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Department of Circulating Exhibitions Records

in The Museum of Modern Art Archives





The Museum of Modern Art
Museum Archives
11 West 53 Street
New York, NY 10019-5497

Phone: (212) 708-9617
Fax: (212) 408-6385
Email: archives@moma.org

© 1992 The Museum of Modern Art. All rights reserved.
The Museum of Modern Art, Publisher
Finding aid prepared by Rona Roob and Rachel Wild, November 11, 1992. Updated by Jennifer Waxman, 2008.
Machine-readable finding aid derived from moma-002.xml, 2006. Machine-readable finding aid created by Kathleene Konkle. Description is in English

Descriptive Summary

Creator: The Museum of Modern Art Department of Circulating Exhibitions
Title: Department of Circulating Exhibitions Records
Dates: 1931-1990
Quantity: 147 linear feet
27 reels of microfilm
2 hard drives

Arrangement

The papers have been organized into four series: I, Administrative Matters, 1931-ca. 1960s, including departmental records and exhibitor correspondence; II, Exhibitions, 1931-69, primarily records relevant to the organization of nationally circulated exhibitions but including some materials on exhibitions circulated internationally; III, Albums, 1931-1952, which has 51 scrapbook albums containing supporting material, such as checklists, itineraries, clippings, announcements, and photographs of circulating exhibitions; and IV, Albums, 1959-1969, which includes photograph albums of later circulating exhibitions.
Series I, Administrative Matters, is divided into twenty-four subseries. Series I.1, Artist/Gallery Affiliation List, through I.23, Statistics, are arranged alphabetically. Series I.24, Exhibitor Correspondence, is arranged alphabetically by city of origin
Series II is divided into two subseries: Series II.1, Exhibitions, 1931-58 and Series II.2, Exhibitions, 1959-69. Series II.1, Exhibitions, 1931-58 is arranged alphabetically by exhibition title. Series II.2, Exhibitions, 1959-69 is arranged chronologically according to the number assigned by the Office of the Registrar based on the exhibition proposal date
Series III contains scrapbook albums, which are sequentially numbered. Within each album, the exhibitions are also sequentially numbered, starting anew with each album. The order of the albums is based on the original arrangement, which was loosely based on division by department.
Series IV contains photograph albums of circulating exhibitions from a later date. Albums are arranged numerically by exhibition number.
All records have been cross-referenced. The existence of albums containing materials supplementary to specific exhibitions as well as related record groups, such as the International Circulating Exhibitions Archive (ICE Archive), is indicated.
The Papers are organized into series and subseries as follows:
Series I: Administrative Matters

I.1 Artist/Gallery Affiliation List, n.d. [?1960s]
I.2 Budget: Income and Expenses, 1932, 1935, 1944-45, 1948, 1950
I.3 "Bulletins on C/E Program", 1940 & 1954
I.4 Catalogs and Calendars, 1935/36-1948/49, 1949/50-1969/70
I.5 "Color Reproductions [of works of art]", 1943-57
I.6 Correspondence, 1932, 1935, 1944
I.7 Departmental Office Information, 1942-59
I.8 Germany: "Resolution on Paintings from Germany (that should be returned)" [paintings removed to the U.S. during World War II], 1946
I.9 Insurance for Circulating Exhibitions 1944-53, 1960-69
I.10 "International Exhibitions Program", ca. 1952-62
I.11 Loans of Works of Art for Circulating Exhibitions, 1952-58, 1966-68
I.12 Membership, 1944
I.13 Multiple Copy Exhibitions, ca. 1952-53
I.14 New York State Council on the Arts [NYSCA], 1966
I.15 "O.W.I" [Office of War Information] Exhibition Preparation, 1945
I.16 "Print Exhibitions"
I.17 Program Proposals and Status Reports, 1941-49, 1953-55, 1957, 1959-62, 1965, 1968
I.18 Publicity and Promotion, 1933-41, 1943-58, 1960s
I.19 Questionnaires, 1942-44
I.20 Sales and Rentals of Copies of Exhibitions Abroad, ca. 1940s-1952
I.21 "Schedule of Special Exhibitions Not Regularly Scheduled" ca. 1943-57
I.22 Slide Talks [Lectures], 1944
I.23 Statistics, 1931-51
I.24 Exhibitor Correspondence, 1931-41, 1943-45


Series II: Exhibitions, 1931-1990

II.1 Exhibitions, 1931-1958
II.2 Exhibitions, 1959-1969
II.3 Exhibitions, 1964-1990
II.3.1 Architecture and Design
II.3.2 Drawings and Prints
II.3.3 Film
II.3.4 Painting and Sculpture
II.3.5 Grants for Exhibitions


Series III: Albums, 1931-1952


Series IV: Albums, 1959-1969


Historical Note

From the beginning, the Museum of Modern Art's trustees intended that the Museum should be more than a repository or an exhibition gallery for modern art and that it should promote an understanding of the most vital art being produced in the time to the widest possible range of individuals and institutions. In 1931, two years after it was founded, the Museum organized its first exhibition of modern architecture and what was to become its first traveling exhibition, The International Exhibition of Modern Architecture. The trustees assumed responsibility for half of the cost of the show, on the condition that the balance could be raised among other participating institutions. An illustrated pamphlet outlining the plan and the importance of the exhibition was sent to museums throughout the country and eleven institutions subscribed. During 1931 the Museum had assembled sixty color reproductions with commentary by Museum director Alfred H. Barr, Jr. for a group of New York secondary schools. This exhibition, A Brief Survey of Modern Painting, was so well received during the first year of the tour which began in October 1932 that a duplicate show was prepared, which traveled for nine years.

These two exhibitions prepared the way for the Department of Circulating Exhibitions, officially established in 1933, which supplied exhibitions of modern art to other institutions. Elodie Courter, a member of the Museum staff, became Secretary of Circulating Exhibitions in November 1935 and played an active role in the development of that department. She was named director in 1939, a position she held until 1947. During that period, the number and variety of the Museum's traveling exhibitions increased, until the roster of circulating exhibitions encompassed all the fields included in the Museum itself: industrial design, the graphic arts, theater arts, photography, and film, in addition to painting, sculpture, and architecture.

Among the most widely-seen exhibitions circulated by the department in its first five years were Machine Art, 1934-38; Paintings, Watercolors and Drawings by van Gogh, 1936; and Portrait of the Artist's Mother" by James Abbott McNeill Whistler, 1933-34. In addition, the department adapted and circulated during its first decade Museum exhibitions such as American Folk Art, 1932-33; Cubism and Abstract Art, 1936-37; Fantastic Art, Dada and Surrealism, 1937; Photography: 1839-1937, 1937-38; Six Modern Sculptors, 1936-38; and, in the 1940s, Ancestral Sources of Modern Painting, 1941-46; Latin American Contemporary Art, 1942-43; Modern Architecture for the Modern School, 1942-46; and Picasso: Forty Years of His Art, 1940-43.

In 1939 a grant was obtained from the Rockefeller Foundation to enable the Museum to expand its program of exhibitions specially prepared for smaller educational institutions. During the next four years, a large number of inexpensive exhibitions, including original works as well as color reproductions, was assembled and offered at nominal fees to the exhibitors. High-quality color reproductions enabled the Museum to introduce to the public works that would otherwise have been too costly to pack and ship or perhaps impossible to obtain on loan; exhibitions such as these proved ideal for educational institutions. Among the most widely-circulated of these exhibitions were A Brief Survey of Modern Painting, 1931-39; How Modern Artists Paint People, 1943-48; Paintings and Drawings by Vincent van Gogh, 1935-42; and What Is Modern Painting?, 1944-54.

When, in 1943, the Rockefeller Foundation grant was exhausted, the Department of Circulating Exhibitions and the Museum's Educational Program, under the direction of Victor d'Amico, combined facilities to provide further material for use in secondary and elementary schools. This program was later modified to include multiple exhibitions consisting of lightweight panels on which color reproductions, photographs or diagrams were mounted; teaching portfolios, which were designed for classroom use and offered to educational institutions at a special reduction; and slide talks, which included both color and black-and-white slides as well as an accompanying text. These materials also played an important part in the continuation of the Museum's exhibitions program during World War II, when the circulation of large-scale exhibitions was necessarily curtailed. Many of the exhibitions that were prepared for circulation during the war period focused on topics that were an adjunct to the war itself, for example, Camouflage for Civilian Defense, 1942-44; Road to Victory, prepared in multiple editions for circulation in 1943-44; The Arts in Therapy, 1943-46; War Posters Today, 1942-44; "Yank" Illustrates the War, 1943-44; and the large-scale exhibition Airways to Peace, which was circulated in 1943-44. Exhibitions were also prepared in cooperation with the Office of War Information (OWI) for purchase and circulation abroad.

