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EXHIBITIONS

Inventing Abstraction, 1910–1925

December 23, 2012–April 15, 2013

MEMBER EARLY HOURS

The Joan and Preston Robert Tisch Exhibition Gallery, sixth floor


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In 1912, in several European cities, a handful of artists—Vasily Kandinsky, Frantisek Kupka, Francis Picabia, and Robert Delaunay—presented the first abstract pictures to the public. Inventing Abstraction, 1910–1925 celebrates the centennial of this bold new type of artwork, tracing the development of abstraction as it moved through a network of modern artists, from Marsden Hartley and Marcel Duchamp to Piet Mondrian and Kazimir Malevich, sweeping across nations and across media. The exhibition brings together many of the most influential works in abstraction’s early history and covers a wide range of artistic production, including paintings, drawings, books, sculptures, films, photographs, sound poems, atonal music, and non-narrative dance, to draw a cross-media portrait of these watershed years.

Please note that during Member Early Viewing Hours, this exhibition is not open to the general public until 10:30 a.m.


Organized by Leah Dickerman, Curator, with Masha Chlenova, Curatorial Assistant, Department of Painting and Sculpture.

The exhibition is made possible by HANJIN SHIPPING logo

Major support is provided by the Anna-Maria and Stephen Kellen Foundation, Mimi and Peter Haas Fund, Blavatnik Family Foundation, Marie-Josée and Henry Kravis, and Sue and Edgar Wachenheim III.

This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.

The accompanying seminars are made possible by MoMA’s Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation.

František Kupka. <i>Localization of Graphic Motifs II.</i> 1912–13. Oil on canvas, 78 3/4 x 76 3/8" (200 x 194 cm), frame: 78 3/4 x 76 3/8" (200 x 194 cm). National Gallery of Art, Washington, D.C., Ailsa Mellon Bruce Fund and Gift of Jan and Meda Mladek. Image courtesy of the National Gallery of Art, Washington. © 2012 Artists Rights Society (ARS), New York/ADAGP, Paris

František Kupka. Localization of Graphic Motifs II. 1912–13. Oil on canvas, 78 3/4 x 76 3/8" (200 x 194 cm), frame: 78 3/4 x 76 3/8" (200 x 194 cm). National Gallery of Art, Washington, D.C., Ailsa Mellon Bruce Fund and Gift of Jan and Meda Mladek. Image courtesy of the National Gallery of Art, Washington. © 2012 Artists Rights Society (ARS), New York/ADAGP, Paris


Related Courses

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MoMA courses offer adults the rare opportunity to study modern and contemporary art with leading art specialists during and after public hours in the Museum's galleries and multimedia classrooms.

Understanding Abstraction: Mapping the First Years
Thursdays, February 7–April 4
Instructor: Masha Chlenova