Curt Valentin was born in Hamburg Germany in 1902. After completing his education, Valentin became a modern art dealer in
Berlin. In 1934 Valentin returned to Hamburg to work in the Buchholz Gallery. Owned by Karl Buchholz, this gallery maintained
two businesses: a bookstore in the front and, in the rear, an art gallery devoted to the modern art classified as degenerate
by Hitler.
In 1937 Valentin immigrated to the United States with a sufficient number of modern German paintings to open a gallery under
the Buchholz name in New York City. After two difficult years on West Forty-sixth Street, Valentin moved the gallery to West
Fifty-seventh Street. In 1951 the gallery became the Curt Valentin Gallery.
Widely respected as one of the most astute dealers in modern art, Valentin organized influential exhibitions and attracted
major artists to his Gallery. His enthusiasm for sculpture is obvious from the artists and exhibitions he selected. Valentin
also published several distinguished, limited edition books in which the writings of poets and novelists were "illustrated"
by a contemporary artist.
Curt Valentin died of a heart attack in August 1954 while visiting Marino Marini in Italy. One year later the Gallery was
liquidated and some work from the Gallery was sold at a Parke-Bernet auction in November 1955. Several of Valentin's artists,
as well as his assistant, Jane Wade, joined the Otto Gerson Gallery, which, after Gerson's death in 1962, became the Marlborough-Gerson
Gallery.
As one of the most respected dealers handling modern art in New York City, Curt Valentin enthusiastically supported and exhibited
the work of notable artists such as Paul Klee, Ludwig Kirchner, Hans Arp and Jacques Lipchitz. He encouraged the efforts
of his countrymen Gerhard Marcks, Lyonel Feininger and Max Beckmann and was a strong advocate of contemporary sculptors such
as Alexander Calder, Mary Callery, Wilhelm Lehmbruck, Marino Marini, Barbara Hepworth and Henry Moore. In addition he did
a brisk business in contemporary prints, most notably lithographs by Pablo Picasso, see Series II.
Valentin's correspondence with artists (and many more) (Series III.A) reflects his firm commitment to modern art, purposefulness
in promoting artists and compassion for the uncertainties of an artist's existence. The correspondence with Beckmann, Arp
and Moore is especially substantial.
There is extensive correspondence with private collectors (including David Thomson and Douglas Cooper), other art dealers
(Berggruen, Rolf Burgi, D.H. Kahnweiler), as well as institutions worldwide (museums, universities, etc.) which bought and
borrowed art work from the Valentin Gallery. Although much of this correspondence has been arranged in Series III.B-III.E,
related material can be located, among Series VII: Business Records.
The Papers include documentation relating to most of the exhibitions held at the Buchholz Gallery (New York) and the Curt
Valentin Gallery. (Series I). Very few of the papers relate to Valentin's activities as a publisher of luxury illustrated
books. Seven boxes of photographs of art works are included in the Papers, see Series IV. Publicity albums spanning Valentin's
years in New York, 1937-1954 are included in the Papers, see Series V. Series VII: Business records consist primarily of files
(invoices, statements, bills, etc.) generated during the Gallery's last three years, 1953-55. They seem to have been kept
separate from the rest of the Papers because of their importance to the cessation of the Gallery's daily activities. Documentation
related to the liquidation of the gallery in 1955 is in Series VI.
The records are open for research and contain no restricted materials.
The Curt Valentin Papers are the physical property of The Museum of Modern Art. Literary rights, including copyright belong
to the authors or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides
with The Museum of Modern Art. For further information, and to obtain permission to publish or reproduce, contact the Museum
Archivist.
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This collection is indexed under the following headings in DADABASE, the library catalog of The Museum of Modern Art. Researchers
desiring materials about related topics, persons, or places should search the catalog using these headings.
