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International Program Records

in the Museum of Modern Art Archives




The Museum of Modern Art
Museum Archives
11 West 53 Street
New York, NY 10019-5497
moma.org/learn/resources/archives

© 2006 The Museum of Modern Art. All rights reserved.
The Museum of Modern Art, Publisher
Machine-readable finding aid derived from momq-009.xml,2006.Machine-readable finding aid created by Kathleene Konkle.Description is inEnglish.

Descriptive Summary

Creator: The Museum of Modern Art International Program
Title: International Program Records
Dates: 1953-1991
Quantity: 174 linear feet:
146 5" document boxes
32 2.5" document boxes

Oversized material:
One 19x25" box
Two 16x20" boxes
two 14.5x18.5" boxes

Stereo slides:
Three 5.5x12.5" boxes

Arrangement

Within each Series the records are arranged according to the order in which exhibitions were undertaken and organized, thus preserving original provenance. For example, ICE-F-35-57 is followed by documentation for ICE-F-36-57. However, numbers identifying exhibitions are frequently not sequential; e.g., ICE-F-1-52 is followed by ICE-F-3-53.
The Papers are processed to the folder level. Documentation for each exhibition from 1952-1977 (Boxes 6-102) and 1983-1991 (Boxes 127-157) is arranged as follows:

Itinerary (chronological order) and checklist
Publicity material: press releases, publicity reports, press analyses, excerpts of critical reviews, press clippings
Floor plans
Photos: works in exhibition
Photos: installation, events
Catalogues and catalogue material, printed matter

Documentation for exhibitions organized between 1977 and 1983 (Boxes 103-127) was collected and stored chronologically by venue and this original order has been maintained. Arrangement of records within each file folder and/or binder is as described above.
SP-ICE-23-59 Art In Embassies documentation (Boxes 158-172) is arranged alphabetically by city. See Appendix A.
Several exhibitions were circulated in many editions, with different ICE numbers. in these instances, material can be found with the original showing. All such records are cross-referenced.
The Papers are organized into nine Series:
Series I: Previous organization of the International Program Records
Series II: International Circulating Exhibitions before 1952
Series III: ICE Promotional Events: Manhattan Warehouse Shows, 1953 and 1956
Series IV: Extra Publicity Material re: ICE-F exhibitions, ca. 1950's
Series V: ICE-F documentation
Series VI: ICE-D documentation
Series VII: SP-ICE documentation
Series VIII: International Circulating Exhibition Publications Program
Series IX.A: Appendix: SP-ICE-23-59 Art In Embassies documentation


Historical Note

The Museum of Modern Art has always been international in scope. Founded upon the principle that art should have no boundaries, it has sought the best both in its own country and abroad, and its collections, exhibitions, publications and other educational activities reflect this spirit of internationalism.

Mrs. John D. Rockefeller 3rd, President of The Museum of Modern Art, in The Museum of Modern Art and its Program of International Exchange in the Arts, 1961



When the Museum of Modern Art in 1938 sent its first exhibition abroad, it was the first American art institution to do so. the exhibition, Three Centuries of Art in the United States (MoMA Exh. #76a), was shown in Paris (May 24-July 31, 1938) and was administered by the Department of Circulating Exhibitions, which was responsible for both national and international exhibitions from the time it was established in 1932 until the International Council was formed in 1953.

A five-year grant from the Rockefeller Brothers Fund in July 1952 enabled the Museum to develop a full program of foreign circulating exhibitions, including United States Representation at international exhibitions and festivals, one-man shows, and group shows. In April 1953, the Museum's Trustees authorized the formation of the International Council, a membership organization, with eleven founding members. the International Program launched its first major exhibition, Twelve Modern American Painters and Sculptors (ICE-F-3-53), which circulated to six countries in Europe (April 1953 to March 1954). in 1957, the International Council assumed full sponsorship of the International Program, assisted by a diminishing-scale grant from the Rockefeller Brothers Fund.

The creation of the International Program expanded the geographical scope of the Museum's traveling exhibitions. Although there had been frequent exchanges between the United States and Latin America in the 1940s, made possible by the Office of Inter-American Affairs in Washington D.C., Museum activity could now extend to Europe, Asia, Australia, and New Zealand. in addition, the Cultural Affairs Office of the United States Information Agency (USIA) cooperated on occasion with the Museum's International Program to organize and circulate large-scale international exhibitions with the help of the local branches of the United States Information Service (USIS).

The Department of Circulating Exhibitions and the International Program worked together for several years: Porter A. McCray, Director of the Department of Circulating Exhibitions (1947-61), also directed the International Program from 1952 through 1961. He was succeeded by Waldo Rasmussen, who became Director of the Department of Circulating Exhibitions in 1962. The Museum's in-house exhibition program was consolidated with its domestic circulating exhibition program into an Exhibition Program department in 1969. From 1969 to the present, the Museum's International Program and Council have focused on circulating exhibitions internationally. Rasmussen served as Director of the International Program from 1969 until his retirement in December 1993.

The International Program includes exhibitions of painting, sculpture, prints, drawings, photography, and architecture and design. the shows were selected and organized by Museum staff, such as Alfred H. Barr, Jr., Riva Castleman, Arthur Drexler, William S. Lieberman, Dorothy C. Miller, Frank O'Hara, Bernice Rose, Edward Steichen, John Szarkowski, and Willard Van Dyke, or by outside scholars such as Eugene Goossen and Roy Sieber. Waldo Rasmussen, as director of the Program, organized five exhibitions. Works included in international competitions/exhibitions for example, U.S. Representation: International Sculpture Competition, the Unknown Political Prisoner (SP-ICE-3-53) were sometimes selected by a special committee.

From 1953 to 1962, the Program was also responsible for organizing the American representations at the Venice Biennale and the São Paulo Bienal. After 1960, this responsibility was shared with other major American museums, and from 1962, organization and maintenance costs were borne by the USIA. The Museum owned the building that was the American Pavilion in Venice from 1954 to 1987, when it was sold to the Solomon R. Guggenheim Foundation.

On occasion, exhibitions were donated at their conclusion to the permanent collections of host institutions or countries. For example, The Family of Man (SP-ICE-10-55) was given, at Edward Steichen's request, to Luxembourg, his native country, for permanent display at the Common Market Headquarters; Twentieth Century Industrial Design (ICE-F-133-69) was donated in 1979 by the International Council to the Centro das Industrias do Estado de São Paulo, Brazil, for permanent display at the Nucleo de Desenho Industrial.

To finance an extensive exhibition program, the International Council often sought additional funding from American companies, such as the Ford Foundation and ALCOA, and from foreign companies, such as the Asahi and Nihon Keizai Shimbun, Japan, which allocated special grants for traveling shows. Embassies and ministries of foreign governments frequently subsidized exhibitions that circulated within their countries, by funding catalogues and inaugural ceremonies.


Scope and Content Note

The processed papers of the International Council Exhibition Program include 174 linear feet contained in 146 5" boxes and 32 2.5" boxes. Documentation for each exhibition includes itineraries, checklists, publicity material, correspondence, photographs, floor plans, catalogues and printed matter. Oversize material, including photos, scrapbooks of press clippings, and floor plans, are stored in one 19x25" box, two 16x20" boxes, and two 14.5x18.5" boxes. Stereo slides related to Built In U.S.A.: Postwar Architecture (ICE-F-10-53) are stored in three 5.5x12.5" boxes.

Before 1952:

This material includes documentation on two international circulating exhibitions organized prior to the founding of the International Program in 1952: Three Centuries of American Art (1938) and Brazil Builds (1942-1945). Information on these and other international circulating exhibitions organized prior to 1952 can be found in the Records of the Department of Circulating Exhibitions in the Museum Archives.

In addition, documentation on American participation in the Venice Biennales of 1948, 1950, and 1952, and the São Paulo Bienal of 1951 is also included. For information on biennials organized after 1952, see Series V (ICE-F documentation) and Series VII (SP-ICE documentation).

ICE-F: "International Circulating Exhibitions - Foreign" [1952-1991] These exhibitions were drawn mostly from the Museum's collection and were supplemented by private collections and circulated internationally. Some were adapted from original showings held at the Museum. Some exhibitions, such as 100 European Drawings from the Collection of The Museum of Modern Art (ICE-F-161-73) and American Art from The Museum of Modern Art (ICE-F-183-78) were organized in exchange with European museums for other loan exhibitions.

SP-ICE: "Special Projects - International Circulating Exhibitions" [1952-1966]

Special Projects included recurring international exhibitions, competitions, United States representations, and exhibitions funded, organized, and/or circulated by associations of public and private institutions. Many were organized at the request of the U.S.I.A. or foreign ministries and governments. For example, U.S. Representation: III International Contemporary Art Exhibition in India (SP-ICE-15-56), organized at the invitation of the All India Fine Arts and Crafts Society, was jointly sponsored by the Ford Foundation and the Indian government.

ICE-D: "International Circulating Exhibitions - domestic" [1953-1977]

These were exhibitions of works borrowed from foreign collections and circulated in the United States and Canada under the auspices of the Council, with the cooperation of such cultural institutions as the Japan Society for Calligraphy ( Abstract Japanese Calligraphy , ICE-D-3-53) and the America-Israel Cultural Foundation ( Art Israel: 26 Painters and Sculptors , ICE-D-12-64). Ten such exhibitions are documented in this record group.

See also the Records of the Department of Circulating Exhibitions in the Museum Archives.

Art In Embassies (1960-1970)

The Art in Embassies Committee was established by the International Council in 1960 to assemble loan collections of American art for residences of United States Ambassadors abroad. Works of art were usually lent to embassies for one to two years. The goal of this program was to make U.S. embassies important cultural and intellectual centers. the U.S. government assumed this responsibility in 1970 when the U.S. State Department developed its own program. SP-ICE-23-59 is the number assigned to all Embassy exhibitions.

Note: Beijing Embassy Collection (ICE-F-219-85) was organized after the Art in Embassies program was discontinued.


Restrictions

Access Restrictions

The records are open for research and contain no restricted materials.

Ownership and Literary Rights

The Records of the International Program are the physical property of The Museum of Modern Art. Literary rights, including copyright belong to the authors or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Museum of Modern Art. For further information, and to obtain permission to publish or reproduce, contact the Museum Archivist.


Related Collections at MoMA and Elsewhere

Additional sources of information concerning the Museum's International Circulating Exhibitions can be found in the following records in the Museum Archives: Records of the Department of Circulating Exhibitions, René d'Harnoncourt Papers, Thomas B. Hess Papers, William S. Lieberman Papers, Dorothy C. Miller Papers, James Thrall Soby Papers, and the Public Information Scrapbooks. The Museum's Film and Photography Study Centers also include related material among their holdings.


Administrative Information

Provenance

The records of the International Circulating Exhibition Program, ca. 1952-1977, were formally transferred by the International Council to the Museum Archives in June 1994. Additional records, 1977-1983, were transferred from the International Program to the Museum Archives in January 1995.

Preferred Citation

Published citations should take the following form:

International Program Records, [series.folder]. The Museum of Modern Art Archives, New York.


Additional Descriptive Data

Explanation of Abbreviations

ALS is an Autographed Letter Signed.
TLS is a Typed Letter Signed.
TL stands for Typed Letter.
MoMA is the Museum of Modern Art.
N.d. stands for no date.
Re: stands for regarding.
ICE-F stands for International Circulating Exhibition - Foreign
ICE-D stands for International Circulating Exhibition - domestic
SP-ICE stands for Special Project - International Circulating Exhibition
MoMA Exh. stands for the Museum of Modern Art exhibition number assigned by the Department of Registration
C/E stands for Circulating Exhibition (1932-1970 exhibitions)
c/e R- stands for number assigned by the Department of Registration to circulating exhibitions after 1971
C/E Records stands for Records of the Department of Circulating Exhibitions in the Museum Archives
AD stands for Arthur Drexler
AL stands for Alicia Legg
WSL stands for William S. Lieberman
PAM stands for Porter A. McCray
DCM stands for Dorothy C. Miller
PLM stands for Pearl L. Moeller
FOH stands for Frank O'Hara
WR stands for Waldo Rasmussen
JTS stands for James Thrall Soby
O.W.I. stands for Office of War Information
USIA stands for United States Information Agency
USIS stands for United States Information Service
AIC stands for Art Institute of Chicago
AFA stands for American Federation of the Arts
NEA stands for National Endowment for the Arts
NEH stands for National Endowment for the Humanities
ca. stands for circa
corresp. stands for correspondence
incl. stands for includes
Engl. stands for English
transl. stands for translation
no. stands for number
ALS stands for autograph letter signed
TL stands for typed letter
TLS stands for typed letter signed
b/w stands for black and white


Container List

 

Series I. Previous Organization of the International Program Records

 

I.1. Former, incomplete finding aids and cumulative lists

5"

Folder Title Date
I.1.1 “Activities of the International Program and the International Council of the Museum of Modern Art, New York, 1952-1975”

Received from the International Program Office, 1975 December

1952-1975
I.1.2 “International Circulating Exhibitions Archive Cumulative Index” 1970
I.1.3 “Master and Cumulative Listing of Exhibitions”
I.1.4 Cumulative list of exhibitions

Incl. abstracts

1965-1969
I.1.5 “Master List - International Circulating Exhibitions”

14 sheets

I.1.6 Cumulative itineraries, international exhibitions 1938-1952
I.1.7 Cumulative itineraries, ICE-F 1952-1970
I.1.8 Cumulative itineraries, SP-ICE 1953-1965
I.1.9 “Key to ICE Catalogs”

5.5x12.5" box
This card catalogue incl. descriptive entries of ICE exhibitions and publications

1970
I.1.10 Cumulative itineraries, ICE-F 1989-96
 

I.2. Correspondence and Reports

2.5" 8 folders; re: establishment of the ICE program and organization of the archive; a supplement to the history of the International Program documented in the records.

Folder Title Date
I.2.1 “Foreign Requests for Circulating Exhibitions” 1950
I.2.2 List of cities from which publicity reports were received 4/6/1959
I.2.3 Correspondence

2 ALS Porter McCray-Rose Kolmetz [Hong Kong, 1961 November 25
Jerusalem, 1962 June 3

1962
I.2.4 Correspondence

Re: organization of International Circulating Exhibitions records, 1969-1970
Incl. reference to Art in Embassies Papers

1969-1970
I.2.5 Correspondence

Re: organization of International Circulating Exhibitions records and exhibition schedule

1974-1979
I.2.6 “Five Year Plans: National and International”

Reports submitted by the Director of Circulating Exhibitions re: National and International Circulating Exhibitions, MoMA
0.5" binder

10/1960
I.2.7 Program of International Circulating Exhibitions

Press release

1964
I.2.8 Printed matter

Brochure and leaflet [paste-up] re: International Council, n.d.

“The Museum of Modern Art Circulating Exhibitions, 1931-1954”, The Museum of Modern Art


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Series II. International Circulating Exhibitions Before 1952

2.5"; 6 folders. documentation for this period includes only installation photos for two exhibitions organized prior to the foundation of the International Program (this material not identified by ICE numbers).

Folder Title Date
II.1 Three Centuries of Art in the United States

187 paintings by 119 artists, 40 sculptures by 35 artists, and 18 folk art paintings by 16 artists selected by A. Conger Goodyear, Alfred H. Barr Jr. and dorothy C. Miller;

64 prints, drawings and watercolors by 36 artists, selected by A. Conger Goodyear

5 sections of enlarged photographs and models of architectural projects selected by John McAndrew (this section was shown as MoMA Exh. #83, 1939 February 15-March 15)

60 photographs selected by Beaumont Newhall

Film stills and daily program of films selected by John E. Abbott and Iris Barry.

Originally shown as MoMA Exh. #76a, 1938 May 24-July 31. Exhibition organized at invitation of the French Government.
Shown at the Musée du Jeu de Paume, Paris, France: summer 1938.

SEE ACG 48, which includes correspondence, 30 installation photographs of the Jeu de Paume showing, blueprints, 3 French catalogs, printed materials, and press clippings. This is the main(if not only) record of the exhibition as it appeared at the Jeu de Paume

1938
II.2 Brazil Builds

Photos of 85 buildings by 26 architects, based on the book by Philip L. Goodwin, written to accompany MoMA Exh. #213, 1943 January 13-February 28. Exh.

Also circulated as C/E 1942-1945.

Circulated to:
Mexico and Brazil under the auspices of the Coordinator of American Affairs; to London, England under the auspices of the Brazilian Embassy: 1943-1945.

Photos, installation: New York [2 prints].

1942-1945
II.3.1 U.S. Representations at Biennials Before 1952: XXIV Biennale di Venezia

Checklist and lenders list; press release; press clippings

7/1948-9/1948
II.3.2 U.S. Representations at Biennials Before 1952: XXV Biennale di Venezia

Press clippings

6/1950-10/1950
II.3.3 U.S. Representations at Biennials Before 1952: I Bienal do Museu de Arte Moderna, São Paulo

Press clippings

10/1951-12/1951
II.3.4 U.S. Representations at Biennials Before 1952: XXVI Biennale di Venezia organized by the AFA

Incl. 1 TL Waldo Rasmussen-Mr. Lloyd Goodrich, Director of the Whitney Museum of American Art; catalogue foreword by David E. Finley, Director of the National Gallery of Art; preface by James J. Sweeney re: Calder and lenders list; preface by Andrew C. Ritchie re: Stuart Davis and lenders list; preface by Hermon More re: Edward Hopper and lenders list; preface by John I. H. Baur re: Yasuo Kuniyoshi and lenders list.

6/1952-10/1952

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Series III. ICE Promotional Events: the Manhattan Warehouse Shows

 

III.1. Manhattan Warehouse Show, 1953

An exhibition of press clippings, installation and events photos, and photos of packing techniques, visually reporting the activities of the International Program, 1952-1953, shown in the Manhattan Storage Warehouse to Museum trustees, invited representatives of the art world, U.S. government agencies, educational institutions, and the press.

Folder Title
III.1.1 Publicity

1 TLS; list of press representatives; project draft

III.1.2 Publicity

Press clippings

 

III.2. Manhattan Warehouse Show, 1956

An exhibition of selected posters, press clippings, installation and events photos, and photos of packing techniques, demonstrating the preparation, organization and reception of 33 ICE shows organized after 1952; arranged in connection with the International Council 2nd Annual Meeting, shown in the Manhattan Storage Warehouse to Museum trustees, U.S. government agencies, educational institutions, artists, invited representatives of the art world, and the press.

Folder Title Date
III.2.1 Publicity: press release and clippings
III.2.2 Publicity

Guest lists, acceptances and regrets, attendance lists, visitors' signatures
11 sheets; bound

III.2.3 Publicity: “Reports Available for Distribution”

0.75" binder

5/1/1956
III.2.4 Publicity

List of publicity reports distributed to art personalities, incl. their original signatures

III.2.5 Publicity: correspondence

9 memos, 4 TL

III.2.6 Publicity: wall text drafts
III.2.7 Layout of panels incl. sketches

9x11" envelope

III.2.8 Photostats: text panels in exhibition

5"

III.2.9 Photostats: press articles
III.2.10 Photos

Text panels in exhibition [1 print, 6 negatives]
Charts [2 prints, 2 negatives]
Maps [1 print, 1 negative]

III.2.11 Photos

Installation [5 prints, 10 negatives]
Events [4 prints, 1 negative]

III.2.12 Photos

Packing and loading [13 prints, 2 negatives]
Building [1 negative]

III.2.13 Photos (glass negatives)

Packing techniques [9], wall map [1]

III.2.14 Photos: installation of the Manhattan Warehouse show

38 prints


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Series IV. Extra Publicity Material Re: ICE-F Exhibitions

Binder Title Date
IV.1 Photographs

2.25"
Photos: works in ICE-F-1-52 Young American Printmakers [48 prints]
Photos: installation of C/E 54-33 Structure and Space in Architecture [38 prints]

IV.2 “Summaries and Press Analyses of International Program Exhibitions”

1"
Incl. press releases, analyses of press reactions, list of periodicals with reviews re:

ICE-F-23-54 Xvii Biennale di Venezia
ICE-F-22-54 Kuniyoshi Memorial Exhibition
SP-ICE-2-53 American Design for Home and Decorative Use
ICE-F-13-53 Contemporary American Photography (Japan showing)
ICE-F-12-53 II Bienal do Museu de Arte Moderna, São Paulo, 1954
ICE-F-4-53 Seven American Watercolorists
ICE-F-3-53 Twelve Modern American Painters and Sculptors
(Oslo, Helsinki, Stockholm, Düsseldorf, Paris and Zurich showings)

1956
IV.3 “Summaries and press analyses of International Program Exhibitions”

1.25" binder
Iincl. excerpts of critical reviews, analyses of press reactions, list of papers with reviews re:

ICE-F-76-63 Sculpture in the Open Air, Battersea Park, London
ICE-F-66-61 Mark Rothko (London showing)
ICE-F-38-58 Ben Shahn
ICE-F-44-60 Modern American Drawings
ICE-F-45-60 Abstract Drawings and Watercolors: USA
ICE-F-52-61 VI Bienal do Museu de Arte Moderna, São Paulo
ICE-F-40-59 Documenta II, Kassel, 1959
ICE-F-35-57 Jackson Pollock (shown simultaneously with ICE-F-32-57 IV Bienal do Museu de Arte Moderna, São Paulo)
ICE-F-24-54 Modern Art in the U.S.A. (London and Paris showings).


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Series V. ICE-F documentation

Folder Title Date
V.ICE-F-1-52.1 Young American Printmakers: Itinerary and Checklist

6 folders; oversize Box 181
48 prints by 40 artists under 40 years old selected by William S. Lieberman; adapted from MoMA Exh. #547, 1953 November 25-1954 January 31. Exhibition assembled as U.S. Representation for the Internationale Grafik, Salzburg, Austria.

Circulated to:
Salzburg, Linz, Vienna, and Graz, Austria; Munich and Berlin, Germany: 1952 July-1953 March.
Dispersed 1953.

Also circulated as ICE-F-16-53 and ICE-F-31-57.

1952-1953
V.ICE-F-1-52.2 Young American Printmakers: Photos

Works in exhibition incl. checklist [10 Leicas].

See also Box 181 [oversize]
Photos, installation: Salzburg [9]

1952-1953
V.ICE-F-16-53.3 Young American Printmakers: Checklists

Small version: 35 prints by 35 artists, organized in 1953, circulated to Mexico City, Mexico; Guatemala City, Guatemala: 1958 October-1959 June. Destroyed by fire in warehouse, Guatemala, 1959 July 15.

V.ICE-F-16-53.4 Young American Printmakers: Publicity

Reports, press release

V.ICE-F-16-53.5 Young American Printmakers: Photos

Works in exhibition [5 prints, 13 Leicas]

V.ICE-F-31-57.6 Young American Printmakers: Publicity

Large version, adapted from C/E Version
70 prints by 70 artists. Circulated in Norway by Ryksgaleriet: Nottoden, Rjukan, Honnefoss, Tønsberg, Sandefjord, Larvik, Skien, Arendal, Hamar, Drammen, Vikersund, and Oslo, 1957 September-1958.
Dispersed 1958.

Reports and draft release.

V.ICE-F-3-53.1 Twelve Modern American Painters and Sculptors: Itinerary

8 folders; 2 boxes and oversize Box 181
56 works by 9 painters, 18 works by 3 sculptors selected by Andrew C. Ritchie.

Circulated to:
Paris, France; Zurich, Switzerland; Düsseldorf, Germany; Stockholm, Sweden; Helsinki, Finland; Oslo, Norway: 1953 April-1954 March.
Dispersed 1954.

1953-1954
V.ICE-F-3-53.2 Twelve Modern American Painters and Sculptors: Checklist
V.ICE-F-3-53.3 Twelve Modern American Painters and Sculptors: Publicity

Draft release; publicity reports; press reactions from Sweden, France, Switzerland, Germany, Finland.

See also Box 181 [oversize]

V.ICE-F-3-53.4 Twelve Modern American Painters and Sculptors: Photos

Works in exhibition [81 prints; 2" binder]

V.ICE-F-3-53.5 Twelve Modern American Painters and Sculptors: Photos

Works in exhibition [24 negatives]

V.ICE-F-3-53.6 Twelve Modern American Painters and Sculptors: Photos

Installation: Paris [3 prints, 5 glass negatives]
Düsseldorf [6 prints]
Oslo [3 prints]

V.ICE-F-3-53.7 Twelve Modern American Painters and Sculptors: Photos

Events: Paris [37 prints, 5 glass negatives]

V.ICE-F-3-53.8 Twelve Modern American Painters and Sculptors: Catalogues

Paris [1], Stockholm [1], Oslo [1], Zurich [1], Düsseldorf [1]

V.ICE-F-4-53.1 Seven American Watercolorists: Itinerary and checklist

5 folders; 1 box and oversize Box 181
42 works by 7 artists selected by Dorothy C. Miller. U.S. Representation, Second International Art Exhibition , Japan, 1953.

Sponsored by Mainichi Newspapers of Japan; circulated under the auspices of the Foreign Ministry of Japan to Tokyo, Osaka, Ube, Fukuoka, Sasebo, Nagoya, and Takamatsu, Japan and Honolulu, Hawaii: 1953 May-1954 January.
Dispersed 1954.

1953-1954
V.ICE-F-4-53.2 Seven American Watercolorists: Publicity

Press release, press analysis.

See also Box 181 [oversize]

V.ICE-F-4-53.3 Seven American Watercolorists: Photos

Installation: Honolulu [5 prints], Japan [1 print]

V.ICE-F-4-53.4 Seven American Watercolorists: Photos

Works in exhibition [42 prints; ]

V.ICE-F-4-53.5 Seven American Watercolorists: Catalogues

Japan [2]

V.ICE-F-5-53.1 Contemporary Printmaking in the United States: Itinerary and checklist

40 prints by 32 artists selected by William S. Lieberman.

Circulated to Melbourne, Sydney, Brisbane, Adelaide, Perth, Launceston, and Hobart, Australia; Auckland, Hamilton, Tauranga, Gisborne, and Wellington, New Zealand: 1958 February-1959 May.
Dispersed 1959.

1958-1959
V.ICE-F-5-53.2 Contemporary Printmaking in the United States: Publicity

Press release and notices

V.ICE-F-5-53.3 Contemporary Printmaking in the United States: Photos

Works in exhibition [7 prints]
Installation: Melbourne [5 prints]

V.ICE-F-5-53.4 Contemporary Printmaking in the United States:Catalogues

Australia [2]

V.ICE-F-6-53.1 Thirty American Printmakers: Publicity

Organized 1953, circulated 1957-1958.
Press release and reports.
30 prints by 30 artists selected by William S. Lieberman.

Circulated to:
Leicester, Newcastle-on-Tyne, England; Helensburgh and Edinburgh, Scotland; Rugby, England; Malmö, Växjö, Nyköping, Linköping, Strängnäs, Brombölla, Karlstad, Sundsvall, Stockholm, and Mora, Sweden; Helsinki, Salo, Pori, Tampere, Pietarsaari, Jyväskylä, Mikkeli, Lieksa, Joensuu, and Hamina, Finland: 1957 July-1958 December.

1953, 1957-1958
V.ICE-F-6-53.2 Thirty American Printmakers: Photos

Works in exhibition [8 prints, 15 Leica dupl.

V.ICE-F-7-53.1 The American Woodcut Today: Itinerary and checklist

Organized 1953, circulated 1955-1958.
40 prints by 30 artists selected by William S. Lieberman.

