Quay Brothers: On Deciphering the Pharmacist's Prescription for Lip-Reading Puppets
August 8, 2012–January 7, 2013
Second floor
This MoMA gallery exhibition and accompanying film retrospective will be the first presentation of the Quay Brothers work in all their fields of creative activity. The Quay Brothers, identical twins, are internationally renowned moving image artists and designers. For over 30 years, they have been in the avant-garde of stop-motion puppet animation in the tradition of Czech Surrealists Jan Ŝvankmajer and Jiři Trnka, Russian animator Yuri Norstein, and Polish animator Walerian Borowczyk, and have practiced a design aesthetic influenced by Polish graphic artists such as Jan Lenica, Roman Cieślewicz, Franciszek Starowieyski, and Henryk Tomaszewski. Beginning with their student films in 1971, the Quay Brothers have produced over 45 moving image works, including two features, music videos, dance films, documentaries, and signature personal works, The Street of Crocodiles (1986), the Still Nächtseries (1988–2008), Institute Benjamenta (1995), and In Absentia (2000). They have also designed sets and projections for opera, drama, and concert performances such as Tchaikovsky’s Mazeppa (1991), Ionesco’s The Chairs (Tony-nominated design, 1997), Richard Ayre’s The Cricket Recovers (2005), and their 2011 site-specific staging of Bartok’s Sonata for Violin with violinist Alina Ibragimova in the U.K.
In addition to their better known films, this exhibition will include never-before-seen moving image works and graphic design, drawings, typography, and notebooks for films, presenting animated and live-action films alongside installation pieces, objects, and works on paper.
Photo courtesy of the Quay Brothers