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Persons: |
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Valentin, Curt, 1902-1954. |
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Subjects: |
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Arp, Jean, 1887-1966 -- Correspondence. |
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Art -- Collectors and collecting. |
|
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Art dealers -- New York (N.Y.) |
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Art, German. |
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Art, Modern -- 20th century. |
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Beckmann, Max, 1884-1950. -- Correspondence. |
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Berggruen, Heinz -- Correspondence. |
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Buchholz Gallery (New York, N.Y.) -- Archives. |
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Burgi, Rolf -- Correspondence. |
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Calder, Alexander, 1898-1976 -- Correspondence. |
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Callery, Mary -- Correspondence. |
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Cooper, Douglas, 1911- -- Correspondence. |
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Curt Valentin Gallery (New York, N.Y.) -- Archives. |
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Entartete Kunst. |
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Feininger, Lyonel, 1871-1956 -- Correspondence. |
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Hepworth, Barbara, Dame, 1903-1975 -- Correspondence. |
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Kahnweiler, Daniel Henry, 1884- -- Correspondence. |
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Kirchner, Ernst Ludwig, 1880-1938 -- Correspondence. |
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Klee, Paul, 1879-1940 -- Correspondence. |
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Lehmbruck, Wilhelm, 1881-1919 -- Correspondence. |
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Lipchitz, Jacques, 1891- -- Correspondence. |
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Marini, Marino, 1901- -- Correspondence. |
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Moore, Henry, 1898- -- Correspondence. |
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Picasso, Pablo, 1881-1973 -- Correspondence. |
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Picasso, Pablo, 1881-1973 -- Prints. |
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Prints -- 20th century. |
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Sculpture, Modern -- 20th century. |
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Thomson, David -- Correspondence. |
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Valentin, Curt, 1902-1954 -- Archives. |
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Document Types: |
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Bills (Financial). |
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Correspondence. |
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Invoices. |
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Photoprints. |
