Alibis: Sigmar Polke 1963–2010

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Sigmar Polke. Mao. 1972. Synthetic polymer paint on patterned fabric mounted on felt with wooden dowel, overall: 12' 3" x 10' 3 1⁄2" (373.5 x 314 cm). The Museum of Modern Art, New York. Kay Sage Tanguy Fund. © 2014 The Estate of Sigmar Polke/Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn, Germany

Alibis: Sigmar Polke 1963–2010

April 19–August 3, 2014
Contemporary Galleries, second floor
The Donald B. and Catherine C. Marron Atrium, second floor
The Yoshiko and Akio Morita Media Gallery, second floor

The Museum of Modern Art presents the first comprehensive retrospective of Sigmar Polke (German, 1941–2010), encompassing Polke’s work across all mediums, including painting, photography, film, drawing, prints, and sculpture. Widely regarded as one of the most influential artists of the postwar generation, Polke possessed an irreverent wit that, coupled with his exceptional grasp of the properties of his materials, pushed him to experiment freely with the conventions of art and art history. Constantly searching, Polke studiously avoided any one signature style or medium; his method exemplified the definition of alibi, “in or at another place,” which also suggests a deflection of blame. This exhibition places Polke’s enormous skepticism of all social, political, and artistic traditions against German history and the country’s transformation in the postwar period. Four gallery spaces on MoMA’s second floor are dedicated to the exhibition, which comprises more than 250 works and constitutes one of the largest exhibitions ever organized at the Museum.

The exhibition is organized chronologically and across mediums, ranging from the intimacy of a notebook to pieces that test the architectural scale of most museum galleries. Among the many noted works on view are 13 films by Polke, including eight which have never before been available; a performance made for West German television that was last seen when it aired in 1972; and a group of monumental paintings made entirely of soot on glass that have never been exhibited in the United States.

The exhibition is organized by MoMA with Tate Modern, London. Organized by Kathy Halbreich, Associate Director, MoMA; with Mark Godfrey, Curator of International Art, Tate Modern; and Lanka Tattersall, Curatorial Assistant, Department of Painting and Sculpture, MoMA.

Volkswagen of America

The exhibition is made possible by a partnership with
Volkswagen of America.

Major support is provided by HANJIN SHIPPING logo

The Museum acknowledges generous funding from the Mimi and Peter Haas Fund, Jerry I. Speyer and Katherine G. Farley, Marie-Josée and Henry Kravis, Anna Marie and Robert F. Shapiro, Sully Bonnelly and Robert R. Littman, and The Contemporary Arts Council of The Museum of Modern Art.

Additional support is provided by The Charles Lafitte Foundation, The Junior Associates of The Museum of Modern Art, and the MoMA Annual Exhibition Fund.

Support for the publication is provided by The International Council of The Museum of Modern Art and by the Jo Carole Lauder Publications Fund of The International Council of The Museum of Modern Art.

Park Hyatt®, through Hyatt, is the hotel sponsor of Alibis: Sigmar Polke 1963–2010.

Image: Sigmar Polke. Mao. 1972. Synthetic polymer paint on patterned fabric mounted on felt with wooden dowel, overall: 12' 3" x 10' 3 1⁄2" (373.5 x 314 cm). The Museum of Modern Art, New York. Kay Sage Tanguy Fund. © 2014 The Estate of Sigmar Polke/Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn, Germany