Documentary Fortnight 2012: MoMA's International Festival of Nonfiction Film and Media
February 16–28, 2012
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Upcoming
Past
El Lugar más pequeño (The Tiniest Place)
2011. Mexico. Tatiana Huezo Sanchez. 104 min.
Gravity Hill Newsreels Nos. 2 and 3
2011. USA. Jem Cohen. 9 min.
United in Anger: A History of ACT UP
2012. USA. Jim Hubbard. 93 min.
Ivan & Ivana
2011. USA. Jeff Silva. 80 min.
A Field Guide to the Interactive Documentary: Guided Tour 1: Zach Wise—The State of Storytelling in the Age of Interactivity
From immersive, user-driven, and customized experiences on personal screens, to works of multimedia journalism that push the boundaries of research-driven storytelling, to nonfiction media projects that straddle the worlds of art and gaming, interactivity is redefining the documentary landscape. In these two "Guided Tours," leading practitioners in the field of interactive documentary and art projects provide an overview of this dynamic world.
Award-winning former New York Times senior multimedia producer Zach Wise provides an illustrated look at the state of the interactive documentary landscape, and the convergence of the nonfiction, journalism, gaming, and art worlds. What new kinds of cross-platform/disciplinary forms are being created? Wise charts recent movements in technology and storytelling with a historical, cross-disciplinary perspective.
A Field Guide to the Interactive Documentary: Guided Tour 2: Lauren Cornell and Ingrid Kopp—10 Interactive Projects You Should Know About
From immersive, user-driven, and customized experiences on personal screens, to works of multimedia journalism that push the boundaries of research-driven storytelling, to nonfiction media projects that straddle the worlds of art and gaming, interactivity is redefining the documentary landscape. In these two "Guided Tours," leading practitioners in the field of interactive documentary and art projects provide an overview of this dynamic world.
What is on the leading edge of the profusion of creativity, research, and technological development surrounding the new media/interactive world? What projects are changing the way we interface with art and stories? Two of New York’s leading minds in the realms of new media art and interactive documentary showcase and discuss innovative projects. Featuring Ingrid Kopp, Tribeca Film Institute New Media Film consultant, and Lauren Cornell, executive director of Rhizome.org.
Aita
2010. Spain. José María de Orbe. 85 min.
Without Gorky
2011. Great Britain. Cosima Spender. 79 min.
Nainsukh
2010. India. Amit Dutta. 75 min.
The Ground We Stand On
2011. USA. Julie Orser and Jon Irving. 30 min.
Imagining Emanuel
2011. Norway. Thomas Østbye. 52 min.
Rouge Parole
2011. Switzerland/Tunisia. Elyes Baccar. 94 min.
When the Bough Breaks
2011. China. Ji Dan. 148 min.
Elizabeth and Mary
1965. USA. D. A. Pennebaker. 60 min.
Ukrainian Time Machine: Kalendar
2008. Ukraine/USA. Naomi Uman. 11 min.
Ukrainian Time Machine: Video Diary 2-1-2006 to the Present
2011. Ukraine/USA. Naomi Uman. 83 min.
Wildness
2012. USA. Wu Tsang. 75 min.
Polvo (Dust)
2011. Mexico. Angela Reginato. 27 min.
Argentinian Lesson
2011. Poland/Argentina. Wojciech Staroń. 56 min.
Taken by Storm: The Art of Storm Thorgerson and Hipgnosis
2011. USA. Roddy Bogawa. 95 min.
El Field
2011. Mexico/USA. Daniel Rosas. 84 min.
The Great Northwest
2012. USA. Matt McCormick. 70 min.
The Average of the Average
2011. Denmark. Michael Madsen. 50 min.
Paper Tiger Television 1 (of 3): Designs For a Rrradical New Media
In early February 2012, The PTTV video collective, in partnership with The New School’s Vera List Center for Art and Politics, hosted the conference "Being the Media: Designing a New Rrradical Media.” After an intensive immersion in the themes of media justice at the core of Paper Tiger's work, participants worked to create new, radical media prototypes. Several of the resulting designs are presented by the participants.
Infiltrating the Underground
2008. USA. PTTV video collective. Author/activist Anne Elizabeth Moore looks at corporations’ attempts to co-opt the styles of alternative culture. 20 min (excerpt).
Paper Tiger Television 2 (of 3): Reading the Newspaper and Reality Television
Sunday Times
1981. USA. PTTV video collective. 28 min. Noted American media critic and scholar Herb Schiller dissects The New York Times in this precedent-setting PPTV show.
Reality Unreeled: The Really Real Unreal Reality of Real Reality TV
2010. USA. PTTV video collective. Media critic Jennifer L. Pozner explores the economic and cultural meaning of reality television through an analysis of shows like Survivor and the genre’s use of stereotypes and exploitation. 28 min.
Street Art Take Over
2010. USA. PTTV video collective. 8 min. Teams of whitewashers and artists transform illegal billboards in Manhattan from street-level advertising to art in the New York Street Art Takeover 2009, organized by Jordan Seiler of Public Ad Campaign.
Paper Tiger Television 3 (of 3): Reading Sock Ads and Television News War Coverage
Sock Ads: Judith Williamson Consumes Passionately in Southern California
1988. USA. PTTV video collective. This examination of consumer culture in America, by radical critic Judith Williamson, author of Decoding Advertisements and Consuming Passions, considers how the development and marketing of products in a capitalist system supplants freedom of choice. 28 min.
TV’s Gulf War: Bill Nichols Analyzes TV’s Coverage of the Gulf War
1991. USA. PTTV video collective. Documentary film professor and media critic Bill Nichols deconstructs the U.S. media’s coverage of the first Gulf War to expose how the TV news constructs information, blurring fact and fiction. 28 min.
Thai Worker Collective TV Ad
2010. USA. PTTV video collective. PPTV made this commercial for sweat-free products made in worker-owned production facilities with dignified labor practices in Bangkok. 2 min.
Abendland
2010. Austria. Nikolaus Geyrhalter. 100 min.
¡Vivan las Antipodas!
2011. Germany/Argentina/Netherlands/Chile. Victor Kossakovsky. 108 min.
Marija’s Own
2011. Croatia. Željka Suková. 61 min.
Byun, Objet Trouvé
2011. USA. Marie Losier. 7 min.
Grandma Lo-Fi: The Basement Tapes of Sigríður Níelsdóttir
2011. Iceland. Orri Jónsson, Kristín Björk Kristjánsdóttir, Ingibjörg Birgisdóttir. 62 min.
An Evening with Phil Collins
In his films, photographs, installations, and live events, Phil Collins explores the nuances of social relations in various locations and global communities. He often subverts the conventions of photojournalism to focus on the inherent contradictions of individual and collective systems of representation. Dissecting the political and aesthetic implications of popular visual formats, Collins’s works indicate that the meaning of a picture—be it still or moving—resides neither in its form nor in its subject-matter, but rather in the transferences it establishes between the producer, the subject, and the viewer. Throughout, Collins maintains a combination of critical consciousness, immediacy, and the recognition of the camera’s ambivalent potential as an agent of both emancipation and exploitation, desire and betrayal. For this Modern Mondays discussion, Collins presents a selection of his works, including how to make a refugee (1999), dunia tak akan mendengar (2007), zašto ne govorim srpski (na srpskom) (2008), use! value! exchange! (2010), and marxism today (prologue) (2010).
Without Gorky. 2011. Great Britain. Directed by Cosima Spender. Image courtesy of Cosima Spender