Acteurism: The Emergence of Ann Sheridan, 1937–1943
October 1–November 21, 2014
Related Film Screenings
They Drive by Night
1940. Directed by Raoul Walsh. With George Raft, Ida Lupino, Humphrey Bogart, Alan Hale, John Litel, George Tobias. Sheridan’s breakthrough year finally came in 1940, with roles in five major films backed by a studio campaign to promote her as “The Oomph Girl”—a soubriquet Sheridan said always reminded her of an old man leaning over. She’s still in an ensemble cast here (but what an ensemble), and director Raoul Walsh is at last fully appreciative of her self-confidence and salty sense of humor. 95 min.
The Man Who Came to Dinner
1942. Directed by William Keighley. By 1942, Sheridan’s proletarian sassiness was well enough established that she could teasingly play against type, here as a predatory Broadway actress (partly based on Tallulah Bankhead) who forces herself into the Midwestern home where a famously grouchy radio personality (Monty Woolley) has been confined because of a damaged hip. Bette Davis, Jimmy Durante, Billie Burke, Reginald Gardner, and Mary Wilkes costar in this adaptation of the Kaufman and Hart play. 112 min.
1937. Directed by William McGann. With John Litel, Mary Maguire, Dick Purcell. Lured by the title, audiences hoping to see an old-school Warner Bros. gangster film must have been disappointed by this diminished return to the studio’s favorite genre, as thoroughly bowdlerized by the Production Code Administration. The reliable John Litel stars as the world’s most benign racketeer; Sheridan, in a role too typical of her B career, does what she can with the confining part of his Park Avenue fiancée. Mysteriously, the film was banned in Sweden, Finland, and Trinidad. 63 min.
1939. Directed by Charles F. Riesner. With Richard Carlson, Robert Armstrong, Virginia Gilmore, Marsha Hunt. Loaned out by Warners to the independent producer Walter Wanger, Sheridan found one of her richest early roles in this rarely seen film: she’s a publicity-loving heiress who makes an unexpected return to Dartmouth College’s famous winter celebration, where she encounters an old flame—now a comfortably tweedy professor (Carlson). Filmed partly on location, from a screenplay cowritten by a young Budd Schulberg. An unbilled Robert Walker makes his screen debut. Restored by MoMA. 105 min.
1940. USA. William Keighley. 87 min.
Edge of Darkness
1943. USA. Lewis Milestone. 118 min.
1941. USA. Curtis Bernhardt. 90 min.
Angels with Dirty Faces
1938. USA. Michael Curtiz. 97 min.