Circulated to:
Salzburg, Austria; Bergen, Mo i Rana, and Stavanger, Norway; Linz, Salzburg, Graz, and Klagenfurt, Austria; Zagreb, Skopje, and Maribor, Yugoslavia; Padua, Vincenza, Treviso, Ravenna, Florence, Pistoia, Siena, Livorno, Massa, Grosseto, and Viareggio, Italy; Athens, Greece; Istanbul, Turkey: 1955 February-1958 April.
Dispersed 1958.
Also circulated as ICE-F-18-53.

1953, 1955-1958
V.ICE-F-7-53.2 The American Woodcut Today: Publicity

Reports

V.ICE-F-7-53.3 The American Woodcut Today: Photos

Works in exhibition incl. checklist of photos [12 prints, 63 Leicas dupl.

V.ICE-F-7-53.4 The American Woodcut Today: Photos

Events: Italy [19 prints], Greece [3 prints]

V.ICE-F-7-53.5 The American Woodcut Today: Printed matter

William S. Lieberman. "Printmaking and the American Woodcut Today," Perspectives USA , no. 12 (Summer 1955): 43-58.

William S. Lieberman. "La Gravure sur Bois Contemporaine aux Etat-Unis," Profils, No. 12 (Summer 1955): 50-74.

William S. Lieberman. "Druckgraphik und der Amerikanische Holzschnitt von heute, "Perspecktiven , no. 12 (Summer 1955): 117-132.

William S. Lieberman. "L'arte delle stampe e delle incisioni in legno, "Prospetti , no. 12 (Summer 1955): 59-73.

V.ICE-F-18-53.6 The American Woodcut Today: Itinerary and Checklist

40 prints by 30 artists.

Circulated to:
Rio Piedras, Puerto Rico; St. Thomas, Virgin Islands; Rio de Janeiro, Pôrto Alegre, São Paulo, Belo Horizonte, Salvador, and Recife, Brazil; Montevideo, Uruguay; Lima, Peru; Santiago, Concepción, Valparaiso, and La Serena, Chile: 1954 February-1960 August.
Dispersed 1960.
Also includes Publicity, reports

V.ICE-F-18-53.7 The American Woodcut Today: Photos

Events: Brazil [4 prints], Chile [4 prints]

V.ICE-F-8-53.1 Twenty-Five American Prints: Itinerary and checklist

Organized 1953, circulated 1957-1960
25 b/w prints by 25 artists selected by William S. Lieberman.

Circulated to:
Rio Piedras, Puerto Rico; St. Thomas, Virgin Islands; Quezaltenango and Guatemala City, Guatemala; San Salvador, El Salvador; San José, Costa Rica; Panama City, Panama; Medellin and Bogotá, Colombia; Quito, Ecuador; Lima, Peru; Cochabamba and La Paz, Bolivia; Quayaquil, Quito, Cuenca, Riobamba, and Ambato, Ecuador: 1957 February-1960 January.
Dispersed 1960.

1953, 1957-1960
V.ICE-F-8-53.2 Twenty-Five American Prints: Publicity

Draft release, reports

V.ICE-F-8-53.3 Twenty-Five American Prints: Photos

Works in exhibition [6 prints, 22 Leicas]

V.ICE-F-9-53.1 The Skyscraper, U.S.A.: Checklist

16 photo panels, 20 text panels organized by William Alex.
English with interchangeable French text.

Circulated to:
Rio Piedras, Puerto Rico; Salzburg, Austria; Oslo and Trondheim, Norway; Edinburgh, Scotland; Paris, Lyon, Dunkerque, La Napoule, Arles, and Marseille, France; Beirut, Lebanon; Istanbul, Turkey; Tel Aviv and Jerusalem, Israel: 1954 November-1957 December.
Exhibition donated to the Zionist Organization of America (Z.O.A. House), Tel Aviv, Israel 1958.

Also circulated as ICE-F-25-54.

1954-1958
V.ICE-F-9-53.2 The Skyscraper, U.S.A.: Publicity

Reports

V.ICE-F-9-53.3 The Skyscraper, U.S.A.: Photos

Works in exhibition [12 prints]

V.ICE-F-9-53.4 The Skyscraper, U.S.A.: Photos

Photo panels of works in exhibition [26 negatives]

V.ICE-F-9-53.5 The Skyscraper, U.S.A.: Photos

Text panels in exhibition [41 negatives]

V.ICE-F-9-53.6 The Skyscraper, U.S.A.: Photos

Installation and events: New York, Manhattan Storage and Warehouse Building, pre-tour one day showing presented by MoMA, December 15, 1953
Beirut [13 prints]
Puerto Rico [2 prints]
Paris [10 prints]

V.ICE-F-9-53.7 The Skyscraper, U.S.A.: Catalogue

Israeli tour [Hebrew/English]
2 brochures

Printed matter:
William Alex. "The Skyscraper: U.S.A.," Perspectives USA, No. 8 (Summer 1954): 86-103.

William Alex. "Le Gratte-Ciel: U.S.A.," Profils, no. 8 (Summer 1954): 81-101.

also published in Artes de Mexico 3, no. 13 (July-August 1956): 5-12 [English].

V.ICE-F-25-54.8 The Skyscraper, U.S.A.: Itinerary and checklist

Second version, Spanish edition: 26 photo-text panels.

Circulated to:
Guatemala City, Guatemala; San José, Costa Rica; Panama City, Panama; Quito and Quayaquil, Ecuador; La Paz, Bolivia; Montevideo, Uruguay; Buenos Aires, Argentina: 1957 March-1958 December.
Dispersed 1958. folder

V.ICE-F-25-54.9 The Skyscraper, U.S.A.: Photos

Installation and events: Guatemala City [2 prints]
San José [4 prints]
Ecuador [4 prints]

V.ICE-F-10-53.1 Built in U.S.A.: Postwar Architecture: Itinerary and checklists

25 folders; 6 boxes
57 photo panels, 41 text panels, 56 stereo-realist slides
Organized by Arthur Drexler and Henry-Russell Hitchcock
English text adapted from MoMA Exh. #528 1953 January 20-March 15.
Originally shown at the Second Bienal do Museu de Arte Moderna, São Paulo, as ICE-F-12-53 (See also ICE-F-12-53).

Circulated to:
London, England; Dublin, Ireland; Stockholm, Göteborg, and Malmö, Sweden; Copenhagen, Denmark; Trondheim, Bergen, and Oslo, Norway; Helsinki, Finland: 1956 October-1958 May. donated to Rakennustraiteen Museo (Finnish Architectural Museum) Helsinki, Finland 1958.

Also circulated as ICE-F-19-53, ICE-F-27-55, SP-ICE-9-55, and SP-ICE-20-57.

1957-1960
V.ICE-F-10-53.2 Built in U.S.A.: Postwar Architecture: Publicity

Draft release, press release

V.ICE-F-10-53.3 Built in U.S.A.: Postwar Architecture: Photos

Works in exhibition [1 print, 4 negatives, 3 glass negatives]

V.ICE-F-10-53.4 Built in U.S.A.: Postwar Architecture: Photos

Works in exhibition, not used in the ICE shows [11 negatives]

V.ICE-F-10-53.5 Built in U.S.A.: Postwar Architecture: Photos

(negatives): text panels in exhibition [English]

V.ICE-F-10-53.6 Built in U.S.A.: Postwar Architecture: Photos

(negatives): text panels in exhibition [French]

V.ICE-F-10-53.7 Built in U.S.A.: Postwar Architecture: Photos

(negatives): text panels in exhibition [Italian]

V.ICE-F-10-53.8 Built in U.S.A.: Postwar Architecture: Photos

(negatives): text panels in exhibition [Portuguese]

V.ICE-F-10-53.9 Built in U.S.A.: Postwar Architecture: Photos

(negatives): text panels in exhibition [Spanish]

V.ICE-F-10-53.10 Built in U.S.A.: Postwar Architecture: Photos

(negatives): text panels in exhibition [Romanian]

V.ICE-F-10-53.11 Built in U.S.A.: Postwar Architecture: Photos

(negatives): text and photo panels in exhibition [146 prints]

V.ICE-F-10-53.12 Built in U.S.A.: Postwar Architecture: Slides

Stereo slides of works in exhibition, arranged alphabetically by architect: Alvar Aalto - Skidmore, Owings & Merrill [121]

V.ICE-F-10-53.13a Built in U.S.A.: Postwar Architecture: Slides

Stereo slides of works in exhibition, arranged alphabetically by architect: Soleri & Mills - Frank Lloyd Wright [51]

V.ICE-F-10-53.13b Built in U.S.A.: Postwar Architecture: Photos

Unidentified architects [39]

V.ICE-F-10-53.14 Built in U.S.A.: Postwar Architecture

Viewer for stereo slides, with 2 sets of lamps

V.ICE-F-10-53.15 Built in U.S.A.: Postwar Architecture: Slides

Stereo slides: original envelopes

V.ICE-F-10-53.16 Built in U.S.A.: Postwar Architecture: Photos

Installation and events: MoMA, NY [8 prints], Oslo [3 prints]

V.ICE-F-19-53.17 Built in U.S.A.: Postwar Architecture: Itinerary

45 photo panels, 43 text panels, 56 stereo-realist slides, adapted from ICE-F-12-53. Text translated into Portuguese by Caspar Coelho.

Shown in:
Rio de Janeiro, Brazil: 1954 April 22-May 7. Returned to New York, July 1954.
Publicity report

V.ICE-F-19-53.18 Built in U.S.A.: Postwar Architecture: Photos

Events: Rio de Janeiro [6 prints]

V.ICE-F-27-55.19 Built in U.S.A.: Postwar Architecture: Itinerary

45 photo panels, 43 text panels, 59 stereo-realist slides
Spanish edition for South American circulation, text panels translated from Portuguese.

Circulated to:
Mexico City, Monterrey, and Guadalajara, Mexico; Rio Piedras, Puerto Rico; Lima, Peru; Buenos Aires, Argentina: 1956 September-1958 November.
Dispersed 1958.
Publicity report, press release

V.ICE-F-27-55.20 Built in U.S.A.: Postwar Architecture: Photos

Installation and events: Puerto Rico [2 prints], Guadalajara [10 prints], Mexico City [19 prints]

V.ICE-F-27-55.21 Built in U.S.A.: Postwar Architecture: Brochures

Guadalajara [2]

V.SP-ICE-9-55.22 Built in U.S.A.: Postwar Architecture: Itinerary

57 photo panels, 43 text panels, 56 stereo-realist slides; Italian and Polish texts; adapted from MoMA Exh. #528 commissioned by the USIA for circulation in Italy.
Italian text proofed by Margaret Scolari Barr.

Circulated to:
Rome, Florence, Naples, Italy: 1956 February-November.

Text translated into Polish by the USIA at end of Italian tour.

Circulated to:
Warsaw, Krakow, Gdansk, and Pozna, Poland: 1957 April-May. Also shown at the University of Warsaw, Poland after completion of Polish tour.
Dispersed 1957.
Publicity report 23.

V.SP-ICE-9-55.23 Built in U.S.A.: Postwar Architecture: Photos

Installation: Rome [3 prints]

V.SP-ICE-20-57.24 Built in U.S.A.: Postwar Architecture: Itinerary

Second version of SP-ICE-9-55 consisting of 57 photo panels, 43 text panels, 59 stereo-realist slides [Romanian text]
Commissioned by the USIA.

Circulated to:
Bucharest, Cluj, Subu, and Iasi, Romania; Athens and Salonika, Greece; Belgrade, Nish, Skopje, Subotica, and Titograd, Yugoslavia; Brussels, Belgium: 1958 January-1960 October.
Dispersed 1960.

V.SP-ICE-20-57.25 Built in U.S.A.: Postwar Architecture: Itinerary

Publicity reports; correspondence [1 TLS, 3 TL, 3 memos]
Printed matter: Architectura 5, no. 8 (September-October 1957) [Romanian].

V.ICE-F-12-53.1 U.S. Representation, Il Bienal do Museu de Arte, São Paulo: Itinerary and checklist

8 folders; 1 box and oversize Box 181
Incl. 3 exhibition sections:

Retrospective showing of 45 sculptures by Alexander Calder, one-man exhibition selected by Margaret Miller

25 paintings and 20 drawings selected by Margaret Miller; 12 prints selected by William S. Lieberman

ICE-F-10-53 Built in U.S.A.: Postwar Architecture, selected by Arthur Drexler and Henry-Russell Hitchcock (Portuguese version of MoMA Exh. #528 1953 January-March.

See also ICE-F-10-53).

Shown in:
São Paulo, Brazil: 1953 December 12-1954 February 28.
This exhibition was shown at the U.S. Embassy, Rio de Janeiro 1954 April 22-May 7 as ICE-F-19-53 following the closing of the Bienal.
Dispersed 1955.

1953-1954
V.ICE-F-12-53.2 U.S. Representation, Ii Bienal do Museu de Arte, São Paulo: Publicity

Draft release, reports.

See also Box 181 [oversize]

V.ICE-F-12-53.3 U.S. Representation, Ii Bienal do Museu de Arte, São Paulo: Photos

Works in exhibition [107 prints, 1 contact sheet; 4" binder]

V.ICE-F-12-53.4 U.S. Representation, Ii Bienal do Museu de Arte, São Paulo: Photos

Works in exhibition [5 color transparencies]

V.ICE-F-12-53.5 U.S. Representation, Ii Bienal do Museu de Arte, São Paulo: Photos

Events and Bienal building [13 prints]

V.ICE-F-12-53.6 U.S. Representation, Ii Bienal do Museu de Arte, São Paulo: Photos

Packing cases [28 prints]

V.ICE-F-12-53.7 U.S. Representation, Ii Bienal do Museu de Arte, São Paulo

Floor plans

V.ICE-F-12-53.8 U.S. Representation, Ii Bienal do Museu de Arte, São Paulo: Catalogue
V.ICE-F-13-53.1 Contemporary American Photography: Itinerary and checklist

Organized 1953, circulated 1955-1956
3 folders; 1 box and oversize Box 181
110 photographs by 29 photographers selected by Edward Steichen; organized at the request of the National Museum of Modern Art, Tokyo, Japan, for inclusion in their exhibition Contemporary Photography: Japan and America .

Shown in:
Tokyo and Osaka, Japan: 1953 August-October.
Entire exhibition, with some additions and substitutions (91 photographs) also included in ICE-F-24-54 Modern Art in the United States , photography section.

Circulated to:
Paris, France; Zurich, Switzerland; the Hague, the Netherlands; Linz, Austria; Belgrade, Yugoslavia: 1955 March-1956 August.
Dispersed 1956.

See also ICE-F-24-54.

1953, 1955-1956
V.ICE-F-13-53.2 Contemporary American Photography: Publicity

Press release, reports, excerpts and analysis of Japanese press; introduction by Edward Steichen.

See also Box 181 [oversize]

V.ICE-F-13-53.3 Contemporary American Photography: Catalogue

Tokyo

For ICE-F-14-53, The Family of Man, see SP-ICE-10-55

For ICE-F-16-53, Young American Printmakers, see ICE-F-1-52

For ICE-F-18-53, The American Woodcut Today, see ICE-F-7-53

For ICE-F-19-53, Built in U.S.A.: Postwar Architecture, see ICE-F-10-53 and ICE-F-12-53

V.ICE-F-20-53.1 Recent American Prints in Color: Itinerary and checklist

Organized 1953, circulated 1957-1960. 25 prints by 25 artists selected by William S. Lieberman.

Circulated to:
Honolulu, Hawaii; Manila, Philippines; Saigon, Vietnam; Singapore, Malaysia/Singapore; Colombo and Kandy, Ceylon; Madras, Trivandrum, Bangalore, Hyderabad, Bombay, Ahmadabad, Baroda, New Delhi, and Lucknow, India; Lahore, Peshawar, Pakistan; Chinju City, Pusan, Seoul, Kwangju, and Taegu, Korea: 1957 January-1960 February.
Dispersed 1960.
Draft release

1953, 1957-1960
V.ICE-F-20-53.2 Recent American Prints in Color: Photos

Works in exhibition [2 prints, 20 Leicas]

V.ICE-F-20-53.3 Recent American Prints in Color: Photos

Iinstallation and events: Manila [2 prints]
Singapore [4 prints]
Colombo [4 prints]
Bombay [4 prints]
Ahmadabad [5 prints]
New Delhi [4 prints]
Seoul [6 prints]
Taegu [3 prints]
Lahore [1 print]
Pusan [1 print, 1 negative]

V.ICE-F-22-54.1 Yasuo Kuniyoshi Memorial Exhibition: Itinerary and checklist

1 box and oversize Box 181
38 paintings, 22 drawings, and 12 prints selected by the International Program with the guidance of Sara Mazo (widow of the artist). Sponsored by the National Museum of Modern Art, Tokyo and the Mainichi Newspapers.

Circulated to:
Tokyo, Osaka and Nagoya, Japan: 1954 March 20-June.
Dispersed 1954.
Press release; publicity reports and Japanese press reactions.

See also Box 181 [oversize] Photos, installation: Tokyo [6 prints]

1954
V.ICE-F-22-54.2 Yasuo Kuniyoshi Memorial Exhibition: Photos

Works in exhibition [47 prints]

V.ICE-F-22-54.3 Yasuo Kuniyoshi Memorial Exhibition: Catalogues

English/Japanese [4]

V.ICE-F-23-54.1 U.S. Representation, XXVII Biennale Di Venezia: Itinerary and checklist

1 box and oversize Boxes 181 and 182
Incl. three exhibition sections:

26 paintings and 1 drawing by Willem de Kooning selected by Andrew C. Ritchie

30 paintings and 6 drawings by Ben Shahn selected by James Thrall Soby

1 sculpture each by Gaston Lachaise, Ibram Lassaw, and David Smith selected by Andrew C. Ritchie. Exhibition organized by the International Program at the invitation of the XXVII Biennale Di Venezia, Italy: 1954 June 19-October 17.

1954
V.ICE-F-23-54.2 U.S. Representation, XXVII Biennale Di Venezia: Publicity

Reports and European press reactions; article,"An American in Venice: Ben Shahn and United States Foreign Policy at the 1954 Biennale di Venezia or Portrait of the Artist as an American Liberal" by Frances K. Pohl, Art History 4, no.1 1981 March.

See also Box 181 [oversize]

V.ICE-F-23-54.3 U.S. Representation, XXVII Biennale Di Venezia: Photos

Works in exhibition: Shahn [44 prints, 10 negatives]
De Kooning [26 prints, 10 negatives]
Lachaise [1 print, 1 negative]
Lassaw [1 print]
Smith [1 print]

V.ICE-F-23-54.4 U.S. Representation, XXVII Biennale Di Venezia: Photos

Artists and MoMA staff [7 negatives]

V.ICE-F-23-54.5 U.S. Representation, XXVII Biennale Di Venezia: Photos

Building and installation [3 prints]

V.ICE-F-23-54.6 U.S. Representation, XXVII Biennale Di Venezia: Floor plans

Of the American Pavilion.
See Box 182 [oversize]

V.ICE-F-23-54.7 U.S. Representation, XXVII Biennale Di Venezia: Catalogue

Venice [Italian/English]

V.ICE-F-24-54.1 Modern Art in the United States

Oversize Boxes 181 and 182
Seven sections, selected from the collection of the Museum of Modern Art with supplementary loans from Museum Trustees:

108 paintings and 27 sculptures selected by dorothy C. Miller

82 prints selected by William S. Lieberman

17 buildings shown in photographic panels; 47 stereo-realist slides and models, selected by Arthur Drexler

158 industrial design objects selected by Greta Daniel

71 items of typographic design selected by Mildred Constantine

91 photographs (adapted from ICE-F-13-53 Contemporary American Photography ) selected by Edward Steichen

3 film panels and 5 film programs selected by Richard Griffith.

Shown in:
Paris, France: 50 Ans D'art Aux États-Unis 1955 March 30-May 15. the painting, sculpture, and print sections, in combination with one or more of the other sections were shown thereafter as Modern Art in the United States: Selections from the Collections of the Museum of Modern Art .

Circulated to:
Zurich, Switzerland; Barcelona, Spain; Frankfurt, Germany; London, England; the Hague, the Netherlands; Vienna and Linz, Austria; Belgrade, Yugoslavia: 1955 July-1956 August.
Dispersed 1956.

See also ICE-F-13-53.

Folder also includes Publicity: Correspondence [2 memos]; reports, press reports, press clippings, press analysis, summary of French and British press reactions.

See also Box 181 [oversize]

1955-1956
V.ICE-F-24-54.2 Modern Art in the United States: Publicity

Summary of French and British press reactions

V.ICE-F-24-54.3 Modern Art in the United States: Catalogues

London [1]
Frankfurt [5]
The Hague [1]
Belgrade [1]
Vienna [1]

V.ICE-F-24-54.4 Modern Art in the United States: Photos

Works in exhibition: painting and sculpture, Volume I. Older Generation of Modern S [41 prints, 13 negatives; 1.5" binder]

V.ICE-F-24-54.5 Modern Art in the United States: Photos

Works in exhibition: painting and sculpture, Volume II. Realist Tradition: Fact, Satire, Sentiment [19 prints, 7 negatives; 0.75" binder]

V.ICE-F-24-54.6 Modern Art in the United States: Photos

Works in exhibition: painting and sculpture, Volume III. Romantic Painting [12 prints, 11 negatives; 0.5" binder]

V.ICE-F-24-54.7 Modern Art in the United States: Photos

Works in exhibition: painting and sculpture, Volume IV. Contemporary Abstract Painting [27 prints, 11 negatives; 1" binder]

V.ICE-F-24-54.8 Modern Art in the United States: Photos

Works in exhibition: painting and sculpture, Volume V. Modern"Primitives" [9 prints, 5 negatives; 0,5" binder]

V.ICE-F-24-54.9 Modern Art in the United States: Photos

Works in exhibition: painting and sculpture [14 color transparencies]

V.ICE-F-24-54.10 Modern Art in the United States: Photos

Works in exhibition: sculpture [22 prints, 11 negatives; 0.75" binder]

V.ICE-F-24-54.11 Modern Art in the United States: Photos

Works in exhibition: prints, Volume VII. Painters Printmakers [75 prints, 19 negatives; 2" binder]

V.ICE-F-24-54.12 Modern Art in the United States: Photos

Works in exhibition: architecture [introduction by H.R. Hitchcock, 37 prints, 11 negatives]

V.ICE-F-24-54.13 Modern Art in the United States: Photos

Works in exhibition: industrial and graphic design [29 prints; 1" binder]

V.ICE-F-24-54.14 Modern Art in the United States: Photos

Works in exhibition: industrial and graphic design [28 negatives]

V.ICE-F-24-54.15 Modern Art in the United States: Photos

Works in exhibition: photography and film section [28 prints, 30 negatives; 1¼" binder]

V.ICE-F-24-54.16 Modern Art in the United States: Photos

Installation, events, and packing: Zurich [6 prints]

V.ICE-F-24-54.17 Modern Art in the United States: Photos

Installation, events, and packing: Barcelona [2 prints]

V.ICE-F-24-54.18 Modern Art in the United States: Photos

Installation, events, and packing: Frankfurt [44 prints, 2 glass slides]

V.ICE-F-24-54.19 Modern Art in the United States: Photos

Installation, events, and packing: London [22 prints, 22 negatives]

V.ICE-F-24-54.20 Modern Art in the United States: Photos

Installation, events, and packing: the Hague [17 prints]

V.ICE-F-24-54.21 Modern Art in the United States: Photos

Photos, installation, events, and packing: Belgrade [42 prints incl. floor plans]

V.ICE-F-24-54.22 Modern Art in the United States: Photos

Installation, events, and packing: Belgrade [32 prints; 1" binder]

V.ICE-F-24-54.23 Modern Art in the United States: Photos

Installation, events, and packing: Paris [49 prints incl. floor plans; 1" binder]

V.ICE-F-24-54.24 Modern Art in the United States: Photos

Installation, events, and packing: Vienna [47 prints].
See Box 182 [oversize]

V.ICE-F-24-54.25 Modern Art in the United States: Photos

Installation, events, and packing: London [4 glass negatives]

V.ICE-F-24-54.26 Modern Art in the United States: Photos

Installation, events: unidentified location [9 glass slides]

V.ICE-F-24-54.27 Modern Art in the United States: Film

Film 16 mm, German

V.ICE-F-24-54.28 Modern Art in the United States: Film

Film 35 mm, German

V.ICE-F-24-54.29 Modern Art in the United States: Film

Sound track to 35mm film (f.u. 28), German

Note: For ICE-F-25-54, The Skyscraper, U.S.A., see ICE-F-9-53

For ICE-F-14-55, The Family of Man, see SP-ICE-10-55, SP-ICE-18-57 and SP-ICE-24-59.

V.ICE-F-26-55.1 U.S. Representation International Exhibition of Painters Under 35: Itinerary and checklist

18 paintings by 6 artists selected by Andrew C. Ritchie; sponsored by the Congress for Cultural Freedom.

Circulated to:
Rome, Italy; Brussels, Belgium; Paris, France: 1955 April-November.
Dispersed 1955.
Publicity reports

1955
V.ICE-F-26-55.2 U.S. Representation International Exhibition of Painters Under 35: Photos

Works in exhibition incl. checklist [15 prints, 7 negatives; 0.5" binder]

Note: For ICE-F-27-55, Built in U.S.A.: Postwar Architecture, see ICE-F-10-53, ICE-F-12-53, ICE-F-19-53, ICE-F-27-55, SP-ICE-9-55, and SP-ICE-20-57

V.ICE-F-28-56.1 Recent American Watercolorists: Itinerary and checklist

80 works by 41 artists selected by dorothy C. Miller; sponsored and circulated by the Association Française d'Action Artistique: Laon, Saint-Quentin, Reims, Clermont-Ferrand, and Nice, France: 1956 October-1957 June.
Dispersed 1957.
Publicity reports

1956-1957
V.ICE-F-28-56.2 Recent American Watercolorists: Photos

Works in exhibition [12 prints; 0.25" binder]

V.ICE-F-29-56.1 U.S. Representation: International Exhibition of Contemporary Sculptures: Itinerary and checklist

1 sculpture each by 11 artists selected by Andrew C. Ritchie and Porter A. McCray from a list of artists suggested by the Musée Rodin.
Shown at the Musée Rodin, Paris, France. 1956 June-October.

1956
V.ICE-F-29-56.2 U.S. Representation: International Exhibition of Contemporary Sculptures: Photos

Works in exhibition [13 prints; 0.5" binder]
Catalogue [Paris]

V.ICE-F-30-56.1 U.S. Representation: XXVIII Biennale Di Venezia American Artists Paint the City

45 paintings by 35 artists selected by Katharine Kuh, organized by the Art Institute of Chicago at the invitation of MoMA for the American Pavilion.

Shown in:
Venice, Italy: 1956 June-October.
Publicity: AIC press release

Note: For ICE-F-31-57, Young American Printmakers, see ICE-F-1-52.

1956
V.ICE-F-32-57.1 U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Itinerary and checklists

22 folders; 4 boxes

Incl. two exhibition sections:

Jackson Pollock (1912-1956): 34 paintings and 29 drawings by Jackson Pollock selected by Frank O'Hara.

See also ICE-F-35-57

23 paintings and 15 sculptures by 8 artists selected by Frank O'Hara, assisted by Porter A. McCray, James Thrall Soby, dorothy C. Miller and Sam Hunter.

Shown in:
São Paulo, Brazil: 1957 September 22-December 31.

