Focus: Joseph Beuys
May 21, 2008–February 22, 2010
The Alfred H. Barr, Jr. Painting and Sculpture Galleries, fourth floor
The centerpiece of the gallery is a new acquisition: a set of five vitrines accompanied by two wall objects, constituting a mini-museum of works made between 1948 and 1982. Beuys often displayed assemblies of small sculptures in freestanding vitrines like those found in natural history museums. This form of presentation has become as synonymous with Beuys's work as his signature materials of fat and felt.
During the 1960s and 1970s Beuys was a major pioneer of performance art. In his "actions," as he called them, he used time, sound, and objects as sculptural materials. Many of his sculptures, including those on view here, originated in actions and serve as relics of those events as much as autonomous works. The actions also survive in photographs, films, and video that capture the power with which the artist used his physical and psychic energy to create unforgettable scenarios infused with mythological, historical, and personal resonance.
Beuys did not consider art to be separate from society, and he devoted the last twenty years of his life to both art and constant activism for socioeconomic reform (he was a founding member of Germany's Green Party). The blackboard diagrams he made during countless public lectures, evoking his early drawings as well as his experience as a professor of art, describe his "social sculpture": the application of creative strategies and ideals to the achievement of a free and democratic world community.
This exhibition, part of an ongoing series highlighting noteworthy aspects of the Museum's collection, is made possible by BNP Paribas.