In 1952, a grant from the Rockefeller Brothers Fund made possible a five-year project, the International Circulating Exhibitions Program, expanding the scope of the Museum's traveling exhibitions to include Europe and Latin America. Porter A. McCray, then director of the Department of Circulating Exhibitions, was appointed director of the newly formed International Program. Twenty-two of the first twenty-five exhibitions prepared under this project were circulated outside the United States; the remaining three, devoted to arts of other countries, circulated in the United States. In 1969, the administration of exhibitions presented in New York and of those circulated by the Department of Circulating Exhibitions were consolidated into one department, the Exhibition Program. This new department was directed by Wilder Green. From 1972 to 1996 Richard Palmer was director of the Museum's Department of Exhibition Program.


Scope and Content Note

The processed papers of the the Department of Circulating Exhibitions include 147 linear feet of correspondence, research notes, published materials, lists, large-format scrapbook albums, photograph albums, photographs, photographic panels, record album, display book, and ephemera pertaining to departmental administration and the organization and circulation of exhibitions. 73 linear feet of records are stored in 20 10.25x12.5x15.5" storage boxes; 102 5" document boxes; 17 2.5" document boxes; 1 3x5x12" and 2 4.5x6x8" index card boxes. The remaining 74 linear feet include 49 16x13x4" large-format albums containing press clippings, photographs, promotional and other materials pertaining to individual exhibitions circulated by the department; 1 10x12" photograph album; 57 8.5x11" photograph albums; 2 bundles (32x43.5"; 20x25") of photographic panels; 1 12" acetate record album; and 1 21x23.5x5" particle-board display book.

During processing, we discovered records of exhibitions that traveled but that were not listed in the Museum's files; working folders for exhibitions that had been proposed but were ultimately cancelled; exhibitions listed in Museum records for which no documentary material exists; records for international circulating exhibitions containing foreign artwork that were circulated nationally and to Canada, or that were transferred from the Department of Circulating Exhibitions for international circulation; and Educational Program projects that were transferred to the department for circulation. The inclusive dates for these records is 1931 through 1969. This predates the official establishment of the Department in 1933 and ends with the reorganization of the Department of Circulating Exhibitions into the Exhibition Program in 1969.

The Department of Circulating Exhibitions collaborated with all curatorial departments within the Museum in order to insure a diverse program of exhibitions covering a wide range of media - painting, sculpture, prints, photography, graphic and industrial design and architecture. As a result, the records include correspondence from staff important to the early history of The Museum of Modern Art, including Alfred H. Barr, Jr., René d'Harnoncourt, Dorothy C. Miller, James Johnson Sweeney, James Thrall Soby and Monroe S. Wheeler, among others. Also included are the administrative records of the first director of the department, Elodie Courter.

These papers reveal the Museum's role as a promulgator of modern art in this country, both through its innovative program of circulating exhibitions to other institutions, as well as its role in educating several generations of art students, as well as the general public, through its collaborations with the Museum's Educational Program. They also reflect the Museum's support of U.S. interests abroad during and immediately following World War II. For example, the Department of Circulating Exhibitions prepared numerous exhibitions for the United States Office of War Information for European tour during the 1940s, including the survey exhibitions America Builds and Modern American Architecture Additionally, during this period, more than two dozen exhibitions of photographs and government war posters were prepared for national tour that focused on such timely issues as wartime housing, internment of Japanese-Americans and the cultural impact of the war. Similarly, the department was instrumental in establishing a program of cultural exchange with Latin America through its collaboration with the Office of the Coordinator for Inter-American Affairs in Washington, D.C., for which it organized exhibitions of Latin American art for circulation in this country as well as exhibitions of American art and architecture for tour in Latin America. This later served as the model for the Museum's International Program which began in 1953.

These papers are also an important source of general art historical information. For instance, the pioneering Museum of Modern Art exhibition Cubism and Abstract Art, which was held at the Museum in Spring 1936, was circulated nationally in 1936-37; the files contain, for example, autographed letters to Alfred H. Barr, Jr. from Alexander Calder, Robert and Sonia Delaunay, Marcel Duchamp, Alberto Giacometti, Jacques Lipchitz and Piet Mondrian, as well as other artists whose work was included in the exhibition. Other original documentation includes lecture notes by the art critic Meyer Schapiro, which were prepared for the retrospective exhibition Picasso: Forty Years of His Art, circulated in the early 1940s; and László Moholy-Nagy's panel sketches for the 1942 exhibition How to Make a Photogram.


Restrictions

Access Restrictions

The records are open for research and contain no restricted materials.

Ownership and Literary Rights

The Department of Circulating Exhibitions Records are the physical property of The Museum of Modern Art. Literary rights, including copyright belong to the authors or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with The Museum of Modern Art. For further information, and to obtain permission to publish or reproduce, contact the Museum Archivist


Related Collections in the Museum Archives

For related material concerning exhibitions that circulated internationally see the International Circulating Exhibitions Records and for information related to exhibitions held at the Museum see the Registrar and Curatorial Exhibition Files in the Museum Archives. For newspaper and magazine clippings concerning both exhibitions held at the Museum and those that circulated see the Public Information Scrapbooks. For information about specific circulating exhibitions see Museum History: Administrative Records. See also, the papers of former Museum staff members who organized the Museum exhibitions on which some circulating exhibitions were based; these include Alfred H. Barr, Jr., René d'Harnoncourt, William S. Lieberman, Dorothy C. Miller, Frank O'Hara, and James Thrall Soby.

Exhibition catalogs are available in the Library.


Administrative Information

Provenance

The papers were transferred to the Archives from four separate sources: a storage area above the Library (transferred from the Exhibition Program Department, Summer 1985); a records warehouse; and the departments of the Registrar and of Public Information. Before processing began, a complete list of circulating exhibitions did not exist. A preliminary list of approximately 700 exhibitions was compiled by cross-referencing existing aids: the Registrar card index, the album card index and a list maintained by a former member of the Circulating Exhibitions staff. This list, which formed the basis for the finding aid, was supplemented by a thorough reading of the papers during processing as well as research conducted in the International Circulating Exhibitions records, the Library, and in the offices of the Registrar and the International Program

Alternative Form Available

Series III, Albums 1931-1952 are available in digital format (PDF/JPEG2000) and on microfilm at the Museum Archives.

I.23.12.1 is also available in digital format (PDF/JPEG2000) and microfilm at the Museum Archives.

Preferred Citation

Department of Circulating Exhibiions Records, [series.folder]. The Museum of Modern Art Archives, New York

Processing, Conservation and Condition Note

Due to their brittle and deteriorating state, the scrapbook albums of Series III were cleaned, rehoused, and microfilmed in 2007. Digital scans were made from the microfilm at the same time. The purpose of the conservation and reformatting project was to treat the original objects for long-term storage and to provide greater access to information. In a temporary, in-house conservation lab, each album was disassembled and placed in custom-made archival folders and boxes. Each page was brushed to remove excess dust and debris, and items were detached from support pages to make visible information obstructed by glue or other adhesives. All album covers were kept as part of the collection.

During the conservation process, the albums were given a sequential number order following the original arrangement. Exhibitions within the albums were also given a sequential number order. Further, more accurate data about the material in the albums was gathered. Previously unlisted exhibitions and albums have been added to the finding aid. Date ranges were referenced against exhibition itineraries and the Exhibition History List. Exhibition titles were confirmed against information in the albums, exhibition files and the Exhibition History List. The type of document (itinerary, checklist, press release, etc.) was identified for research purposes and is included in the description of each exhibition below. This information, as well as the exhibition title and date, is also included as metadata in the digital files.

All material in the albums has been captured with the exception of MoMA publications as they are readily available elsewhere. Full image of oversize items can be found on microfilm reel 27. All binding tools and hardcovers for Albums 21, 22, 34 and 46 have been kept for reassembly.

Microfilm and digital scanning was produced by Hudsonmicroimaging, Inc in accordance with standards set by ANSI, AIIM, Library of Congress and the RLG Guidelines for Microfilming to Support Digitization.