Dispersed 1957.

1957
V.ICE-F-32-57.2 U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Publicity

Press releases

V.ICE-F-32-57.3 U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Publicity

Checklist of Brazilian newspapers; correspondence [1 memo, loan and registration forms], invitations [9x11" envelope]
Engl. transl. of Brazilian articles

V.ICE-F-32-57.4 U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Publicity

Contest documentation

V.ICE-F-32-57.5 U.S. Representation: IV, São Paulo: Publicity

Press clippings

V.ICE-F-32-57.6 U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Publicity

Press clippings: U.S. 1957 August-1958 January [0.25" binder]

V.ICE-F-32-57.7 U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Publicity

Press clippings: Brazil [n.d.

V.ICE-F-32-57.8 U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Publicity

Press clippings: Brazil 1957 July-August [0.5" binder]

V.ICE-F-32-57.9 U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Publicity

Press clippings: Brazil 1957 September 1-17 [0.75" binder]

V.ICE-F-32-57.10 U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Publicity

Press clippings: Brazil 1957 September 18-21

V.ICE-F-32-57.11 U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Publicity

Press clippings: Brazil 1957 September 22-25 unittitle>

V.ICE-F-32-57.12 U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Publicity

Press clippings: Brazil 1957 September 26-30 [0.75" binder]

V.ICE-F-32-57.13 U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Publicity

Press clippings: Brazil 1957 October [0.5" binder]

V.ICE-F-32-57.14 U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Publicity

Press clippings: Brazil 1957 November-December [0.5" binder]

V.ICE-F-32-57.15 U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Photos

Works in exhibition: Volume I. Pollock Paintings [34 prints, 4 negatives]

V.ICE-F-32-57.16 U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Photos

Works in exhibition: Volume II. Pollock Drawings [28 prints]

V.ICE-F-32-57.17 U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Photos

Works in exhibition: Volume III. Painting and sculpture by other artists [38 prints, 11 negatives]

V.ICE-F-32-57.18 U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Photos

Condition photos [38 prints; 1" binder]

V.ICE-F-32-57.19 U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Photos

Installation: São Paulo [19 prints; 0 b.5" binder]

V.ICE-F-32-57.20 U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Photos

Installation: São Paulo [28 prints]
Photos, events [9 prints, 1 photostat]
Packing [2 prints]
Buildings [4 prints, 2 photostats]

V.ICE-F-32-57.21 U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Catalogues

São Paulo [4]
Brochures [2, São Paulo]

V.ICE-F-32-57.22 U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Printed matter

Habitat , no. 44 (September 1957), special issue on IV Bienal de São Paulo [Portuguese incl. French/English summaries].

The Museum of Modern Art Members' Calendar of Events (October-November 1957).

V.ICE-F-33-57.1 Latin American Architecture Since 1945: Itinerary and checklist

14 folders; 3 boxes
52 photo panels, 21 photo-text panels, and 49 stereo-realist slides representing 49 examples of architecture from 11 Central and Latin American countries, organized by Henry-Russell Hitchcock and Rosalie Thorne McKenna.

Special survey exhibition commissioned by the International Program (MoMA Exh. #590 1955 November-1956 February) for its 25th Anniversary. Original version (English text) circulated as ICE-D-6-54 1956-1957.

Spanish version circulated to:
Mexico City, Mexico; Havana, Cuba; Caracas, Venezuela 1957 July-1958 July.
Dispersed 1959.
Also circulated nationally as ICE-D-10-56 (smaller panel version) 1957-1961. C/E 56-11, cancelled.

1955-1961
V.ICE-F-33-57.2 Latin American Architecture Since 1945: Publicity

Press releases

V.ICE-F-33-57.3 Latin American Architecture Since 1945: Publicity

Reports

V.ICE-F-33-57.4 Latin American Architecture Since 1945: Publicity

Correspondence [2 binders; 0.5" and 0.25"]; invitation

V.ICE-F-33-57.5 Latin American Architecture Since 1945: Photos

Works in exhibition [72 negatives]

V.ICE-F-33-57.6 Latin American Architecture Since 1945: Photos

Works in exhibition [65 negatives]

V.ICE-F-33-57.7 Latin American Architecture Since 1945: Slides

Stereo slides, works in exhibition: 50 slides [5x6" box] and 37 slides [9x11" envelope]

V.ICE-F-33-57.8 Latin American Architecture Since 1945: Photos

Photo panels of works in exhibition [13 prints]
Installation: MoMA [8 prints]
Events: Mexico City [8 prints], Havana [10 prints]

V.ICE-F-33-57.9 Latin American Architecture Since 1945: Photos

Text panels in exhibition and plans [42 negatives; English]

V.ICE-F-33-57.10 Latin American Architecture Since 1945: Photos

Text panels in exhibition and plans [44 negatives; English]

V.ICE-F-33-57.11 Latin American Architecture Since 1945: Photos

Text panels in exhibition and plans [83 negatives; Spanish]

V.ICE-F-33-57.12 Latin American Architecture Since 1945

Typescript of wall labels

V.ICE-F-33-57.13 Latin American Architecture Since 1945: Catalogues

MoMA publication [1]; Havana brochures [5 prints, 1 leaflet]

V.ICE-D-6-54.14 Latin American Architecture Since 1945: Itinerary
V.ICE-F-35-57.1 Jackson Pollock: Itinerary and checklist

Itinerary and checklist of ICE exhibitions which included works by Pollock.
11 folders; 1 box and oversize Box 181
Organized 1957, circulated 1958-1959

31 paintings and 20 drawings and watercolors selected by Frank O'Hara. Exhibition based on a retrospective shown as part of ICE-F-32-57 U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo , 1957.

Circulated to:
Rome, Italy; Basel, Switzerland; Amsterdam, the Netherlands; Hamburg and Berlin, Germany; London, England; Paris, France: 1958 March-1959 February.

Also circulated concurrently with ICE-F-36-57 The New American Painting In Basel, Berlin and Paris.
Dispersed 1959.

1912-1956
V.ICE-F-35-57.2 Jackson Pollock: Publicity

Announcement and invitation

V.ICE-F-35-57.3 Jackson Pollock: Publicity

Reports and press clippings (all venues).
See Box 181 [oversize]

V.ICE-F-35-57.4 Jackson Pollock: Publicity

Rome: draft release, reports, and press clippings

V.ICE-F-35-57.5 Jackson Pollock: Publicity

Basel: reports and press clippings

V.ICE-F-35-57.6 Jackson Pollock: Publicity

Amsterdam: reports and press clippings

V.ICE-F-35-57.7 Jackson Pollock: Publicity

London: reports and press clippings

V.ICE-F-35-57.8 Jackson Pollock: Publicity

Summary of press reactions

V.ICE-F-35-57.9 Jackson Pollock: Photos

For publicity [14 prints; 0.75" binder]

V.ICE-F-35-57.10 Jackson Pollock: Photos

Events and installation: Rome [34 prints, 1 negative]
London [8 prints]
New York [1 contact sheet]

V.ICE-F-35-57.11 Jackson Pollock: Catalogues

London [1], Berlin [1], Basel [1] Hamburg [1], Paris [1], Amsterdam [1] Brochure: Rome [3]

V.ICE-F-36-57.1 The New American Painting: Itinerary

39 folders; 4 boxes and oversize Box 182
81 paintings by 17 artists selected by dorothy C. Miller.

Circulated to Basel, Switzerland; Milan, Italy; Madrid, Spain; Berlin, Germany; Amsterdam, the Netherlands; Brussels, Belgium; Paris, France; London, England: 1958 April-1959 March.
Returned to U.S. for exhibition at MoMA, Exh. #645 1959 May 26-September 8.

Also circulated as Recent American Painting: 17 Abstract Expressionists , C/E 59-6 1959 with works selected from ICE-F-36-57.
ICE-F-36-57 The New American Painting and ICE-F-35-57 Jackson Pollock 1912-1956 were shown concurrently in Basel, Berlin, and Paris.

1958-1959
V.ICE-F-36-57.2 The New American Painting: Checklists

English, German, Italian, Spanish

V.ICE-F-36-57.3 The New American Painting: Publicity reports
V.ICE-F-36-57.4 The New American Painting: Publicity

Photostats of European clippings.
See Box 182 [oversize]

V.ICE-F-36-57.5 The New American Painting: Publicity

Summary of press reactions, press clippings (re: all venues)

V.ICE-F-36-57.6 The New American Painting: Publicity

Basel: press clippings, publicity reports, transcripts of speeches by the Curator and President of the Kunsthalle, draft preface by Porter A. McCray (1st page only)

V.ICE-F-36-57.7 The New American Painting: Publicity

Milan: press clippings

V.ICE-F-36-57.8 The New American Painting: Publicity

Madrid: reports and press clippings

V.ICE-F-36-57.9 The New American Painting: Publicity

Berlin: correspondence [excerpt of 1 TL]; press clippings; press release with opening speech by Dr. Valentin Kielinger, Minister for Justice

V.ICE-F-36-57.10 The New American Painting: Publicity

Amsterdam: USIS press release, press clippings

V.ICE-F-36-57.11 The New American Painting: Publicity

Brussels: reports and press clippings

V.ICE-F-36-57.12 The New American Painting: Publicity

Paris: press clippings

V.ICE-F-36-57.13 The New American Painting: Publicity

London: reports, press clippings, USIS press release

V.ICE-F-36-57.14 The New American Painting: Floor plans

Berlin (ICE-F-35-57 Jackson Pollock And ICE-F-36-57 The New American Painting )

V.ICE-F-36-57.15 The New American Painting: Floor plans

Madrid (ICE-F-36-57 The New American Painting )

V.ICE-F-36-57.16 The New American Painting: Floor plans

Milan, Villa Reale (ICE-F-36-57 The New American Painting )

V.ICE-F-36-57.17 The New American Painting: Photos

Works in exhibition alphabetically arranged by artist [A-G]

V.ICE-F-36-57.18 The New American Painting: Photos

Works in exhibition alphabetically arranged by artist [H-N]

V.ICE-F-36-57.19 The New American Painting: Photos

Works in exhibition alphabetically arranged by artist [O-Z]

V.ICE-F-36-57.20 The New American Painting: Photos

Works in exhibition [4 negatives]; artists' portraits [4 negatives]

V.ICE-F-36-57.21 The New American Painting: Photos

Catalogue covers [9 prints, 8 negatives, 7 photostats]

V.ICE-F-36-57.22 The New American Painting: Photos

Checklists of photos

V.ICE-F-36-57.23 The New American Painting: Photos

For publicity [51 prints; 1.25" binder]

V.ICE-F-36-57.24 The New American Painting: Photos

Installation and events: Basel [79 prints, 54 photostats]

V.ICE-F-36-57.25 The New American Painting: Photos

Installation and events: Berlin [19 prints]

V.ICE-F-36-57.26 The New American Painting: Photos

Installation and events: Paris [52 prints]

V.ICE-F-36-57.27 The New American Painting: Photos

Installation and events: Milan [3 prints, 1 postcard]. See also 18 photostats in Box 182 [oversize]

V.ICE-F-36-57.28 The New American Painting: Photos

Installation and events: Brussels [2 prints]

V.ICE-F-36-57.29 The New American Painting: Photos

Installation and events: London [20 prints]

V.ICE-F-36-57.30 The New American Painting: Photos

Installation and events: New York [26 prints, 1 contact sheet, 5 color transparencies]

V.ICE-F-36-57.31 The New American Painting: Photos

Installation and events: duplicate and unidentified negatives [11]

V.ICE-F-36-57.32 The New American Painting: Catalogue material

Preface by Porter A. McCray [2; English]; introduction by Alfred H. Barr, Jr. (master copy) incl. Spanish transl. by Armando Zegri

V.ICE-F-36-57.33 The New American Painting: Catalogue material

artists' biographies [English, Spanish]

V.ICE-F-36-57.34 The New American Painting: Catalogue material

Artists' statements [English]

V.ICE-F-36-57.35 The New American Painting: Catalogue material

Artists' statements [Spanish]

V.ICE-F-36-57.36 The New American Painting: Catalogue material

Artists' statements [German]

V.ICE-F-36-57.37 The New American Painting: Catalogues

Basel [1], Berlin [1], Milan [1], Madrid [1], MoMA, NY [1]

V.ICE-F-36-57.38 The New American Painting: Catalogues

London [1], Brussels [1], Paris [1], Amsterdam [2]

V.ICE-F-36-57.39 The New American Painting: Printed matter

Kenneth Rexroth. "Americans Seen Abroad," Art News 58, no. 4 (summer 1959): 30-31, 52.

Paul Guéguen. "Pollock et la Peinture Américaine," Aujourd'hui Art et Architecture 4, no. 21 (March-April 1959): 30-33.

Lawrence Alloway. "The New American Painting,"

Art International 3, no. 3-4 (March-April 1959): 21-38.

Julián Gálleco. "Crónica de Paris," Goya , no. 29 (March-April 1959): 310-316.

V.ICE-F-37-58.1 XXIX Biennale di Venezia: Itinerary and checklist

10 folders; 2 boxes incl. four exhibition sections:
36 paintings by Mark Tobey selected by Frank O'Hara

10 paintings by Mark Rothko selected by Sam Hunter

14 sculptures by David Smith selected by Sam Hunter

12 sculptures by Seymour Lipton selected by Frank O'Hara

Shown in:
Venice, Italy: 1958 June 14-September 19.
Dispersed 1958.

1958
V.ICE-F-37-58.2 XXIX Biennale di Venezia: Publicity

MoMA draft releases [English, French, Italian]

V.ICE-F-37-58.3 XXIX Biennale di Venezia: Publicity

Draft releases circulated by La Biennale di Venezia 1957 November-1958 June re: organization of the BIENNALE; Program of the 27th International the ater Festival (Italian)

V.ICE-F-37-58.4 XXIX Biennale di Venezia: Publicity

Draft and final report, annotated reports, summaries of press reactions (Kynaston McShine ed.)

V.ICE-F-37-58.5 XXIX Biennale di Venezia: Printed matter

Engl. transl. of Gillo dorfles. "Foreign Painters at the XXIX Biennale," Domus, No. 346 (September 1958)

Charles Dalloye. "La Biennale de Venise," Aujourd'hui Art et Architecture 3-4, no. 19 (September 1958): 44-51.

Marco Valsecchi. "Polemiche alla Biennale," L'Illustrazione Italiana , no. 7 (July 1958): 20-35.

Ill Taccuino delle Arti (1958), special issue on the XXIX Biennale [Italian/French].

V.ICE-F-37-58.6 XXIX Biennale di Venezia: Publicity

Sample invitation [9x11"envelope]

V.ICE-F-37-58.7 XXIX Biennale di Venezia: Publicity

Sample brochures and posters [9x11"envelope]

V.ICE-F-37-58.8 XXIX Biennale di Venezia: Photos

Works in exhibition [71 prints, 1 negative; ½" binder]

V.ICE-F-37-58.9 XXIX Biennale di Venezia: Photos

Installation: Venice [19 prints]

V.ICE-F-37-58.10 XXIX Biennale di Venezia: Catalogues

Italian [3, one of which incl. F. O'Hara annotations]

V.ICE-F-38-58.1 Ben Shahn Retrospective: Itinerary and checklist

11 folders; 2 boxes and oversize Box 181.
38 paintings selected by James Thrall Soby; 99 watercolors, prints, posters, and graphics selected by Mildred Constantine.

Circulated to:
Amsterdam, the Netherlands; Rome, Italy; Brussels, Belgium; Vienna, Austria: 1961 December-1962 June.
Dispersed 1963.

Also circulated as ICE-F-68-61 Ben Shahn: Graphics (small version).

1958
V.ICE-F-38-58.2 Ben Shahn Retrospective: Publicity reports

See also Box 181 [oversize]

V.ICE-F-38-58.3 Ben Shahn Retrospective: Publicity reports

Summary of critical reviews and press clippings [1" binder]

V.ICE-F-38-58.4 Ben Shahn Retrospective: Photos

Works in exhibition [39 prints; 1" binder]

V.ICE-F-38-58.5 Ben Shahn Retrospective: Photos

Installation and events: Amsterdam [4 prints], Rome [12 prints], Vienna [9 prints; 1 negative]; (1" binder)

V.ICE-F-38-58.6 Ben Shahn Retrospective: Catalogues

Jerusalem [1], Amsterdam [1], Vienna [1], Brussels [1]

V.ICE-F-68-61.7 Ben Shahn: Graphics: Itinerary and checklist

Small version 139 works: watercolors, gouaches, temperas, drawings, prints, books, posters, and greeting cards selected by Mildred Constantine.

Circulated to:
Baden-Baden, Germany; Zagreb and Ljlubjana, Yugoslavia; Stockholm and Lund, Sweden; Jerusalem, Israel: 1962 August-1963 June.
Dispersed 1963.

1962-1963
V.ICE-F-68-61.8 Ben Shahn: Graphics: Publicity

Press clippings [1" binder]

V.ICE-F-68-61.9 Ben Shahn: Graphics: Publicity

Invitation samples and poster

V.ICE-F-68-61.10 Ben Shahn: Graphics: Photos

Works in exhibition [30 prints; 1.25" binder]

V.ICE-F-68-61.11 Ben Shahn: Graphics: Catalogues

Baden-Baden [1], Zagreb [1], Jerusalem [1]

Printed matter:
V. Gojkovic. "Ben Shahn," 15 Dana Magazine 6, no. 3 (November 15 1962): 10-11.

V.ICE-F-40-59.1 U.S. Representation: documenta II, Kassel, Germany: Itinerary and checklist

17 folders; 3 boxes and oversize Boxes 181 and 183.
144 works by 44 American artists including painting, sculpture, prints, and a retrospective exhibition of works by Jackson Pollock selected by Frank O'Hara and Porter A. McCray.

Shown in:
Kassel, Germany: 1959 July 11-October 14.
Dispersed 1959.

1959
V.ICE-F-40-59.2 U.S. Representation: documenta II, Kassel, Germany: Publicity

Press releases [2 English, 1 German].

See also Box 181 [oversize]

V.ICE-F-40-59.3 U.S. Representation: documenta II, Kassel, Germany: Publicity

Press clippings [Germany; 1959 July]

V.ICE-F-40-59.4 U.S. Representation: documenta II, Kassel, Germany: Publicity

Press clippings [Germany; 1959 August]

V.ICE-F-40-59.5 U.S. Representation: documenta II, Kassel, Germany: Publicity

Press clippings [Germany; 1959 September]

V.ICE-F-40-59.6 U.S. Representation: documenta II, Kassel, Germany: Publicity

Press clippings [Germany; 1959 October]

V.ICE-F-40-59.7 U.S. Representation: documenta II, Kassel, Germany: Publicity

Press clippings, excerpts of critical reviews

V.ICE-F-40-59.8 U.S. Representation: documenta II, Kassel, Germany: Publicity

Press clippings [1" binder].
See Box 183 [oversize]

V.ICE-F-40-59.9 U.S. Representation: documenta II, Kassel, Germany: Publicity

Press clippings [0.75" binder]. See Box 183 [oversize]

V.ICE-F-40-59.10 U.S. Representation: documenta II, Kassel, Germany: Printed matter

Herta Wescher. "'Documenta II' Kassel 1959 Art After 1945," Cimaise 7, no. 45-46 (September-December 1959): 36-58 [French/ English/ German/ Spanish].

Lawrence Alloway. "Before and After 1945: Reflections on documenta II," Art International 3, no. 7 (1959): 29-36,79-80.

Friedrich Bayl. "Die II documenta," Art International 3, no. 7 (1959): 37-42.

Pierre Restany. "Documenta II: Le plus Collossal Témoignage du Présent", Art International 3, no. 7 (1959): 43-56.

Guy Habasque. "Confrontation Internationale," L'Oeil , no. 57 (September 1959): 19-27.

John A. Thwaites. "Report on documenta II," Art S 34, no. 2 (November 1959):44 49.

V.ICE-F-40-59.11 U.S. Representation: documenta II, Kassel, Germany: Publicity

Artists' biographies

V.ICE-F-40-59.12 U.S. Representation: documenta II, Kassel, Germany: Photos

For publicity [49 prints; 1" binder]

V.ICE-F-40-59.13 U.S. Representation: documenta II, Kassel, Germany: Photos

Works in exhibition [126 prints; 2.75" binder]

V.ICE-F-40-59.14 U.S. Representation: documenta II, Kassel, Germany: Photos

Works in exhibition [57 negatives]

V.ICE-F-40-59.15 U.S. Representation: documenta II, Kassel, Germany: Photos

Installation and events: Kassel [31 prints, 1 negative]
Packing [5 prints, 1 negative]

V.ICE-F-40-59.16 U.S. Representation: documenta II, Kassel, Germany: Printed matter

Brochures: Germany [5], Denmark [3]

V.ICE-F-40-59.17 U.S. Representation: documenta II, Kassel, Germany: Catalogues

Kassel [5]

V.ICE-F-41-59.1 I Biennale de Paris: Itinerary and checklist

28 paintings and drawings by 9 artists, 3 sculptures by 1 artist, 6 prints by 2 artists, all between 20-35 years of age, selected by Peter Selz. Exhibition organized at the invitation of the French Government; sponsored by the French Ministry of Foreign Affairs and the City of Paris.

Shown in:
Paris, France: 1959 October 2-25.
Dispersed 1959.

1959
V.ICE-F-41-59.2 I Biennale de Paris: Publicity

International press clippings

V.ICE-F-41-59.3 I Biennale de Paris: Photos

For publicity [24 prints]

V.ICE-F-41-59.4 I Biennale de Paris: Photos

Works in exhibition [36 prints]

V.ICE-F-42-59.1 XXX Biennale di Venezia

Incl. four exhibition sections:
13 paintings by Philip Guston

13 paintings by Hans Hofmann

10 paintings by Franz Kline

14 sculptures and drawings by the odore Roszak

Works selected by Adelyn D. Breeskin, Director of the Baltimore Museum of Art, assisted by Dr. Gertrude Rosenthal, Curator at the Baltimore Museum of Art, at the invitation of MoMA.

Shown in:
Venice, Italy: 1960 June 18-October 16.
Photos, events: Venice [2 prints]

Printed matter:
Art International 4, no. 6 (June 10 1960), special issue on the 30th Venice Biennale.

Le Arti 10, no. 5-6 ( May-June 1960), special issue on XXX Biennale di Venezia.

1960
V.ICE-F-44-60.1 Modern American Drawings: Itinerary and checklist

9 folders; 1 box and oversize Box 181.
65 drawings by 44 artists selected by William S. Lieberman and Elaine Johnson, for showing at the drawing and watercolor section of the Festival of Two Worlds , Spoleto, Italy 1961 June 5-July 16. Circulated also to Jerusalem, Israel; Athens, Greece; Helsinki, Finland; Göteborg, Sweden; Paris, France; London, England; Bonn, Germany: 1962 June 21-July 22.
Dispersed 1962.

See also SP-ICE-31-62 U. S. Representation: Sculptures in the City , Festival of Two Worlds, Spoleto, Italy.

1961-1962
V.ICE-F-44-60.2 Modern American Drawings: Publicity

Press release, reports, critical reviews. See also Box 181 [oversize]

V.ICE-F-44-60.3 Modern American Drawings: Publicity

Press clippings [Italy]

V.ICE-F-44-60.4 Modern American Drawings: Publicity

Press clippings [Israel, Greece, Finland, Sweden]

V.ICE-F-44-60.5 Modern American Drawings: Artists' biographies
V.ICE-F-44-60.6 Modern American Drawings: Floor plans

Floor plans [2]

V.ICE-F-44-60.7 Modern American Drawings: Photos

Works in exhibition [19 prints]

V.ICE-F-44-60.8 Modern American Drawings: Photos

Installation: Spoleto [35 prints], Jerusalem [5 prints], Athens [11 prints], Helsinki [13 prints], London [8 prints]

V.ICE-F-44-60.9 Modern American Drawings: Catalogues

Spoleto [1], Jerusalem [2], Athens [2], Paris [1], Bonn [2]

V.ICE-F-45-60.1 Abstract Watercolors and Drawings: U.S.A.: Itinerary and checklist

7 folders; 1 box and oversize Box 181.
80 works by 28 artists selected by dore Ashton. Circulated in Latin America: Caracas, Venezuela; Rio de Janiero and São Paulo, Brazil; Buenos Aires, Argentina; Montevideo, Uruguay; Santiago, Chile; Lima, Peru; Quayaquil and Quito, Ecuador; Bogotá, Colombia; Panama City, Panama; Mexico City, Mexico: 1962 January-1963 May.
Dispersed 1963.

1962-1963
V.ICE-F-45-60.2 Abstract Watercolors and Drawings: U.S.A.: Publicity

Reports and critical reviews. See also Box 181 [oversize]

V.ICE-F-45-60.3 Abstract Watercolors and Drawings: U.S.A.: Publicity

Press clippings [1" binder]

V.ICE-F-45-60.4 Abstract Watercolors and Drawings: U.S.A.: Artists' biographies
V.ICE-F-45-60.5 Abstract Watercolors and Drawings: U.S.A.: Photos

Works in exhibition [55 prints; 2" binder]

V.ICE-F-45-60.6 Abstract Watercolors and Drawings: U.S.A.: Photos

Installation and events: Buenos Aires [2 prints], Montevideo [8 prints], Santiago [10 prints], Quito [4 prints], Mexico City [12 prints]; (0.75" binder)

V.ICE-F-45-60.7 Abstract Watercolors and Drawings: U.S.A.: Catalogues

Venezuela [1]
São Paulo [1]
Buenos Aires [1]
Montevideo [2]
Chile [1]
Panama [1]
Mexico [1, 1 brochure]

V.ICE-F-46-60.1 U.S. Representation: II BIENAL INTERAMERICANA de MEXICO: Itinerary and checklist

40 prints by 40 artists selected by Edith H. Jones.

Shown in:
Mexico City, Mexico: 1960 September 5-November 5.

1960
V.ICE-F-46-60.2 U.S. Representation: II Bienal Interamericana de Mexico: Publicity

Press clippings [0.25" binder]

V.ICE-F-46-60.3 U.S. Representation: II Bienal Interamericana de Mexico: Photos

Works in exhibition [13 prints; 0.75" binder]

V.ICE-F-46-60.4 U.S. Representation: II Bienal Interamericana de Mexico: Photos

Installation [2 prints]

V.ICE-F-47-60.1 U.S. Representation: I International Exhibition of Modern Art, Buenos Aires, Argentina: Itinerary and checklist

One painting each by Franz Kline, Willem de Kooning, Jackson Pollock, and Mark Tobey selected by Frank O'Hara.

Shown in:
Buenos Aires, Argentina: 1960 November 11-December 11.
Dispersed 1960.

1960
V.ICE-F-47-60.2 U.S. Representation: I International Exhibition of Modern Art, Buenos Aires, Argentina: Publicity

Press clippings

V.ICE-F-47-60.3 U.S. Representation: I International Exhibition of Modern Art, Buenos Aires, Argentina: Photos

Works in exhibition incl. checklist [4 prints; 0.25" binder]

V.ICE-F-47-60.4 U.S. Representation: I International Exhibition of Modern Art, Buenos Aires, Argentina: Photos

Installation and events: Buenos Aires [8 prints]

V.ICE-F-47-60.5 U.S. Representation: I International Exhibition of Modern Art, Buenos Aires, Argentina: Catalogue

Buenos Aires [1]

V.ICE-F-48-61.1 Leonard Baskin: Itinerary and checklist

25 sculptures, 36 drawings, 12 prints selected by Peter Selz.