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Scrapbooks. |
This Collection was given to the Library by the Curt Valentin Estate through the efforts of Ralph Colin.
Curt Valentin Papers, [series.folder]. The Museum of Modern Art Archives, New York.
| Series I: Exhibition Data
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Exhibitions at Buchholz and Curt Valentin Gallery. Arranged alphabetically by title of exhibition.
|
| Folder |
Title |
Date |
| I.[1] |
American sculpture |
1941 |
| I.[2] |
American sculpture of our time |
1943 |
| I.[3] |
Arp |
1949,1954 |
| I.[4] |
Ascher panel by Matisse & Moore |
1949 |
| I.[5] |
Aspects of modern drawing |
1942 |
| I.[6] |
Barlach |
1938 |
| I.[7] |
Beaudin |
1949 |
| I.[8] |
Beaudin, Braque, Ciris, Klee, Léger, Masson, Picasso |
1941 |
| I.[9] |
Beckmann [12 folders] 1938-1939, 1940, 1941, 1942 (Chicago), 1946, 1946 (The Actors), 1947, 1948 (St. Louis), 1949, 1951, 1951, 1954
|
1938-1954 |
| I.[10] |
Blaue Reiter |
1954 |
| I.[11] |
Bores |
1939 |
| I.[12] |
Braque |
1938-1939 |
| I.[13] |
Butler |
1955 |
| I.[14] |
Butler, Cassinari, Cox, Kreisberg, Pickens |
1953 |
| I.[15] |
Caesar |
1943 |
| I.[16] |
Calder [5 folders] 1944, 1945, 1947-1949, 1952, 1955
|
1944-1955 |
| I.[17] |
Callery [2 folders] 1944, 1947-1955
|
1944-1955 |
| I.[18] |
Carved in stone |
1946 |
| I.[19] |
Chagall |
1952 |
| I.[20] |
Closing exhibition |
1955 |
| I.[21] |
Contemporary British artists |
1945 |
| I.[22] |
Contemporary drawings |
1950 |
| I.[23] |
Contemporary European painters and sculptors |
1939 |
| I.[24] |
Contemporary European painting and sculpture [2 folders]
|
1940 |
| I.[25] |
Contemporary German art (Boston) |
1939 |
| I.[26] |
Contemporary paintings and sculpture [2 folders]
|
1951-1952, 1954 |
| I.[27] |
Contemporary prints |
1943, 1945 |
| I.[28] |
Corinth memorial exhibition |
1950-1952 |
| I.[29] |
Cubism |
1949 |
| I.[30] |
Degas |
1945 |
| I.[31] |
Despiau |
1939 |
| I.[32] |
Drawings by contemporary painters and sculptors |
1947, 1952 |
| I.[33] |
Early work by contemporary artists |
1943 |
| I.[34] |
Ensor |
1944 |
| I.[35] |
Exhibition |
1937 |
| I.[36] |
Feininger [7 folders] 1941, 1943, 1944, 1946, 1948, 1950, 1952-1954
|
1941-1954 |
| I.[37] |
Fifty drawings, gouaches, pastels & watercolors
|
1940 |
| I.[38] |
Flannagan [2 folders]
|
1942 |
| I.[39] |
Fresnaye |
1945 |
| I.[40] |
From Rodin to Brancusi |
1941 |
| I.[41] |
Gris book [2 folders] Problems with copyright
|
|
| I.[42] |
Gris [4 folders]
|
1944, 1947, 1950 |
| I.[43] |
Gris drawings |
|
| I.[44] |
Gris letters |
|
| I.[45] |
Gris pictures |
|
| I.[46] |
Group exhibition [3 folders]
|
1949, 1950, 1954 |
| I.[47] |
Hepworth |
1954 |
| I.[48] |
Heritage of Rodin |
1951 |
| I.[49] |
Homage a Rodin |
1942 |
| I.[50] |
In memory of Curt Valentin |
1954 |
| I.[51] |
Kirchner [2 folders] Announcement, 1952
|
1937 |
| I.[52] |
Klee [9 folders] 1938, 1940, 1941 (Chicago), 1948, 1948-49, 1950, 1953
|
1938-1953 |
| I.[53] |
Klee drawings |
1950 |
| I.[54] |
Klee, Masson & some aspects of primitive ancient sculpture |
1943 |
| I.[55] |
Klee: sixty unknown drawings |
1951 |
| I.[56] |
Klee [Drawings by..] |
1955 |
| I.[57] |
Knaths |
1942 |
| I.[58] |
Kokoschka [2 folders] 1938-1939, 1940-1941 (Chicago)
|
1938-1941 |
| I.[59] |
Kollwitz |
1938 |
| I.[60] |
