In the wake of the First World War many artists and writers were seized by a new sense of political purpose. It is widely recognised that the events of 1917 and after galvanised revolutionary aspirations among European avant-gardes and the intelligentsia. This installation features posters by three of Hungary’s foremost graphic artists, Mihály Biró, Sándor Bortnyik and Bertalan Pór, all of whom had been actively involved in the Socialist revolutionary movement that culminated in the short-lived Hungarian Republic of Councils in 1919. The Hungarian publishing, news, and film media were all centered in Budapest, and these posters, composed with dynamic, expressive figuration, became another potent medium for influencing popular opinion. In particular, Biró’s red-hammer-wielding man became one of the most well-known political images of the period, much repeated in Central European political iconography up to the present day. Fleeing from the right-wing backlash that followed the collapse of the Bolshevik revolution, the majority of Budapest’s cultural avant-garde sought refuge in cultural centers like Vienna, Moscow, and Berlin.
Organized by Juliet Kinchin, Curator, and Aidan O’Connor, Curatorial Assistant, Department of Architecture and Design.
Architecture and Design Collection Exhibitions are made possible by Hyundai Card Company.
Mihály Biró. NÉPSZAVA: Magyarország népköztársaság (People's Voice: People's Republic of Hungary). 1918. Lithograph and newsprint, 37 x 25" (94 x 63.5 cm). The Museum of Modern Art, New York. Gift of Jo Carole and Ronald S. Lauder, 2009
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