Additional Descriptive Data

Explanation of Abbreviations

ALS is an Autographed Letter Signed
TLS is a Typed Letter Signed
TL stands for Typed Letter
MoMA is The Museum of Modern Art
n.d. stands for no date
Re: stands for regarding
OWI stands for Office of War Information

Museum Related:
ICE-, SP-ICE- stands for International Circulating Exhibitions
DCE stands for Department of Circulating Exhibitions
C/E stands for Circulating Exhibitions
MoMA Exh. # is a unique number assigned to specific Museum exhibition

Outside Organizations:
AFA stands for American Federation of Arts
CIAA stands for Coordinator of Inter-American Affairs
NEA stands for National Endowment for the Arts
NEH stands for National Endowment for the Humanities
NYSCA stands for New York State Council on the Arts
USIA stands for United States Information Agency
WPA stands for Works Progress Administration

Type of Exhibition:
[A] stands for Architecture
[CR] stands for Color Reproductions
[D] stands for Design
[DR] stands for Drawings
[F] stands for Film
[P] stands for Paintings
[PP] stands for Photographs
[PR] stands for Prints
[S] stands for Sculpture
[T] stands for Theater

Individuals:
AHB stands for Alfred H. Barr, Jr.
ARB stands for Alan R. Blackburn, Jr.
EC stands for Elodie Courter
RDH stands for René d'Harnoncourt
WSL stands for William S. Lieberman
PAM stands for Porter A. McCray
DCM stands for Dorothy C. Miller
FOH stands for Frank O'Hara
JS stands for Jane Sabersky
JJS stands for James Johnson Sweeney
JTS stands for James Thrall Soby
MW stands for Monroe Wheeler


Container List

 

Series I. Administrative Matters

332 folders stored in 25 5" document boxes, four 2.5" document boxes; one 4.5x6x8" index card box and one 21x23.5x5" bundle; 14 linear feet

Administrative Matters, arranged into twenty-four series, includes departmental records from 1932 through the 1960s. Significant chronological gaps exist, most notably, in the areas of program proposals and status reports, finance and exhibitor correspondence. Other record types include annual calendars and catalogs of exhibitions available for rental or purchase; published material on the department's activities; a visual card file of color reproductions of works of art; correspondence regarding the preparation of exhibitions for the New York State Council on the Arts (NYSCA) and the Office of War Information (OWI); memoranda concerning the International Exhibitions Program; loan and exhibition statistics; exhibitor questionnaires; and promotional materials. Much of this material dates from the mid 1930s and 1940s and highlights the Museum's active support of the United States Government as well as European art and artists during World War II. For related exhibition materials, see Series II.1: Exhibitions, 1931-69.

Due to the complexity of the collection and the historical organization of the material, folders in this series have been numbered in the following manner: [Series].[Subseries].[Box].[Folder]
Some folders were later split into two or more folders and their numbering is as follows: [Series].[Subseries].[Box].[Folder].[Sub-folder]

 

I.1 Artist/Gallery Affiliation List

1 folder, 0.5"

Folder Title Date
I.1.1.1 Artist/Gallery Affiliation List

List of artists, alphabetically arranged, with corresponding gallery affiliation; list of gallery addresses

n.d. [?1960s]
 

I.2 Budget: Income and Expenses

5 folders, 10.5"

Folder Title Date
I.2.1.2 "Budget - Summary of Costs and Income, 1932-1950 (Projection)"
I.2.1.3 "Report to Carnegie Corporation"

Incl. funding application, incl. typed mss (draft)
2 TLS Paul J. Sachs-AHB (1935)
1 TLS -ARB (1934)
1 TLS Ruth Boothby-AHB (1935)
1 TLS Robert Lester (Carnegie)-Sachs (1935)

1935
I.2.1.4 Expenses ca. 1944
I.2.1.5 "Response to 25% Increase [in rental fees]"

Incl. 1 TLS Jere Abbott (Smith College Museum of Art)-EC (1945)
Gordon B. Washburn-EC (1945)

1945
I.2.1.6 "Cost Estimates (Typical)" 1948
 

I.3 "Bulletins on C/E Program 1940 & 1954"

2 folders, 0.5"

Folder Title Date
I.3.1.7 Published Bulletins

"Art for the Nation" The Bulletin of The Museum of Modern Art VII (5): 1940 Sept.

"The Museum of Modern Art Circulating Exhibitions 1931-1954" The Museum of Modern Art Bulletin XXI (3-4): 1945 Summer

I.3.1.8 Photographs,

Incl. photographs featured in the Bulletin re: packing of artworks

1940, n.d
 

I.4 Catalogs and Calendars

Published and unpublished catalogs and calendars listing circulating exhibitions available for rent and/or purchase
Folders arranged chronologically by exhibition season

No published catalog for the following seasons:

1955-56
1956-57
1957-58
1958-59
1959-60
1960-61
1964-65
1965-66
1969-70 (verified in file).

Folder Title
I.4.2.1 "Circulating Exhibitions Catalog - 1935-36"

Incl. catalog
Announcement of an"Exhibition of Modern Sculpture," to be circulated 1936

I.4.2.2 "Circulating Exhibitions Catalog - 1936-37"

Incl. catalog
Announcement for New Horizons in American Art

I.4.2.3 "Circulating Exhibitions Catalog - 1937-38"

Incl. catalog
Advance announcement of four new circulating exhibitions for 1937/38 season (posted 3/9/1937)

I.4.2.4 "Circulating Exhibitions Catalog - 1938-39"

Incl. catalog
Listings of exhibitions for chairman of Museum Out-of-Town Committees (1938)

I.4.2.5 "Circulating Exhibitions Catalog - 1939-40"

Incl. catalog
Announcement of new circulating exhibitions for 1939/40 season (posted 2/9/1939)

I.4.2.6 "Circulating Exhibitions Catalog - 1940-41"

Incl. catalog

I.4.2.7 "Circulating Exhibitions Catalog - 1941-42"

Incl. catalog
Tentative listing of circulating exhibitions for 1941/42 season

I.4.2.8 "Circulating Exhibitions Catalog - 1942-43"

Incl. catalog
Listing of wartime circulating exhibitions (9/8/1942)
1 memo EC-John Abbott (6/8/1942) re: budget for 1942-43

I.4.2.9 "Circulating Exhibitions Catalog - 1943-44"

Incl. catalog
1 memo Emay Buck-M. Armstrong (2/10/1947) re: updated circulating exhibitions list

I.4.2.10 "Circulating Exhibitions Catalog - 1944-45"

Incl. catalog
Announcements for group memberships and school memberships to the Museum
Listing of available Slide Talks
Listing of circulating exhibitions for 1944/45 season

Announcements for the multiple-copy exhibitions Look at Your Neighborhood and What is Modern Painting?

I.4.2.11 "Circulating Exhibitions Catalog - 1945-46"

Incl. catalog
Worksheet of income received from 1945/46 rental season

I.4.2.12 "Circulating Exhibitions Catalog - 1946-47"

Incl. catalog
1 memo EC-Muriel Armstrong (1/11/1946) re: 1946-47 catalog

Typed mss. (3 sheets),"Statistics and Information on Circulating Exhibitions - Museum of Modern Art" (12/20/1947)

Announcement of exhibition, Designed for Children; form letter and exhibition panel description for the multiple-copy exhibition Look at Your Neighborhood

Announcement of proposed Teaching Portfolios, filmstrips and slide packages to be produced by the Museum and questionnaire form for art teachers, 1947 April

Memo Beaumont Newhall-EC (11/17/1945) re: postponement of photography exhibition

I.4.2.13 "Circulating Exhibitions Catalog - 1947-48"

Incl. catalog
Supplement to catalog
Announcement of exhibition, Art and the Experimental Film
Listing of itineraries for 1947/48 season
Listing of exhibitors

I.4.2.14 "Circulating Exhibitions Catalog - 1948-49"

Incl. catalog
Preliminary catalog; mail order form for teaching portfolios

Brochure for MoMA Exh. #393, Timeless Aspects of Modern Art, 11/16 1948-1/23 1949, the first in a series of exhibitions marking the 20th anniversary of Museum

I.4.3.1 "Circulating Exhibitions Catalog - 1949-50"

Incl. catalog
Schedule for preparation of exhibitions for 1949-50, 1949 May

I.4.3.2 "Circulating Exhibitions Catalog - 1950-51"

Incl. catalog: exhibition request form

I.4.3.3 "Circulating Exhibitions Catalog - 1951-52"

Incl. catalog
Announcement of discounted multiple-copy exhibitions
Worksheet of income received from 1951/52 rental season

I.4.3.4 "Circulating Exhibitions Catalog - 1952-53"

Incl. catalog
Announcement of new exhibitions for 1952/53 season
Questionnaire form to heads of art history departments re: slide reproductions
Questionnaire form to accounts receivable departments
See also, Series I.19: Questionnaires

I.4.3.5 "Circulating Exhibitions Catalog - 1953-54"

Incl. catalog

I.4.3.6 "Circulating Exhibitions Catalog - 1954-55"

Incl. catalog

I.4.3.7 "Circulating Exhibitions Calendar - 1954"

Incl. 1954 Nov., Dec. calendars

I.4.3.8 "Circulating Exhibitions Calendars - 1955"

Monthly announcements of exhibitions initiated the previous season. Folder incl. calendars for January-March, May-July and September-December