Kollwitz lithography |
1941 |
| I.[61] |
Kriesberg |
1955 |
| I.[62] |
Landmarks in modern German art |
1940 |
| I.[63] |
Laurens |
1947, 1952 |
| I.[64] |
Léger [3 folders] 1942, 1950-1951 Léger, Matisse, Miró, Moore panels & sculpture 1949
|
1942-1951 |
| I.[65] |
Lehmbruck at Marie Harriman Gallery |
1939 |
| I.[66] |
Lehmbruck-Modigliani |
1937 |
| I.[67] |
Lehmbruck-Maillol |
1941 |
| I.[68] |
Lehmbruck & his contemporaries |
1951 |
| I.[69] |
Lipchitz [12 folders] 1942 (Chicago), 1943, 1946, 1948, 1951, 1954 and portfolio
|
1942-1954 |
| I.[70] |
Maillol-Sintenis |
1937 |
| I.[71] |
Maillot 1940, 1940 (Chicago), 1945, 1951
|
1940-1951 |
| I.[72] |
Marc |
1940 |
| I.[73] |
Marcks |
1938-1939 |
| I.[74] |
Marini [2 folders]
|
1950, 1953 |
| I.[75] |
Masson [8 folders] 1941 (Baltimore), 1942 (Chicago), 1942, 1944, 1945, 1947, 1949, 1953
|
1941-1953 |
| I.[76] |
Matisse sculpture |
1953 |
| I.[77] |
Mauer |
1943 |
| I.[78] |
Merida |
1941 |
| I.[79] |
Moore [3 folders]
|
1943, 1951, 1954 |
| I.[80] |
Munch |
1944 |
| I.[81] |
Newberry collection |
1948 |
| I.[82] |
Nolde |
1939 |
| I.[83] |
Opening exhibition |
1937 |
| I.[84] |
Painting and sculpture from Europe |
1947 |
| I.[85] |
Paintings and sculpture by contemporary European artists |
1939 |
| I.[86] |
Paintings and sculpture from Europe |
1948 |
| I.[87] |
Paintings and drawings by Braque, Gris, Klee / Sculpture by Laurens |
1940 |
| I.[88] |
Paintings, watercolors and sculpture by European artists |
1941 |
| I.[89] |
Picasso books |
|
| I.[90] |
Picasso-Guernica book |
|
| I.[91] |
Picasso [2 folders]
|
1940, 1945 |
| I.[92] |
Picasso lithographs |
1947 |
| I.[93] |
Picasso drawings |
1947 |
| I.[94] |
Picasso [3 folders] 1949, 1951-1952, 1953
|
1949-1953 |
| I.[95] |
Piper [3 folders]
|
1948, 1950-1955 |
| I.[96] |
Recent graphic work |
1949 |
| I.[97] |
Rodin |
1946,1954 |
| I.[98] |
Roesch, Caesar, Ben-Zion |
1943 |
| I.[99] |
Roesch, Cutler |
1946 |
| I.[100] |
Roesch [5 folders] 1939, 1941, 1945, 1949, 1953
|
1939-1953 |
| I.[101] |
Rouault Correspondence |
|
| I.[102] |
Rouault |
1940 |
| I.[103] |
Sculpture and sculptors drawings |
1953 |
| I.[104] |
Sculpture by Degas, Matisse, Renoir |
1943 |
| I.[105] |
Sculpture by painters [2 folders]
|
1939, 1951 |
| I.[106] |
Sculpture [2 folders]
|
1948, 1949 |
| I.[107] |
Sculpture by Kolbe, Sintenis, Barlach, Lehmbruck, Marcks |
1939 |
| I.[108] |
Self Portraits |
|
| I.[109] |
Seurat book |
1946-1947 |
| I.[110] |
Seventy-five selected prints [3 folders]
|
1940, 1941, 1942 |
| I.[111] |
Sintenis correspondence |
|
| I.[112] |
Sintenis |
1939 |
| I.[113] |
Smith |
1946 |
| I.[114] |
Sutherland [3 folders] 1946, 1948, 1953
|
1946-1953 |
| I.[115] |
Zerbe |
1941 |
|
| Series III: Correspondence
|
|
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|
| Subseries A: Artists
|
|
Arranged alphabetically
|
| Box |
Title |
Date |
| III.A.1.[1] |
Arp, Hagenbach-Arp |
|
| III.A.1.[2] |
Albers [3 folders]
|
1946-1967 |
| III.A.2 |
Beckmann Notebook I [6 folders]
|
1937-1945 |
| III.A.3 |
Beckmann Notebook II [8 folders] Includes translation of Beckmann lecture given at the New Burlington Galleries, July 21, 1938
|
1945-1946 |
| III.A.4 |
Beckmann Notebook III [13 folders] Drawings, etching, lithographs and woodcuts on September 23, 1947 List with prices
|
1946-68 |
