Artist and Publisher: Printmaking and the Collaborative Process, with Marina Abramović and Jacob Samuel of Edition Jacob Samuel
Tuesday, February 28, 6:00 p.m.
Theater 3

Join us for conversations between publishers and artists featured in Print/Out and Printin' as they discuss their creative practice and the process of collaboration. Christophe Cherix, The Abby Aldrich Rockefeller Chief Curator of Prints and Illustrated Books and organizer of Print/Out, moderates. This evening artist Marina Abramović will be in conversation with Los Angeles publisher/printmaker Jacob Samuel of Edition Jacob Samuel.

Image: Daniel Joseph Martinez. If Only God Had Invented Coca Cola, Sooner! Or, The Death of My Pet Monkey. 2004. One from a portfolio of 23 screenprints. Publisher: the artist and San Juan Triennial, La Perla, Puerto Rico. Printer: Colby Poster, Los Angeles. Edition: 5. The Museum of Modern Art, New York. Committee on Prints and Illustrated Books Fund. © 2012 Daniel Joseph Martinez

       
    Henry Taylor
Through April 9
MoMA PS1

Los Angeles–based artist Henry Taylor (American, b. 1958) applies his brush both to canvas and to unconventional materials—suitcases, crates, cereal boxes, cigarette packs—offering a refreshing, idiosyncratic perspective on culture and politics using everyone and everything around him as source material.

Image: Henry Taylor. The Long Jump by Carol Lewis. 2010. Acrylic on canvas. Courtesy the artist and Untitled, New York. © 2012 Henry Taylor

       
    Woodstock
Friday, February 3, 6:00 p.m.
Theater 2

1970. USA. Directed by Michael Wadleigh. With a list of collaborators including Thelma Schoonmaker and Martin Scorsese, the pedigree of this epic concert film/cutural document is nearly as legendary as the line-up of musical talent it captured—including Joan Baez, The Who, Arlo Guthrie, and Jimi Hendrix. 228 min. (15-min. intermission)

Image: Woodstock. 1970. USA. Directed by Michael Wadleigh. Image courtesy of Photofest


       
 
  Cindy Sherman
February 26–June 11, 2012
MoMA

Bringing together more than 170 photographs, Cindy Sherman, a retrospective survey, traces the artist's career from the mid 1970s to the present. The exhibition will explore dominant themes throughout Sherman's career, including artifice and fiction; cinema and performance; horror and the grotesque; myth, carnival, and fairy tale; and gender and class identity. Also included are Sherman's recent photographic murals (2010), which will have their American premiere at MoMA.

Image: Cindy Sherman. Untitled #264. 1992. Chromogenic color print. Courtesy the artist and Metro Pictures, New York © 2012 Cindy Sherman