The ethos of collage shapes every aspect of contemporary culture, from the glut of signs and images to the many layers of digital information to the art of sampling. This installation revisits early uses of collage to trace its evolution as both an aesthetic technique central to architectural representation and a cultural practice of layering, juxtaposition, and remix that configures the city. Opening with the seamless digital collages that dominate contemporary architectural practice, Cut ‘n’ Paste pairs the early photo-collages of Mies van der Rohe with avant-garde experiments in photomontage, graphic design, and film. Architectural thinkers Colin Rowe and Fred Koetter’s Collage City (1978), an urban manifesto for the medium, provides a backdrop through which to reframe contemporary uses. As an architectural tool, this wide-ranging medium mixes high and popular references and offers a dynamic, inventive connection to cultural context.
Organized by Pedro Gadanho, Curator, and Phoebe Springstubb, Curatorial Assistant, Department of
Architecture and Design.
Architecture and Design Collection Exhibitions are made possible by Hyundai Card.
Less Is More: Mies van der Rohe and the Building Art
“Less is more!” This modernist aphorism has become nearly synonymous with the minimalist architecture of Mies van der Rohe, but what does the phrase reveal or obscure about his work? This gallery session explores this question by looking at van der Rohe's work and his conception of Baukunst, the building art.
Cut ‘n’ Paste: From Architectural Assemblage to Collage City
Engage in a lively conversation about collage. Explore the expansion of this pioneering 20th-century technique—from its origins in Cubism through the concepts of fragmentation, layering, and remixing—that underlies our contemporary presentations and perceptions of the city.
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