Circulated to:
Rotterdam, the Netherlands; Berlin, Germany; Paris, France: 1961 May-December.
Dispersed 1961.

1961
V.ICE-F-48-61.2 Leonard Baskin: Publicity

Press release; Engl. transl. of critical reviews from the Netherlands

V.ICE-F-48-61.3 Leonard Baskin: Publicity

Press clippings [0.75" binder]

V.ICE-F-48-61.4 Leonard Baskin: Catalogue material

"The Continuance of Tradition", introduction by Peter and Thalia Selz; photo credits; lenders list; bibliography on the artist; biographical notes

V.ICE-F-48-61.5 Leonard Baskin: Shipping documentation
V.ICE-F-48-61.6 Leonard Baskin: Photos

Works in exhibition: sculpture [30 prints; 1" binder]

V.ICE-F-48-61.7 Leonard Baskin: Photos

Works in exhibition: drawings and prints [47 prints; 1.25" binder]

V.ICE-F-48-61.8 Leonard Baskin: Photos

Installation: Rotterdam [5 prints], Berlin [7 prints], Paris [6 prints]; (0.75" binder)

V.ICE-F-48-61.9 Leonard Baskin: Catalogues

Rotterdam [1], Berlin [1], Paris [1]

V.ICE-F-50-61.1 Visionary Architecture: Itinerary and checklist

19 folders; 2 boxes 74 photo-text panels showing 45 projects by 30 architects from 1916 to the present selected by Arthur Drexler
Adapted from MoMA Exh. #670 1960 September 28-December 4.

First version circulated to:
Baden-Baden, Berlin, Munich, Frankfurt, and dortmund, Germany; Delft, the Netherlands; Edinburgh, Scotland; London, England; Oslo and Trondheim, Norway; Göteborg and Stockholm, Sweden; Vienna, Austria; Zagreb and Belgrade, Yugoslavia; Florence, Italy; Jerusalem, Tel Aviv, and Haifa, Israel; Humlbaek, Denmark; Landskrona, Sweden; Aarhus, Denmark: 1961 September-1965 April.
Dispersed 1965.

Also circulated as ICE-F-69-62 and ICE-F-103-65.

1961-1965
V.ICE-F-50-61.2 Visionary Architecture: Publicity

Draft release

V.ICE-F-50-61.3 Visionary Architecture: Publicity

Press clippings

V.ICE-F-50-61.4 Visionary Architecture: Publicity

Press clippings [1.25" binder]

V.ICE-F-50-61.5 Visionary Architecture: Photos

Installation and events:
Berlin [4 prints]
Edinburgh [14 prints]
Vienna [7 prints]
Zagreb [9 prints]
Unknown location [1 print]

V.ICE-F-50-61.6 Visionary Architecture: Catalogue material

Introduction by Arthur Drexler and wall texts

V.ICE-F-50-61.7 Visionary Architecture: Catalogue

Zagreb

V.ICE-F-50-61.8 Visionary Architecture: Printed matter

"Wenn Architekten Träumen," Hobby , no. 2 (June-July 1962): 88-94.

"Phantastishe Architektur," Das Schönste 7, no. 12 (December 1961): 46-49.

Visianäre Architektur," Frankfurt Lebendige Stadt 1 (March 1962): 8-13 [cultural brochure].

Lousiana Revy 5, no. 2 (October 1964): 15-32 [Norwegian].

Paletten , no. 1 (1962) [Swedish].

L'Architecture d'Aujourd'hui 33, no. 102 (June-July 1962), special issue re:"Architectures Fantastiques".

V.ICE-F-69-62.9 Visionary Architecture: Itinerary

2nd copy of ICE-F-50-61.

Circulated to:
Sydney and Brisbane, Australia; Christchurch and Auckland, New Zealand; Singapore, Malaysia/Singapore; Manila, Philippines; Tokyo, Chiba, Kitakyushu, Kumamoto, Nagoya, and Shizuoka, Japan: 1962 May-1964 December.
Dispersed 1964.

V.ICE-F-69-62.10 Visionary Architecture: Publicity

Draft speech for the Minister for Culture, Singapore

V.ICE-F-69-62.11 Visionary Architecture: Photos

Installation and events: Sydney [2 prints, 2 Leicas, 1 negative], Christchurch [7 prints], Singapore [14 prints], Tokyo [3 prints]

V.ICE-F-69-62.12 Visionary Architecture: Catalogues

Auckland [1], Manila [2], Japan [1]

V.ICE-F-103-65.13 Visionary Architecture: Itinerary and checklist

3rd copy of ICE-F-50-61.

Circulated to:
South America: São Paulo (for the VIII Bienal do Museu de Arte Moderna , 1966 September 4-November 28), Rio de Janeiro, Belo Horizonte, and Recife, Brazil; Caracas, Venezuela; Bogotá, Medellin, and Cali, Colombia; Quito, Cuenca, Riobamba, and Guayaquil, Ecuador; Lima, Peru; Vi_a del Mar, Santiago, and Concepción, Chile: 1966 September-1968 Winter.
Dispersed 1968.

V.ICE-F-103-65.14 Visionary Architecture: Publicity

Correspondence [1 TLS, 5 TL]

V.ICE-F-103-65.15 Visionary Architecture: Publicity

Press clippings [0.5" binder]

V.ICE-F-103-65.16 Visionary Architecture: Catalogue material

English text

V.ICE-F-103-65.17 Visionary Architecture: Catalogue material

Spanish text

V.ICE-F-103-65.18 Visionary Architecture: Photos

Installation and events: Quito [5 prints], Guayaquil [6 prints], Lima [5 prints], unknown location [9 prints]

V.ICE-F-103-65.19 Visionary Architecture: Catalogues

Belo Horizonte [2], Guayaquil [1], Quito [1] and invitation

V.ICE-F-52-61.1 U.S. Representation: VI Bienal do Museu de Arte Moderna, São Paulo

9 folders; 3 boxes and oversize Box 181
Incl. four exhibition sections:
34 paintings and drawings by Robert Motherwell selected by Frank O'Hara

48 sculptures and drawings by Reuben Nakian selected by Frank O'Hara

23 paintings by 11 artists, group show selected by William C. Seitz

12 prints by Leonard Baskin selected by William S. Lieberman.

Shown in:
São Paulo, Brazil: 1961 September 10-December 31.
Dispersed 1961.

Publicity: press release, excerpts of critical reviews.

See also Box 181 [oversize]; press clippings [U.S.A. only]

1961
V.ICE-F-52-61.2 U.S. Representation: VI Bienal do Museu de Arte Moderna, São Paulo: Publicity

Press clippings [2" binder]

V.ICE-F-52-61.3 U.S. Representation: VI Bienal do Museu de Arte Moderna, São Paulo: Publicity

Press clippings [½" binder]

V.ICE-F-52-61.4 U.S. Representation: VI Bienal do Museu de Arte Moderna, São Paulo: Photos

Works in exhibition: Motherwell [34 prints; 1" binder]

V.ICE-F-52-61.5 U.S. Representation: VI Bienal do Museu de Arte Moderna, São Paulo: Photos

Works in exhibition: Nakian [47 prints; 1" binder]

V.ICE-F-52-61.6 U.S. Representation: VI Bienal do Museu de Arte Moderna, São Paulo: Photos

Works in exhibition: other artists [35 prints; 1" binder]

V.ICE-F-52-61.7 U.S. Representation: VI Bienal do Museu de Arte Moderna, São Paulo: Photos

Installation: São Paulo [57 prints, 42 negatives], packing [12 prints]; (1.75" binder)

V.ICE-F-52-61.8 U.S. Representation: VI Bienal do Museu de Arte Moderna, São Paulo: Photos

Events: São Paulo [5 prints]

V.ICE-F-52-61.9 U.S. Representation: VI Bienal do Museu de Arte Moderna, São Paulo: Catalogues

São Paulo [3]

V.ICE-F-61-61.1 Roads: Itinerary and checklist

45 panels and 1 drum map selected by Bernard Rudofsky in collaboration with Arthur Drexler; adapted from MoMA Exh. #691 1961 August 14-September 17; circulated domestically as C/E 61-36 1961-64.

Circulated to:
Guatemala City, Guatemala (2 showings); San Salvador, El Salvador; San José, Costa Rica; Bogotá, Colombia: 1964 April-1965 July.
Dispersed 1965.

1964-1965
V.ICE-F-61-61.2 Roads: Publicity

Draft release and press clippings

V.ICE-F-61-61.3 Roads: Catalogue material

[English, Spanish, Portuguese texts]

V.ICE-F-65-61.1 The Intimate World of Lyonel Feininger: Itinerary and checklist

59 watercolors, drawings, and prints selected by William S. Lieberman and Elaine Johnson. Circulated domestically as C/E 60-4 1962-63.

Circulated to:
Berlin and dortmund, Germany. Returned to U.S. for showing at MoMA (Exh. #717 1963 January-March).

Circulated to:
Vienna, Austria; Stockholm, Sweden; Edinburgh, Scotland; York and Manchester, England; Aberdeen, Scotland; Belfast, Northern Ireland; Zagreb and Belgrade, Yugoslavia; Biel and Berne, Switzerland: 1962 April-1965 June.
Dispersed 1965.

1962-1965
V.ICE-F-65-61.2 The Intimate World of Lyonel Feininger: Publicity

Sample invitations, draft release, press reports

V.ICE-F-65-61.3 The Intimate World of Lyonel Feininger: Publicity

Press clippings [2½" binder and 9x11"envelope of assorted clippings]

V.ICE-F-65-61.4 The Intimate World of Lyonel Feininger: Photos

Installation: MoMA, NY [2 prints]
Events: Berlin [4 prints]

V.ICE-F-65-61.5 The Intimate World of Lyonel Feininger: Catalogues

Vienna [1]
Stockholm [1]
Scotland/England/Ireland [1]
Zagreb [1]
Switzerland [1]

V.ICE-F-66-61.1 Mark Rothko: Itinerary and checklist

10 folders; 2 boxes and oversize Box 18148 paintings selected by Peter Selz. MoMA Exh. #679 1961 January-March.

Circulated to:
London, England; Amsterdam, the Netherlands; Brussels, Belgium; Basel, Switzerland; Rome, Italy; Paris, France: 1961 October-1963 January.
Dispersed 1963.

1961-1963
V.ICE-F-66-61.2 Mark Rothko: Publicity

Draft releases [French, English]. See also Box 181 [oversize]

V.ICE-F-66-61.3 Mark Rothko: Publicity

Press clippings [2" binder]

V.ICE-F-66-61.4 Mark Rothko: Publicity

Press reports; USIS records

V.ICE-F-66-61.5 Mark Rothko: Publicity

Invitation samples [2 6x9"envelopes]

V.ICE-F-66-61.6 Mark Rothko: Floor plans

Brussels

V.ICE-F-66-61.7 Mark Rothko: Photos

Works in exhibition incl. checklist [48 prints; 1¾" binder]

V.ICE-F-66-61.8 Mark Rothko: Photos

Installation: London [8 prints], Amsterdam [7 prints], Rome [26 prints], Paris [7 prints, 1 negative]; (1.75" binder)

V.ICE-F-66-61.9 Mark Rothko: Photos

Events: Rome [12 prints], Paris [5 prints]; (¾" binder)

V.ICE-F-66-61.10 Mark Rothko: Catalogues

MoMA, NY [1]
London [1]
Rome [1]
Basel [1]
Amsterdam [1]
Brussels [1]
Paris [1]

V.ICE-F-67-61.1 U.S. Representation: XXXI Biennale di Venezia: Itinerary and checklist

12 folders; 2 boxes
Incl. three exhibition sections:
24 paintings by Loren MacIver selected by James Thrall Soby.

13 paintings by Jan Müller and 3 sculptures by Dmitri Hadzi selected by Peter Selz

2 rooms of wood constructions by Louise Nevelson selected by dorothy C. Miller.

Shown in:
Venice, Italy: 1962 June 16-October 7.
Dispersed 1962.

1962
V.ICE-F-67-61.2 U.S. Representation: XXXI Biennale di Venezia: Publicity

Correspondence re: MoMA participation and American Pavilion in Venice 1962-1963

V.ICE-F-67-61.3 U.S. Representation: XXXI Biennale di Venezia: Publicity

Press clippings [2.5" binder]

V.ICE-F-67-61.4 U.S. Representation: XXXI Biennale di Venezia: Publicity

Press clippings

V.ICE-F-67-61.5 U.S. Representation: XXXI Biennale di Venezia: Publicity

Press clippings

V.ICE-F-67-61.6 U.S. Representation: XXXI Biennale di Venezia: Photos

For publicity [34 prints]

V.ICE-F-67-61.7 U.S. Representation: XXXI Biennale di Venezia: Photos

Works in exhibition [69 prints]

V.ICE-F-67-61.8 U.S. Representation: XXXI Biennale di Venezia: Photos

Installation: Venice [29 prints, 1 negative]

V.ICE-F-67-61.9 U.S. Representation: XXXI Biennale di Venezia: Photos

Events: Venice [7 prints]

V.ICE-F-67-61.10 U.S. Representation: XXXI Biennale di Venezia: Catalogue

Italian (incl. Engl. transl. of text re: Louise Nevelson, pp. 410, 411)

V.ICE-F-67-61.11 U.S. Representation: XXXI Biennale di Venezia: Printed matter

Gillo dorfles. "Formativo E Informale alla XXXI Biennale, "Aut Aut , no. 71 (September 1962): 409-414 [incl. Engl. transl.].

Pier Paolo Santini & Luigi Carluccio"La Biennale di Venezia," Communita 16, no. 101 (July-August 1962): 67-77. Luigi Carluccio . "Alla XXXI Biennale di Venezia": 36-45 [Italian] and Alain Jouffroy. "Sulla Biennale": 46-47 [French], Domus, no. 392 (July 1962).

Ugo Mulas [photographer]. "Incontri alla Biennale," Pirelli , no. 4 (August 1962): 59-71.

Giuseppe Marchiori. "La XXXI Biennale di Venezia," Panorama delle Arti 1, no. 4 (June-August 1962): 6-15.

V.ICE-F-67-61.12 U.S. Representation: XXXI Biennale di Venezia: Printed matter

Guy Habasque. "La XXXI Biennale," L'Oeil , no. 93 (September 1962): 32-42 [Engl. transl.].

Konstrevy , no. 4 (1962): 122-139 [Swedish].

Paletten , no. 3 (1962), special issue on the XXXI Venice Biennale [Swedish incl. Engl. summaries].

J.P.Hodin. "The Biennale of Venice. A Critics' and some Artists' Views," The Studio 164, no. 833 (September 1962): 98-103.

For ICE-F-68-61, Ben Shahn: Graphics, see ICE-F-38-58 Ben Shahn Retrospective

For ICE-F-69-62, Visionary Architecture, see ICE-F-50-61 and ICE-F-103-65

V.ICE-F-70-62.1 Architecture without Architects: Itinerary and checklists; Publicity

Correspondence [1 memo, 1 TL]. 122 photographs and text panels adapted from MoMA Exh. #752 1964 November-1965 February, selected by Bernard Rudofsky, consultant to the Museum's Department of Architecture and Design.

Circulated to:
Auckland, Wellington, Christchurch, Wanganui, and Napier, New Zealand; Launceston, Adelaide, and Sydney, Australia: 1966 July-1967 March. Exhibition returned to U.S as C/E 62-9 1965-73 (small version).

Also circulated as ICE-F-113-67, second version.

V.ICE-F-70-62.2 Architecture without Architects: Photos

Works in exhibition [3 negatives]

V.ICE-F-70-62.3 Architecture without Architects: Photos

Installation: Sydney [7 prints]

V.ICE-F-113-67.4 Architecture without Architects: Itinerary

2nd version.

Circulated to:
Amsterdam, the Netherlands; Brussels, Belgium; Lausanne, Switzerland; Munich, Germany; Madrid and Seville, Spain; Paris, France; Bielefeld, Berlin, Düsseldorf, and Hamburg, Germany; Vienna, Austria; Humlbaek, Denmark; Zurich, Switzerland; Stockholm and Lund, Sweden; Oslo, Norway; Helsinki, Finland; Prague, Brno, and Bratislava, Czechoslovakia: 1968 February-1971 March.
Dispersed 1971. Returned to New York and refurbished for circulation to London, Exeter, York, Billingham, Chester, Welwyn Garden City, Carlisle, Sheffield, Huddersfield, Birmingham, and Peterborough, England: 1974 September-1975 November.
Dispersed 1975.

V.ICE-F-113-67.5 Architecture without Architects: Checklists

English [1]
French [2]
Dutch [1] and box list

V.ICE-F-113-67.6 Architecture without Architects: Publicity

Press releases [Dutch]
Publicity reports; invitations; Chester Arts and Recreation Trust, the Centre, Market Square Annual Report 1975 March

V.ICE-F-113-67.7 Architecture without Architects: Publicity

Radio script [Munich; BBC]; excerpts of critical reviews; press clippings

V.ICE-F-113-67.8 Architecture without Architects: Publicity

Press clippings [all venues; 1" binder]

V.ICE-F-113-67.9 Architecture without Architects: Publicity

Press clippings [all venues, Mexico, and Venezuela]

V.ICE-F-113-67.10 Architecture without Architects: Photos

Installation and events:
Amsterdam [20 prints]
Brussels [2 prints]
Lausanne [17 prints]
Munich [3]
Madrid [10]
Chester [7]
Birmingham [2]

V.ICE-F-113-67.11 Architecture without Architects: Catalogues

Prague [1]
Madrid [1]
Printed matter: Spanish [1]

V.ICE-F-71-62.1 Drawings by Arshile Gorky: Itinerary and checklist

10 folders 55 drawings selected by Frank O'Hara from works of Gorky's estate; adapted from Arshile Gorky: 1904-1948 (MoMA Exh. #716 1962 December-1963 February).

Circulated to:
Tokyo, Japan. Returned to U.S. as C/E 61-14 1962-64.

Circulated to:
Karlsruhe, Hamburg, Berlin, and Essen, Germany; York, London, Nottingham, and Bristol, England; Edinburgh, Scotland; Brussels, Belgium; Rotterdam, the Netherlands; Vienna, Austria; Lisbon, Portugal; Oslo, Norway; Lund, Sweden; Basel, Switzerland; Zagreb and Belgrade, Yugoslavia; Rome, Italy: 1963 July-1967 May.

Shown concurrently with Robert Motherwell: Works on Paper , ICE-F-112-67 in Buenos Aires, Argentina; Caracas, Venezuela; Bogotá, Colombia; Mexico City, Mexico: 1967 November-1968 June.
Dispersed 1968.

1962-1968
V.ICE-F-71-62.2 Drawings by Arshile Gorky: Publicity

Draft release, USIS documentation, invitations

V.ICE-F-71-62.3 Drawings by Arshile Gorky: Publicity

Press clippings

V.ICE-F-71-62.4 Drawings by Arshile Gorky: Publicity

Press clippings

V.ICE-F-71-62.5 Drawings by Arshile Gorky: Publicity

Press clippings and excerpts of critical reviews [2½" binder]

V.ICE-F-71-62.6 Drawings by Arshile Gorky: Floor plans

Basel

V.ICE-F-71-62.7 Drawings by Arshile Gorky: Photos

Installation and events: Tokyo [15 prints; 1½" binder]

V.ICE-F-71-62.8 Drawings by Arshile Gorky: Photos

Installation: Rome [11 color prints], Lisbon [1 print]

V.ICE-F-71-62.9 Drawings by Arshile Gorky: Catalogue material
V.ICE-F-71-62.10 Drawings by Arshile Gorky: Catalogues

German tour [2]
Vienna [2]
London [1]
Rotterdam [1]
Oslo [2]
Portugal [1]
Lund [2]
Basel [1]
Buenos Aires [1]
Caracas [1]
Bogotá [1]

V.ICE-F-72-62.1 Steichen the Photographer: Itinerary and checklist

8 folders.
162 photographs selected by Edward Steichen; adapted from MoMA Exh. #682 1961 March 28-May 30; circulated as C/E 61-45 1961-63.

Shown in:
:
Cologne, Frankfurt, Hamburg, and Munich, Germany; Luxembourg, Luxembourg; Berlin, Germany; Vienna and Linz, Austria; Zurich, Switzerland; Turin, Italy; Paris, France; Genoa, Novi Ligure, Naples, Genoa, Taranto, Trieste, Rome, Pisa, Bagnoli (Naples), and Piombino, Italy; Zagreb and Belgrade, Yugoslavia; Salonika and Athens, Greece; Jerusalem, Israel; Nicosia (Greek and Turkish sections), Cyprus; Prague, Brno, and Banská Bystrica, Czekoslovakia; Budapest, Hungary; Bucharest, Arad, Timisoara, and Iasi, Romania; Lód, Cracow, Wroclaw, Koszalin, and Warsaw, Poland: 1963 March-1970 March.
Dispersed 1970.

1963-1970
V.ICE-F-72-62.2 Steichen the Photographer: Publicity

Draft releases [Italian, English]

V.ICE-F-72-62.3 Steichen the Photographer: Publicity

Invitations [9x11 envelope]

V.ICE-F-72-62.4 Steichen the Photographer: Publicity

Press clippings [Budapest; 1" binder]

V.ICE-F-72-62.5 Steichen the Photographer: Publicity

Press clippings [4" binder]

V.ICE-F-72-62.6 Steichen the Photographer: Catalogue material

[French]

V.ICE-F-72-62.7 Steichen the Photographer: Photos

Installation and events:
Berlin [2 prints]
Turin [6 prints]
Stockholm [1 print]
Oslo [5 prints]
Nicosia [11 prints]
Brno [5 prints]
Budapest [13 prints]
Bucharest [7 prints]
Warsaw [1 print]
Krakow [1 print]
Genoa [10 prints]

V.ICE-F-72-62.8 Steichen the Photographer: Catalogues

German tour [2], Zurich [3],Turin [1], Nicosia [2], London [1], Zagreb [1], Budapest [2], Prague [1]; brochures: Genoa [3]

Printed matter:
Terre d'Images , no. 14 (November 19 1965).
Terre d'Images , no. 15 (December 3 1965).
Terre d'Images, No. 16-17 (December 17 1965).

V.ICE-F-75-62.1 Franz Kline: Itinerary and checklist

10 folders; 2 boxes. Paintings, drawings, collages, gouaches selected by Frank O'Hara.

Circulated to:
Amsterdam, the Netherlands; Turin, Italy; Brussels, Belgium; Basel, Switzerland; Vienna, Austria; London, England; Paris, France: 1963 September-1964 September.
Dispersed 1964.

1963-1964
V.ICE-F-75-62.2 Franz Kline: Publicity

Draft release; summary of critical reviews, invitations and posters

V.ICE-F-75-62.3 Franz Kline: Publicity

Press clippings [Amsterdam, Brussels, Basel, London, Vienna]

V.ICE-F-75-62.4 Franz Kline: Publicity

Press clippings [Italy]

V.ICE-F-75-62.5 Franz Kline: Publicity

Press clippings [France]

V.ICE-F-75-62.6 Franz Kline: Photos

Works in exhibition [67 prints; 1.75" binder]

V.ICE-F-75-62.7 Franz Kline: Photos

Condition photos [51 prints; 1.75" binder]

V.ICE-F-75-62.8 Franz Kline: Photos

Installation and events:
Amsterdam [16 prints]
Turin [10 prints]
Brussels [4 prints]
Basel [25 prints]
Vienna [17 prints, 1 negative]
1.5" binder

V.ICE-F-75-62.9 Franz Kline: Photos

Installation: Turin [12 prints]

V.ICE-F-75-62.10 Franz Kline: Catalogues

Amsterdam [1]
Basel [1]
Vienna [1]
London [1]
Brussels [1]
Paris [1]

V.ICE-F-76-63.1 Sculpture in the Open Air, Battersea Park, London: Itinerary and checklist

9 folders; 1 box and oversize Box 181.
U.S. section comprised of 20 sculptures by 20 artists selected by Peter Selz and William C. Seitz.

Shown in:
London, England: 1963 May-September.
Dispersed 1963.

1963
V.ICE-F-76-63.2 Sculpture in the Open Air, Battersea Park, London: Publicity

Press release. See also Box 181 [oversize]

V.ICE-F-76-63.3 Sculpture in the Open Air, Battersea Park, London: Publicity

Correspondence [5 TL, 1 memo]

V.ICE-F-76-63.4 Sculpture in the Open Air, Battersea Park, London: Publicity

Press clippings [1" binder]

V.ICE-F-76-63.5 Sculpture in the Open Air, Battersea Park, London: Publicity

Press clippings

V.ICE-F-76-63.6 Sculpture in the Open Air, Battersea Park, London: Photos

Works in exhibition [20 prints; 0.75" binder]

V.ICE-F-76-63.7 Sculpture in the Open Air, Battersea Park, London: Photos

Works in exhibition [27 prints; 1" binder]

V.ICE-F-76-63.8 Sculpture in the Open Air, Battersea Park, London: Photos

Installation:
London [16 prints, 3 contact sheets, 9 negatives, 13 negative strips]
51 poscards [9x11"envelope]

V.ICE-F-76-63.9 Sculpture in the Open Air, Battersea Park, London: Catalogue

London [1]; leaflets [3]

V.ICE-F-77-63.1 Abstract Watercolors by 14 Americans: Itinerary and checklist

54 works by 14 artists selected by Frank O'Hara.

Circulated to:
London, England. Returned to U.S. as C/E 62-13 1963-1964.

Circulated to:
Belgrade, Rijeka, Maribor, and Ljubljana, Yugoslavia; Athens, Greece; Bombay, Trivandrum, Madras, New Delhi, Lucknow, Ahmadabad, Calcutta, and Patna, India; Colombo, Ceylon; Sydney, Newcastle, Melbourne, and Perth, Australia; Christchurch and Auckland, New Zealand: 1963 June-1966 June.
Dispersed 1966.

1963-1966
V.ICE-F-77-63.2 Abstract Watercolors by 14 Americans: Publicity

Press releases, excerpts of critical reviews, sample invitations

V.ICE-F-77-63.3 Abstract Watercolors by 14 Americans: Publicity

Press clippings [1.5" binder]

V.ICE-F-77-63.4 Abstract Watercolors by 14 Americans: Photos

Works in exhibition [16 prints, 62 Leicas dupl.; 1.25" binder]

V.ICE-F-77-63.5 Abstract Watercolors by 14 Americans: Photos

Installation:
Belgrade [2 prints]
Bombay [5 prints, 1 negative]
Trivandrum [4 prints]
Madras [3 prints]
New Delhi [6 prints]
Lucknow [4 prints]
Calcutta [3 prints]
Patna [2 prints]
Colombo [3 prints]

V.ICE-F-77-63.6 Abstract Watercolors by 14 Americans: Catalogue material

Introductory text panel by Frank O'Hara; artists' biographies [English]

V.ICE-F-77-63.7 Abstract Watercolors by 14 Americans: Catalogues

London [1], Australian tour [1], Athens [2], Indian tour [2]

V.ICE-F-79-63.1 Hans Hofmann: Itinerary and checklist

7 folders. 40 paintings selected by William C. Seitz.
Originally shown as MoMA Exh. # 727 1963 September 11-December 1.

Circulated to:
Buenos Aires, Argentina; Caracas, Venezuela; Amsterdam, the Netherlands; Turin, Italy; Stuttgart, Hamburg and Bielefeld, Germany: 1964 September-1965 October.
Dispersed 1965.

