Looking at Music
August 18–December 21, 2008
This series is presented in conjunction with the gallery exhibition Looking at Music
Music with Roots in the Aether, Parts 1–7
Released in 1975, director Robert Ashley's large-scale documentation of the "post-serial"/"post-Cage" movement in 1960s American concert music features seven composers who gained international reputations for the originality of their work. For November's Looking at Music program, MoMA presents all seven parts of the series.
Related Film Screenings
Upcoming
Past
9 Evenings: Theater and Engineering
Growing interest in the new technologies generated by the rapid developments of the early 1960s led several artists to collaborate with Billy Klüver and his fellow engineers at Bell Laboratories. In late 1965 Klüver and Robert Rauschenberg formed Experiments in Art and Technology (E.A.T.), a project that provided artists, dancers, and composers with access to new technology and presented the resulting works to a wider audience. Ten invited artists—John Cage, Lucinda Childs, Öyvind Fahlström, Alex Hay, Deborah Hay, Steve Paxton, Yvonne Rainer, Robert Rauschenberg, David Tudor, and Robert Whitman—worked for ten months in collaboration with thirty Bell Laboratories engineers and scientists to develop custom technical equipment. The new equipment was then featured in a series of performances presented in October 1966 at New York City's 69th Regiment Armory. This program presents two of the live events, which were faithfully reconstructed through original documentary film and sound materials. Reconstructions of the remaining seven performances will be shown in subsequent months.
Variations VII
1969. USA. John Cage. 41 min.
Bandoneon!
1969. USA. David Tudor.
Wavelength
1967. USA. Michael Snow. 45 min.
Crossroads
1976. USA. Bruce Conner. 36 min.
Scorpio Rising
1963. USA. Kenneth Anger. 30 min.
Flaming Creatures
1963. USA. Jack Smith. 43 min.
Art and Music in Popular Culture
Dominatrix, "The Dominatrix Sleeps Tonight"
1984. USA. Beth B. Approx. 4 min.
The Cars, "Hello Again"
1984. USA. Andy Warhol, Don Munro. 5 min.
Toni Basil, "Over My Head"
1984. USA. Toni Basil. 4 min.
Laurie Anderson, "Sharkey's Day"
1984. USA. Laurie Anderson. Approx. 5 min.
Sonic Youth, "Tunic (Song for Karen)"
1990. USA. Tony Oursler. Approx. 7 min.
NJS
2001–02. USA. Directed by Seth Price. Approx. 3 min.
Ugly Yelp
2000. USA. Olaf Breuning. 5 min.
A Little Thought
2000. USA. Rodney Graham. 4 min.
File Under Sacred Music
2003. USA. Iain Forsyth, Jane Pollard. 5 min.
Hip Hop Guangzhou
2003. China. Cao Fei. 3 min.
You Are My Sister
2005. USA. Charles Atlas. Approx. 4 min.
Oh No, Hey, It Had No Feelings, Beat and Perv
1999. USA. Aida Ruilova. 7 min.
Apple GarageBand Auto Tune Demonstration
2007. USA. Cory Arcangel. 3 min.
Eight Short Films
Aleph
1958–76. USA. Wallace Berman. 10 min.
Scotch Tape
1959–62. USA. Jack Smith. 3 min.
Stockhausen's Originale Doubletakes
1964–94. USA. Peter Moore. 30 min.
Digital Experiment at Bell Labs
1966. USA. Nam June Paik. 4 min.
Straight and Narrow
1970. USA. Beverly and Tony Conrad. 10 min.
Violin Power
1970–78. USA. Steina. 10 min.
Migration
1976. USA. Bill Viola. 7 min.
Winter Wind
2004. USA. Andrew Deustch. 7 min.
Music with Roots in the Aether
1975. USA. Robert Ashley. 120 min.
John Cage/Nam June Paik
The Strange Music of Nam June Paik
1975. USA. Camera Three. 27 min.
Nam June Paik: A Tribute to John Cage
1973, re-edited 1976. USA. Nam June Paik. 29 min.