| III.A.5 |
Beckmann Notebooks IV [4 folders] Notes on the triptych Argonauts from Beckmanns' diary
|
1948-51 |
| III.A.6 |
Beckmann Notebook V [5 folders] Contains statement on prices and where work is located, owned
|
1950-1952 |
| III.A.7.[1] |
Beckmann, Mathilde |
|
| III.A.7.[2] |
BenShmuel |
1945-46 |
| III.A.7.[3] |
Ben-Zion |
|
| III.A.7.[4] |
Bores, Francisca |
1943-1948 |
| III.A.7.[5] |
Braque, G. "Reflections" |
|
| III.A.7.[6] |
Butler, Reg |
|
| III.A.7.[7] |
Caesar, Doris |
1939-1946 |
| III.A.7.[8] |
Calder Letters, pt. 1 [3 folders]
|
1944-1949 |
| III.A.8 |
Calder Letters, pt. 2 [5 folders]
|
1950-1955 |
| III.A.9.[1] |
Callery [2 folders]
|
1935-1955 |
| III.A.9.[2] |
Chagall |
1941-48 |
| III.A.9.[3] |
Cox, Ian |
|
| III.A.10.[1] |
Cutler |
1943-1947 |
| III.A.10.[2] |
Despiau (one article) |
|
| III.A.10.[3] |
Dioda |
1945-47 |
| III.A.10.[4] |
Feininger Letters, Pt. 1 [3 folders]
|
1937-1948 |
| III.A.11.[1] |
Feininger Letters, Pt. 2 [3 folders]
|
1948-1953 |
| III.A.11.[2] |
Flannagan |
1940-1946 |
| III.A.12 |
Gris, Notebook |
1955 |
| III.A.13.[1] |
Gatch, Lee |
1954 |
| III.A.13.[2] |
Gropius, Walter |
1954 |
| III.A.13.[3] |
Grosz |
1939-1941 |
| III.A.13.[4] |
Hayter |
1945-1947 |
| III.A.13.[5] |
Hepworth [2 folders]
|
1948-1949 |
| III.A.13.[6] |
Hofer |
1948 |
| III.A.13.[7] |
Kirchner |
1937-1949 |
| III.A.16 |
Klee, Paul & Lily and Felix [4 folders]
|
1937-1949 |
| III.A.15.[1] |
Knaths |
1941-1953 |
| III.A.15.[2] |
Kokoschka |
1938-1949 |
| III.A.15.[3] |
Kolbe |
1937-1947 |
| III.A.15.[4] |
Kollowitz |
1938 |
| III.A.15.[5] |
Kriesberg, Irving |
|
| III.A.15.[6] |
Lachaise |
1940-1946 |
| III.A.15.[7] |
Laurens |
1946-1947 |
| III.A.16.[1] |
Léger |
1943-1948 |
| III.A.16.[2] |
Lehmbruck, Guido |
|
| III.A.16.[3] |
Lipchitz |
1941-1955 |
| III.A.16.[4] |
Maar, Dora |
1953-1955 |
| III.A.16.[5] |
Maillol [2 folders]
|
1949-1955 |
| III.A.16.[6] |
Manzu, Giacomo |
1953-1954 |
| III.A.16.[7] |
Marcks [3 folders]
|
1937-1955 |
| III.A.17 |
Marini, Pt. 1 [2 folders]
|
1948-1951 |
| III.A.18 |
Marini, Pt. 2 [3 folders]
|
1948-1954 |
| III.A.19.[1] |
Masson [3 folders]
|
1945-1954 |
| III.A.19.[2] |
Matisse |
1948 |
| III.A.19.[3] |
Merida |
1939-1942 |
| III.A.19.[4] |
Midener, Walter |
1953-1954 |
| III.A.19.[5] |
Milne |
1943 |
| III.A.19.[6] |
Miró |
1947-1954 |
| III.A.20 |
Moore, Pt. 1 [3 folders]
|
1943-1955 |
| III.A.21.[1] |
Moore, Pt. 2
|
1952-1956 |
| III.A.21.[2] |
Morandi, Giorgio
|
1953-1955 |
| III.A.21.[3] |
Nicholson, Ben
|
1946-1954 |
| III.A.21.[4] |
Noguchi, Isamu
|
1953 |
| III.A.21.[5] |
O'Keeffe |
1945 |
| III.A.21.[6] |
Osborn |
1955 |
| III.A.21.[7] |
Ozenfant |
1955 |
| III.A.21.[8] |
Picard |
1952-1954 |
| III.A.21.[9] |
Pickens, Pt. 1 |
1943-1955 |
| III.A.22.[1] |
Pickens, Pt. 2 [2 folders]
|
1943-1955 |
| III.A.22.[2] |
Pickhardt |
1942-1950 |
| III.A.22.[3] |
Piper [2 folders]
|
1942-1950 |
| III.A.23.[1] |
Piper |
1952-1955 |
| III.A.23.[2] |
Roesch [3 folders]
|
1938-1955 |
| III.A.23.[3] |
Schmidt-Rottluff |
1938, 1950 |
| III.A.23.[4] |
Schrag, Karl |
1955 |
| III.A.23.[5] |
Shahn, Ben |
1954 |
| III.A.24 |
Sutherland, Pt. 1 [2 folders]
|
1944-1949 |
| III.A.25 |
Sutherland, Pt. 2 [4 folders]
|
1949-1955 |
| III.A.26.[1] |
Tunnard |
1946-1949 |
| III.A.26.[2] |
Urban |
1940-1947 |