1964-1965
V.ICE-F-79-63.2 Hans Hofmann: Publicity

Press clippings incl. transl. [all venues]

V.ICE-F-79-63.3 Hans Hofmann: Publicity

Invitations [9x11"envelope]

V.ICE-F-79-63.4 Hans Hofmann: Photos

Works in exhibition [40 prints; 1¾" binder]

V.ICE-F-79-63.5 Hans Hofmann: Photos

Condition photos [39 prints; 0.75"" binder]

V.ICE-F-79-63.6 Hans Hofmann: Photos

Installation and events: Amsterdam [5 prints], Turin [5 prints], Hamburg [4 transparencies]

V.ICE-F-79-63.7 Hans Hofmann: Catalogues

Caracas [1], Amsterdam [1], Turin [1], Germany [2]

V.ICE-F-80-63.1 Jacques Lipchitz: Bronze Sketches I: Itinerary and checklist

5 folders. 158 bronze sculptures selected by the artist from his collection, assisted by Renée Sabatello Neu. Circulated as C/E 63-4 1963-64.

Shown in:
Buenos Aires, Argentina; Santiago, Chile; Caracas, Venezuela; Lima, Peru; Melbourne, Australia; Auckland and Wellington, New Zealand: 1964 September-1966 March.
Dispersed 1966.

1912-1962, 1964-1966
V.ICE-F-80-63.2 Jacques Lipchitz: Bronze Sketches I: Publicity

Foreword by Lipchitz, correspondence [2 TL]; reports, invitations, press clippings

V.ICE-F-80-63.3 Jacques Lipchitz: Bronze Sketches I: Photos

Registrar photos [45 prints; 0.75" binder]

V.ICE-F-80-63.4 Jacques Lipchitz: Bronze Sketches I: Photos

Installation and events: Caracas [3 prints], Santiago [13 prints, 1 negative], unidentified location [8 prints]

V.ICE-F-80-63.5 Jacques Lipchitz: Bronze Sketches I: Catalogues

Melbourne [3]
Santiago [1]
Buenos Aires [1]
Caracas [1]
Brochures [2, Detroit]

V.ICE-F-82-63.1 David Smith: Itinerary and checklists

10 folders; 3 boxes. 48 sculptures selected by Frank O'Hara.

Circulated to:
Otterlo, the Netherlands; London, England; Basel, Switzerland; Nuremberg and Duisburg, Germany: 1966 May-1967 May.
Dispersed 1967.

1966-1967
V.ICE-F-82-63.2 David Smith: Publicity

Press release, excerpts of critical reviews, invitations, guest list

V.ICE-F-82-63.3 David Smith: Publicity

Correspondence incl. Kenneth Noland ALS [½"folder]

V.ICE-F-82-63.4 David Smith: Publicity

Press clippings

V.ICE-F-82-63.5 David Smith: Publicity

Press clippings [2" binder]

V.ICE-F-82-63.6 David Smith: Printed matter

"David Smith, A Tribute to One of the Greatest Sculptors of our Time (1906-1965)," Art in America 54, no. 1 (January-February 1966): 22-48.

Internationes, Cultural News from Germany (March 1957).

Helmut Kotschenreuther. "Die Hebanne im Bett des Neugeborenen oder Requisiten eines Alptraumes," Berliner Leben 1 (January 1966): 24-27.

V.ICE-F-82-63.7 David Smith: Photos

Works in exhibition [49 prints; 1¼" binder]

V.ICE-F-82-63.8 David Smith: Photos

Installation and events:
Otterlo [21 prints]
Basel [8 prints]
London [3 prints]
Nuremberg [6 prints]
Duisburg [7 prints]

V.ICE-F-82-63.9 David Smith: Catalogue material

Preface and acknowledgement, introductions by Frank O'Hara, artist chronologies, bibliography, lenders list

V.ICE-F-82-63.10 David Smith: Catalogues

London [1]
Otterlo [1]
Basel [1]
Duisburg [1]

V.ICE-F-87-63.1 Josef Albers, Homage To the Square: Itinerary and checklist

5 folders. 36 paintings selected by Kynaston McShine.

Circulated to:
Caracas, Venezuela; Montevideo, Uruguay; Buenos Aires, Argentina; Lima, Peru; Rio de Janeiro and São Paulo, Brazil; Quayaquil and Quito, Ecuador; Bogotá, Colombia; Santiago, Chile; Mexico City, Mexico: 1964 March-1965 August. Returned to U.S. as C/E 63-6 1965-67.
Dispersed 1966.

1964-1965
V.ICE-F-87-63.2 Josef Albers, Homage To the Square: Publicity

Invitations [9x11"envelope]

V.ICE-F-87-63.3 Josef Albers, Homage To the Square: Publicity

Press clippings [2" binder]

V.ICE-F-87-63.4 Josef Albers, Homage To the Square: Photos

Installation and events:
Caracas [11 prints]
Montevideo [10 prints, 24 negatives]
Rio de Janeiro [2 prints]
Santiago [3 prints]
Mexico City [2 prints]

V.ICE-F-87-63.5 Josef Albers, Homage To the Square: Photos

Works in exhibition [9 prints]

V.ICE-F-87-63.6 Josef Albers, Homage To the Square: Catalogues

MoMA [English/Spanish,1]
Guayaquil [1]
Brochure: Bogotá [2], empty catalogue folder: Mexico City [3]

V.ICE-F-88-63.1 Lettering by Modern Artists: Itinerary and checklist

4 folders. 64 paintings, sculptures, drawings, prints and graphic works by 41 artists, incl. anonymous artists, selected by Mildred Constantine.
Originally circulated as a smaller domestic version: Lettering By Hand , C/E 63-5 1962-64.

Circulated to:
Rio Piedras, Puerto Rico; Buenos Aires and La Plata, Argentina; Rio de Janeiro, Brazil; Lima, Peru; Santiago, Chile; Caracas, Venezuela: 1965 May-1967 June.
Dispersed 1967.

1965-66
V.ICE-F-88-63.2 Lettering by Modern Artists: Publicity

Publicity reports, press clippings

V.ICE-F-88-63.3 Lettering by Modern Artists: Photos

Works in exhibition [46 prints; 1" binder]

V.ICE-F-88-63.4 Lettering by Modern Artists: Photos

Installation and events:
Rio Piedras [11 prints, 1 negative]
Rio de Janeiro [8 prints]
Buenos Aires [6 prints]
Caracas [7 prints]

V.ICE-F-88-63.5 Lettering by Modern Artists: Catalogues

Buenos Aires [1]
Brochures [Rio de Janeiro, 2; Lima, 5; Santiago, 4]

V.ICE-F-95-63.1 Robert Motherwell: Works On Paper: Itinerary and checklist

17 folders; 3 boxes.
103 paintings, collages and drawings selected by Frank O'Hara; adapted from MoMA Exh. #776 1965 October 1-November 28
Circulated as C/E 64-11 1965-1967.

Shown in:
Amsterdam, the Netherlands; England; Brussels, Belgium; Essen, Germany; Turin, Italy: 1966 January-October.
Dispersed 1966.
Also circulated as ICE-F-112-67 and ICE-F-71-62.

1966
V.ICE-F-95-63.2 Robert Motherwell: Works on Paper: Publicity

Press clippings

V.ICE-F-95-63.3 Robert Motherwell: Works on Paper: Publicity

Press clippings and reports [0.5" binder]

V.ICE-F-95-63.4 Robert Motherwell: Works on Paper: Photos

Works in exhibition [58 prints; 1.5" binder]

V.ICE-F-95-63.5 Robert Motherwell: Works on Paper: Photos

Works in exhibition [54 prints; 1.5" binder]

V.ICE-F-95-63.6 Robert Motherwell: Works on Paper: Photos

Condition photos [75 prints; 1.5" binder]

V.ICE-F-95-63.7 Robert Motherwell: Works on Paper: Photos

Installation and events: Brussels [9 prints], Turin [2 prints]

V.ICE-F-95-63.8 Robert Motherwell: Works on Paper: Catalogues

Amsterdam [1]
Essen [1]
Turin [1]

V.ICE-F-112-67.9 Robert Motherwell: Works on Paper: Itinerary and checklist

39 works (small version) selected by Renée Sabatello Neu
Adapted from MoMA Exh. #776 1965 October 1-November 28
Circulated as C/E 64-11 1965-67.

Shown in:
Buenos Aires, Argentina; Caracas, Venezuela; Bogotá, Colombia; Mexico City, Mexico: 1967 November-1968 June.
Shown simultaneously with ICE-F-71-62 Drawings by Arshile Gorky.

V.ICE-F-112-67.10 Robert Motherwell: Works on Paper: Publicity

Publicity reports, excerpts of critical reviews

V.ICE-F-112-67.11 Robert Motherwell: Works on Paper: Publicity

Press clippings

V.ICE-F-112-67.12 Robert Motherwell: Works on Paper: Publicity

Press clippings

V.ICE-F-112-67.13 Robert Motherwell: Works on Paper: Photos

Works in exhibition [39 prints; 1" binder]

V.ICE-F-112-67.14 Robert Motherwell: Works on Paper: Photos

Works in exhibition [44 prints; 1.25" binder]

V.ICE-F-112-67.15 Robert Motherwell: Works on Paper: Photos

Installation: Buenos Aires [5 prints]

V.ICE-F-112-67.16 Robert Motherwell: Works on Paper: Catalogue material

Preface and acknowledgements by Rasmussen, introduction by H. H. Arnason, biographical chronology, lenders list

V.ICE-F-112-67.17 Robert Motherwell: Works on Paper: Catalogues

Incl. ICE-F-71-62 Drawings by Arshile Gorky :
Caracas [1]
Bogotá [1]
Mexico [1]
Buenos Aires [1]

V.ICE-F-96-63.1 Modern Sculpture: U.S.A: Itinerary, checklists

12 folders; 2 boxes. (Musée Rodin and German showings), box list. 71 works by 22 sculptors selected by René d'Harnoncourt and Frank O'Hara.

Circulated to:
Paris, France; Berlin and Baden-Baden, Germany: 1965 June-1966 April.
Dispersed 1966.

1965-1966
V.ICE-F-96-63.2 Modern Sculpture: U.S.A: Publicity

Draft release, correspondence [2 TL, 2 memos], French articles incl. Engl. transl

V.ICE-F-96-63.3 Modern Sculpture: U.S.A: Publicity

Invitations

V.ICE-F-96-63.4 Modern Sculpture: U.S.A: Publicity

Press clippings

V.ICE-F-96-63.5 Modern Sculpture: U.S.A: Publicity

Reports, press clippings, correspondence [0.75" binder]

V.ICE-F-96-63.6 Modern Sculpture: U.S.A: Photos

Works in exhibition incl. instructions for assembly of Mark di Suvero Hankchampion Sculptures [25 photostats; 0.5" binder]

V.ICE-F-96-63.7 Modern Sculpture: U.S.A: Photos

Works in exhibition [30 prints; 1" binder]

V.ICE-F-96-63.8 Modern Sculpture: U.S.A: Photos

Works in exhibition [38 prints; 1.25" binder]

V.ICE-F-96-63.9 Modern Sculpture: U.S.A: Photos

Works in exhibition [69 prints; 1.25" binder]

V.ICE-F-96-63.10 Modern Sculpture: U.S.A: Photos

Installation:
Paris [2 prints]
Berlin [25 prints]
Baden-Baden [10 prints]
Photos, packing: Paris [4 prints, 5 contact sheets]

V.ICE-F-96-63.11 Modern Sculpture: U.S.A: Catalogue material

Artists biographies, lenders list

V.ICE-F-96-63.12 Modern Sculpture: U.S.A: Catalogue

Paris

V.ICE-F-97-64.1 Rauschenberg: Illlustrations forDante's Inferno: Itinerary and checklist

7 folders. 34 drawings selected by William S. Lieberman.

Circulated to:
London (2 showings), Newcastle-on-Tyne, and Cambridge, England; Vienna and Graz, Austria; Krefeld, dortmund, Hamburg, Stuttgart, and Berlin, Germany; Oslo, Norway; Stockholm, Sweden; Helsinki, Finland; Amsterdam, the Netherlands; Belgrade, Llubjana, and Maribor, Yugoslavia; Brussels, Belgium: 1964 February-1965 October.

Returned to the U.S. as Rauschenberg: 34 Drawings for Dante's Inferno , MoMA Exh. #785 1965 December 21-1966 March 22.

Also circulated as C/E 66-4 1966-68. Plans for showing as C/E 61-1 were cancelled.

1964-1966
V.ICE-F-97-64.2 Rauschenberg: Illlustrations for Dante's Inferno: Publicity

Invitations

V.ICE-F-97-64.3 Rauschenberg: Illlustrations for Dante's Inferno: Publicity

Press clippings [1.75" binder]

V.ICE-F-97-64.4 Rauschenberg: Illlustrations for Dante's Inferno: Publicity

Press clippings

V.ICE-F-97-64.5 Rauschenberg: Illlustrations for Dante's Inferno: Photos

Installation:
London [8 prints, 3 negatives]
Newcastle-on-Tyne [4 prints]
Graz [10 prints]
Berlin [4 prints]

V.ICE-F-97-64.6 Rauschenberg: Illlustrations for Dante's Inferno: Photostats

Text labels in exhibition [2; Swedish]

V.ICE-F-97-64.7 Rauschenberg: Illlustrations for Dante's Inferno: Catalogues

Amsterdam [1], German tour [1], Oslo [1]

V.ICE-F-98-64.1 Orozco: Studies for a Mural: Itinerary and checklist

3 folders 55 studies for the mural An Epic of American Civilization (completed in 1934) selected by Elaine Johnson. Commissioned by Dartmouth College for its library; adapted from MoMA Exh. #698 1961 November 22-1962 January 21; circulated as C/E 61-46 1962-64.

Circulated to:
Helsinki and Lahti, Finland; Oslo and Alesund, Norway; Göteborg, Sweden: 1964 September-1965 February.
Dispersed 1965.

1964-1965
V.ICE-F-98-64.2 Orozco: Studies forA Mural: Publicity

Press clippings, Oslo invitation, publicity reports [0.5" binder]

V.ICE-F-98-64.3 Orozco: Studies forA Mural: Catalogue

Oslo
Leaflet: Helsinki

V.ICE-F-99-64.1 Contemporary Painters and Sculptors as Printmakers: Itinerary and checklist

8 folders. 82 prints by 52 artists selected by Elaine Johnson
Adapted from MoMA Exh. #747 1964 September 15-October 25 (larger version)
Circulated as C/E 64-12 1965.

Shown in:
:
Buenos Aires, Argentina; Montevideo, Uruguay; Santiago, Chile; La Paz and Oruro, Bolivia; Lima, Peru; Quayaquil, Quito and Cuenca, Ecuador; Bogotá and Barranquilla, Colombia; Caracas, Venezuela; Panama City, Panama; San José, Costa Rica; Tegucigalpa, Honduras; Managua, Nicaragua; San Juan, Puerto Rico: 1966 April-1968 June.
Dispersed 1968.

1966-1968
V.ICE-F-99-64.2 Contemporary Painters and Sculptors as Printmakers: Publicity

Press release, publicity reports, transl. of critical reviews, correspondence [1 TL], invitations

V.ICE-F-99-64.3 Contemporary Painters and Sculptors as Printmakers: Publicity

Press clippings [Managua, San José, San Juan, Tegucigalpa, Panama City, Caracas]

V.ICE-F-99-64.4 Contemporary Painters and Sculptors as Printmakers: Publicity

Press clippings [Bogotá, Barranquilla, Cuenca, Quito, Lima, Oruro]

V.ICE-F-99-64.5 Contemporary Painters and Sculptors as Printmakers: Publicity

Press clippings [La Paz, Santiago, Montevideo, Buenos Aires]

V.ICE-F-99-64.6 Contemporary Painters and Sculptors as Printmakers: Publicity

Press clippings [other countries of South America, U.S.A]

V.ICE-F-99-64.7 Contemporary Painters and Sculptors as Printmakers: Photos

Installation:
Montevideo [7 prints]
Oruro [9 prints]
La Paz [10 prints]
Lima [6 prints]
Cuenca [5 prints]
Barranquilla [5 prints]
Tegucigalpa [4 prints]
Managua [28 prints]
San Juan [5 prints]
Unidentified location [5 prints]

V.ICE-F-99-64.8 Contemporary Painters and Sculptors as Printmakers: Catalogues

MoMA publication for South American tour [Spanish], Quito [1], San Juan [1], Caracas [1]. Leaflet: San José. Brochure: "Great Artists of our Time"

V.ICE-F-100-65.1 Recent Landscapes by Nine Americans: Itinerary, checklist, box list

6 folders. 32 works by 9 painters selected by Frank O'Hara for U.S. Representation, Festival of Two Worlds , Spoleto, Italy, Summer 1965. Originally circulated as Recent Landscapes by Eight Americans , small version, C/E 64-1 1964-66.

Shown at the Festival Of Two Worlds , Spoleto, Italy 1965 June 24-July 18.
Returned to U.S. for continued domestic circulation 1965.

1965
V.ICE-F-100-65.2 Recent Landscapes by Nine Americans: Publicity

Press release, press clippings, Festival circulars [2]

V.ICE-F-100-65.3 Recent Landscapes by Nine Americans: Artists' biographies
V.ICE-F-100-65.4 Recent Landscapes by Nine Americans: Photos

Works in exhibition [20 prints, 13 Leicas; 1.25" binder]

V.ICE-F-100-65.5 Recent Landscapes by Nine Americans: Photos

Events: Spoleto [8 prints]

V.ICE-F-100-65.6 Recent Landscapes by Nine Americans: Catalogue

Spoleto

V.ICE-F-101-65.1 The Bitter Years, 1935-1941: Rural America Seen by the Photographers of the Farm Security Administration: Itinerary and checklists

5 folders. 202 mounted photographs with 48 labels selected by Edward Steichen; adapted from MoMA Exh. #711 1962 October 18-November 25; circulated as C/E 62-14 1963-65.

Shown in:
Umeå, Luleå, Gävle, and Sundsvall, Sweden; Amsterdam, the Netherlands; Lund, Sweden; Oslo, Norway: 1966 January-October.

Exhibition donated to the State of Luxembourg (1967 May) at Steichen's request, for permanent display at the Château de Clervaux along with SP-ICE-10-55 The Family Of Man , bequeathed to the State of Luxembourg in 1966 July.

1966
V.ICE-F-101-65.2 The Bitter Years, 1935-1941: Rural America Seen by the Photographers of the Farm Security Administration: Publicity

Press release, reports, invitation, press clippings

V.ICE-F-101-65.3 The Bitter Years, 1935-1941: Rural America Seen by the Photographers of the Farm Security Administration: Photos

Installation: Amsterdam [11 prints]

V.ICE-F-101-65.4 The Bitter Years, 1935-1941: Rural America Seen by the Photographers of the Farm Security Administration: Photos

Works in exhibition [10 prints]

V.ICE-F-101-65.5 The Bitter Years, 1935-1941: Rural America Seen by the Photographers of the Farm Security Administration: Catalogue material

Introductions and checklists [French, Swedish]

V.ICE-F-101-65.6 The Bitter Years, 1935-1941: Rural America Seen by the Photographers of the Farm Security Administration: Printed matter

Leaflet [Amsterdam]; postcards: Swedish [3]

Note: For ICE-F-103-65, Visionary Architecture, see ICE-F-50-61

V.ICE-F-104-65.1 Twentieth Century Engineering: Itinerary, checklist, box list with packing instructions

7 folders. Photos and plans of 148 projects in 28 countries selected by Arthur Drexler; adapted from MoMA Exh. #744 1964 June 30-September 13; circulated as C/E 65-2 1965-71.

Shown in:
:
Paris, Le Havre, Le Mans, and Strasbourg, France; Milan, Italy; Munich, Frankfurt, Stuttgart, dortmund, and Berlin, Germany (under the auspices of the USIS); Copenhagen and Aarhus, Denmark; Trondheim and Oslo, Norway; Göteborg, Lund, and Stockholm, Sweden; Vienna, Austria; Brussels, Belgium; Madrid, Valencia, and Barcelona, Spain; Bratislava and Prague, Czechoslovakia; Belgrade, Zagreb, and Ljubljana, Yugoslavia; Athens, Greece; Tehran, Iran: 1966 November-1974 November.

Exhibition dismantled in India in 1975 without being shown, due to poor condition of panels upon arrival in New Delhi.

1966-1974
V.ICE-F-104-65.2 Twentieth Century Engineering: Publicity

Press releases [English, German]
Publicity reports, correspondence [1 TL]
Invitations and poster [9x11"envelope]
Excerpts of critical reviews re: Brussels showing

V.ICE-F-104-65.3 Twentieth Century Engineering: Publicity

Reports and press clippings [0.5" binder]

V.ICE-F-104-65.4 Twentieth Century Engineering: Photos

Photo panels and labels in exhibition [12 prints, 1 negative incl. checklist of negatives]

V.ICE-F-104-65.5 Twentieth Century Engineering: Photos

Installation and events:
Milan [3 prints]
Dortmund [5 prints]
Stockholm [4 color prints]
Munich [2 prints]
Aarhus [3 prints]
Copenhagen [5 prints]
Oslo [11 prints]
Göteborg [5 prints]
Belgrade [9 prints]
Ljubljana [6 prints]
Athens [20 prints, 9 color negatives]

V.ICE-F-104-65.6 Twentieth Century Engineering: Catalogue material

Panel descriptions

V.ICE-F-104-65.7 Twentieth Century Engineering: Catalogues

German tour [2]
Prague [1]
Belgrade [1]
Bratislava [1]

Brochures: Munich [3], bibliography of Architectural Design and Construction By the American Libraries in Greece

V.ICE-F-105-66.1 American Collages: Itinerary and checklist

8 folders. 53 works by 14 artists selected by Kynaston McShine; adapted from MoMA Exh. #766 1965 May 11-July 25; circulated as C/E 64-2 1965-66.

Circulated to:
Rotterdam and Groningen, the Netherlands; Copenhagen, Denmark; Oslo, Norway; Helsinki, Finland; Stockholm, Sweden: 1966 September-1967 June.
Dispersed 1967.

1966-1967
V.ICE-F-105-66.2 American Collages: Publicity

MoMA press releases, publicity reports, excerpts of critical reviews, invitations [9x11"envelope]

V.ICE-F-105-66.3 American Collages: Publicity

Press clippings [0.25" binder]

V.ICE-F-105-66.4 American Collages: Photos

Works in exhibition [24 prints; 1.25" binder]

V.ICE-F-105-66.5 American Collages: Photos

Installation and events: Rotterdam [2 color prints], Helsinki [2 prints]

V.ICE-F-105-66.6 American Collages: Catalogue material

Foreword and introduction by Kynaston McShine

V.ICE-F-105-66.7 American Collages: Wall label proofs

[2 9x11"envelopes]

V.ICE-F-105-66.8 American Collages: Catalogues

Rotterdam [1], Helsinki [1], Oslo [1], Stockholm [1]

V.ICE-F-106-66.1 The Photographer's Eye: Itinerary and checklist

5 folders. 140 photographs selected by John Szarkowski; adapted from MoMA Exh. #741 1964 May 27-August 23 and circulated as C/E 64-6 1964-66. Later installed at MoMA as part of the 35th Anniversary exhibition Art In A Changing World: 1884-1964 .

Circulated to:
Auckland, Wellington, Christchurch, and Dunedin, New Zealand; Newcastle, Perth, Adelaide, Melbourne, Shepparton, Ballarat, Bendigo, Mildura, Castlemaine, and Geelong, Australia; Honolulu. Returned to U.S. for refurbishing.

Circulated to:
Hawaii, U.S.A.; Manila, Philippines; Madras, Bombay, Calcutta, and New Delhi, India; Eindhoven, the Netherlands; Bonn, Germany; Lausanne, Switzerland; Düsseldorf; Germany; Grenoble and Saint-Etienne, France; Helsinki, Finland: 1967 July-1972 January.
Dispersed 1973.

1967-1972
V.ICE-F-106-66.2 The Photographer's Eye: Publicity

Press releases, publicity reports, correspondence [3 TL, 1 memo], Wellington radio script, invitations [2], excerpts of critical reviews

V.ICE-F-106-66.3 The Photographer's Eye: Publicity

Press clippings

V.ICE-F-106-66.4 The Photographer's Eye: Photos

Installation and events:
Wellington [14 prints incl. floor plans]
Madras [1 print]

V.ICE-F-106-66.5 The Photographer's Eye: Brochures

Melbourne [2], Adelaide [2]

V.ICE-F-107-66.1 Twenty-Five Contemporary American Artists as Printmakers: Itinerary, checklist and box list

5 folders. 40 prints by 25 artists selected by William S. Lieberman; adapted from American Painters As New Lithographers , MoMA Exh. #739 1964 May 27-September 13. Plans for circulation as C/E 63-13 1963-64 and ICE-F-83-63 were cancelled.

Shown in:
Africa under the auspices of Mrs. George A. Morgan, wife of the U.S. Ambassador to the Ivory Coast, with the cooperation of American Embassies in Africa.

Circulated to:
Abidjan, Ivory Coast; Cotonou, Dahomey/Benin; Lomé, Togo; Accra and Kumasi, Ghana; Cairo, United Arab Republics/Egypt.; Monrovia, Liberia; Ouagadougou, Upper Volta; Abidjan and Bouaké, Ivory Coast; Kampala, Uganda; Nairobi, Kenya; Dar El Salaam, Tanzania; Mogadiscio, Somalia: 1967 March-1970 September.
Dispersed 1970.

1967-1970
V.ICE-F-107-66.2 Twenty-Five Contemporary American Artists as Printmakers: Publicity

Press releases, reports, correspondence [6 TL, 1 memo], guest list, invitations, press clippings

V.ICE-F-107-66.3 Twenty-Five Contemporary American Artists as Printmakers: Photos

Works in exhibition [40 prints; 1" binder]

V.ICE-F-107-66.4 Twenty-Five Contemporary American Artists as Printmakers: Photos

Installation: Abidjan [3 prints, floor plans], Lomé [3 prints], Accra [2 prints], Monrovia [23 prints]

V.ICE-F-107-66.5 Twenty-Five Contemporary American Artists as Printmakers: Brochures

English [1], French [2]

V.ICE-F-109-66.1 Willem de Kooning: Itinerary and checklist

7 folders. 147 paintings and drawings selected by Thomas B. Hess.

Circulated to:
Amsterdam, the Netherlands; London, England: 1968 September-1969 January. Returned to the U.S. for exhibition at MoMA: WILLEM de KOONING: RETROSPECTIVE EXHIBITION, Exh. #884 1969 March 3-April 27.

Also circulated to the Art Institute of Chicago 1969 May 16-July 6 and the Los Angeles County Museum of Art: 1969 July 28-September 14.
Dispersed 1969.

1968-1969
V.ICE-F-109-66.2 Willem de Kooning: Publicity

Press releases [Dutch, English], Stedelijk Museum exhibition program, publicity reports, BBC radio script, invitations

V.ICE-F-109-66.3 Willem de Kooning: Publicity

Press clippings [Amsterdam]

V.ICE-F-109-66.4 Willem de Kooning: Publicity

Press clippings [Amsterdam incl. Engl. transl.