John Cage: Catch 44
1971. USA. David Atwood. 39 min.
9 Evenings: Theater & Engineering, Program 1
Following a screening of the 9 Evenings films Variations VII, featuring John Cage, Vehicle, featuring Lucinda Childs, and Two Holes of Water – 3, featuring Robert Whitman, artist Robert Whitman, producer Julie Martin, and Swedish film director Barbro Schultz Lundestam discuss the now legendary 9 Evenings performances and the recent documentaries constructed from original film footage and archival sound recordings. The 9 Evenings films chart an innovative collaborations between ten artists and more than thirty engineers from Bell Laboratories that developed new technical equipment that was integrated into the artists' groundbreaking interdisciplinary sound and performance events at New York Citys 69th Regiment Armory in 1966.
Variations VII
2008. USA. 41 min.
Vehicle
2008. USA. 10 min.
Fully Awake: Black Mountain College Experience
2007. USA. Cathryn Zommer, Neeley House. 60 min.
9 Evenings: Theater & Engineering, Program 2
Kisses Sweeter than Wine
1996. USA. 71 min.
Open Score
1997. 31 min.
9 Evenings: Theater & Engineering, Program 3
Vehicle
2008. USA. 10 min.
Two Holes of Water–3
1966. USA. 10 min.
Carriage Discreteness
2008. USA. 10 min.
Physical Things
2008. USA. 10 min.
Solo
2008. USA. 10 min.
Grass Field
2008. USA. 10 min.
9 Evenings: Theater and Engineering, Program 4
Variations VII
2008. USA. 41 min.
Bandoneon!
2008. USA. 41 min.
Music with Roots in the Aether, Part 1: Robert Ashley
1975. USA. Robert Ashley. 120 min.
Music with Roots in the Aether, Part 2: David Behrman
1975. USA. Robert Ashley. 120 min.
Music with Roots in the Aether, Part 3: Philip Glass
1975. USA. Robert Ashley. 120 min.
Music with Roots in the Aether, Part 4: Alvin Lucier
1975. USA. Robert Ashley. 120 min.
Music with Roots in the Aether, Part 5: Gordon Mumma
1975. USA. Robert Ashley. 120 min.
Music with Roots in the Aether, Part 6: Pauline Oliveros
1975. USA. Robert Ashley. 120 min.
Music with Roots in the Aether, Part 7: Terry Riley
1975. USA. Robert Ashley. 120 min.
Thurston Moore Introduces Early Music Videos by David Bowie
Held in celebration of the recent gift from the David Bowie Archive of music videos to the Museum, this program presents a special selection of works by the celebrated musician, actor, and producer. Bowie, who began playing the saxophone when he was thirteen years old, worked as a commercial artist before studying mime and, later, playing in bands. In 1969 he co-founded Beckenham Arts Lab in South London, a crucible for experimentation that hosted artist studios, poetry readings, and events such as light shows, theatrical and dance performances, and puppet shows. For several of his videos, Bowie collaborated with the photographer and filmmaker Mick Rock, best known for his photos of 1970s glam and punk icons including Iggy Pop, Queen, the Ramones, Lou Reed, and the Sex Pistols. Thurston Moore, of the "No Wave" band Sonic Youth, provides commentary throughout the program.
The Velvet Underground
1966. USA. Andy Warhol. 66 min.
Wild Combination: A Portrait of Arthur Russell
2008. USA. Matt Wolf. 68 min.
Rock My Religion
1982–84. USA. Dan Graham. 55 min.
Early Music Videos by David Bowie
Held in celebration of the recent gift from the David Bowie Archive of music videos to the Museum, this program presents a special selection of works by the celebrated musician, actor, and producer. Bowie, who began playing the saxophone when he was thirteen years old, worked as a commercial artist before studying mime and, later, playing in bands. In 1969 he co-founded Beckenham Arts Lab in South London, a crucible for experimentation that hosted artist studios, poetry readings, and events such as light shows, theatrical and dance performances, and puppet shows. For several of his videos, Bowie collaborated with the photographer and filmmaker Mick Rock, best known for his photos of 1970s glam and punk icons including Iggy Pop, Queen, the Ramones, Lou Reed, and the Sex Pistols.
Two Works by Bill Viola
Four Songs
1976. USA. Bill Viola. 33 min.
Hatsu Yume (First Dream)
1981. USA. Bill Viola. 56 min.