The collaboration between musician Thomas Bartlett (Doveman) (American, b. 1981) and filmmaker Tom Kalin (American, b. 1962) began as a series of short films inspired by Doveman’s 2009 album The Conformist. Their ongoing project explores the intersection of recorded and live music, digital composition, and projected film. The pair draw inspiration from themes of broken romance, the truth of small gestures, and transcendentalism in addressing such contemporary issues as displacement and urban isolation. Kalin, a prominent figure in the New Queer Cinema movement, is well known as both a feature filmmaker (Swoon , Savage Grace  and as an experimental filmmaker (Third Known Nest, 1991–99). He was a founding member of the AIDS activist collective Gran Fury, known for its provocative public art projects. Doveman is a band founded by the 30-year-old Bartlett, who studied piano with Maria Curcio in London before moving to New York City to attend Columbia University. His ongoing live performances, known as The Burgundy Stain Sessions, occur monthly at Manhattan’s Le Poisson Rouge.
In the Film exhibition Modern Mondays
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