V.ICE-F-109-66.5 Willem de Kooning: Publicity

Press clippings [London]

V.ICE-F-109-66.6 Willem de Kooning: Photos

Installation: Amsterdam

V.ICE-F-109-66.7 Willem de Kooning: Catalogues

Amsterdam [1], London [1]

Printed matter:
The Museum of Modern Art Members Newsletter 1969 March-April.

V.ICE-F-110-66.1 Jewelry by Contemporary Painters and Sculptors: Itinerary and checklist

7 folders. 109 pieces by 71 artists selected by Renée Sabatello Neu.

Circulated to:
Darmstadt, Germany; Rotterdam, the Netherlands: 1967 May-August. Returned to the U.S. for MoMA showing (Founder's Room 1967 October 3-6); circulated as C/E 66-11 1967-68.

1967
V.ICE-F-110-66.2 Jewelry by Contemporary Painters and Sculptors: Publicity

Rotterdam publicity report, press clippings [some transl.

V.ICE-F-110-66.3 Jewelry by Contemporary Painters and Sculptors: Photos

Works in exhibition [37 prints; 1½" binder]

V.ICE-F-110-66.4 Jewelry by Contemporary Painters and Sculptors: Photos

Works in exhibition [38 prints; 1½" binder]

V.ICE-F-110-66.5 Jewelry by Contemporary Painters and Sculptors: Photos

Works in exhibition [33 prints; 1½" binder]

V.ICE-F-110-66.6 Jewelry by Contemporary Painters and Sculptors: Photos

Installation: Darmstadt [5 prints]

V.ICE-F-110-66.7 Jewelry by Contemporary Painters and Sculptors: Catalogue

[German/ Dutch/ English]
Brochure: Darmstadt

V.ICE-F-111-67.1 Cézanne To Miró: Itinerary; checklists

[3 English, 1 Spanish]. 12 folders; 3 boxes. 56 paintings by 43 artists selected by Monroe Wheeler.

Circulated to:
Buenos Aires, Argentina; Santiago, Chile; Caracas, Venezuela: 1968 May-August.
Dispersed 1968.

1968
V.ICE-F-111-67.2 Cézanne To Miró: Publicity

Draft release, press releases, excerpts of critical review, correspondence [1 ALS, 2 TL, 2 memos, customs instructions], invitations [9x11"envelope], excerpts of critical reviews, draft of Jane Gollin's article"Museum to Museum," Americas 20, no. 3 (March 1968): 21-28.

V.ICE-F-111-67.3 Cézanne To Miró: Publicity

Press clippings [Argentina, Chile]

V.ICE-F-111-67.4 Cézanne To Miró: Publicity

Press clippings [Venezuela, other countries from South America, U.S.A., Spain]

V.ICE-F-111-67.5 Cézanne To Miró: Publicity

Press clippings, publicity reports [Buenos Aires, Caracas, New York; 1.50" binder]

V.ICE-F-111-67.6 Cézanne To Miró: Publicity

Press clippings
Publicity report [Santiago; 2" binder]

V.ICE-F-111-67.7 Cézanne To Miró: Publicity

Press clippings [Buenos Aires, Caracas, Santiago, 0.75" binder]

V.ICE-F-111-67.8 Cézanne To Miró: Floor plans

Chile [3], Caracas [1], Buenos Aires [4], unidentified location [1]

V.ICE-F-111-67.9 Cézanne To Miró: Photos

Works in exhibition [55 prints]

V.ICE-F-111-67.10 Cézanne To Miró: Photos

Installation, events and packing:
Lima [5 prints]
Unidentified location [14 prints]
Caracas [3 prints]
Santiago [14 prints]
Buenos Aires [28 prints, 12 negatives, 1 contact sheet]
New York [19 prints]

V.ICE-F-111-67.11 Cézanne To Miró: Catalogue material

Monroe Wheeler introduction, Mrs. donald B. Straus preface and acknowledgements, lenders list, catalogue entries by Lucy Lippard [Spanish, English]

V.ICE-F-111-67.12 Cézanne To Miró: Catalogues

New York [1]
Santiago [1]
MoMA publication for Argentina/ Chile/ Venezuela [1]
Brochure: Buenos Aires

For V.ICE-F-112-67, Robert Motherwell: Works on Paper see ICE-F-95-63 and V.ICE-F-71-62 Drawings by Arshile Gorky. These exhibitions were shown concurrently in South America

For ICE-F-113-67, Architecture without Architects, see ICE-F-70-62.

V.ICE-F-114-67.1 The Art of the Real: Itinerary and checklist

4 folders. 56 paintings and sculptures by 33 artists selected by guest curator Eugene C. Goossen, adapted from MoMA Exh. #862 1968 July 3-September 8.

Circulated to:
Paris, France; Zurich, Switzerland; London, England: 1968 November-1969 June.
Dispersed 1969.

1968-1969
V.ICE-F-114-67.2 The Art of the Real: Publicity

Press release, excerpts of critical reviews, biographical notes re: Eugene C. Goossen, invitation

V.ICE-F-114-67.3 The Art of the Real: Publicity

Press clippings

V.ICE-F-114-67.4 The Art of the Real: Photos

Installation: Paris [6 prints], Zurich [14 prints], London [10 prints]

V.ICE-F-115-67.1 The Sidney and Harriet Janis Collection: Itinerary and checklist

3 folders. 103 paintings and sculptures by 3 generations of 20th century artists selected by Betsy B. Jones. The collection was given to MoMA in 1967 by M/M Janis. Exhibition adapted from MoMA Exh. #848 1968 January 17-March 4;

Also circulated domestically as C/E 1968-1970.

Circulated to:
Basel, Switzerland; London, England; Berlin, Nuremberg, and Stuttgart, Germany; Brussels, Belgium; Cologne, Germany: 1970 February-1971 April.
Dispersed 1971.

1970
V.ICE-F-115-67.2 The Sidney and Harriet Janis Collection: Publicity

Excerpts of critical reviews

V.ICE-F-115-67.3 The Sidney and Harriet Janis Collection: Photos

Installation: Berlin [2 prints]
Catalogue: Basel /Berlin /Nuremberg

V.ICE-F-116-67.1 Helen Frankenthaler: Itinerary and checklist

4 folders. retrospective of 42 paintings selected by guest curator Eugene C. Goossen. Organized by the International Council in collaboration with the Whitney Museum of American Art.

Shown at the Whitney Museum, New York 1969 February-April.

Circulated to:
London, England; Hanover and Berlin, Germany: 1969 May-October.
Dispersed 1969.

1969
V.ICE-F-116-67.2 Helen Frankenthaler: Publicity

Excerpts of critical reviews and press clippings

V.ICE-F-116-67.3 Helen Frankenthaler: Photos

Works in exhibition [41 prints]

V.ICE-F-116-67.4 Helen Frankenthaler: Photos

Installation: unidentified location [19 color transparencies]

V.ICE-F-116-67.5 Helen Frankenthaler: Catalogues

New York [1]
Berlin [1]
London [1]
Hanover [1]

V.ICE-F-117-68.1 Frank Stella: Publicity and Itinerary

2 folders. Press clippings. 41 paintings and 19 drawings selected by William S. Rubin; adapted from MoMA Exh. #922 1970 March 24-June 2.

Circulated to:
London, England; Amsterdam, the Netherlands: 1970 July-November. Returned to the U.S. for circulation to Pasadena, California and Toronto, Canada: 1971 January-May.

1970
V.ICE-F-117-68.2 Frank Stella: Publicity and Itinerary

Press clippings [1" binder]

V.ICE-F-118-68.1 Claes Oldenburg: Box list

6 folders; 1 box and oversize Box 184. 121 objects and drawings selected by Alicia Legg; smaller version of MoMA Exh. #902 1969 September 23-November 30.

Circulated to:
Amsterdam, the Netherlands; Düsseldorf, Germany; London, England: 1970 January-August.
Dispersed 1970.

1969-70
V.ICE-F-118-68.2 Claes Oldenburg: Publicity

Excerpts of critical reviews

V.ICE-F-118-68.3 Claes Oldenburg: Publicity

Press clippings [England only]

V.ICE-F-118-68.4 Claes Oldenburg: Publicity

Press clippings

V.ICE-F-118-68.5 Claes Oldenburg: Publicity

Press clippings [xeroxes].

See also press clippings [originals], Box 184 [oversize]

V.ICE-F-118-68.6 Claes Oldenburg: Catalogue

London

V.ICE-F-120-68.1 Jasper Johns: Lithographer: Itinerary and checklist

3 folders. 30 works selected by Virginia Allen.

Circulated to:
Kassel (Documenta IV 1968 June 27-October 6),Germany; Humlbaek, Denmark; Basel, Switzerland; Llubjana and Belgrade, Yugoslavia; Prague, Czekoslovakia; Lód_, Poland; Bucharest, Romania: 1968 June-1970 September.
Note: shown simultaneously with Antonio Tapies' Lithographs (organized by the Galerie Maeght and The Museum of Modern Art, Belgrade) in Lódi, Poland 1970.
Dispersed 1971.

1969-1970
V.ICE-F-120-68.2 Jasper Johns: Lithographer: Publicity

Press release, critical reviews [Basel]

V.ICE-F-120-68.3 Jasper Johns: Lithographer: Catalogues

Belgrade [1], Lódi [1]

V.ICE-F-121-68.1 Word and Image: Itinerary and checklists

9 folders; 2 boxes. 73 posters selected by Mildred Constantine; adapted from Word and Image: Posters and Typography from the Graphic Design Collection of the Museum of Modern Art (MoMA Exh. #850 1968 January 25-March 10).

Also circulated as Word and Image: Posters from the Collection of the Museum of Modern Art , C/E 68-13 1968-70.
A slightly modified version of this exhibition was shown at the Museo Universitario, Mexico City, during the Olympic Games of 1968, July 4-August 10.

Circulated to:
Prague, Czechoslovakia; Humlbaek, Denmark; Wilanowie, Poland; Belgrade, Yugoslavia; Parma, Italy; San Sebastian, Spain; Lisbon, Portugal: 1971 February-1973 January.

Shown in:
Brazil: circulated to Belo Horizonte, São Paulo, Pôrto Alegre, Rio de Janeiro, Recife, Salvador, and Brasilia: 1973 July-1974 February. Exhibition returned to New York for refurbishing. Resumed tour in Latin America: circulated to Buenos Aires and Santa Fe, Argentina; Montevideo, Uruguay; Lima, Peru; Cali, Medellin, Pereira, and Bogotá, Colombia; Caracas and Maracaibo, Venezuela: 1975 May-October.
Dispersed 1976.

1971-1975
V.ICE-F-121-68.2 Word and Image: Publicity

Brazil: publicity reports, condition and shipping reports, posters and invitations [9x11"envelope]

V.ICE-F-121-68.3 Word and Image: Publicity

Brazil: excerpts of critical reviews and press clippings

V.ICE-F-121-68.4 Word and Image: Publicity

Latin America: press releases [2 English, 1 Spanish], publicity reports, correspondence [1 TLS, 1 TL], posters and invitations [9x11"envelope]

V.ICE-F-121-68.5 Word and Image: Publicity

Latin America: excerpts of critical reviews and press clippings

V.ICE-F-121-68.6 Word and Image: Photos

Works in exhibition [58 prints; 1.75" binder]

V.ICE-F-121-68.7 Word and Image: Photos

Installation and events: Parma [2 prints], Belgrade [2 prints], San Sebastian [1 print], Belo Horizonte [12 prints, slide identification checklist], Caracas [4 prints], Maracaibo [6 prints], Buenos Aires [5 prints], Pereira [6 prints]; (0.75" binder)

V.ICE-F-121-68.8 Word and Image: Catalogues for Europe

Prague [1]
Humlbaek [1]
Warsaw [1]
Belgrade [1]
San Sebastian [1]

V.ICE-F-121-68.9 Word and Image: Catalogues for South America

Mexico City [1]
USIS publication for Brazilian tour [3]
MoMA catalogue for Latin American tour outside Brazil [1]

V.ICE-F-122-68.1 Jim Dine: A Midsummer Night's Dream and the Picture of dorian Gray: Itinerary and checklist

2 folders 50 drawings selected by Virginia Allen; adapted from Jim Dine: Designs for Midsummer Night's Dream (MoMA Exh. #839 1967 August 8-September 24); circulated domestically as C/E 67-11 1967-69.

Shown in:
Munich, Nuremberg, and Hanover, Germany; Brussels, Belgium; Copenhagen, Denmark; Berlin, Germany: 1969 October-1970 October.
Dispersed 1970.

1969-1970
V.ICE-F-122-68.2 Jim Dine: A Midsummer Night's Dream and the Picture of dorian Gray: Publicity

Press clippings
Photo, installation: Berlin

V.ICE-F-125-68.1 Dorothea Lange: Itinerary and checklist

1 folder. 75 photos, 1920-1965, selected by John Szarkowski; adapted from MoMA Exh. #789 1966 January 26-April 10;

Also circulated as C/E 65-19 1968-70.

Shown in:
Brussels, Belgium; Berlin, Munich, and Hamburg, Germany; Nice, Ruffec, Le Creusot, and Paris, France; Parma, Italy; dornbirn and Vienna, Austria: 1971 March-1972 December.
Dispersed 1973.

Invitation; press clipping
Photos, installation: Paris [2 prints]

1971-1972
V.ICE-F-126-68.1 New Photography U.S.A: Itinerary and checklist

11 folders. 110 photographs by 11 artists selected by John Szarkowski.
First version shown in Europe

Circulated to:
Copenhagen, Denmark; Berlin, Hamburg, Lübeck, Munich, Germany; Bucharest, Romania; Belgrade, Yugoslavia; Prague, Czechoslovakia; Paris, France; Parma, Italy; Brussels, Belgium; London, Sheffield, and Cambridge, England; Warsaw, Lód, Bydgoszcz, and Cracow, Poland: 1970 March-1973 March.
Dispersed 1973. Second version circulated as ICE-F-142-70.

1970-1973
V.ICE-F-126-68.2 New Photography U.S.A: Publicity

Press release, publicity reports, invitations and posters [9x11"envelope]
Excerpts of critical reviews

V.ICE-F-126-68.3 New Photography U.S.A: Publicity

Press clippings [Europe]

V.ICE-F-126-68.4 New Photography U.S.A: Photos

Installation:
Brussels [3 prints]
Cambridge [8 prints]
London [1 print]
Warsaw [8 prints]

V.ICE-F-126-68.5 New Photography U.S.A: Catalogues

Warsaw [2]

Printed matter:
Fotografia 6, no. 240: 135-138, 1973 [Polish]

V.ICE-F-142-70.6 New Photography U.S.A: Itinerary

Second version shown in Latin America, Australia and New Zealand.

Circulated to:
Montevideo, Uruguay; São Paulo, Rio de Janeiro, Belo Horizonte, Brasilia, Goiania, Salvador, and Recife, Brazil; Buenos Aires, Argentina; Caracas, Venezuela; Bogotá and Cali, Colombia; San José, Cartago and Puntarenas, Costa Rica; Panama City, Panama; San Salvador, El Salvador; Guatemala City, Guatemala; Auckland, New Plymouth, Palmerston North, and Hamilton, New Zealand: 1969 December-1974 January.
Dispersed 1974.

V.ICE-F-142-70.7 New Photography U.S.A: Publicity

Press releases [2 English, 2 Spanish]
Publicity reports, invitations and posters [9x11"envelope]

V.ICE-F-142-70.8 New Photography U.S.A: Publicity

Excerpts of critical reviews and press clippings [Latin America excluding Brazil]

V.ICE-F-142-70.9 New Photography U.S.A: Publicity

Excerpts of critical reviews and press clippings [Brazil only]

V.ICE-F-142-70.10 New Photography U.S.A: Photos

Installation and events:
Rio [3 prints]
Recife [2 prints]
São Paulo [4 prints]
San Salvador [7 prints]
Buenos Aires [7 prints]
Guatemala City [1 print]
San José [5 prints]
Hamilton [9 prints]
New Plymouth [7 prints]
(0.75" binder)

V.ICE-F-142-70.11 New Photography U.S.A: Catalogue

San José
Brochure: Rio de Janeiro

V.ICE-F-130-68.1 Cartier-Bresson: Recent Photographs: Itinerary and Publicity

4 folders. 151 photographs selected by John Szarkowski; adapted from MoMA Exh. #861 1968 June 25-September 2;

Also circulated as C/E 63-17 1963-66.

Shown in:
Rio Piedras, Puerto Rico; São Paulo, Brasilia, Rio de Janeiro and Belo Horizonte, Brazil; Buenos Aires, Argentina: 1970 February-1971 August.
Dispersed 1971.
Press release, press kit, publicity reports, correspondence [1 TL], poster [9x11"envelope], excerpts of critical reviews

1970-1971
V.ICE-F-130-68.2 Cartier-Bresson: Recent Photographs: Publicity

Press clippings [Brazil only]

V.ICE-F-130-68.3 Cartier-Bresson: Recent Photographs: Publicity

Press clippings [Argentina, and other countries in which exhibition did not circulate]

V.ICE-F-130-68.4 Cartier-Bresson: Recent Photographs: Photos

Installation: Rio de Janeiro [12 prints]
Belo Horizonte [13 prints]
Catalogue: Puerto Rico

V.ICE-F-131-68.1 Brassaï: Itinerary and Publicity

5 folders; 1 box and oversize Box 184. Retrospective of 71 photos 1932-1958, selected by John Szarkowski; adapted from MoMA Exh. #873 1968 October 29-1969 January 5.

Circulated to:
Melbourne and Sydney, Australia; Auckland, Wellington, and New Plymouth, New Zealand; Caracas and Maracaibo, Venezuela; Cali, Bogotá, and Medellin, Colombia; Lima, Peru; São Paulo, Brasilia, and Salvador, Brazil: 1971 February-1974 June.
Dispersed 1974.
Press releases and press kits, publicity reports, condition reports, invitations and posters [9x11"envelope], excerpts of critical reviews

1971-1972
V.ICE-F-131-68.2 Brassaï: Publicity

Press clippings

V.ICE-F-131-68.3 Brassaï: Publicity kit

See Box 184 [oversize]

V.ICE-F-131-68.4 Brassaï: Photos

Installation :
Medellin [4 prints, 6 slides]
São Paulo [4 prints]
Maracaibo [4 prints]
Caracas [5 prints]
Melbourne [3 prints]
Auckland [10 prints]

V.ICE-F-131-68.5 Brassaï: Catalogues

Medellin [1], Auckland [1]

V.ICE-F-133-69.1 Twentieth Century Industrial Design: Itinerary and Publicity

4 folders. 434 objects selected by Arthur Drexler and Stewart Johnson, donated by the International Council to the Centro das Industrias do Estado de São Paulo, Brazil for permanent display at the Nucleo de Desenho Industrial: 1978 April. Exhibition opened 1979 November 29.

MoMA International Council press kit, press report, correspondence [1 TLS, 2 TL, 1 telegram], description of the Nucleo de Desenho Industrial program, invitations and posters [9x11"envelope], excerpts of critical reviews and press clippings

1978
V.ICE-F-133-69.2 Twentieth Century Industrial Design: Photos

Works in exhibition [100 prints; 2" binder]

V.ICE-F-133-69.3 Twentieth Century Industrial Design: Photos

Installation and events: São Paulo [12 prints]

V.ICE-F-133-69.4 Twentieth Century Industrial Design: Catalogue

São Paulo

V.ICE-F-134-69.1 Tamarind: Homage To Lithography: Itinerary and checklists

8 folders. 100 lithographs from the Tamarind Workshop, Los Angeles, California, selected by Virginia Allen; adapted from MoMA Exh. #890 1969 April 29-June 30.

Circulated to:
Rio de Janeiro, Belo Horizonte, São Paulo and Pôrto Alegre, Brazil; Buenos Aires, Argentina; Montevideo, Uruguay; Santiago, Chile; Lima, Peru; Quito, Ecuador; Panama City, Panama; San Salvador, El Salvador; Guatemala City, Guatemala; San Pedro Sula, Honduras; Mexico City, Mexico; New Plymouth, Gisborne, Palmerston North, Hamilton, Auckland, Wellington, Dunedin, and Christchurch, New Zealand; Sydney, Newcastle, Hobart, Launceston, Adelaide, Perth, Melbourne, Brisbane, and Canberra, Australia: 1970 February-1975 December.
Dispersed 1976.

1970-1975
V.ICE-F-134-69.2 Tamarind: Homage To Lithography: Publicity

Press releases [Spanish]
Publicity reports
TLS Mexico, inauguration speeches for Quito
Ecuador [English, Spanish], invitations, excerpts of critical reviews

V.ICE-F-134-69.3 Tamarind: Homage To Lithography: Publicity

Press clippings

V.ICE-F-134-69.4 Tamarind: Homage To Lithography: Publicity

Press clippings

V.ICE-F-134-69.5 Tamarind: Homage To Lithography: Photos

Publication covers for Australian tour [1 print]

Photos, installation and events:
Pôrto Alegre [2 prints]
Rio de Janeiro [7 prints]
Panama City [6 prints]
San Salvador [8 prints]
San Pedro Sula [3 prints, 2 color negative strips]
Quito [7 prints]
Buenos Aires [1 print]
Mexico [5 prints]
Newcastle [6 prints]
Brisbane [8 prints]
Hobart [5 prints]
Hamilton [7 prints]
New Plymouth [8 prints]
Adelaide [2 prints]
Christchurch [2 prints]
(1.5" binder)

V.ICE-F-134-69.6 Tamarind: Homage To Lithography: Artists' biographies
V.ICE-F-134-69.7 Tamarind: Homage To Lithography: Tamarind manuals

Conservation instructions for lithography

V.ICE-F-134-69.8 Tamarind: Homage To Lithography: Catalogue

Brazil; brochures: San Pedro Sula [1]
Newcastle [4]
Palmerston North [1]
Christchurch [1]

V.ICE-F-136-69 Information: Checklist

Ca. 100 works and related events ca. 150 artists from 15 countries, selected by Kynaston McShine; adapted from MoMA Exh. #934 1970 July 2-September 20. Exhibition organized under the auspices of the International Council which assisted in coordinating the exhibition and supported the film section, which did not circulate.

Also includes publicity: press release, press clippings

1970
V.ICE-F-137-69.1 African Textiles and Decorative Arts: Itinerary and Publicity

3 folders. 250 examples of textiles and jewelry from 26 African countries selected by Roy Sieber, with the assistance of Arthur Drexler and Katharine White Reswick (International Council member); adapted from MoMA Exh. #1012 1972 October 11-1973 January 31.

Circulated to:
the Los Angeles County Museum of Art: 1973 March 30-May 31; the M. H. Young Memorial Museum, San Francisco: 1973 July 2-August 31; and the Cleveland Museum of Art, Cleveland: 1973 October 2-December 2.
Dispersed ca. 1973 (?).
Also includes press releases; brochures: Los Angeles County Museum of Art [2].

1972-1973
V.ICE-F-137-69.2 African Textiles and Decorative Arts: Publicity

Press clippings

V.ICE-F-137-69.3 African Textiles and Decorative Arts: Publicity

Press clippings

V.ICE-F-139-69.1 The Classic American Film: Itineraries and checklist

4 folders.An anthology of American films produced in the U.S., mostly from the era of the silent film, selected by donald Ritchie.

Circulated to:
Tokyo, Osaka, Kobe, and Kyoto, Japan; Colombo and Kandy, Ceylon; Delhi, Bombay, and Calcutta, India; Tehran, Iran; Istanbul and Ankara, Turkey; Tel Aviv, Israel; Nicosia, Cyprus; Beirut, Lebanon; Athens and Salonika, Greece; Madras, India; Bangkok, Thailand; Singapore City, Singapore; Belgrade, Yugoslavia; Bucharest, Romania; Budapest, Hungary; Warsaw, Poland; Oslo, Norway; Copenhagen, Denmark; East Berlin, DDR/ Esat Germany; Helsinki, Finland; West Berlin, BRD/ West Germany; Stockholm, Sweden; Budapest, Hungary; Amsterdam, the Netherlands; Toulouse, France; Brussels, Belgium; Tehran, Iran; Montreal, Quebec; Buenos Aires, Argentina; Montevideo, Uruguay; Rio de Janeiro, Brazil; Lima, Peru: 1970 May-1975 October.

A section was removed for showing in conjunction with ICE-F-183-78 American Art from the Museum of Modern Art , a MoMA 50th Anniversary celebration exhibition, incl. 16 film programs, selected by Eileen Bowser.

Circulated to:
Berne, Switzerland; Cologne, Germany; Budapest, Hungary; Madrid, Spain; Vienna, Austria; Tel Aviv, Israel: 1979 February-1980 April.
Continued circulating without ICE-F-183-78 to Jerusalem, Israel; Helsinki, Finland; Lisbon, Portugal; Tokyo, Japan: 1979 April-1982 July. Returned to New York.

Circulated to:
Paris, France, under the auspices of the Cinémathèque Universitaire, Université Paris I - Panthéon Sorbonne (for International Symposium on D.W. Griffith) and the Musée d'Art Moderne, Centre Georges Pompidou: 1982 December-1983 February.

Also circulated as ICE-F-191-79.

Files not retained by the International Program, Department of Registration, Exhibition Program, or by the Film Department of the Museum of Modern Art for any version of this exhibition. Dispersion dates not known.

American Silent Films , 1977-1980 originally part of The Classic American Film

Circulated to:
Bogotá, Colombia; Caracas, Venezuela, Panama City, was lost in Panama 1977 February, and recovered in 1979 November.

Shown in:
Panama City, Panama: 1979 November-December; and Mexico City, Mexico: 1980 June. D. W. Griffith Centennial Retrospective , 1976-1979 circulated to Brussels, Belgium; Amsterdam, the Netherlands; Vienna, Austria; Oslo, Norway; East Berlin, DDR/Germany; Warsaw, Poland; Moscow, USSR; Bucharest, Romania; Prague, Czechoslovakia; Sofia and Plovdiv, Bulgaria; Budapest, Hungary: 1976 October-1979 May.

1970-1975
V.ICE-F-137-69.2 The Classic American Film: Publicity

Correspondence [9 memos], invitation and poster [9x11"envelope], press clippings and excerpts of critical reviews

V.ICE-F-137-69.3 The Classic American Film: Photos

Installation: Paris [5 prints]
Brochures: Madrid [5]

ICE-F-191-79 D.4 D. W. Griffith Films: Itinerary and Publicity

Copy 2, Latin America. 16 mm prints selected by Eileen Bowser assembled for the permanent collections of 3 Latin American film archives: São Paulo,Brazil; Buenos Aires, Argentina and Montevideo, Uruguay: 1980 June.
Includes correspondence [memo]; program brochure [Montevideo]

V.ICE-F-140-69.1 Bill Brandt: Itinerary and Publicity

6 folders. 125 photographs selected by John Szarkowski; adapted from MoMA Exh. #901b 1969 September 15-November 30;

Also circulated as c/e R-21 1970-1971.