| III.A.26.[3] |
Winper |
1953-1955 |
| III.A.26.[4] |
Zerbe |
1941-1942 |
| Subseries B: Individual Collectors and publishers
|
| Box |
Title |
|
| III.B.1 |
A-Ch Includes: Alverthorpe Gallery, American-British Art Center, Beverly Storage, Karl Buchholz, Buchholz Gallery (Madrid), Bedworth,
William Calfee, Louis Caree, Ida Chagall-Mayer, Ludwig Charell, Carroll-Knight Gallery
|
|
| III.B.2 |
-Co- 1 notebook
|
|
| III.B.3 |
Douglas Cooper, pt. 1 1 notebook
|
|
| III.B.4 |
Douglas Cooper, pt. 2 1 notebook
|
|
| III.B.5 |
Cr-Cz and Lois Davis Includes Gerald Cramer
|
|
| III.B.6 |
-D- Notebook
|
|
| III.B.7 |
E-Lu Includes Will Grohman, Sturgis Ingersoll, Hans Jude
|
|
| III.B.8 |
Lund-S Includes Lund-Humphries, Newberry, Pulitzer, Rockefeller, Skira, Soby
|
|
| III.B.9 |
T-V Includes Tannenhill, Tannenbaum, Thompson, US Gov't-Customs, Valentin family, Alex Voemel
|
|
| III.B.10 |
W-Z Includes Wittenborn, Zwemmer, Zervos
|
|
| Subseries C: Dealers/Galleries
|
| Box |
Title |
Date |
| III.C.1.[1] |
Berggruen
|
|
| III.C.1.[2] |
Bernouilli
|
|
| III.C.2.[1] |
Margaret Brown Gallery
|
|
| III.C.2.[2] |
Rolf Burgi, pt. 1 Notebook
|
1950-1951 |
| III.C.3 |
Rolf Burgi,pt. 2 Notebook
|
1952-1954 |
| III.C.4 |
Richard S. Davis Notebook
|
|
| III.C.5 |
Henry Kleeman Notebook
|
|
| III.C.6 |
D.H. Kahnweiler (Galerie Louise Leiris) |
1953-1956 |
| Subseries D: Collectors, Institutional (Museums & Galleries)
|
|
See also listing in Subseries III.E.
|
| Box |
Title |
|
| III.D.1.[1] |
Albright Art Gallery |
|
| III.D.1.[2] |
Allen Memorial Art Museum |
|
| III.D.1.[3] |
American University |
|
| III.D.1.[4] |
Art Gallery of Toronto |
|
| III.D.2.[1] |
Art Institute of Chicago |
|
| III.D.2.[2] |
Arts Club of Chicago |
|
| III.D.3.[1] |
Busch-Reisinger (Harvard) |
|
| III.D.3.[2] |
California Palace of Legion of Honor |
|
| III.D.3.[3] |
Carnegie Institute |
|
| III.D.3.[4] |
Cincinnati Art Museum |
|
| III.D.4 |
City Art Museum of St. Louis |
|
| III.D.5.[1] |
Cleveland Museum |
|
| III.D.5.[2] |
Columbus Gallery of Fine Arts |
|
| III.D.5.[3] |
Contemporary Arts Association (Houston) |
|
| III.D.5.[4] |
Corcoran Gallery |
|
| III.D.5.[5] |
Cornell University |
|
| III.D.6.[1] |
Dallas Museum of Fine Arts |
|
| III.D.6.[2] |
Delgado Museum of Art (New Orleans) |
|
| III.D.6.[3] |
Denver Art Museum |
|
| III.D.6.[4] |
Detroit Institute of Art |
|
| III.D.7.[1] |
Des Moines Art Center |
|
| III.D.7.[2] |
DeYoung Memorial Museum |
|
| III.D.7.[3] |
Flint Institute of Arts |
|
| III.D.7.[4] |
Fogg Art Museum |
|
| III.D.7.[5] |
Fort Worth Art Association |
|
| III.D.8a.[1] |
Grand Rapids Art Gallery |
|
| III.D.8a.[2] |
Institute of Contemporary Art (Boston) |
|
| III.D.8a.[3] |
Institute of Contemporary Arts see Corcoran |
|
| III.D.8a.[4] |
Mills College |
|
| III.D.8a.[5] |
Munson-Williams-Proctor Institute |
|
| III.D.8a.[6] |
Museum of Fine Arts (Boston) |
|
| III.D.8a.[7] |
Museum of Fine Arts (Richmond) |
|
| III.D.8b |
Museum of Modern Art |
|
| III.D.9.[1] |
National Collection of Fine Arts |
|
| III.D.9.[2] |
National Gallery of Art |
|
| III.D.9.[3] |
Norton Gallery and School |
|
| III.D.9.[4] |
Pennsylvania Academy of Fine Arts |
|
| III.D.9.[5] |
Philadelphia Museum of Art |
|
| III.D.10.[1] |
Phillips Memorial Gallery |
|
| III.D.10.[2] |
Portland Museum |
|
