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MoMA

EXHIBITIONS

German Expressionism: The Graphic Impulse

March 27–July 11, 2011

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From E. L. Kirchner to Max Beckmann, artists associated with German Expressionism in the early decades of the twentieth century took up printmaking with a collective dedication and fervor virtually unparalleled in the history of art. The woodcut, with its coarse gouges and jagged lines, is known as the preeminent Expressionist medium, but the Expressionists also revolutionized the mediums of etching and lithography to alternately vibrant and stark effect. This exhibition, featuring approximately 250 works by some thirty artists, is drawn from MoMA’s outstanding holdings of German Expressionist prints, enhanced by selected drawings, paintings, and sculptures from the collection. The graphic impulse is traced from the formation of the Brücke artists group in 1905, through the war years of the 1910s, and extending into the 1920s, when individual artists continued to produce compelling work even as the movement was winding down.

The exhibition takes a broad view of Expressionism, highlighting a diverse array of individuals—from Oskar Kokoschka and Vasily Kandinsky to Erich Heckel and Emil Nolde—who nonetheless shared visual and thematic concerns. Their works reflect a period of intense social and aesthetic transformation, and several themes of continuing resonance emerge. These include a focus on urban experience, an uncompromising approach to the body and sexuality, and an abiding preoccupation with nature, religion, and spirituality. Most pivotal for these years, however, was the experience of World War I. The war and its aftermath are the subject of works by a range of artists, including Otto Dix, whose series of fifty searing etchings, The War, was based on his own service in the trenches; Käthe Kollwitz, in a portfolio of seven woodcuts focusing on the devastation felt by the families left behind; and Max Beckmann, whose lithographic series, Hell (1919), confronts the violence and decadence in Berlin during the immediate postwar period.

In addition to a publication and a major website on German Expressionism, the exhibition will mark the culmination of a major four-year grant from The Annenberg Foundation to digitize, catalogue, and conserve all of the approximately three thousand Expressionist works on paper in the Museum’s collection.

Organized by Starr Figura, The Phyllis Ann and Walter Borten Associate Curator of Prints and Illustrated Books.

The exhibition is made possible by the Annenberg Foundation’s GRoW project, in conjunction with its generous support of the Museum’s German Expressionist Digital Archive Project.

Additional support is provided by David Teiger and by The Museum of Modern Art’s Research and Scholarly Publications endowment established through the generosity of The Andrew W. Mellon Foundation, the Edward John Noble Foundation, Mr. and Mrs. Perry R. Bass, and the National Endowment for the Humanities’ Challenge Grant Program.
Emil Nolde. <i>Young Couple.</i> 1913. Lithograph, comp.: 241/2 x 1913/16" (62.2 x 50.3 cm).  Publisher: unpublished. Printer: Westphalen, Flensburg, Germany. Edition: 112 in 68 color variations. The Museum of Modern Art. Purchase. © Nolde Stiftung, Seebüll, Germany

Emil Nolde. Young Couple. 1913. Lithograph, comp.: 241/2 x 1913/16" (62.2 x 50.3 cm). Publisher: unpublished. Printer: Westphalen, Flensburg, Germany. Edition: 112 in 68 color variations. The Museum of Modern Art. Purchase. © Nolde Stiftung, Seebüll, Germany


Kokoschka

Early Viewing Hours

Wednesdays–Mondays, March 23–May 2, 9:30–10:30 a.m.

Members enjoy special early viewing hours of German Expressionism: The Graphic Impulse before the Museum opens to the public. Early Viewing Hours are open to all members and their guests. Present your membership card and/or member guest admission ticket at the Museum entrance.

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