I.4.3.9 "Circulating Exhibitions Calendars - 1956"

Incl. calendars for January-April, June and November-December
Announcement for the exhibition Young American Painters
General information sheet for prospective exhibition subscribers

I.4.3.10 "Circulating Exhibitions Calendars - 1957"

Incl. calendars for January-April and October
Questionnaire form and cover letter to exhibition subscribers
List of circulating exhibitions for 1957/58 season

I.4.3.11 "Circulating Exhibitions Catalog - 1961-62 [and"Mailings - 1961"]"

1961/62 season subsidized by the Columbia Broadcasting System (CBS) Foundation, Inc. and an anonymous donor

Originally maintained as two folders; incl. catalog; advance listing of available exhibitions

I.4.3.12 "Circulating Exhibitions Catalog - 1962-63"

Incl. catalog

I.4.3.13 "Circulating Exhibitions Catalog - 1963-64"

Incl. catalog

I.4.3.14 "Circulating Exhibitions Calendars - 1962; '63; '64; '65"

Incl. calendars for:
January-June 1962
November 1962-April 1963
September 1964-February 1965
March-October 1965

advance listing available exhibitions for 1963/64 season

I.4.3.15 "Circulating Exhibitions Catalog - 1966-67"

Incl. catalog

I.4.3.16 "Circulating Exhibitions Catalog - 1967-68"

Incl. catalog

I.4.3.17 "Circulating Exhibitions Listings - 1965; '66-'67; '67-'68"

Incl. advance listings of available exhibitions by season

I.4.3.18 "Circulating Exhibitions Catalog - 1968-69"

Incl. catalog

I.4.3.19 "Circulating Exhibitions Program - 1969-70"

No published catalog
Incl. listing of available exhibitions for 1969/70 season

 

I.5 "Color Reproductions [of Works of Art]"

2 folders, 1 index card box, and 1 ledger

Folder Title Date
I.5.3.20 "Lists"

Lists of reproductions owned by the DCE

1945-46
I.5.3.21 "Reproductions"

Incl. suppliers' catalogs and lists of available color reproductions
Some corresp. and memoranda re: color reproductions owned by the Museum

1943-57
I.5.4.1 Reproduction Record Cards ["Formerly in Visual File"]

4.5"x6x8" index card box
Cards contain cataloging information for the original work and cost and source of reproduction

ca. 1930s-1940s
I.5.5.1 Color Reproductions Ledger Book

2.5" document box
8.5" x15x1" ledger book listing reproductions by assigned number
Incl. the following information: artist, title of work, acquisition source, cost, insurance value, insurance policy number, title of exhibition in which the reproduction was shown, etc
NOTE: ledger binding and covering is fragile

ca. 1940s
 

I.6 Correspondence

5 folders, 1". Includes corresp. with Agnes Rindge and James Thrall Soby as well as general form letters.

Folder Title Date
I.6.6.1 D'Harnoncourt, René: Memos

Folder labeled"Circulating Exhibitions- Porter McCray"
Incl. TL carbons mainly from RDH related to DCE

1947-50
I.6.6.2 Agnes Rindge: Memos 1944
I.6.6.3 James Thrall Soby: Memos 1944
I.6.6.4 "Interoffice Correspondence 1941"

Incl. meeting notices, weekly schedules, loan arrangements and returns, procedures, season schedules, photography, publicity, general museum procedures

I.6.6.5 "Form Letters - General" ca. 1932, 1935, n.d
 

I.7 Departmental Office Information

2 folders,0.5"

Folder Title Date
I.7.6.6 "Miscellaneous"

Incl. memos re: insurance, transportation and shipping, storage, loans, loan returns, season schedules, proposed exhibitions, status reports

ca. 1942-59
I.7.6.7 Manager's Book

Incl. warehouse inventory and exhibition storage; customs procedures
Catalog sales;"miscellaneous" incl. office procedures, notes taken at Metropolitan Museum Print Department, vendor information, exhibition list, catalog sales, transparencies, transportation, sale of works

ca. 1942, 1944-49, 1954, n.d
 

I.8 Germany: "Resolution on Paintings from Germany (That Should be Returned)" [Paintings Removed to the U.S. During World War II]

1 folder, 0.25"

Folder Title Date
I.8.6.8 Germany: "Resolution on Paintings from Germany (that should be returned)"

Paintings removed to the U.S. during World War II

1946
 

I.9 Insurance for Circulating Exhibitions

8 folders, 5"

Folder Title Date
I.9.7.1 "Insurance - Monthly Report"
I.9.7.2 "Insurance"
I.9.7.3 "Insurance Reports - 1960"
I.9.7.4 "Insurance Reports - 1961"
I.9.7.5 "Insurance Reports - Fiscal 1962-63"
I.9.7.6 "Insurance Reports - Fiscal 1963-64"
I.9.7.7 "Insurance Reports - Fiscal 1964-65"
I.9.7.8 Monthly Insurance Reports 1966-69
 

I.10"International Exhibitions Program"

1 folder; 0.25"

Folder Title Date
I.10.8.1 "International Exhibitions Program"

Incl. 1 ALS (1 sheet) Dore Ashton-Peter Selz (9/2/1962)

ca. 1952-62
 

I.11 Loans of Works of Art for Circulating Exhibitions

9 folders, 3"

Folder Title Date
I.11.8.2 "Requests for Loans from Museum Collections for 1952-53"
I.11.8.3 "Requests for Loans from Museum Collections for 1953-54"
I.11.8.4 "Requests for Loans from Museum Collections for 1954-55"
I.11.8.5 "Requests for Loans from Museum Collections for 1955-56"
I.11.8.6 "Requests for Loans from Museum Collections for 1956-57"
I.11.8.7 "Requests for Loans from Museum Collections for 1957-58"
I.11.8.8 "Loans Outgoing from M[useum] C[ollections] & E[xhibition] L[oans] (C/E)" 1966-68
I.11.9.1 "C/E and ICE-F Loans Statistics" 1953-57
I.11.9.2 "ICE-F and C/E Loan Reports"

Analysis of loan sources for works of art

1957
 

I.12 Membership

1 folder, 0.25"

Folder Title Date
I.12.9.3 Membership 1944
 

I.13 Multiple-Copy Exhibitions

1 folder, 0.5"

Folder Title
I.13.9.4 Multiple-Copy Exhibitions

Folder labeled
"Statistics - Multiple Exhibitions: Cost, Inventory, Etc"

Statistics incl. prices, sales and comments/reactions re: "Teaching Portfolios" Slide Talk inventories
Multiple-copy exhibitions are inventoried in Series II.1, see II.1.10.8.1 for published portfolios
See also Series I.22 Slide Talks for related materials

 

I.14 New York State Council on the Arts [NYSCA]

1 folder, 0.25"

Folder Title Date
I.14.9.5 New York State Council on the Arts [NYSCA]

Incl. memos, notes and corresp. re: preparation of circulating exhibitions for NYSCA

Exhibitions proposed for circulation under the sponsorship of the NYSCA:
Abstract Expressionism: The Formative Years (NYSCA-2-67; the alternate exhibition Fifteen Americans was also proposed)

Elements of Modern Painting (NYSCA-3-67)
Elements of Modern Architecture (NYSCA-4-67)

See also, II.2.14.2.7 for related NYSCA exhibition materials

1966
 

I.15 "O.W.I" [Office of War Information] Exhibition Preparation

1 folder, 1 item

Folder Title Date
I.15.9.6 "O.W.I" [Office of War Information] Exhibition Preparation

Incl. 1 memo re: exhibitions for the OWI
See also, Series I.20 and I.24.30.8 for related materials

1945
 

I.16 "Print Exhibitions"

1 folder, 0.25"

Folder Title Date
I.16.9.7 "Print Exhibitions"

Incl. memos and corresp. related to various DCE print shows

1953, 1957
 

I.17 Program Proposals and Status Reports

14 folders, 3" Material on departmental structure and policy, exhibition planning and progress reports.