| III.D.10.[3] |
Print Club (Philadelphia) |
|
| III.D.11.[1] |
Renaissance Society (U. of Chicago) |
|
| III.D.11.[2] |
Ringling Museum |
|
| III.D.11.[3] |
St. Paul Gallery |
|
| III.D.11.[4] |
San Francisco Museum of Art |
|
| III.D.11.[5] |
Santa Barbara Museum of Art |
|
| III.D.12.[1] |
Seattle Art Museum |
|
| III.D.12.[2] |
Smith Art Museum |
|
| III.D.12.[3] |
Society of 4 Arts |
|
| III.D.12.[4] |
Springfield Art Museum |
|
| III.D.12.[5] |
Syracuse University |
|
| III.D.12.[6] |
Toledo Museum of Art |
|
| III.D.13.[1] |
University of Illinois |
|
| III.D.13.[2] |
Wadsworth Atheneum |
|
| III.D.13.[3] |
Washington University |
|
| III.D.13.[4] |
Wellsley College |
|
| III.D.14.[1] |
Wichita Board of Parks Commission |
|
| III.D.14.[2] |
Worcester Art Museum |
|
| Subseries E: Institutions
|
|
|
| Folder |
Title |
|
| III.E.[1] |
Addison Gallery (Andover MA) |
|
| III.E.[2] |
Addison Gallery (Andover MA) |
|
| III.E.[3] |
Albright Art Gallery (Buffalo) |
|
| III.E.[4] |
Allen Memorial Art Museum (Oberlin College) |
|
| III.E.[5] |
Art Institute of Chicago |
|
| III.E.[6] |
Art Institute of Chicago |
|
| III.E.[7] |
Arts Club (Chicago) |
|
| III.E.[8] |
Baltimore Museum of Art |
|
| III.E.[9] |
Baltimore Museum of Art |
|
| III.E.[10] |
Bennington College |
|
| III.E.[11] |
Brooklyn Museum |
|
| III.E.[12] |
Brooklyn Museum |
|
| III.E.[13] |
Busch-Reisinger (Harvard University) |
|
| III.E.[14] |
California Palace of the Legion of Honor |
|
| III.E.[15] |
Carnegie Institute (Pittsburgh) |
|
| III.E.[16] |
Cincinnati Modern Art Society |
|
| III.E.[17] |
Cincinnati Modern Art Society |
|
| III.E.[18] |
Cincinnati Museum of Art |
|
| III.E.[19] |
Cincinnati Museum of Art |
|
| III.E.[20] |
City Art Museum of Saint Louis |
|
| III.E.[21] |
City Art Museum of Saint Louis |
|
| III.E.[22] |
Cleveland Museum of Art |
|
| III.E.[23] |
Cleveland Museum of Art |
|
| III.E.[24] |
Columbus Gallery of Fine Arts |
|
| III.E.[25] |
Contemporary Arts Assoc. (Houston) |
|
| III.E.[26] |
Cranbrook Academy of Art |
|
| III.E.[27] |
Cranbrook Academy of Art |
|
| III.E.[28] |
Dallas Museum of Fine Arts |
|
| III.E.[29] |
Denver Art Museum |
|
| III.E.[30] |
Denver Art Museum |
|
| III.E.[31] |
Detroit Institute of Arts |
|
| III.E.[32] |
Fogg Art Museum (Harvard) |
|
| III.E.[33] |
Herron Art Institute (Indianapolis) |
|
| III.E.[34] |
Herron Art Institute (Indianapolis) |
|
| III.E.[35] |
Indiana University (Bloomington) |
|
| III.E.[36] |
Indiana University (Bloomington) |
|
| III.E.[37] |
Indiana University (Bloomington) |
|
| III.E.[38] |
Institute of Contemporary Art (Boston) |
|
| III.E.[39] |
Institute of Contemnorary Art (Boston) |
|
| III.E.[40] |
Los Angeles County Museum |
|
| III.E.[41] |
Los Angeles County Museum |
|
| III.E.[42] |
Metropolitan Museum of Art (NY) |
|
| III.E.[43] |
Milwaukee Art Institute |
|
| III.E.[44] |
Minneapolis Institute of Arts |
|
| III.E.[45] |
Minnneapolis Institute of Arts |
|
| III.E.[46] |
Minnneapolis Institute of Arts |
|
| III.E.[47] |
ModernInstitute of Art (Beverly Hills, CA) |
|
| III.E.[48] |
Museum of Fine Arts (Boston) |
|
| III.E.[49] |
Museum of Fine Arts (Houston) |
|
| III.E.[50] |
Museum of Fine Arts (Richmond VA) |
|
| III.E.[51] |
Museum of Modern Art (NY) |
|
| III.E.[52] |
Museum of Modern Art (NY) |
