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Lessons for Engagement with Art

Module One

Tradition and Innovation in Modern Painting

The selected works are among the most iconic in MoMA's collection. They share a common medium—painting—and represent various steps in the development of new artistic languages at the turn of the twentieth century. They illustrate developments in modern art and demonstrate how celebrated artists have built on and broken with artistic tradition to forge new ground in representation and artistic practice. Given the focus on innovation, the works are arranged chronologically. This sequence allows the conversation to progress historically and shows how each work builds on tradition to bring about innovation.

Vincent van Gogh. The Starry Night. 1889 André Derain. London Bridge. 1906 Pablo Picasso. Les Demoiselles d'Avignon. 1907 Ernst Ludwig Kirchner. Street, Dresden. 1908 Umberto Boccioni. The City Rises. 1910
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Module Two

Images of America

The selected works offer glimpses of life in the United States during the twentieth century. The images include scenes created by artists from different countries and offer a range of interpretations of both urban and rural life. The chronological sequence allows for a discussion of the important changes that were occurring not only in American history but also in the development of art. Throughout the discussion, consider how American culture and identity are defined and represented in visual art.

Edward Hopper. Gas. 1940 Jacob Lawrence. In the North the Negro had better educational facilities. 1940–41 Piet Mondrian. Broadway Boogie Woogie. 1942–43 Andrew Wyeth. Christina's World. 1948 Jeff Wall. After Invisible Man by Ralph Ellison, the Prologue. 1999–2000
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Module Three

Modern Portraits

The selected works allow for an examination of some of the ways modern painters have depicted others and themselves. In looking at these works, consider how each artist's style and his use of color, scale, and composition affects the figure he depicts. Also take into account the setting of the work and what information it conveys about the person represented or the artist himself.

Pablo Picasso. Les Demoiselles d'Avignon. 1907 Andrew Wyeth. Christina's World. 1948 Edward Hopper. Gas. 1940 Jeff Wall. After "Invisible Man" by Ralph Ellison, the Prologue. 1999–2000 Vincent van Gogh. The Starry Night. 1889
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Module Four

The City in Modern Art

The selected images are depictions of urban landscapes throughout the development of modern art. Each work illustrates the unique perspective of the artist as well as his relationship to his urban surroundings. The works progress in chronological order, ending with the highly abstract Broadway Boogie Woogie. Throughout, consider topics such as the development and growth of cities and the benefits and challenges of city life.

André Derain. London Bridge. 1906 Ernst Ludwig Kirchner. Street, Dresden. 1908 Umberto Boccioni. The City Rises. 1910 Jacob Lawrence. In the North the Negro had better educational facilities. 1940–41 Piet Mondrian. Broadway Boogie Woogie. 1942–43
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Module Five

Family Pictures

The selected works offer several perspectives on the idea of "family" as represented in modern art. The initial works exhibit more traditional interpretations, while the subsequent works are more abstract both in style and in relation to the theme. Throughout, consider such topics as the representation of the figures and their relationships to each other, to the artist, and to their surroundings.

Édouard Vuillard. Interior, Mother and Sister of the Artist. 1893 Dorothea Lange. Migrant Mother, Nipomo, California. 1936 Max Beckmann. Family Picture. 1920 Marc Chagall. I and the Village. 1911 Fernando Botero. The Presidential Family. 1967
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Module Six

Music and Art

The selected works touch on various ways artists have explored music in art. The images offer a range of opportunities to discuss various styles, forms, and ideas related to movement, rhythm, and other elements related to music. The relationship between music, composition, and art is explored through subject matter, materials, and the overall interaction of the elements within the work.

Henri Rousseau. The Sleeping Gypsy. 1897 Pablo Picasso. Three Musicians. 1921 Henri de Toulouse-Lautrec. La Goulue at the Moulin Rouge. 1891–92 Henri Matisse. Dance (I). 1909 Romare Bearden. The Dove. 1964
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Module Seven

Modern Visions of Light

The selected works explore different ways that artists have incorporated the theme or image of light into their practice. Included are a photograph and four paintings: two mediums whose relationship with light is essential. When discussing these works take note of where light is seen and how it affects the viewer's perception of the place that is depicted. Also consider the effect of the absence of light in some of the works.