Folder Title Date
I.17.9.8 "History, Organization"

Incl. press release; Museum administration organizational chart and notes on reorganization of Museum (1946)
DCE organizational chart
Departmental budget; memo re: merging of DCE and the Educational Program (1943)
Description of Museum docent program (1943)

n.d.
I.17.9.9 "C/E - Reports '41-46"

Incl. memos, lists

1941-47
I.17.9.10 "Annual Report - 1944-45"

Incl. questionnaire form for art teachers re: visual materials; corresp. and announcement of the Slide Talk What Is Modern Painting?,
Incl. criticism of slide selection by Maria Chabot and 1 TL (carbon) EC-Abby Aldrich Rockefeller (Mrs. John D., Jr.) commenting on Miss Chabot's letter
Typed (draft) report to Board of Trustees

I.17.9.11 "Policy Committee [of the Museum]"

Incl. 1 TLS RDH (Department of the Interior, Indian Arts and Crafts Board)-Luis Zulueta, Jr. (1944)
2 TLS Grace McCann Morley (San Francisco Museum of Art)-EC (1946)
Memos re: policy decisions

1944-46
I.17.9.12 "Special Report to the Trustees, Feb. 1945"

Incl. report re: permanent collection

I.17.9.13 "Reports - 1945-1949 (not inclusive)"

Incl. minutes of Coordination Committee meeting (February 1949) re: the DCE; 1 TLS EC-PAM (1948)

I.17.9.14 "Special Report to the Coordinating Committee, from Director of C/E-Re: Revised Program, C/E, dated Feb. 17, 1948"

Incl. 1947-48 catalog

I.17.9.15 "Reports - 1948, 1954, 1955"

Incl. memos re: departmental administration and program changes

I.17.9.16 "Proposed C/E Program 1953-54"
I.17.9.17 Confidential Report from Mr. McCray to Mr. d'Harnoncourt, on Present Status of C/E, as of April 11, 1957"

1 item

I.17.9.18 "Report C/E Program 1959"

"Report on The Activities of The Department of Circulating Exhibitions Presented at the Annual Meeting of The Corporation of The Museum of Modern Art, November 12, 1959"

I.17.9.19 "C/E Project Proposals - Master Set"

Incl. status report on 1961/62 program
Memo re: proposed exhibitions for presentation to the Board of Trustees (2/8/1962)
Five-year plan (1960-65) by curatorial department: Painting and Sculpture, Prints and Drawings, Architecture and Design, Photography and Theatre Arts

1960-62
I.17.9.20 "Report from Miss Frost to Mr. d'Harnoncourt, dated May 27, 1965"

2 items
Incl. confidential memo Marie Frost-RDH (5/17/1965) re: C/E program
1 memo RDH-Frost (5/27/1965)

I.17.9.21 "Report from Inez Garson to Bates Lowry

Re: "Firm Bookings for New 1968-69 Cir[ulating] Exhib[itions] (National Program)"
Incl. 1 memo Inez Garson-Bates Lowry re: bookings for 1968/69 season

August 29, 1968
 

I.18 Publicity and Promotion

9 folders, 5"

Folder Title Date
I.18.10.1 "Promotion"

Incl. listings of available exhibitions; questionnaire forms re: Museum activities during World War II
1 memo Victor D'Amico-John Abbott (1943) re: formation of new department

I.18.10.2 Publicity Reports

Comments from exhibitors and press on specific exhibitions and in general

ca. 1933-43, 1946, 1952
I.18.10.3 News Clippings, General 1940-58
I.18.10.3.1 News Clippings, General 1940-44, n.d
I.18.10.3.2 News Clippings, General

Incl. general articles on the DCE
On EC's resignation (8/1947)
"Art on the March," Tracks 3.0(3.):40-43: May 1945
See also, I.24.22.10

1945-49
I.18.10.3.3 News Clippings, General 1950-51
I.18.10.3.4 News Clippings, General 1952-54
I.18.10.3.5 News Clippings, General 1955-70
I.18.10.4 "[Publicity] Reports on Shows Circulated Throughout U.S. and Canada"

Publicity reports have been removed and integrated with individual exhibition records

1960-69
I.18.10.5 Press Releases and Exhibition Checklists

These duplicate releases and checklists are found in individual exhibition folders and therefore have been discarded

ca. 1960s
 

I.19 Questionnaires

3 folders, 2"
See also, I.4.2.12, I.4.3.4, I.4.3.10, I.17.9.10, and I.18.10.1 for additional questionnaires circulated to exhibitors.

Folder Title
I.19.11.1 "Questionnaire 1942-43 (Sample)"

Incl. questionnaire announcement and form re: visual materials prepared by the Museum
Questionnaire announcements (several vers.); forms; analysis of results and comments re: Museum activities and their usefulness during World War II

I.19.11.2 "Circulating Exhibitions Questionnaire Replies 1942"
I.19.11.3 "Circulating Exhibitions Questionnaire [Replies] 1944"

Incl. questionnaire (3 versions can be found among corresp.) concerns the expensive nature of exhibiting original artworks
Board of Trustees proposes its elimination in favor of small shows of reproductions

 

I.20 Sales and Rentals of Copies of Exhibitions Abroad

1 folder, 0.5"

Folder Title Date
I.20.11.4 Sales and Rentals of Copies of Exhibitions Abroad

Incl. single sheets with the sale/rental price, date, and name of purchaser/renter of exhibition alphabetically arranged by exhibition or purchaser for the following:

American Painting, I; Ancestral Sources of Modern Painting (rental)

Brazil Builds; Built in U.S.A.; A Century of Photography, II; Creative Photography; Dance in America; Elements of Design; Furniture Design Today; History of the American Movies (rental)

How Modern Artists Paints People, II; In and Out of Focus; Integrated Building; David Jones Gallery, Sydney (see show listing)

Robert Edmond Jones;"Leading Photographers" series (rental)

Look at Your Neighborhood; Masterpieces of Louis Sullivan; Mies van der [UNK]; Modern Architecture in England; Modern Architecture for the Modern School (Slide Talk)

Modern Chair Design; A New American Architecture (rental)

Nineteenth Century Leaders of Modern Painting; On Being a Cartoonist; Painters of America (Slide Talk)

Paintings by French Children (rental)

Picasso, [UNK], [UNK], Rouault; Post-War Building; A Survey of American Sculpture II (rental)

Survey of Housing in Europe and America ( Housing: Recent Developments in Europe and America; rental)

This is the U.S.A (section I of Creative Achievements in the U.S.; sold 1950)

Three Modern Styles (rental)

Three Post-War Houses; Toward Better Housing (The Lesson of War Housing); Twentieth-Century Master Movements (series; rental)

Winnipeg Art Gallery (see show listing) Understanding the Child Through Art (Slide Talk)

Unit Furniture; University of Manitoba, Winnipeg (sale and rental)

What is Modern Painting?; What is Modern Sculpture?; World of Illusion I: Elements of Stage Design (rental)

Houses by Frank Lloyd Wright

Folder also incl. catalog compiled by the Inter-American Office, National Gallery of Art, Washington, D.C., of exhibitions of Latin American art prepared for domestic circulation in 1946

Catalog compiled by the Exhibitions and Arts, British Division, Office of War Information (OWI) of traveling exhibitions from America for circulation in Great Britain, 1945-46 (see Series I.15"O.W.I" and I.24.30.8 for related materials)

ca. 1940-52
 

I.21 "Schedule of Special Exhibitions Not Regularly Scheduled"

1 folder, 0.25"

Folder Title Date
I.21.11.5 "Schedule of Special Exhibitions Not Regularly Scheduled" ca. 1943-57
 

I.22 Slide Talks [Lectures]

2 folders, 1"; See also, Series I.13 Multiple-Copy Exhibitions for slide talk inventories
Slide Talks are inventoried in Series II.1

Folder Title Date
I.22.11.6 "Slide Talks (General) - Budget, Orders, Estimates" ca. 1944
I.22.11.7 "Slide Talks"

Incl. text and slide lists for various lectures organized by the DCE

ca. 1944
 

I.23 Statistics

4 folders and 1 oversized display book. See also, Series I.11: Loans for loan statistics.]

Folder Title Date
I.23.11.8 "Statistics, 1931-51"

Incl. 1 memo PAM-Boldt (1949) re: C/E's foreign activities

Typed mss. (3 sheets) entitled"Statistics and Information on Circulating Exhibitions - Museum of Modern Art" (12/20/1947)

Statistics on exhibitions

List of institutions that paid rental fees over $200 for exhibitions in the period 1942-47

List of venues in United States, Hawaii, Canada, Cuba and Mexico that showed DCE exhibitions from 3/30/1932 to 6/30/1944

List of exhibitions that circulated in the period 3/1932-6/1941

Chart of venues by exhibition and by year

See also, I.23.1.2.1 for additional exhibition statistics, 1931-44

I.23.11.9 "C/E Statistics 1946"

Incl. statistics for the period 1932-48, compiled for book commemorating the Museum's fifteenth anniversary

1946-48
I.23.11.10 "C/E Miscellaneous Statistics '47-51"

Incl. statistics on exhibition bookings
itineraries
Schedules by state

1946-48
I.23.11.11 "C/E Miscellaneous Statistics '47-51"

Incl. statistics on exhibition bookings
itineraries
Schedules by state

1949-51
I.23.12.1 Bundle 12: "270 Exhibitions Shown 2,665 Times in 397 Cities
Which Exhibitions Have Been Shown in Your City?"