Shown in:
Auckland, New Plymouth, and Palmerston North, New Zealand; Adelaide, Perth, Sydney, Brisbane, Newcastle, Melbourne, Canberra, and Hobart, Australia: 1972 May-1973 December.
Dispersed 1974.
Also includes press releases, John Szarkowski introduction to the Members' Newsletter , Fall 1969, publicity reports, invitations and posters [9x11"envelope]

1972-1973
V.ICE-F-140-69.2 Bill Brandt: Publicity

Press clippings [Australia, New Zealand]

V.ICE-F-140-69.3 Bill Brandt: Publicity

Press clippings [England]

V.ICE-F-140-69.4 Bill Brandt: Photos

Work in exhibition [1 print]

V.ICE-F-140-69.5 Bill Brandt: Photos

Installation:
Auckland [8 prints]
New Plymouth [8 prints]
Palmerston [5 prints]
Newcastle [5 prints]
Melbourne [7 prints]
Canberra [6 prints]
Hobart [5 prints]
(1" binder)

V.ICE-F-140-69.6 Bill Brandt: Photos

Installation: Melbourne [23 color prints; 9x11"envelope]

For V.ICE-F-142-70, New Photography, U.S.A., see ICE-F-126-68

V.ICE-F-148-70.1 from Cézanne Through Picasso: 100 Drawings from the Collection of the Museum of Modern Art: Publicity and Photos

100 works selected by William S. Lieberman.

Circulated to:
Tokyo and Kurume, Japan; Auckland, New Zealand; Melbourne and Sydney, Australia; Honolulu, Hawaii. Returned to U.S.: San Francisco, California: 1971 May-1972 June.
Dispersed 1972.
Also includes press clipping [Japan], and installation: Auckland [2 prints], Melbourne [2 prints], Honolulu [2 prints]

1971-1972
V.ICE-F-149-70.1 Alexander Calder: Itinerary and checklist

2 folders. 58 works from the collection of the Museum of Modern Art selected by Bernice Rose.

Circulated to:
Bogotá, Colombia; Montevideo, Uruguay; Buenos Aires, Argentina; Santiago, Chile; Mexico City, Mexico: 1970 October-1971 November. Returned to U.S. in 1971 December and circulated as c/e R-18, 1972.

1970-1971
V.ICE-F-149-70.2 Alexander Calder: Photos

Installation:
Bogotá [3 prints]
Montevideo [3 prints]
Buenos Aires [1 print]
Mexico City [15 prints]

V.ICE-F-151-70.1 Surrealism: Itinerary and Photos

83 works by 27 artists selected by Bernice Rose.

Circulated to:
Bogotá, Colombia; Buenos Aires, Argentina; Montevideo, Uruguay; Caracas, Venezuela; Lima, Peru; Santiago, Chile; Auckland, New Zealand; Sydney, Melbourne, and Adelaide, Australia; Mexico City, Mexico: 1971 August-1973 February.
Dispersed 1973.
Also includes photos, installation: Montevideo [3 prints], Auckland [2 prints], Adelaide [5 prints]

1971-1973
V.ICE-F-154-70.1 U.S. Representation: Second Indian Triennale, New Delhi: Itinerary and Publicity

3 folders. 15 paintings and constructions by 7 artists selected by Waldo Rasmussen.

Circulated to:
Lalit Kala Academi, New Delhi, India: 1971 January 31-March 31, with a grant from Ben and Abby Grey Foundation.
Dispersed 1971.
Also includes press clippings.

1971
V.ICE-F-154-70.2 U.S. Representation: Second Indian Triennale, New Delhi: Photos

Installation and building: New Delhi [25 prints, 6 contact sheets]

V.ICE-F-154-70.3 U.S. Representation: Second Indian Triennale, New Delhi: Catalogue

Brochures [3]

V.ICE-F-157-70.1 Modern Prints: 1947-1972: Itinerary and checklist; Publicity

6 folders. 50 prints by 45 artists selected by Riva Castleman.

Circulated to:
Perth, Geelong, Hobart, Launceston, Newcastle, and Brisbane, Australia; Auckland, New Plymouth, and Hamilton, New Zealand; New Delhi, Madras, Hyderabad, Bombay, and Calcutta, India; Tehran, Iran; Sapporo, Morioka, Tokyo, Kyoto, Kochi, Hiroshima, Hokkaido, and Kyushu, Japan: 1973 April-1975 March.
Dispersed 1975.Also includes press clippings [Japan]

1973-1975
V.ICE-F-157-70.2 Modern Prints: 1947-1972: Photos

Works in exhibition [50 prints; 1.5" binder]

V.ICE-F-157-70.3 Modern Prints: 1947-1972: Photos

Works in exhibition [60 prints; 1.5" binder]

V.ICE-F-157-70.4 Modern Prints: 1947-1972: Photos

Works in exhibition [60 prints; 1½" binder]

V.ICE-F-157-70.5 Modern Prints: 1947-1972: Photos

Installation:
Geelong [4 prints]
Launceston [2 prints]
Newcastle [4 prints]
Madras [2 prints]
Tehran [2 prints]
Kochi [1 print]

V.ICE-F-157-70.6 Modern Prints: 1947-1972: Catalogue material

Artists' statements

V.ICE-F-155-71.1 Joan Miró: 50 Recent Prints: Itinerary; photo

50 works selected by Riva Castleman.

Circulated to:
Rio Piedras, Puerto Rico; Bogotá, Colombia; Caracas and Maracaibo, Venezuela; Buenos Aires, Argentina; Montevideo, Uruguay; Santiago, Chile: 1971 September-1972 October.
Dispersed 1972.
Also includes Catalogue: International Program publication for Latin American tour [Spanish]

1971-1972
V.ICE-F-158-71 Picasso: Master Printmaker

100 prints from the collection of the Museum of Modern Art selected by Riva Castleman; adapted from MoMA Exh. #942 1970 October 15-November 29.

Circulated to:
Bogotá, Colombia; Adelaide, Melbourne, and Sydney, Australia; Auckland, New Zealand; Buenos Aires, Argentina; Montevideo, Uruguay: 1972 November-1973 October.
Dispersed 1973.
Also includes catalogues: Adelaide [1], Auckland [1]

1972-1973
V.ICE-F-159-72.1 Four Contemporary Masters: Bacon, Dubuffet, Giacometti, de Kooning: Itinerary and checklist

5 folders. 68 paintings, drawings, prints, and sculptures selected by Alicia Legg.

Circulated to:
Caracas, Venezuela; Bogotá, Colombia; Mexico City, Mexico; São Paulo and Rio de Janeiro, Brazil: 1973 April-November.
Dispersed 1973.

1974-1975
V.ICE-F-159-72.2 Four Contemporary Masters: Bacon, Dubuffet, Giacometti, de Kooning: Photos

Works in exhibition: de Kooning [15 prints], Bacon [9 prints]; (0.75" binder)

V.ICE-F-159-72.3 Four Contemporary Masters: Bacon, Dubuffet, Giacometti, de Kooning: Photos

Works in exhibition: Giacometti [19 prints], Dubuffet [21 prints]; (1" binder)

V.ICE-F-159-72.4 Four Contemporary Masters: Bacon, Dubuffet, Giacometti, de Kooning: Photos

Installation:
Bogotá [3 prints]
Mexico City [2 prints]
São Paulo [8 prints]

V.ICE-F-159-72.5 Four Contemporary Masters: Bacon, Dubuffet, Giacometti, de Kooning: Catalogues

Bogotá [1]
Mexico City [1]

V.ICE-F-160-73.1 Some Recent American Art: Checklist

6 folders. 56 works (paintings, sculptures, drawings) by 17 artists and 12 video tapes by 9 artists selected by Jennifer Licht.

Circulated to:
Melbourne, Sydney, Adelaide, and Perth, Australia; Auckland, New Zealand: 1974 February-November.
Dispersed 1975.

1974
V.ICE-F-160-73.2 Some Recent American Art: Melbourne and Sydney, Australia Intinerary and Publicity

Melbourne:
Itinerary
Publicity: opening address by Waldo Rasmussen, press release, correspondence
[1 TLS], invitation
Photos: installation [3 prints]

Sydney:
Publicity: press release and opening schedule
Photos: installation [1 print]

V.ICE-F-160-73.3 Some Recent American Art: Adelaide

[0.75" binder]
Itinerary
Publicity: press reports, invitation, press release, protest pamphlets from an Australian anti-cultural imperialism artists association, press clippings
Photos: events (demonstration) [4 prints]
Photos: installation [9 prints]

V.ICE-F-160-73.4 Some Recent American Art: Perth

[0.25" binder]
Itinerary
Publicity: report, press clippings

V.ICE-F-160-73.5 Some Recent American Art: Auckland

[0.5" binder]
Itinerary
Publicity: report, invitation, Auckland City Art Gallery program brochures, press clippings
Photos: installation [9 prints]

V.ICE-F-160-73.6 Some Recent American Art: Publicity

Re: all venues: press clippings

V.ICE-F-160-73.7 Some Recent American Art: Photos

Works in exhibition [28 prints]

V.ICE-F-161-73.1 100 European Drawings from the Collection of the Museum of Modern Art: Checklist

7 folders. 102 drawings selected by William S. Lieberman.
Shown at the Rijksmuseum Kröller-Müller, Otterlo, the Netherlands, in exchange for a selection of 131 works by 44 artists shown at MoMA (Exh. #1034 1973 May 24-August 13).

Circulated to:
Sheffield, England; Milan, Italy; Lisbon, Portugal: 1973 April-1974 March.
Dispersed 1974.

1973-1974
V.ICE-F-161-73.2 100 European Drawings from the Collection of the Museum of Modern Art: Otterlo

[0.5" binder]
Publicity: Kröller-Müller exhibition leaflet, foreword, publicity report, excerpts of critical reviews, press clippings
Photos: installation [9 prints]

V.ICE-F-161-73.3 100 European Drawings from the Collection of the Museum of Modern Art: Otterlo

Publicity press clippings

V.ICE-F-161-73.4 100 European Drawings from the Collection of the Museum of Modern Art: Sheffield

Publicity: report, press clippings
Photos: installation [2 prints]
Catalogue

V.ICE-F-161-73.5 100 European Drawings from the Collection of the Museum of Modern Art: Milan

Publicity: report, press clippings
Photos: catalogue covers [1 print]
Photos: installation [11 prints]
Catalogue

V.ICE-F-161-73.6 100 European Drawings from the Collection of the Museum of Modern Art: Lisbon

[0.5" binder]
Publicity: report, excerpts of critical reviews
Floor plans (Gulbenkian Foundation, Lisbon)
Photos: installation and events [20 prints]

V.ICE-F-161-73.7 100 European Drawings from the Collection of the Museum of Modern Art: Lisbon

Publicity: press clippings

V.ICE-F-162-73.1 Dubuffet: Persons and Places: Checklist

4 folders. 50 drawings selected by William S. Lieberman; adapted from MoMA Exh. #1016 1972 November 9-1973 January 23.

Circulated to:
Otterlo, the Netherlands; Paris, France (to complement Dubuffet retrospective exhibition held at the Grand Palais); Humlbaek, Denmark; Oslo, Norway; Düsseldorf, Germany: 1973 July-1974 May.
Dispersed 1975.

1973-1974
V.ICE-F-162-73.2 Dubuffet: Persons and Places: All venues

[1.5" binder]
Otterlo:
Itinerary
Publicity: invitation, report, excerpts of critical reviews, press clippings
Photos: installation [5 prints]

Paris:
Publicity: report, excerpts of critical reviews, press clippings, poster
Photos: installation [8 prints]

Humlbaek:
Publicity: report, invitation, brochure

Oslo:
Publicity: report, press clippings
Photos: installation [5 prints]

Düsseldorf:
Publicity: brochure, report, foreword by William S. Lieberman, excerpts of critical reviews, press clippings

V.ICE-F-162-73.3 Dubuffet: Persons and Places: Paris

Publicity: press clippings

V.ICE-F-162-73.4 Dubuffet: Persons and Places: Humlbaek

Photos: installation [6 prints]

V.ICE-F-162-73.5 Dubuffet: Persons and Places: Photos

Works in exhibition [50 prints]

V.ICE-F-163-74.1 Modern Masters: Manet To Matisse: Checklist

3 folders.114 works by 56 artists selected by William S. Lieberman. Exhibition organized under the auspices of the International Council with the assistance and support of the Australian Council for the Arts and the ALCOA Foundation.

Circulated to:
Sydney and Melbourne, Australia: 1975 April-June. Returned to U.S. (1975 July) as MoMA Exh. #1105 1975 August 5-September 28.

1975
V.ICE-F-163-74.2 Modern Masters: Manet To Matisse: All venues

[1.5" binder]
Sydney:
Itinerary
Publicity: acknowledgements, MoMA staff list in Australia, press release, film program, MoMA International Council Spring Meeting in Australia itinerary, correspondence [1 TLS], press clippings
Photos: installation and events [7 prints]

Melbourne:
Publicity: invitation and pin, press clippings
Photos: packing [7 prints], events [15 prints], installation [9 prints]

New York:
Publicity: memo re: attendance, press clippings

V.ICE-F-163-74.3 Modern Masters: Manet To Matisse: Photos

Shipping from Sydney to San Francisco [41 prints]

V.ICE-F-164-74.1 Latin American Prints from the Museum of Modern Art, New York: Checklist

5 folders. 92 prints by 81 artists selected by Riva Castleman from the Museum's collection of Latin American art.
Shown at the Center for Inter-American Relations, New York: 1974 January 30-March 24.

Circulated to:
Mexico City and Guadalajara, Mexico; Bogotá, Cali and Medellin, Colombia; Quito and Quayaquil, Ecuador; Lima, Peru; São Paulo, Brazil; Montevideo, Uruguay; Rio Piedras, Puerto Rico; Santo domingo, dominican Republic: 1974 January-1976 July.
Dispersed 1976.

1974-1976
V.ICE-F-164-74.2 Latin American Prints from the Museum of Modern Art, New York: Bogotá and Cali, Colombia; Guayaquil, Ecuador

[1.25" binder]
Bogotá:
Itinerary
Publicity: press clippings

Cali:
Publicity: report, attendance features for all venues, excerpts of critical reviews, press clippings
Photos: installation [2 prints]

Guayaquil:
Publicity: Director of Guayaquil's exhibition inaugural speech, correspondence [1TLS] excerpts of critical reviews, press clippings (photocopies)
Photos: events [6 prints]

V.ICE-F-164-74.3 Latin American Prints from the Museum of Modern Art, New York: Guayaquil

Publicity: checklist; press clippings (originals)

V.ICE-F-164-74.4 Latin American Prints from the Museum of Modern Art, New York: Quito, Ecuador; Montevideo,Uruguay; Santo domingo, dominican Republic

[1" binder]
Quito:
Publicity: report, invitation, press clippings
Photos: installation [6 prints]

Montevideo:
Publicity: press release re: experimental museum workshop organized in connection with the exhibition Photos: events [3 prints]

Santo domingo:
Publicity: report, invitation, excerpts of critical reviews, press clippings
Photos: installation and events [9 prints]

V.ICE-F-164-74.5 Latin American Prints from the Museum of Modern Art, New York: Santo domingo

Publicity: press clippings (originals)

V.ICE-F-166-74.1 Color as Language :

8 folders. 63 works by 56 artists selected by Kynaston McShine; incl. 3 sections:

Early Abstractions of European Artists, ca. 1909-1915 Abstractions by American Artists, ca. 1909-1915 Abstract Art 1945 to the present

Circulated to:
Bogotá (under the title COLOR), Colombia; São Paulo and Rio de Janeiro, Brazil; Caracas, Venezuela; Mexico City, Mexico: 1975 February-November.
Dispersed 1976. Oversize material noted on previous storage box was not found during processing.

1975
V.ICE-F-166-74.2 Color as Language: Itinerary and checklist
V.ICE-F-166-74.3 Color as Language: Bogotà

[0.25" binder]
Publicity: invitation, circular, excerpts of critical reviews, press clippings

V.ICE-F-166-74.4 Color as Language: São Paulo

[0.75" binder]
Publicity: press release, excerpts of critical reviews, press clippings
Photos: installation [29 color prints, 4 transparency strips in 5x7"envelope]; events [6 prints]

V.ICE-F-166-74.5 Color as Language: Rio de Janeiro

[¼" binder]
Publicity: press release, excerpts of critical reviews, press clippings

V.ICE-F-166-74.6 Color as Language: Caracas

[0.5" binder]
Publicity: checklist of publicity material, correspondence [1 TLS], press release, catalogue material, excerpts of critical reviews, press clippings
Photos: installation [9 prints]

V.ICE-F-166-74.7 Color as Language: Photos

Works in exhibition [62 prints; 1.25" binder]

V.ICE-F-166-74.8 Color as Language: Photos

Installation: unidentified location [12 color slides]

V.ICE-F-168-74.1 Fernand Leger: Adelaide, Sydney, and Melbourne, Australia; Auckland, New Zealand

44 paintings and drawings and"Ballet Mécanique"(1924 film) selected by Alicia Legg.

Circulated to:
Adelaide, Sydney, and Melbourne, Australia; Auckland, New Zealand: 1976 March-October.
Dispersed 1976.

Includes:

[1.5" binder]
Adelaide:
Itinerary and checklist
Publicity: report, exhibition brochure, press releases, press clippings
Photos: installation and events [10 prints]

Sydney:
Publicity: report, invitation, press release, film program, correspondence [2 memos], press clippings
Photos: installation and events [9 prints]

Melbourne:
Photos: installation and events [5 prints]

Auckland:
Publicity: program brochure, press clippings, poster [9x11"envelope]

1976
V.ICE-F-168-74.2 Fernand Leger: Photos

Works in exhibition [42 prints]

1976
V.ICE-F-169-74.1 Walker Evans: Checklist

4 folders. 80 photographs selected by John Szarkowski. Small version of a retrospective exhibition, MoMA Exh. #952 1971 January 27-April 12.

Also circulated as c/e R-12 1971-1975.

Circulated to:
Helsinki, Finland; Rotterdam, the Netherlands; Paris, France; Vienna, Austria; Stockholm, Sweden; Oslo, Norway; Düsseldorf and Bielefeld, Germany; Oxford, England; Brussels, Belgium: 1975 August-1976 December.
Dispersed 1976.

1975-1976
V.ICE-F-169-74.2 Walker Evans: European Tour

[2" binder]
Helsinki:
Itinerary
Publicity: report, press clippings (photocopies)
Photos: events [5 prints], installation [2 prints], packing [6 prints]

Rotterdam:
Publicity: brochure, press clippings

Paris:
Publicity: report, invitation, brochure, program, excerpts of critical reviews, press clippings
Photos: installation [10 prints]

Stockholm:
Publicity: report, brochure, press releases incl. checklist, press clippings
Photos: installation [2 prints]

Oslo:
Publicity: report, press release incl. checklist, press clippings
Photos: installation [8 prints]

Düsseldorf:
Publicity: invitation

Bielefeld:
Publicity: report, excerpts of critical reviews, press clippings, Bielefeld cultural brochure
Wall texts
Photos: installation [12 prints]

Oxford:
Publicity: report, leaflet, brochure, B.B.C. Radio Broadcast scripts, press clippings
Photos: installation [2 prints]

Brussels:
Publicity: invitation, brochure, report

V.ICE-F-169-74.3 Walker Evans: Helsinki

Publicity: press clippings (originals); printed matter: Valakuva 7 (September 1974)
Photos: installation [5 color transparencies]

V.ICE-F-169-74.4 Walker Evans: Helsinki

Catalogue

V.ICE-F-170-74.1 Lee Friedlander: Checklist

3 folders. 50 photographs of the last 10 years of Friedlander's work selected by John Szarkowski; adapted from MoMA Exh. #1083 1974 December 6-1975 February 17.

Circulated to:
Parma, Italy; Rotterdam, the Netherlands; Brussels, Belgium; London, England; Turin, Italy; Zurich, Switzerland; Melbourne, Hobart, Sydney, Newcastle N.S.W., Brisbane, Adelaide, and Perth, Australia: 1975 June-1977 October.
Dispersed 1977.

1975-1977
V.ICE-F-170-74.2 Lee Friedlander: European and Australian Tour

[1.25".binder]
European tour: itinerary
Parma:
Publicity: report

Rotterdam:
Publicity: brochure, press clippings
Photos: installation [2 prints]

Turin:
Publicity: report, brochure, excerpts of critical reviews, press clippings
Photos: events [7 prints], installation [3 prints]

Zurich:
Publicity: report, brochure, press release
Photos: installation [7 prints]

Australian tour: itinerary
Publicity re: all venues: reports, invitation, press releases, brochures, press clippings
Photos, events: Melbourne [1 print]
Photos, installation: Melbourne [1 print], Newcastle [5 prints], Adelaide [5 prints]

V.ICE-F-170-74.3 Lee Friedlander: Publicity

Re: all venues: press kit incl. preface, biographical notes and 8 photographic plates
Photos: works in exhibition [7 prints]

V.ICE-F-171-74.1 Drawing Now: Checklist

5 folders. 175 drawings by 46 artists selected by Bernice Rose; adapted from DRAWING NOW: 1955-1975 (MoMA Exh. #1117 1976 January 21-March 9).

Circulated to:
Zurich, Switzerland; Baden-Baden, Germany; Vienna, Austria; Oslo, Norway; Tel Aviv, Israel: 1976 October-1977 July.
Dispersed 1977.

1976-1977
V.ICE-F-171-74.2 Drawing Now: All venues

[1.25" binder]
New York:
Itinerary
Publicity: press releases, resume of excerpts of critical reviews
Photos: installation [1 print]

Zurich:
Publicity: excerpts of critical reviews, press clippings, invitation
Photos: installation [9 prints]

Baden-Baden:
Publicity: invitation, excerpts of critical reviews, press release, press clippings
Photos: installation [9 prints]

Vienna:
Publicity: report, excerpts of critical reviews, invitation
Photos: installation [2 prints]

Oslo:
Publicity: report, excerpts of critical reviews, press clippings

Tel Aviv:
Photos: installation [6 prints]

V.ICE-F-171-74.3 Drawing Now: New York

Publicity: The Museum of Modern Art Bulletin , members publication, no. 6 (Winter 1975-76); press clippings

V.ICE-F-171-74.4 Drawing Now: Vienna

Publicity: press clippings

V.ICE-F-171-74.5 Drawing Now: Tel Aviv

Catalogues [2]

V.ICE-F-173-75.1 American Prints: 1913-1963: Checklist

6 folders. 112 prints from the Museum's collection selected by Riva Castleman; adapted from MoMA Exh. #1082 1974 December 3-1975 March 3, on the occasion of the 25th Anniversary of the Abby Aldrich Rockefeller Print Room of the Museum of Modern Art.

Circulated to:
Vienna, Austria; Brussels, Belgium; Leeds, England; Stockholm, Sweden; Bielefeld, Germany: 1976 January-1977 February.
Dispersed 1977.

1976-1977
V.ICE-F-173-75.2 American Prints: 1913-1963: Vienna

Publicity: press release, excerpts of critical reviews, press clippings, brochure, invitation

V.ICE-F-173-75.3 American Prints: 1913-1963: Brussels

Publicity: excerpts of critical reviews, press clippings, brochures, invitations, poster [9x11"envelope]
Photos: installation [12 prints]

V.ICE-F-173-75.4 American Prints: 1913-1963: Leeds

Publicity: press release, publicity report, press clippings, brochures, invitation
Photos: installation [3 prints]

V.ICE-F-173-75.5 American Prints: 1913-1963: Stockholm

Publicity: press release, report, press clippings, handout
Photos: installation [7 prints]

V.ICE-F-173-75.6 American Prints: 1913-1963: Bielefeld

Publicity: report, press clippings, invitation
Photos: installation [8 prints]

V.ICE-F-174-75.1 Modern Art and Artists, Film Cycle: Checklist

11 folders. 13 films by and about artists selected by Margaret Akermark.

Circulated to:
Caracas, Venezuela; Bogotá, Cali, and Medellin, Colombia; Quito, Ecuador; Lima, Peru; La Paz, Bolivia; Montevideo, Uruguay; Buenos Aires, Argentina; Salvador, São Paulo, Curitiba, Pôrto Alegre, and Rio de Janeiro, Brazil; Madrid, Spain; Lisbon, Portugal; Hong Kong, China: 1979 March-1981 October.
Dispersed 1981.

1979-1980
V.ICE-F-174-75.2 Modern Art and Artists, Film Cycle: Publicity

Film program notes [Spanish]

V.ICE-F-174-75.3 Modern Art and Artists, Film Cycle: Bogotá

Publicity: film schedule and press release

V.ICE-F-174-75.4 Modern Art and Artists, Film Cycle: Cali

Publicity: reports, press clippings

V.ICE-F-174-75.5 Modern Art and Artists, Film Cycle: Medellin

Publicity: report, poster, film program, press clippings

V.ICE-F-174-75.6 Modern Art and Artists, Film Cycle: Quito

Publicity: report, correspondence [1 TL], excerpts of critical reviews, film program

V.ICE-F-174-75.7 Modern Art and Artists, Film Cycle: Buenos Aires

Publicity: report, press clippings, program leaflet, film program

V.ICE-F-174-75.8 Modern Art and Artists, Film Cycle: Brazilian tour

Publicity: report, correspondence [1 TL], press release, press clippings

V.ICE-F-174-75.9 Modern Art and Artists, Film Cycle: Madrid

Publicity: press release, correspondence [1 TLS], film program leaflet, poster [photocopy; 9x11"envelope]

V.ICE-F-174-75.10 Modern Art and Artists, Film Cycle: Lisbon

Publicity: film checklist, film program notes

V.ICE-F-174-75.11 Modern Art and Artists, Film Cycle: Hong Kong

Publicity: report, film program, brochures, Hong Kong Urban Council Museum of Art Newsletter 1981 July-August.

V.ICE-F-178-76 Anthropological Cinema: Itinerary and checklist

2 folders. 34 films by North and South American anthropologists and filmmakers, prepared for Latin America; selected by guest curator Emilie Briguard.

Circulated to:
Buenos Aires, Argentina; Montevideo, Uruguay; Rosario, Tucuman, and Mendoza, Argentina; La Paz, Bolivia; Lima, Peru; Rio de Janeiro, Brazil; Caracas, Venezuela; Bogotá, Colombia; Guatemala City, Guatemala; Tegucigalpa, Honduras: 1977 March-1980 July. Films returned to New York in 1980.
Also circulated as ICE-D-18-72, copy 1.
Includes correspondence [4 memos], press clippings.

1977-1980
V.ICE-D-18-64 Anthropological Cinema: Itinerary; correspondence

Copy 1. Selected by Emilie de Briguard.

Circulated to:
Brussels, Belgium; Stockholm, Sweden; Brussels, Belgium; Copenhagen, Denmark; Helsinki, Finland; Amsterdam, the Netherlands; Vienna, Austria; Belgrade, Yugoslavia; London, England; Oslo, Norway; Budapest, Hungary; Bucarest, Romania; East Berlin, DDR/Germany; Madrid, Spain: 1975 September-1977 April.

1975-1977
V.ICE-F-179-76.1 Edward Weston: Itinerary and checklists

6 folders. ca. 264 photographs by Weston, early 1920s-1958, selected by Willard Van Dyke. Small version adapted from MoMA Exh. #1085 1975 January 29-March 30, incl. 152 photographs, sponsored by SCM Corp. and National Endowment for the Arts.

Also circulated as c/e R-36 1975-1976.

Circulated to:
Amsterdam, the Netherlands; Tel Aviv, Israel; London, England: 1976 October-1977 April.
Dispersed 1977.

1976-1977
V.ICE-F-179-76.2 Edward Weston: Publicity

Lenders list; summary report incl. excerpts of critical reviews

V.ICE-F-179-76.3 Edward Weston: Publicity

Press clippings [U.S.A. only]

V.ICE-F-179-76.4 Edward Weston: Amsterdam

Publicity: press releases, invitation, report, draft letter to Weston lenders, correspondence [1 TLS], excerpts of critical reviews, press clippings, brochures, Stedelijk Museum Bulletin 1976 October.

