This new installation brings together diverse works around the theme of the modern monument. Included are Barnett Newman’s Broken Obelisk (1967), which does not commemorate a specific event but, rather, serves as a symbolic monument for all people, and Pablo Picasso's Monument (1972), a memorial for the French poet Guillaume Apollinaire, who died of influenza at the end of World War I. These two works are joined by Figurengruppe/Group of Figures (2006–08) by German artist Katharina Fritsch, comprising nine boldly-colored, life-size figures, among them St. Michael, a Madonna, a giant, and a snake. Favorites like Picasso’s She-Goat (1950) and Joan Miró’s Moonbird (1966), are shown alongside works by Alberto Giacometti, Henri Matisse, Mark di Suvero, Tony Smith, and others. Also on view, in conjunction with Claes Oldenburg: The Street and The Store and Claes Oldenburg: Mouse Museum/Ray Gun Wing, is Geometric Mouse, Scale A (1975), a large painted aluminum and steel sculpture of a mouse whose form the artist based on both Mickey Mouse and a film camera.
Organized by Ann Temkin, The Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture.
The exhibition is made possible by a partnership with
Volkswagen of America.
Image: Shown, from back: Joan Miró. Moonbird. 1966. Bronze, 7' 6" x 6' 6" x 57" (228.5 x 198.2 x 144.9 cm). Nina and Gordon Bunshaft Bequest. © 2012 Successió Miró/Artists Rights Society (ARS), New York/ADAGP, Paris; Aristide Maillol. The River. Begun 1938–39; completed 1943 (cast 1948). Lead, 53 3/4" x 7' 6" x 66" (136.5 x 228.6 x 167.7 cm), on lead base designed by the artist 9 3/4 x 67 x 27 3/4" (24.8 x 170.1 x 70.4 cm). Printer: Alexis Rudier. Mrs. Simon Guggenheim Fund. © 2012 Artists Rights Society (ARS), New York/ADAGP, Paris