René Magritte. The Empire of Light, II. 1950 Jacob August Riis. Bandits' Roost, 59 1/2 Mulberry Street. 1888 Jacob Lawrence. Street Shadows. 1959 Paul Cézanne. L'Estaque. 1879–83 Edward Hopper. New York Movie. 1939
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Module Eight

Art and Politics

The selected images are depictions of political figures and conditions throughout modern history. Included are works from a variety of countries: Germany, Mexico, and the United States. Because of their inherent ties to political history, the works are ordered chronologically. Throughout, consider how politicians present themselves and how they are perceived by others. The works can stimulate discussion about the living conditions created by particular political movements and events as well as their effects in subsequent years.

Otto Dix. Dr. Mayer-Hermann. 1926 Diego Rivera. Agrarian Leader Zapata. 1931 Garry Winogrand. Democratic National Convention. 1960 Jasper Johns. Map. 1961 Gerhard Richter. Flugzeug II. 1966
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Module Nine

Modern Sculpture

The selected works are iconic sculptures in the collection of The Museum of Modern Art. They are three–dimensional objects, incorporating volume and mass into their structures. Two of the artists, Umberto Boccioni and Pablo Picasso, created important three-dimensional works in addition to making paintings and drawings, while Constantin Brancusi, Alberto Giacometti, and Claes Oldenburg, were known primarily as sculptors. When discussing these works, take into account the materials used and their relationship to the subject matter.

Umberto Boccioni. Unique Forms of Continuity in Space. 1913 Pablo Picasso. Guitar. 1914 Constantin Brancusi. Fish. 1930 Alberto Giacometti. Man Pointing. 1947 Claes Oldenburg. Floor Cone. 1962
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Module Ten

The Artist’s Process

The selected works were created with unconventional methods, creating a context for an exploration of various artistic processes. Arranged chronologically, they demonstrate how artists have built upon and broken with tradition by developing new approaches to making art. Throughout, consider how these processes deviate from traditional modes of art–making and the degree to which the methods are revealed in the finished work.

Jean (Hans) Arp. Untitled (Collage with Squares Arranged According to the Laws of Chance). 1916–1917 Jackson Pollock. One: Number 31, 1950. 1950 Yves Klein. Anthropometry: Princess Helena. 1960 Andy Warhol. Campbell's Soup Cans. 1962 Cai Guo-Qiang. Drawing for Transient Rainbow. 2003
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Module Eleven

Photography and Creative Documentation

The selected images are black-and-white photographs by prominent American artists. They present a variety of urban and rural environments as well as social and political conditions. Throughout this module, consider the documentary potential of photography and take note of the various perspectives on the American landscape the artists present.

Jacob August Riis. Bandits' Roost, 59 1/2 Mulberry Street. 1888 Walker Evans. A Graveyard and Steel Mill in Bethlehem, Pennsylvania. 1935 Dorothea Lange. Funeral Cortege, End of an Era in a Small Valley Town, California, 1938. 1938 Helen Levitt. New York. 1940 Garry Winogrand. John F. Kennedy, Democratic National Convention, Los Angeles from the portfolio Big Shots. 1960
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Module Twelve

Everyday Images and Objects

This module investigates artists' incorporation of everyday images and objects in their work. This practice began in the early twentieth century, with Marcel Duchamp and his readymades, and it remains an important part of contemporary artistic practice. Throughout this module, consider your relationship to the objects the artists have used and how your understanding of them is transformed when the original objects are altered.

Marcel Duchamp. Bicycle Wheel. 1951 (third version, after lost original of 1913) Meret Oppenheim. Object. 1936 Jasper Johns. Map. 1961 Gerhard Richter. Helen. 1963 Thomas Demand. Room (Zimmer). 1996
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