21x23.5x5" display book
29 particle-board pages

Arranged alphabetically by state and by city within each state

Also incl. venues in Hawaii, Australia, Brazil, Canada, Cuba, England, Mexico and Sweden; incl. installation photographs

This item has been microfilmed and digitized for preservation and user access purposes. Please see Archivist for viewing.

1931-1944
 

I.24 Exhibitor Correspondence

221 folders contained in 19 5" document boxes; 8 linear feet

Correspondence was originally maintained alphabetically by city of origin as well as chronologically by year; e.g.,"1937 A,""1944 A," etc

The alphabetical organization has been maintained; however, papers have been integrated chronologically, eliminating the need to consult numerous chronologically arranged files for correspondence from a single individual or institution. Chronological gaps exist; records may have been discarded during the late 1970s and early 1980s when the Museum's building expansion program necessitated the relocation of departmental staff.

Since correspondence is filed by city, the researcher must know the location of the institution or the individual correspondent's city of residence (e.g., correspondence with Wesleyan University is filed under Middletown, CT); therefore, these records are best used in conjunction with the exhibition files inventoried in Series II.1, which contain the names and locations of all exhibitors on an exhibition's itinerary. Note that suburbs, boroughs and neighborhoods within the boroughs of New York City - e.g., Bayside, Brooklyn, Floral Park, Forest Hills, Ft. Hamilton, Jamaica, Ozone Park, Ridgewood, Riverdale and Staten Island - were frequently filed alphabetically by name as well as within the New York City correspondence files.

 

"A" Correspondence

Folder Title Date
I.24.13.1 [UNK], MD - Akron, OH

Aberdeen, MD
Abilene, TX
Akron, OH

1931-32, 1936, 1944
I.24.13.2 Albany, NY 1932-36
I.24.13.3 Alberta, Canada - Ames, IA

Alberta, Canada
Albion, MI
Albion, NY
Albuquerque, NM
Allentown, PA
Alliance, OH
Alpine, TX
Alton, IL
Altoona, PA
Ames, IA

1932-34, 1936, 1944
I.24.13.4 Amherst, MA 1934-36
I.24.13.5 Amsterdam - Appleton, WI

Amsterdam
1 TL re: MoMA Exh. #76a, Three Centuries of American Art (1936)
1 ALS (draft telegram) AHB-Stedelijkmuseum (1936)
Anaheim, CA
Anderson, IN
Angwin, CA
Annandale-on-Hudson, NY
Ann Arbor, MI
1 TLS Emil Lorch (Director, College of Architecture, University of Michigan)-A. Conger Goodyear re: declines to join MoMA
2 TLS Lorch-Henry-Russell Hitchcock
7 TLS Lorch-ARB
Anniston, AL (USO)
Antwerp, Belgium
Appleton, WI

1932-34, 1934-36, 1944
I.24.13.6 Andover, MA (Addison Gallery of American Art)

Incl. 15 TLS Charles H. Sawyer-EC; 11 TLS Sawyer-ARB

1932-36
I.24.13.7 Ardmore, OK - Athens, WV

Ardmore, OK
Arlington, CA
Arlington, TX
Arlington, VA
Asbury Park, NJ
Asheville, NC
Ashland, OR
Ashland, VA
Athens, GA
Athens, WV

ca. 1933-36, 1944
I.24.13.8 Atlanta, GA 1932, 1934-36
I.24.13.9 Atlantic City, NJ - Austin, TX

Atlantic City, NJ (American Red Cross)
Attleboro, MA
Au Sable Forks, NY
Auburn, ME
Augusta, GA
Aurora, IL
Aurora-on-Cayuga, NY
Austin, TX

1932, 1934-36, 1944
 

"B" Correspondence

Folder Title Date
I.24.14.1 Baltimore, MD (Baltimore Museum of Art) 1931-36
I.24.14.2 Baltimore, MD - Baton Rouge, LA

Baltimore, MD
Baton Rouge, LA

ca. 1932, 1934-36
I.24.14.3 Bayside, NY - Bolse, ID

Bayside, NY
Beaumont, TX
Beloit, WI
Belton, TX
Bennington, VT
Berea, KY
Berkeley, CA
Bethlehem, PA
Binghamton, NY
Birmingham, AL
Birmingham, PA
Black Mountain, NC
1 TLS Josef Albers-EC (1936)
1 TLS Albers-AHB (1934)
3 TLS Albers-MoMA (1936)
Blairstown, NJ
Bloomfield Hills, MI
Bloomington, IL
Bloomington, IN
Boise, ID

ca. 1932-36
I.24.14.4.1 Boston, MA (Museum of Fine Arts)

Incl. 3 TLS G. H. Edgell (Director)-EC
3 TLS Edgell-AHB
1 TLS Edgell-Thomas Mabry

ca. 1936
I.24.14.4.2 Boston, MA (Museum of Fine Arts)

Incl. 4 TLS Edgell-AHB
2 TLS Edgell-EC
1 TLS Edgell-Mabry
5 TLS Edward J. Holmes (Director)-ARB

1933-35
I.24.14.5 Boston, MA

Incl. 2 TLS Beaumont Newhall-EC (1934)
See Stephen Crosby/Erskine School

1934-36
I.24.14.6 Boulder, CO - Bryn Mawr, PA

Boulder, CO
Bozeman, MT
Bronxville, NY
Brookings, SD
Brookline, MA
Brooklyn, NY
Brunswick, ME
Bryn Mawr, PA

ca. 1931-36
I.24.14.7.1 Buffalo, NY (Albright Art Gallery)

Incl. 9 TLS Gordon B. Washburn (Director)-EC; 4 TLS Washburn-AHB; 2 TLS Washburn-Thomas Mabry

ca. 1936, 1939
I.24.14.7.2 Buffalo, NY (Albright Art Gallery)

Incl. 1 TLS A. Conger Goodyear-AHB (1935 Dec. 7)
4 TLS Washburn-AHB
1 TLS Washburn-EC
5 TLS Washburn-ARB

1934-35
I.24.14.7.3 Buffalo, NY (Albright Art Gallery)

Incl. 2 TLS Washburn-AHB
7 TLS Washburn-ARB
1 TLS Washburn-Holger Cahill
3 TLS William H. Hekking-ARB
1 TLS Hekking-AHB
1 TLS Hekking-Jere Abbott

1931-33
I.24.14.8 Buffalo, NY - Burlington, VT

Buffalo, NY
Burlington, VT

1932, 1934-36
 

"C" Correspondence

Folder Title Date
I.24.15.1 Cambridge, MA (Harvard University. Fogg Art Museum, Germanic Museum, Harvard University Library, Fine Arts Guild, Society for Contemporary Art)

Incl. 2 TLS Paul J. Sachs-EC (1936)
1 TLS Sachs-EC (1939)
1 TLS Sachs-ARB (1934)
1 TLS AHB-Sachs (1933), annotated and returned to AHB

1933-36, 1939
I.24.15.2 Caldwell, ID - Chestnut Hill, MA

Caldwell, ID
Canton, NY
Canyon, TX
Cedar Rapids, IA
Chambersburg, PA
Chapel Hill, NC
Charleston, SC
Charlotte, NC
Charlottesville, VA
Chattanooga, TN
Chester Co., PA
1 TLS Mrs. Robert M. Labaree (Mary Fleming, Vail Memorial Library)-AHB, 1935, acquaintance of Barr family
Chestertown, MD
Chestnut Hill, MA

1932-36, 1939
I.24.15.3.1 Chicago, IL (Art Institute of Chicago)

Incl. 1 TLS Daniel Catton Rich-AHB
5 TLS Rich-EC
2 TLS Rich-Emay Twining Buck
2 TLS Carl O. Schniewind-EC

1936, 1939, 1941, 1946
I.24.15.3.2 Chicago, IL (Art Institute of Chicago)

Incl. 3 TLS Rich-AHB

1934-35
I.24.15.4 Chicago, IL (Chicago Arts Club)

Incl. 1 ALS Frederick Clay Bartlett, Jr.-Ernestine Fantl re: The Architecture of Henry Hobson Richardson (1935)
1 TLS Mrs. Charles B. (Bobsy) Goodspeed-MW (1938)

1931-32, 1934-36, 1938-39
I.24.15.5 Chicago, IL 1934, 1939
I.24.15.6 Chicago, IL

Incl. 1 TLS Kellogg Fairbanks, Jr.-Edward M.M. Warburg (1/17/1936) re: the exhibition Paintings, Watercolors and Drawings by Vincent van Gogh

1932-34, 1936, 1939
I.24.15.7 Chickasha, OK - Clearwater, FL

Chickasha, OK
Cincinnati, OH
Claremont, CA
Clayton, MO
See I.24.26(6.)
Clearwater, FL

