebber, Günther Förg
Anlehnungsbedürfnis 86,
1987

Martin Kippenberger, Luis Claramunt, Michael Krebber, Sven-Åke Johansson
Die Fahrt Ins Freilichtmuseum. Eurobummel Teil II,
1989

Michael Krebber
Untitled
(1992)

Michael Krebber
Untitled (I)
(1992)

Michael Krebber
Untitled (III)
(1992)

Martin Kippenberger, Michael Krebber, Albert Oehlen, Jörg Schlick
Nikdo nepomůže nikomu | Das Gute muß gut sein,
1992

No image available

Michael Krebber
Untitled
2006

No image available

Michael Krebber
Untitled
2006

Michael Krebber
C-A-N-V-A-S Painting 4
2011

Michael Krebber
C-A-N-V-A-S Painting 9
2011

Michael Krebber
C-A-N-V-A-S Painting 10
2011

Michael Krebber
C-A-N-V-A-S Painting 12
2011

Licensing

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If you would like to reproduce text from a MoMA publication or moma.org, please email text_permissions@moma.org. If you would like to publish text from MoMA's archival materials, please fill out this permission form and send to archives@moma.org.

Feedback
This record is a work in progress. If you have additional information or spotted an error, please send feedback to digital@moma.org.
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