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MoMA

EXHIBITIONS & FILM


On View | Upcoming | Past 2014 2013 2012 2011 2010 2009 2008 2007 2006 2005 2004 2003
  1. Henri de Toulouse-Lautrec (French, 1864–1901). <i>Jane Avril</i>. 1899. Lithograph, sheet: 22 1/16 x 15″ (56 x 38.1 cm) The Museum of Modern Art, New York. Gift of Abby Aldrich Rockefeller, 1946

    The Paris of Toulouse-Lautrec: Prints and Posters

    July 26, 2014–March 22, 2015


  2. László Moholy-Nagy. <i>Painting, Photography, Film (Malerei, Fotografie, Film)</i>. Munich: Albert Langen Verlag, 1925. The Museum of Modern Art Library, New York. © 2014 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn

    Production-Reproduction: The Circulation of Photographic Modernism, 1900–1950

    December 12, 2014–March 30, 2015


  3. Still from <i>The Mesmerist</i>. 2003. USA. Directed by Bill Morrison. Courtesy the filmmaker

    Bill Morrison: Re-Compositions

    October 14, 2014–March 31, 2015


  4. Laura Owens. <i>Untitled</i>. 2013. Flashe paint, synthetic polymer paint, and oil stick on canvas. 11’ 5 3/8” x 9’ 11 7/8” (349.3 x 304.8 cm). The Museum of Modern Art, New York. Enid A. Haupt Fund. Photo: Jonathan Muzikar

    The Forever Now: Contemporary Painting in an Atemporal World

    December 14, 2014–April 5, 2015


  5. Jean Dubuffet (French, 1901–1985). <i>Le Vin de barbe</i>. 1959. Torn-and-pasted paper with ink and ink transfer on paper, composition and sheet: 20 x 13 1/4" (50.8 x 33.6 cm). The Museum of Modern Art, New York. Nina and Gordon Bunshaft Bequest, 1995. © 2014 Artists Rights Society (ARS), New York/ADAGP, Paris

    Jean Dubuffet: Soul of the Underground

    October 18, 2014–April 5, 2015


  6. Willi Ruge (German, 1882–1961). <i>Seconds before Landing</i>, from the series I Photograph Myself during a Parachute Jump. 1931. Gelatin silver print, 8 1/16 × 5 9/16″ (20.4 × 14.1 cm). The Museum of Modern Art, New York. Thomas Walther Collection. Gift of Thomas Walther

    Modern Photographs from the Thomas Walther Collection, 1909–1949

    December 13, 2014–April 19, 2015


  7. Production still from <i>Bert Williams Lime Kiln Field Day Project</i>. 1913. Odessa Warren Grey and Bert Williams

    100 Years in Post-Production: Resurrecting a Lost Landmark of Black Film History

    October 24, 2014–May 3, 2015


  8. Morro do Alemão, Rio de Janeiro, 2012. Photograph by Pedro Rivera, RUA Arquitetos

    Uneven Growth: Tactical Urbanisms for Expanding Megacities

    November 22, 2014–May 10, 2015


  9. Hito Steyerl. <i>HOW NOT TO BE SEEN A Fucking Didactic Educational .Mov File</i>. 2013. Video (color, sound). Video (color, sound), 14 min. Committee on Media and Performance Art Funds. © 2014 Hito Steyerl

    Cut to Swipe

    October 11, 2014–May 25, 2015


  10. Photo by Martin Seck.

    MoMA Art Lab: Places and Spaces

    October 30, 2014–August 31, 2015


  11. Hiroshi Ohchi. <i>Radio</i>. 1954. Silkscreen, 40 1/2 x 28 1/4" (102.9 x 71.8 cm). The Museum of Modern Art, New York. Gift of the designer

    Making Music Modern: Design for Ear and Eye

    November 15, 2014–November 1, 2015


  12. Neri Oxman (American, b. Israel 1976), Mediated Matter Group (est. 2010), Massachusetts Institute of Technology, Cambridge, MA (est. 1861), W. Craig Carter (American, b. 1961), MIT Materials Science and Engineering (est. 1974), Stratasys (est. 1989). Imaginary Beings (Medusa 2). 2012. Objet Connex500 Multi-material 3-D Bitmap Printer and colored digital powders and materials. The Museum of Modern Art, New York. Committee on Architecture and Design Funds

    This Is for Everyone: Design Experiments for the Common Good

    February 14, 2015–January 31, 2016


  13. Massoud Hassani (Dutch, b. Afghanistan 1983). Design Academy Eindhoven (The Netherlands, est. 1947). Mine Kafon wind-powered deminer. 2011. Bamboo and biodegradable plastics. 87 x 87 x 87" (221 x 221 x 221 cm). Gift of the Contemporary Arts Council of The Museum of Modern Art, 2012. Photographs courtesy of Hassani Design BV

    Design and Violence

    Ongoing


  14. Gustav Klimt (Austrian, 1862–1918). <i>Adele Bloch-Bauer II</i>. 1912. Oil on canvas. Private collection. © 2014 The Museum of Modern Art, New York. Photo: Jonathan Muzikar

    Gustav Klimt’s Adele Bloch-Bauer II

    Ongoing


  15. Jackson Pollock. <i>One: Number 31, 1950</i>. 1950. Oil and enamel paint on canvas, 8' 10" x 17' 5 5/8" (269.5 x 530.8 cm). Sidney and Harriet Janis Collection Fund (by exchange). © 2011 Pollock-Krasner Foundation / Artists Rights Society (ARS), New York

    Painting & Sculpture II

    Ongoing


  16. Shown, from back: Joan Miró. <i>Moonbird</i>. 1966. Bronze, 7' 6" x 6' 6" x 57" (228.5 x 198.2 x 144.9 cm). Nina and Gordon Bunshaft Bequest. © 2012 Successió Miró/Artists Rights Society (ARS), New York/ADAGP, Paris; Aristide Maillol. <i>The River</i>. Begun 1938–39; completed 1943 (cast 1948). Lead, 53 3/4" x 7' 6" x 66" (136.5 x 228.6 x 167.7 cm), on lead base designed by the artist 9 3/4 x 67 x 27 3/4" (24.8 x 170.1 x 70.4 cm). Printer: Alexis Rudier. Mrs. Simon Guggenheim Fund. © 2012 Artists Rights Society (ARS), New York/ADAGP, Paris

    The Modern Monument

    Ongoing


  17. Nora Schultz. <i>Countdown Performance</i>. 2007. 11 chromogenic color photographs, each: 11 5/8 x 9 3/16" (29.5 x 23.4 cm). Courtesy Campoli Presti, London/Paris © Nora Schultz

    Performance Program

    Ongoing


  18. Kazimir Malevich. <i>Suprematist Composition: White on White</i>. 1918. Oil on canvas, 31 1/4 x 31 1/4" (79.4 x 79.4 cm). 1935 Acquisition confirmed in 1999 by agreement with the Estate of Kazimir Malevich and made possible with funds from the Mrs. John Hay Whitney Bequest (by exchange)

    Painting & Sculpture I

    Ongoing