Consonant Abstraction: Claude Debussy and Steve Reich

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Gino Severini. <i>Mare = Ballerina (Sea = dancer)</i>. 1913. Tempera and pastel on cardboard. 25 13/16 x 18 1/2" (65.5 x 47 cm). Triton Foundation. © 2012 Gino Severini / Artists Rights Society (ARS), New York / ADAGP, Paris. Photo courtesy of the Triton Foundation

Consonant Abstraction: Claude Debussy and Steve Reich

Tuesday, February 26, 2013, 6:00 p.m.
Theater 1 (The Roy and Niuta Titus Theater 1), T1

In conjunction with the MoMA exhibition Inventing Abstraction, 1910–1925, Bang on a Can presents a pair of concerts that reveal how pioneering European composers of 100 years ago forever changed the music in New York. Each concert pairs two composers—an early-20th-century innovator, and a New Yorker they influenced. The music is performed by alumni and faculty of the Bang on a Can Summer Music Festival at MASS MoCA, a program dedicated entirely to the creation, study, and performance of the most adventurous music of our time. This evening, the first in the series, features works by Claude Debussy and Steve Reich. It is a rare performance of the chamber ensemble arrangement of Debussy's landmark orchestra piece Prelude to the Afternoon of a Faun, which was made by one of Schoenberg's students for his private performing society in Vienna; plus two Reich classics, Electric Counterpoint and Different Trains. Following the concert, Steve Reich joins David Lang for a conversation.

Tickets ($10, $8 members and corporate members, $5 students, seniors and staff of other museums) can be purchased online or at the information desk in the main lobby or at the film desk.

In conjunction with the exhibition

Image: Gino Severini. Mare = Ballerina (Sea = dancer). 1913. Tempera and pastel on cardboard. 25 13/16 x 18 1/2" (65.5 x 47 cm). Triton Foundation. © 2012 Gino Severini / Artists Rights Society (ARS), New York / ADAGP, Paris. Photo courtesy of the Triton Foundation