1934-36, 1939
I.24.16.1.1 Cleveland, OH (Cleveland Museum of Art)

Incl. 1 TLS Henry Sayles Francis-EC (1938)
1 TLS Francis-EC (1939)

1938-39
I.24.16.1.2 Cleveland, OH (Cleveland Museum of Art)

Incl. 1 TLS William M. Milliken-AHB
1 TLS A. Conger Goodyear-AHB

1936
I.24.16.1.3 Cleveland, OH (Cleveland Museum of Art)

Incl. 1 TLS Francis-EC; 1 TLS Francis-Thomas Mabry

1935
I.24.16.1.4 Cleveland, OH (Cleveland Museum of Art)

Incl. 1 TLS Francis-EC (1934)

1933-34
I.24.16.2 Cleveland, OH - Chumberland, MD

Cleveland, OH
Clifton Springs, NY
Clinton, NY
1 ALS Edward W. Root (Hamilton College)-AHB (1933)
1 ALS Root-JS (1949)
Cobalt, Ontario
Cody, WY
Colorado Springs, CO
Columbia, MO
Columbus, OH
Concord, MA
Cooperstown, NY
Corvallis, OR
Cumberland, MD

1932, 1933, 1934-36, 1939, 1949
 

"D" Correspondence

Folder Title Date
I.24.16.3 Dallas, TX - Davenport, IA

Dallas, TX
Davenport, IA

1933-36, 1938-39
I.24.16.4 Dayton, OH - Des Moines, IA

Dayton, OH
De Kalb, IL
Denton, TX
Denver, CO
Des Moines, IA

1932, 1934-36, 1938-39
I.24.16.5 Detroit, MI

Incl. Grosse Point, MI, corresp
1 TLS Edith Ferry (Detroit Institute of Art)-AHB (1936) re: invitation to deliver lecture

1933-36, 1939
I.24.16.6 Dobbs Ferry, NY - Durham, NC

Dobbs Ferry, NY
Du Bois, PA
Dubuque, IA
Duluth, MN
Durham, NH
Durham, NC

1932, 1933-36, 1944
 

"E" Correspondence

Folder Title Date
I.24.17.1 Eagle Grove, IA - Elberton, GA

Eagle Grove, IA
Eagle Pass, TX
East Alton, IL
East Detroit, MI
East Grand Rapids, MI
East Hampton, NY
East Lansing, MI
East Orange, NJ
East Stroudsburg, PA
East Williston, NY
Easthampton, MA
Easton, PA
Edmonton, Alberta, Canada
EI Paso, TX
Elberton, GA

1932-36, 1944
I.24.17.2 Elgin, IL - Ellensburg, WA

Elgin, IL
Elizabeth, NJ
Elkhart, IN
Elkton, OR
Ellensburg, WA

1932 - 36, 1944
I.24.17.3 Elmira, NY - Exeter, NH

Elmira, NY
Elsab, IL
Elyria, OH
Emory, VA
Emporia, KS
Englewood, NJ
Erie, PA
Escanaba, MI
Escanola, MI
Eugene, OR
Evanston, IL
Evansville, IN
Exeter, NH

1933-36, 1944
 

"F" Correspondence

Folder Title Date
I.24.17.4 Fargo, ND - Flora, IN

Fargo, ND
Farmerville, LA
Farmington, CT
Farmington, ME
Fayette, MO
Fitchburg, MA
Flagstaff, AZ
Flint, MI
Flora, IN

1933-36, 1944
I.24.17.5 Floral Park, NY - Fort Leonard Wood, St. Louis, MO

Floral Park, NY
Fond du Lac, WI
Forest Glen Station, MD
Forest Grove, OR
Forest Hills, NY
Fort Dix, NJ
Fort Dodge, IA
Fort Eustis, VA
Fort Hamilton, Brooklyn, NY
Fort Hancock, NJ
Fort Monmouth, NJ
Fort Niagara, NY
Fort Smith, AR
Fort Totten, NY
Fort Wayne, IN
Fort Wayne, NJ
Fort Leonard Wood, St. Louis, MO

1934-35, 1944
I.24.17.6 Fort Worth, TX - Framingham, MA

Fort Worth, TX
Framingham, MA

1934-36, 1944
I.24.17.7 Frederick, MD - Fulton, NY

Frederick, MD
Freeport, IL
Fresno, CA
Fryeburg, ME
Fulton, NY

1933-36, 1944
 

"G" Correspondence

Folder Title Date
I.24.17.8 Gaffney, SC - Garfield, NJ

Gaffney, SC
Gainesville, FL
Galesburg, IL
Galveston, TX
Gambier, OH
Garden City, NY
Garfield, NJ

1932, 1934-36, 1944
I.24.17.9 Gary, IN - Grand Rapids, MI

Gary, IN
Gates Mills, OH
Geneva, NY
Germantown, PA
Glassboro, NJ
Glendale, CA
Glendora, CA
Glens Falls, NY
Glenville, WV
Glouster, MA
Gloversville, NY
Godfrey, IL
Gorham, ME
Goshen, IN
Grand Rapids, MI

1934, 1935-36, 1938-99, 1944
I.24.17.10 Great Falls, MT - Greensboro, NC

Great Falls, MT
Greeley, CO
Green Bay, WI
Greenbelt, MD
Greencastle, IN
Greensboro, NC

1932, 1934, 1935-36, 1944
I.24.17.11 Greenvale, NY - Gulfport, MS

Greenvale, NY
Greenville, MS
Greenway, VA
Greenwich, CT
1 TLS Mrs. Stanley Resor-ARB (1934)
Grinnell, IA
Grosse Pointe, MI
See also, 1.24.16.5
Gulfport, MS

1934-36, 1939, 1944
 

"H" Correspondence

Folder Title Date
I.24.18.1 Hackensack, NJ - Hagerstown, MD

Hackensack, NJ
Hackettstown, NJ
Haddon Heights, NJ
Hagerstown, MD (Washington County Museum of Fine Arts)

1932, 1933-34, 1936, 1939, 1944
I.24.18.2 Halifax, Nova Scotia - Handley, TX

Halifax, Nova Scotia
Hamden, CT
Hamilton, NY (Colgate University)
Hamilton, Ontario
Hamilton Field, CA
Hammond, IN
Hammond, LA
Hampton, VA
Handley, TX

1932, 1934, 1936, 1944
I.24.18.3 Hanover, MA - Hanover, NH

Hanover, MA
Hanover, NH (Dartmouth University)
2 TLS Artemas Packard-ARB (1933-34)
1 TLS Packard-Henry-Russell Hitchcock (MoMA)

1932-36, 1944
I.24.18.4 Hartford, CT (Wadsworth Atheneum)

Incl. 1 TLS A. Everett Austin, Jr.-Thomas Mabry (1936)
1 TLS Austin-EC (1936); 1 TLS Austin-AHB (1934)
1 TLS Austin-Philip Johnson (1932)
1 TLS Austin-Jere Abbott (1931)
1 TLS Austin-ARB (1931)

1931-32, 1934, 1936, 1939, 1944
I.24.18.5 Harlingen, TX - Hinsdale, IL

Harlingen, TX
Harrisburg, PA
Harrison, NY
Hartford, CT
Hartsville, SC
Havanna, Cuba
Hawthorne, NV
Hawthorne, NY
Hays, KS
Helena, MT
Highland Park, IL
Highland Park, MI
Highstown, NJ
Hinsdale, IL

1932, 1934, 1936, 1944
I.24.18.6 Hiram, OH - Holy Cross, IN

Hiram, OH
Hoboken, NJ
Holland, MI (Netherlands Museum and Information Bureau)
Hollins, VA
Hollywood, CA
Holy Cross, IN

1934-36, 1940-41, 1943-44
I.24.18.7 Honolulu, HI (Honolulu Academy of Arts)

Incl. 14 TLS Edgar C. Schenck-EC

1934-36, 1938-39, 1944
I.24.18.8 Houston, DE - Huntington Park, CA

Houston, DE
Houston, TX
Hudson, OH
Hunter Field, GA
Huntington, IN
Huntington, NY
Huntington, WV
Huntington Park, CA

1932, 1934, 1936, 1939, 1944
 

"I" Correspondence

Folder Title Date
I.24.18.9 Imaculata, PA - Irvington, NY

Imaculata, PA
Independence, MO
Indiana, PA
Indianapolis, IN (incl. Indianapolis Council of Camp Fire Girls)
Indianola, IA
Institute, WV
Iowa City, IA
Iowa Falls, IA
Irvington, NJ
Irvington, NY

