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MoMA

EVENTS

The Original Copy: The Photography of Sculpture, 1839 to Today

Monday, October 25, 2010, 12:30 p.m.

Education Classroom B, mezzanine, The Lewis B. and Dorothy Cullman Education and Research Building



Related Publication

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The Original Copy: Photography of Sculpture, 1839 to Today
Roxana Marcoci. Essays by Roxana Marcoci, Geoffrey Batchen, and Tobia Bezzola

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Art in the Long View at Lunchtime
In conversation with artists and MoMA Lecturers, explore long-term, process-based art and its impact on the experience of art. While many artists establish concrete goals, the processes we are interested in examining may span the lifetime of the artist, require ongoing participation or discussion, and be linked more to research and exploration than to a pre-established plan. Bring your lunch and discover how these challenges to the constraints of time and the expectations of final product and finality force viewers and participants to reconsider the role of art in society. This series serves as an incubator of ideas in advance of our upcoming Contemporary Art Forum on May 2 and 3.

This lecture follows the conceptual arc of the exhibition The Original Copy: The Photography of Sculpture, 1839 to Today, focusing on a selection of works that will be presented in greater depth.

Marina Chao (MA, Columbia University) is a curatorial assistant in the Department of Photography at The Museum of Modern Art.

In conjunction with the exhibition The Original Copy: Photography of Sculpture, 1839 to Today

Tickets are free but required and can be acquired on a first-come first-served basis online or at the information desk, the Film desk after 4:00 p.m., or at the Education and Research Building reception desk on the day of the program.

To pick up tickets acquired online, proceed to the Education and Research Building reception desk at 4 West 54 Street beginning at noon on the day of the program.