The Heart Is Not a Metaphor is the first large-scale survey of Robert Gober’s career to take place in the United States. Gober (American, b. 1954) rose to prominence in the mid-1980s and was quickly acknowledged as one of the most significant artists of his generation. Early in his career he made deceptively simple sculptures of everyday objects—beginning with sinks before moving on to domestic furniture such as playpens, beds, and doors. In the 1990s, his practice evolved from single works to theatrical room-sized environments. Featuring loans from institutions and private collections in North America and Europe, along with selections from the artist’s collection, the exhibition includes around 130 works across several mediums, including individual sculptures and immersive sculptural environments and a distinctive body of drawings, prints, and photographs. The loosely chronological presentation traces the development of this remarkable body of work, highlighting themes and motifs that emerged in the early 1980s and continue to inform Gober’s work today.
Organized by Ann Temkin, The Marie-Josée and Henry Kravis Chief Curator, and Paulina Pobocha, Assistant Curator, Department of Painting and Sculpture, working in close collaboration with the artist.
The exhibition is made possible by Hyundai Card.
Major support is provided by the Henry Luce Foundation, Maja Oeri and Hans Bodenmann, and Marie-Josée and Henry Kravis.
Additional funding is provided by Chara Schreyer, The Junior Associates of The Museum of Modern Art, Mr. and Mrs. Joseph Vandermolen, Ann and Mel Schaffer, and the MoMA Annual Exhibition Fund.
Image: Robert Gober (American, born 1954). Untitled Leg. 1989–90. Beeswax, cotton, wood, leather, human hair, 11 3/8 x 7 3/4 x 20″ (28.9 x 19.7 x 50.8 cm). The Museum of Modern Art, New York. Gift of the Dannheiser Foundation. © 2014 Robert Gober