1974. Brazil. Arthur Omar. 80 min.
Thursday, June 19, 2014, 7:00 p.m.
Theater 2 (The Roy and Niuta Titus Theater 2), T2
1974. Brazil. Written and directed by Arthur Omar. Cinematography by Iso Malman, José Carlos Avellar. With Othon Bastos. In this “fake documentary” a doctor returns to Brazil after studies in Paris. Setting out to practice medicine, he becomes an indigenous messiah and, in time, a cannibal. Omar’s cinema distinguishes itself from both the aesthetics of Cinema Novo and Marginal Cinema’s extreme photographic realism by what he has called a “hyper-language,” a collage constructed with many kinds of images, printed words, letters, drawings, symbols, documentary material, archives of family films, snapshots, and, in the voice-over, dozens of texts from anthropological research, baroque narratives, popular almanacs, sermons, poems, and citations of all sorts—all set off with a purposeful and radical lack of perfection in its overall visual look. In Portuguese; English subtitles. 80 min.
In the Film exhibition On the Edge: Brazilian Film Experiments of the 1960s and Early 1970s
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