1932-36, 1944
I.24.18.10 Ithaca, NY

Incl. primarily Cornell University corresp

1936, 1939, 1944
 

"J" Correspondence

Folder Title Date
I.24.18.11 Jackson, MI - Junction City, KS

Jackson, MI
Jackson, MS
Jackson, OH
Jacksonville, FL
Jacksonville, IL
Jamaica, NY
Jamestown, NY
Jefferson City, MO
Jenkintown, PA
Jersey City, NJ
Johannesburg, South Africa
Johnson, VT
Johnstown, PA
Joliet, IL
Junction City, KS

1932-36, 1939, 1943-44
 

"K" Correspondence

Folder Title Date
I.24.19.1 Kalamazoo, MI - Kankakee, IL

Kalamazoo, MI
Kankakee, IL

1933-34, 1936, 1939, 1944
I.24.19.2 Kansas City, MO 1932-36, 1939, 1944
I.24.19.3 Kearny, NJ - Kutztown, PA

Kearny, NJ
Keene, NH
Kenosha, WI
Kent, CT
Kent, OH
Kingston, Ontario
Kingston, RI
Klamath, Falls, OR
Knoxville, TN
Tennessee Valley Authority (TVA) corresp
Kutztown, PA

 

"L" Correspondence

Folder Title Date
I.24.19.4 La Crosse, WI - Lafayette, LA

La Crosse, WI
La Grande, OR
La Grange, IL
La Jolla, CA
La Plume, PA
La Porte, IN
Lacey, WA
Lafayette, CA
Lafayette, IN
Lafayette, LA

1944
I.24.19.5 Lake Forest, IL - Lamoni, IA

Lake Forest, IL
Lake Placid, NY
Lakeland, FL
Lakeville, CT
Lakewood, OH
Lamoni, IA

1934, 1944
I.24.19.6 Lancaster, PA - Larchmont, NY

Lancaster, PA
Langley, VA
Lansing, MI
Laramie, WY
WPA corresp
Larchmont, NY

1936, 1944
I.24.19.7 Laredo, TX - Lawrenceville, NJ

Laredo, TX
Largo, FL
Las Vegas, NV
Laurel, DE
Laurel, MS
Lawrence, KS
Lawrenceville, IL
Lawrenceville, NJ

1932, 1934, 1935-1936, 1944
I.24.19.8 Lemoyne, PA - Lincoln, MA

Lemoyne, PA
1 ALS Gladys W. Green (cousin of AHB)-AHB (1936)
Lewisburg, PA
Lewisburg, WV
Lexington, GA
Lexington, KY
Lexington, VA
Liberty, MO
Lincoln, MA

1934, 1936, 1944
I.24.19.9 Lincoln, NE - Long Branch, NJ

Lincoln, NE
Little Falls, NJ
Little Rock, AR
Lock Haven, PA
Logansport, IN
London, England
Long Beach, CA
Long Branch, NJ

1932, 1934, 1936, 1939, 1944, 1948
I.24.19.10 Los Angeles, CA 1931-32, 1934-36, 1938-39, 1944
I.24.19.11 Louisville, KY - Lynn, MA

Louisville, KY
Lubbock, TX
United Service Organization (USO) corresp
Lynchburg, VA
Lynn, MA
1 TL"Assistant," DCE-Beaumont Newhall (1934), cover letter enclosing list of reproductions

1932, 1934-36, 1944
 

"M" Correspondence

Folder Title Date
I.24.20.1 Macomb, IL - Madison, ME

Macomb, IL
Macon, GA
Madison, ME

1932, 1934, 1944
I.24.20.2 Madison, WI 1932-36, 1939, 1944
I.24.20.3 Mamaroneck, NY - Marshalltown, IA

Mamaroneck, NY
Manchester, CT
Manchester, NH
Currier Gallery of Art corresp
Manchester, VT
Manhattan, KS
Manitowoc, WI
Mansfield, OR
Maplewood, NJ
Marathon, NY
Marion, OH
Marshall, TX
Marshalltown, IA

1932, 1934, 1935-1936, 1939, 1944
I.24.20.4 Martinez, CA - McMinnville, OR

Martinez, CA
Martinsburg, WV
Martinsville, VA
Marysville, CA
Massillon, OH
McCook, NE
McLean, VA
McMinnville, OR

1934, 1936, 1939, 1944
I.24.20.5 Meadville, PA - Mexico, NY

Meadville, PA
Melbourne, Australia
Mellville, NJ
Memphis, TN (Brooks Memorial Art Gallery)
Meridian, MS
Metuchen, NJ
Mexico
Mexico City
Mexico, NY

1934, 1936, 1944
I.24.20.6 Miami, FL - Middlebury, VT

Miami, FL
Miami Beach, FL
Middlebury, CT
Middlebury, VT

1936, 1944
I.24.20.7 Middletown, CT - Milton, MA

Middletown, CT (Wesleyan University)
1 TL (carbon) EC-Henry-Russell Hitchcock (1944) re: request for loan of drawing for circulating exhibition
1 ALS (postcard) Hitchcock-Ernestine Fantl (1932)
1 ALS Hitchcock-ARB (1932) re: exhibition of color reproductions
Middletown, NY
Milan
1 TLS II Podestá di Milano-AHB (1936) re: loans for proposed Futurist exhibition
Milford, CT
Millbrook, NY
Milledgeville, GA
Millersburg, PA
Milton, MA

1934-1936, 1944
I.24.20.8 Milwaukee, WI (Milwaukee Art Institute)

Incl. 11 TLS Alfred G. Pelikan-EC (1935-36, 1939)
4 TLS Pelikan-AHB
2 TLS Pelikan-ARB
1 TLS Pelikan-John Hay Whitney
Flyer for Machine Art (1934)

1933-36, 1939, 1944
I.24.20.9 Milwaukee, WI 1936, 1944
I.24.20.10 Minneapolis, MN (incl. Minneapolis Institute of Arts) 1933-36, 1944
I.24.20.11 Minneapolis, MN (Walker Art Center) 1944, 1945
I.24.20.12 Minneapolis, MN (University of Minnesota) 1934-36, 1938-39, 1944
I.24.21.1 Minot, ND - Montclair, NJ

Minot, ND
Misenheimer, NC
Mishawaka, IN
Missoula, MT
Mitchel Field [Hempstead], NY
Mitchell, SD
Mobile, AL
Modesto, CA
Moline, IL
Monessen, PA
Monmouth, IL
Monroe, LA
Montclair, NJ

1934-36, 1944
I.24.21.2 Monteagle, TN - Montpelier, VT

Monteagle, TN
Montevallo, AL
Montgomery, AL
Montpelier, VT

1934-36, 1944
I.24.21.3 Montreal, Canada - Muskogee, OK

Montreal, Canada
Morganfield, KY
Morgantown, WV
Morristown, NJ
Moscow, ID
Mount Pleasant, MI
Mount Vernon, IA
Mount Vernon, NY
Murfreesboro, TN
Muskegon, MI
Muskogee, OK

1931-32, 1934, 1936, 1944
 

"N" Correspondence

Folder Title Date
I.24.21.4 Nantucket, MA - Nashville, TN

Nantucket, MA
Nashville, TN

1934-37, 1945
I.24.21.5 Neenah, WI - New City, NY

Neenah, WI
New Albany, IN
New Bedford, MA
New Brunswick, NJ
New Canaan, CT
New City, NY

1931-36, 1937, 1945
I.24.21.6 New Haven, CT

Incl. 2 TLS George Heard Hamilton (Yale University)-EC (1945)
1 TLS Theodore Sizer-EC (1945)

1936, 1944-45
I.24.21.7 New Holstein, WI - New London, CT

New Holstein, WI
New Iberia, LA
New London, CT (Lyman Allyn Museum)

1933-37, 1945
I.24.21.8 New Orleans, LA

Incl. Arts and Crafts Club and Art Association of New Orleans and Isaac Delgado Museum of Art corresp

1934-37, 1939, 1944-45
I.24.21.9 New Orleans, LA - New Windsor, MD

New Orleans, LA
New Paltz, NY
New Rochelle, NY
New Ulm, MN
New Wilmington, PA
New Windsor, MD

1934, 1936, 1945
I.24.21.10 New York, NY: A

Incl. 2 TLS Alexander Archipenko-EC (1945)
Corresp. with the Army Special Services Division
Associated Dry Goods RE: solicitation for exhibitions with fact or descriptive sheets (1934)

1934, 1938-39, 1945
I.24.21.11 New York, NY: B

Incl. 1 ALS Julius Held (Barnard College)-Muriel Armstrong (1945) re: request for exhibition
1 memo AHB-EC/Victor D'Amico (1945) re: Sgt. William C. Barr, cousin of AHB interested in information on circulating exhibitions