|
| III.E.[53] |
Museum of Modern Art (NY) |
|
| III.E.[54] |
Nelson Gallery of Art (Kansas City) |
|
| III.E.[55] |
Norton Gallery & School of Art (West Palm Beach, FL) |
|
| III.E.[56] |
Pennsylvania Academy of Fine Arts |
|
| III.E.[57] |
Pennsylvania Academy of Fine Arts |
|
| III.E.[58] |
Pennsylvania Art Alliance |
|
| III.E.[59] |
Philadelphia Art Museum |
|
| III.E.[60] |
Philadelphia Art Museum |
|
| III.E.[61] |
Phillips Memorial Gallery |
|
| III.E.[62] |
Portland Art Museum (Portland, OR) Print Club (Philadelphia) |
|
| III.E.[63] |
Rhode Island School of Design |
|
| III.E.[64] |
San Francisco Museum of Art |
|
| III.E.[65] |
Smith College Museum |
|
| III.E.[66] |
Smith College Museum |
|
| III.E.[67] |
Society of the Four Arts (West Palm Beach, FL) |
|
| III.E.[68] |
Solomon R. Guggenheim Museum |
|
| III.E.[69] |
State University of Iowa |
|
| III.E.[70] |
State University of Iowa |
|
| III.E.[71] |
Toledo Museum of Art |
|
| III.E.[72] |
University of Colorado (Boulder) |
|
| III.E.[73] |
University of Michigan |
|
| III.E.[74] |
University of Michigan |
|
| III.E.[75] |
University of Minnesota |
|
| III.E.[76] |
University of Minnesota |
|
| III.E.[77] |
University of Nebraska |
|
| III.E.[78] |
University of Nebraska |
|
| III.E.[79] |
Virginia Museum of Fine Arts (Richmond VA) |
|
| III.E.[80] |
Wadsworth Atheneum |
|
| III.E.[81] |
Walker Art Center (Minneapolis) |
|
| III.E.[82] |
Walker Art Center (Minneapolis) |
|
| III.E.[83] |
Whitney Museum of American Art |
|
| III.E.[84] |
Whitney Museum of American Art |
|
| III.E.[85] |
Yale University Art Gallery |
|
| III.E.[85] |
Yale University Art Gallery |
|
|
| Series VII: Business Records
|
|
|
|
This series represents files which were current at the time the gallery closed in 1955.
|
| Subseries A: Correspondence
|
|
Unsorted / This seems to be material left on desk when project of arranging this collection was completed. 3 boxes.
|
| Subseries A.1: "E - T"
|
|
5 boxes Diverse files, including several concerning the transfer of artwork Includes: "Frenkel & Coll (settlement of claims)" "Grote, Ludwig" "Hanover Gallery" "Rudolf Hoffmann" "Kahnweiler bills" (1952-54) "Klipstein" "Roman Norbert Kettererll(1952-55)" "M.Knoedler" "Flannagan casts"
|
| Subseries B: "On Approval"
|
|
Records of artwork loaned by the Gallery to institutions (largely) for exhibitions. 1 box, filed "A-Z"
|
| Subseries C: "Statements"
|
|
Statments issued by Gallery to individuals and institutions owing money to the Gallery. 2 boxes, arranged alphabetically.
|
| Subseries D: "Bills"
|
|
Invoices a: ents of bills paid by Gallery for goods and services including books, castings, matting, conservation, shipping,
flowers, cleaning, framing, printing, advertising, insurance, customs brokerage, etc. Largely 1953-1954. Separate files
for, among others, W.S. Budworth, Frenkel & Co., W.R. Keating & Co., Meriden Gravure, Modern Art Foundry, Phoenix Engraving,
Adolph Studly, Joseph Ternbach, Weyhe, Wittenborn. 3 boxes, arranged alphabetically.
|
| Subseries D.1: "Paid Bills"
|
|
1 box November 1954-December 1955; arranged by date of payment
|
| Subseries E: "Accountant's Report"
|
|
February 28, 1949 and February 28, 1950; also includes correspondence (esp. with Kahnweiler) regarding the Gallery's closing,
1954-55.
|
|