V.ICE-F-179-76.5 Edward Weston: Tel Aviv

Publicity: report, correspondence [1 TL], press clippings [some transl.], posters [2]
Photos: events [4 prints], installation [4 prints, 3 contact sheets]

V.ICE-F-179-76.6 Edward Weston: London

Publicity: press release, report, correspondence [1 TL], press clippings, brochures, poster [9x11"envelope]
Photos: installation [10 prints]

V.ICE-F-180-76.1 Latin American Art and Architecture: Itinerary and Publicity

Coordinated by Waldo Rasmussen; exhibition was postponed indefinitely, as of 1980 November.
Includes press clippings, incl. transl. of interview with Waldo Rasmussen

1979
V.ICE-F-181-77.1 Surrealism from the Collection of the Museum of Modern Art: Itinerary and checklist

10 folders. 62 paintings, sculptures, objects, collages, watercolors, drawings, prints and photographs selected by Carolyn Lanchner.

Circulated to:
Vienna, Austria; Düsseldorf, Germany; Brussels, Belgium; Zurich, Switzerland; Oslo; Norway; Copenhagen, Denmark: 1978 February-1979 February.
Dispersed 1979.

1978-1979
V.ICE-F-181-77.2 Surrealism from the Collection of the Museum of Modern Art: Vienna

Publicity: correspondence [1 TL], excerpts of critical reviews, press clippings, brochure

V.ICE-F-181-77.3 Surrealism from the Collection of the Museum of Modern Art: Vienna

Photos: installation [43 prints]

V.ICE-F-181-77.4 Surrealism from the Collection of the Museum of Modern Art: Düsseldorf

[0.5" binder]
Publicity: report, excerpts of critical reviews, press clippings, correspondence [1 TLS]
Photos: installation [7 prints]

V.ICE-F-181-77.5 Surrealism from the Collection of the Museum of Modern Art: Brussels

[1" binder]
Publicity: invitation, excerpts of critical reviews, press clippings
Photos: installation [11 prints]

V.ICE-F-181-77.6 Surrealism from the Collection of the Museum of Modern Art: Zurich

[0.75" binder]
Publicity: invitations, excerpts of critical reviews, catalogue foreword by Felix A. Bauman, correspondence [1 TLS, 1 TL], press clippings, Kunsthaus Zurich Bulletin, no. 3 (August 1978)
Photos: installation [7 prints]
Photos: works in exhibition [1 print]

V.ICE-F-181-77.7 Surrealism from the Collection of the Museum of Modern Art: Oslo

Photo, installation [1 print]

V.ICE-F-181-77.8 Surrealism from the Collection of the Museum of Modern Art: Copenhagen

[1.25" binder]
Publicity: press clippings, incl. transl.
Photos: installation [18 prints]

V.ICE-F-181-77.9 Surrealism from the Collection of the Museum of Modern Art: Photos

Works in exhibition [40 xeroxes]

V.ICE-F-181-77.10 Surrealism from the Collection of the Museum of Modern Art: Catalogue material

Typescript [0.5" binder]

V.ICE-F-Unnumbered.1 Jim Dine's Etchings 1979 June-July [MoMA Exh. #1215]

Ca. 100 prints selected by Riva Castleman. Adapted from MoMA Exh. #1215 1978 June 6-September.
The exhibition was taken temporarily from its domestic circulation as c/e R-57 1979 February-December, for showing in Caracas, Venezuela: 1979 July 1-29.

V.ICE-F-Unnumbered.2 Jim Dine's Etchings 1979 June-July [MoMA Exh. #1215]: Caracas

Publicity: excerpts of critical reviews, press clippings, brochure, leaflet, photocopied photographs of works in exhibition
Photos: installation [12 prints]

V.ICE-F-182-77.1 Jackson Pollock: Drawing Into Painting: Checklist

9 folders. 80 drawings selected by Bernice Rose.

Circulated to:
Oxford, England; Düsseldorf, Germany; Lisbon, Portugal (shown concurrently with ICE-F-183-78 American Art from The Museum Of Modern Art ); Paris, France; Amsterdam, the Netherlands: 1979 March-1980 January. Also shown as MoMA Exh. #1285 1980 February 4-March 16.

See also ICE-F-183-78 American Art from the Museum of Modern Art.

1979-1980
V.ICE-F-182-77.2 Jackson Pollock: Drawing Into Painting: Publicity

Summary of critical reviews

V.ICE-F-182-77.3 Jackson Pollock: Drawing Into Painting: Oxford

Publicity: correspondence [2 TLS], brochure, poster [9x11"envelope], press clippings
Photos: installation [4 prints]

V.ICE-F-182-77.4 Jackson Pollock: Drawing Into Painting: Düsseldorf

Publicity: report, attendance sheet, correspondence [2 TLS], invitation, brochure, excerpts of critical reviews, press clippings
Photos: works in exhibition [6 prints]
Photos: installation [2 prints]

V.ICE-F-182-77.5 Jackson Pollock: Drawing Into Painting: Lisbon

Publicity: correspondence [2 TL, 2 TLS], excerpts of critical reviews, press clippings

V.ICE-F-182-77.6 Jackson Pollock: Drawing Into Painting: Paris

[1.5" binder] Publicity: correspondence [1 TL], press articles list, summary and excerpts of critical reviews, press clipping
Photos: works in exhibition [1 print], event [15 prints], installation [10 prints]

V.ICE-F-182-77.7 Jackson Pollock: Drawing Into Painting: Paris

Publicity: press clippings

V.ICE-F-182-77.8 Jackson Pollock: Drawing Into Painting: Amsterdam

[1" binder]
Publicity: report, invitation, correspondence [1 TL, 1 TLS], brochure, photos of catalogue cover and artist's portrait, excerpts of critical reviews, press clipping
Photos: events [8 prints], installation [23 prints]

V.ICE-F-182-77.9 Jackson Pollock: Drawing Into Painting: New York

Publicity: photo requisition form, press release, press clippings
Photos: installation [5 prints]

V.ICE-F-183-78.1 American Art from the Museum of Modern Art: Memo re: film section

11 folders; 2 boxes. ca. 300 works assembled by Waldo Rasmussen at the invitation of the Kunst Museum in Berne, Switzerland to celebrate its centennial and the 50th Anniversary of MoMA and to serve as an exchange exhibition for European Paintings from Swiss Collections (MoMA Exh. #1160 1976 December 17-1977 March 1)

60 paintings and sculptures selected by Carolyn Lanchner

55 drawings selected by Bernice Rose

45 prints selected by Howardena Pindell

58 photographs selected by John Szarkowski

13 design works by Charles Eames; 12 architectural drawings and one model by Louis I. Kahn selected by Arthur Drexler

26 posters selected by Stewart Johnson

16 films program selected by Eileen Bowser

15 video program selected by Barbara London

Shown in:
Berne, Switzerland; Cologne, Germany; Lisbon, Portugal (concurrently with ICE-F-182-77, Jackson Pollock: Drawing Into Painting ); Madrid, Spain; Vienna, Austria; Tel Aviv, Israel: 1979 February-1980 April.
Dispersed 1980.

See also ICE-F-139-69 D. W. Griffith Centennial Retrospective
A section of ICE-F-139-69 The Classic American Film Was shown in conjunction with ICE-F-183-78 American Art from the Museum of Modern Art (see memo in folder 1).

1979-1980
V.ICE-F-183-78.2 American Art from the Museum of Modern Art: Checklist
V.ICE-F-183-78.3 American Art from the Museum of Modern Art: Berne

[1" binder]
Publicity: invitation, brochures and program, The Museum of Modern Art Members Newsletter For its 50th Anniversary (1979), press release, memo, excerpts of critical reviews
Photos: installation [15 prints, 1 contact sheet], events [16 prints, 2 negatives]

V.ICE-F-183-78.4 American Art from the Museum of Modern Art: Berne

Publicity: press clippings

V.ICE-F-183-78.5 American Art from the Museum of Modern Art: Cologne

[0.5" binder]
Publicity: brochures, correspondence [1 TL, 2 TLS], press release, press clippings, excerpts of critical reviews

V.ICE-F-183-78.6 American Art from the Museum of Modern Art: Lisbon

Publicity: excerpts of critical reviews
Photo of poster [1 print]

V.ICE-F-183-78.7 American Art from the Museum of Modern Art: Madrid

[1" binder]
Publicity: itinerary, report, correspondence [1 TL, 1 TLS], press release, excerpts of critical reviews, press clippings
Photos: events [32 prints], poster [1 print]

V.ICE-F-183-78.8 American Art from the Museum of Modern Art: Madrid

Publicity: press clippings

V.ICE-F-183-78.9 American Art from the Museum of Modern Art: Vienna

[1" binder]
Publicity: invitations, correspondence [memo], excerpts of critical reviews, press clippings
Photos: events [6 prints], installation [59 prints]

V.ICE-F-183-78.10 American Art from the Museum of Modern Art: Vienna

Publicity: press clippings

V.ICE-F-183-78.11 American Art from the Museum of Modern Art: Tel Aviv

[1.50" binder]
Publicity: invitations, brochures, programs, report, excerpts of critical reviews, correspondence [2 TLS], press clippings incl. transl.
Photo: events [15 prints], installation [16 prints]

V.ICE-F-184-78.1 A Treasury of Modern Drawing: the Joan and Lester Avnet Collection: Checklist

7 folders. 174 drawings, 3 texts panels, 3 photo panels selected by William S. Lieberman; adapted from MoMA Exh. #1210 1978 April 28-May 2.

Circulated to:
Mexico City, Mexico; Corpus Christi, Texas, U.S.; Caracas, Venezuela; Bogotá, Colombia: 1978 August-1979 July.
Dispersed 1979.

1978-1979
V.ICE-F-184-78.2 A Treasury of Modern Drawing: the Joan and Lester Avnet Collection: Mexico City

[0.25" binder]
Photos: installation [9 prints], events [7 prints]

V.ICE-F-184-78.3 A Treasury of Modern Drawing: the Joan and Lester Avnet Collection: Corpus Christi, U.S.A

Publicity: report
Photos: installation [7 prints]

V.ICE-F-184-78.4 A Treasury of Modern Drawing: the Joan and Lester Avnet Collection: Caracas

[0.5" binder]
Publicity: report, correspondence [1 TLS], excerpts of critical reviews
Photos: installation and events [19 prints]

V.ICE-F-184-78.5 A Treasury of Modern Drawing: the Joan and Lester Avnet Collection: Caracas

Publicity: press clippings

V.ICE-F-184-78.6 A Treasury of Modern Drawing: the Joan and Lester Avnet Collection: Bogotá

[1½" binder]
Publicity: report, excerpts of critical reviews, press clippings
Photos: installation [12 prints, 1 negative]

V.ICE-F-184-78.7 A Treasury of Modern Drawing: the Joan and Lester Avnet Collection: Bogotá

Publicity: correspondence [1 TLS], press release incl. artists biographies and checklist, educational programs
Printed matter: Museo de Arte Moderna Bulletin (April-June 1979).

V.ICE-F-185-79.1 Mirrors and Windows: American Photography Since 1960: Itinerary and checklist

9 folders. 185 works selected by John Szarkowski. Originally shown as MoMA Exh. #1221 1978 July 26-October 2;

Also circulated as c/e R-55 1978-1980.

Circulated to:
Paris, France; Humlbaek, Denmark; Hovikodden, Norway; Madrid, Spain; Edinburgh, Scotland; Dublin, Ireland; Turin, Italy: 1980 November-1982 January.
Dispersed 1982.

1979-1982
V.ICE-F-185-79.2 Mirrors and Windows: American Photography Since 1960: Publicity

Press clippings [U.S.A. only]

V.ICE-F-185-79.3 Mirrors and Windows: American Photography Since 1960: Paris

[0.75" binder]
Publicity: press releases, invitations, report, press articles date and list, excerpts of critical reviews
Photos: installation [9 prints, 1 negative, 1 negative strip]

V.ICE-F-185-79.4 Mirrors and Windows: American Photography Since 1960: Paris

Publicity: press clippings

V.ICE-F-185-79.5 Mirrors and Windows: American Photography Since 1960: Humlbaek, Denmark; Hovikodden, Norway

[1" binder]
Publicity: correspondence [2 TL, 2 TLS]

Humlbaek:
Publicity: excerpts of critical reviews, press clippings incl. transl.
Photos: installation [6 prints]

Hovikodden:
Publicity: press release, excerpts of critical reviews, correspondence [1 cablegram], press clippings

V.ICE-F-185-79.6 Mirrors and Windows: American Photography Since 1960: Madrid

[0.75" binder]
Publicity: report, correspondence [4 TLS, 1 cablegram], press releases, excerpts of critical reviews, press clippings
Photo: installation [7 prints], events [6 prints]

V.ICE-F-185-79.7 Mirrors and Windows: American Photography Since 1960: Edinburgh

[0.5" binder]
Publicity: invitation, press release, brochure, press clippings
Photos: installation [9 prints]

V.ICE-F-185-79.8 Mirrors and Windows: American Photography Since 1960: Dublin

[0.75" binder]
Publicity: report, invitation, exhibition educational program, correspondence [1 TLS], press releases, record of radio and TV coverage, press clippings, poster [9x11"envelope]
Photos: installation [5 prints]

V.ICE-F-185-79.9 Mirrors and Windows: American Photography Since 1960: Turin

[0.75" binder]
Publicity: brochure, invitation, correspondence [shipping record], excerpts of critical reviews, press clippings, poster
Photos: installation [14 prints]

V.ICE-F-186-79.1 Video from Tokyo To Fukui and Kyoto: Checklist

4 folders. (copy 1); 16 video tapes by Japanese artists selected by Barbara London. Part of a series of cultural programs entitled Japan Today , organized for showing in 5 U.S. cities 1979. Exhibition sponsored by the International Council, grants from the N.E.A. and N.E.H., Matshushita Electric (Panasonic) and Japan Society. Originally shown as Video from Tokyo and Kyoto , MoMA Exh. #1259 1979 April 10-June 19.

Circulated domestically and internationally to Long Beach, California, U.S.; Vancouver, Canada; Amsterdam, the Netherlands; Richmond, Virginia; Seattle, Washington; Flint, Michigan; Albuquerque, New Mexico; Allston, Massachussets, U.S.: 1979 June-1980 May.

Also circulated as c/e R-64 1979.

Video from Tokyo To Fukui and Kyoto Was also shown in Japan with another exhibition Video: New York, Seattle and Los Angeles , 21 tapes by 12 artists from 3 states of the U.S., selected by Barbara London.

Circulated to:
Tokyo, Kobe, Fukuoka, Osaka, Sapporo, and Tokyo, Japan: 1980 May-October.

These two exhibitions were also circulated separately, with different numbers: ICE-F-193-80, copy 2 of Video from Tokyo To Fukui and Kyoto , and ICE-F-194-80, copy 2 of Video: New York, Seattle and Los Angeles .

1979-1981
V.ICE-F-186-79.2 Video from Tokyo To Fukui and Kyoto: Japanese Tour

[1¼" binder]
Photo of poster, itineraries, correspondence [1 TL], press releases

Tokyo, Seibu Museum:
Publicity: report, exhibition program, invitation, poster, press clippings

Kobe:
Publicity report, exhibition program, correspondence [2 TLS], press clippings
Photos: installation [10 prints]

Fukuoka:
Publicity: report
Photos: installation [5 prints]

Osaka:
Publicity: correspondence [1 ALS], press clippings
Photos: installation [2 prints]

Sapporo: Publicity: brochures
Photos: installation [13 prints]

Tokyo, Hara Museum of Contemporary Art:
Publicity: report, invitation, brochures, press clippings
Photos: installation [6 prints]

V.ICE-F-193-80.3 Video from Tokyo To Fukui and Kyoto: Zurich

(copy 2) 16 video tapes by Japanese artists selected by Barbara London.

Circulated to:
Zurich, Switzerland: 1981 September-October.
Dispersed 1981.

Includes:
Itinerary and checklist
Publicity: report, excerpts of critical reviews, film schedule, press clippings

V.ICE-F-194-80.4 Video: New York, Seattle and Los Angeles: Zurich

(copy 2) 21 works by 12 artists from 3 states of the U.S. selected by Barbara London.

Circulated to:
Bordeaux, France and Zurich, Switzerland: 1980 November-December.
Dispersed 1981.

Includes:
Itinerary and checklist
Publicity: report, press releases, excerpts of critical reviews, film schedule, press clippings

1979-1980
V.ICE-F-188-79.1 Joseph Cornell: Checklist

8 folders; 2 boxes. ca. 300 works and 10 films selected by Kynaston McShine. Adapted from MoMA Exh. #1297 1980 November 11-1981 January 20.

Circulated to:
London, England; Düsseldorf, Germany; Florence, Italy; Paris, France; Chicago, U.S.: 1981 March-1982 March.

Also circulated as c/e R-83 1982.
Dispersed 1982.

1980-1982
V.ICE-F-188-79.2 Joseph Cornell: Publicity

Re: all venues: itinerary; press clippings and excerpts of critical reviews Photo, unidentified location: packing [1 print]

V.ICE-F-188-79.3 Joseph Cornell: New York

[½" binder]
Publicity: press release, press clippings

V.ICE-F-188-79.4 Joseph Cornell: London

[0.75" binder]
Publicity: press release, program brochures, invitations, film program, press release, poster, correspondence [2 TLS, 3 cablegrams], excerpts of critical reviews, press clippings
Photos: installation [6 prints]

V.ICE-F-188-79.5 Joseph Cornell: Düsseldorf

[0.75" binder]
Publicity: report, press release, invitation, excerpts of critical reviews, press clippings, radio transcripts, posters
Photos: installation and events [7 prints]

V.ICE-F-188-79.6 Joseph Cornell: Florence

[15" binder]
Publicity: press release, report, correspondence [1 TL, 1 TLS], excerpts of critical reviews, press clippings
Photos: events [16 prints], installation [23 prints, 4 transparencies, 5 contact sheets]

V.ICE-F-188-79.7 Joseph Cornell: Paris

[0.5" binder]
Publicity: invitation, press release, correspondence [3 TL], press articles checklist, excerpts of critical reviews, press clippings

V.ICE-F-188-79.8 Joseph Cornell: Chicago

[0.5" binder]
Publicity invitation, press release, press clippings

V.ICE-F-189-79 Contrasts of Form: Geometric Abstract Art , 1910-1980

[cancelled].
See ICE-F-218-85

V.ICE-F-191-79 The Classic American Film, D.W. Griffith Centennial Retrospective, D.W. Griffith Films.

See ICE-F-139-69

V.ICE-F-192-79.1 Mies Van Der Rohe: Barcelona Pavilion: Checklist

5 folders. original drawings, studies, plans, photos, model, Barcelona chair and ottoman selected from the Museum of Modern Art Mies van der Rohe Archive by Ludwig Glaeser. Prepared for showing at the National Gallery of Art, Washington, D.C.: 1979 October-November.

Circulated to:
Barcelona and Bilbao, Spain; Berlin, Germany; Jerusalem, Israel: 1979 December-1980 December.
Dispersed 1980.

1979-1980
V.ICE-F-192-79.2 Mies Van Der Rohe: Barcelona Pavilion: Washington, D.C., U.S.A.

Publicity: brochures, press clippings
Photo: installation [1 slide]

V.ICE-F-192-79.3 Mies Van Der Rohe: Barcelona Pavilion: Barcelona

Publicity: description of exhibition project incl. checklist,"L'Exposicio Internacional de Barcelona del 1929", special issue of Grans Temes l'Aven , no. 3 [n.d.;Catalan], poster

V.ICE-F-192-79.4 Mies Van Der Rohe: Barcelona Pavilion: Bilbao

[0.5" binder]
Publicity: report, excerpts of critical reviews, press clippings
Photos: installation [12 prints]

V.ICE-F-192-79.5 Mies Van Der Rohe: Barcelona Pavilion: Jerusalem

[1" binder]" Publicity: report, correspondence [1 TL], press release, program brochures, poster, invitation, excerpts of critical reviews, press clippings incl. some transl. " Photos: installation [18 prints]

V.ICE-F-195-80.1 Four Modern Masters: de Chirico, Ernst, Magritte, Miró: Itinerary and checklist

8 folders; 2 boxes. 50 works selected by Carolyn Lanchner and Laura Rosenstock.

Circulated to:
São Paulo Brazil; Buenos Aires, Argentina; Caracas, Venezuela; Calgary, Canada: 1981 May-1982 January.
Dispersed 1982

1981-1982
V.ICE-F-195-80.2 Four Modern Masters: de Chirico, Ernst, Magritte, Miró: Publicity

Re: all venues: excerpts of critical reviews

V.ICE-F-195-80.3 Four Modern Masters: de Chirico, Ernst, Magritte, Miró: São Paulo

[1" binder]
Publicity: press release, correspondence [1 cablegram, handwritten notes], excerpts of critical reviews, press clippings, floor plans
Photos: events [7 prints], installation [13 prints, 9 transparencies]

V.ICE-F-195-80.4 Four Modern Masters: de Chirico, Ernst, Magritte, Miró: Buenos Aires

[1.25" binder]
Publicity: report, correspondence [1 TLS], excerpts of critical reviews, press clippings
Photos: installation [13 prints], events [1 print, 1 negative]

V.ICE-F-195-80.5 Four Modern Masters: de Chirico, Ernst, Magritte, Miró: Buenos Aires

Publicity: press clippings

V.ICE-F-195-80.6 Four Modern Masters: de Chirico, Ernst, Magritte, Miró: Caracas

[0.75" binder]
Publicity: brochure, invitation, press releases, excerpts of critical reviews, press clippings
Photos: installation [10 prints], events [4 prints]

V.ICE-F-195-80.7 Four Modern Masters: de Chirico, Ernst, Magritte, Miró: Calgary

[1.25" binder]
Publicity: report, correspondence [1 TLS], invitations, brochures, press releases, press clippings; printed matter: Key To Calgary (November 1981), cultural brochure.
Photos: events [6 prints], installation [29 prints]

V.ICE-F-195-80.8 Four Modern Masters: de Chirico, Ernst, Magritte, Miró: Calgary

Publicity: poster

V.ICE-F-196-81.1 American Abstract Expressionists: Checklist

4 folders. 50 paintings and 7 sculptures, 10 drawings by 26 artists selected by Waldo Rasmussen.
Shown at the Edinburgh International Festival, Edinburgh, Scotland: 1981 August 13-September 12.
Dispersed 1981.

1981
V.ICE-F-196-81.2 American Abstract Expressionists: Edinburgh

[1" binder]
Publicity: festival brochure, press release, excerpts of critical reviews, press clippings
Photos: installation [31 prints]

V.ICE-F-196-81.3 American Abstract Expressionists: Edinburgh

Publicity: festival publication

V.ICE-F-196-81.4 American Abstract Expressionists: Edinburg

Photos: installation [13 contact sheets]

V.ICE-F-197-81.1 Modern Artists as Illustrators: Itinerary and checklist

9 folders. 33 books selected by Riva Castleman.

Circulated to:
Rio de Janeiro, São Paulo, Salvador de Bahia, Recife, and Pôrto Alegre, Brazil; Santiago, Chile; Lima, Peru; Guayaquil, Ecuador; Cali, Medellin, and Barranquilla, Colombia; Caracas, Venezuela; Sydney and Newcastle, Australia; Seoul, Korea; Manila, the Philippines; New Delhi, Calcutta, Baroda, and Bombay, India: 1981 May-1984 April.
Dispersed 1984.

1981-1982
V.ICE-F-197-81.2 Modern Artists as Illustrators: Brazil

[1" binder]
Publicity re: all venues: press release

Rio de Janeiro:
Publicity: excerpts of critical reviews, press clippings

Salvador de Bahia:
Publicity: excerpts of critical reviews

Recife:
Publicity: report, invitation, correspondence [1 TLS, handwritten memo], brochure, posters, excerpts of critical reviews, press release, press clippings
Photos: events [6 prints]
Photos: works in exhibition [17 prints]

V.ICE-F-197-81.3 Modern Artists as Illustrators: Santiago

[0.5" binder]
Publicity: critical reviews, press clippings
Photos: installation and events [4 prints]

V.ICE-F-197-81.4 Modern Artists as Illustrators: Guayaquil

[0.5" binder]
Publicity: report, press clippings, excerpts of critical reviews
Photos: installation [7 prints], events [3 prints]

V.ICE-F-197-81.5 Modern Artists as Illustrators: Colombia

[1.25" binder]
Cali:
Publicity: report, excerpts of critical reviews, press clippings

Medellin:
Publicity: report, invitation, press releases, excerpts of critical reviews, press clippings
Photos: events [14 prints]

Barranquilla:
Publicity: report, poster, invitation, excerpts of critical reviews, press clippings
Photos: installation [12 prints], events [9 prints]

V.ICE-F-197-81.6 Modern Artists as Illustrators: Caracas

[0.25" binder]
Publicity: report, press release, excerpts of critical reviews, press clippings
Photos: installation and events [11 prints]

V.ICE-F-197-81.7 Modern Artists as Illustrators: Newcastle, Australia; Seoul, Korea

[0.5" binder]
Newcastle:
Publicity: report

Seoul:
Publicity: report, press clippings incl. transl.
Photos: works in exhibition [1 print]
Photos: events [6 prints], installation [4 prints]

V.ICE-F-197-81.8 Modern Artists as Illustrators: Manila

[0.25" binder]
Publicity: invitation
Photos: installation [11 prints]

V.ICE-F-197-81.9 Modern Artists as Illustrators: India

[1" binder]
Calcutta:
Publicity: report, checklist, press clippings incl. transl.
Photos: installation [12 prints], events [12 prints]

Baroda:
Publicity: press clippings

Bombay:
Photos: events [5 prints]

V.ICE-F-Unnumbered.1 Artists and Writers , [MoMA Exh. #1219]

91 works selected by William S. Lieberman; adapted from MoMA Exh. #1219 1978 July 10-September 24;

Also circulated as c/e R-46 1978.

Shown in:
Caracas, Venezuela: 1980 May 18-June 29.
Dispersed 1980.

1978-1980
V.ICE-F-Unnumbered.2 Artists and Writers , [MoMA Exh. #1219]: Caracas

[0.5" binder]
Checklist
Publicity: photo of poster, press release, excerpts of critical reviews, press clippings
Photos: installation [13 prints, 15 color transparencies]

1978-1980
V.ICE-F-198-81.1 Giorgio de Chirico: Checklist

7 folders. 75 paintings, 20 drawings selected by William Rubin; adapted from MoMA Exh. #1331 1982 March 30-June 29.

Circulated to:
London, England; Munich, Germany; Paris, France: 1982 August-1983 April.
Dispersed 1983.

1982-1983
V.ICE-F-198-81.2 Giorgio de Chirico: Publicity

Re: all venues: excerpts of critical reviews

V.ICE-F-198-81.3 Giorgio de Chirico: New York

[1" binder]
Publicity: brochure, press release, press clippings

V.ICE-F-198-81.4 Giorgio de Chirico: London

[1.25" binder]
Publicity: report, brochures, invitation, poster, press clippings, correspondence [1 TLS]
Photos: installation [22 prints]

V.ICE-F-198-81.5 Giorgio de Chirico: Munich

[1" binder]
Publicity: report, press release, brochure, invitation, poster, excerpts of critical reviews, press clippings
Photos: installation [31 prints]

V.ICE-F-198-81.6 Giorgio de Chirico: Paris

[1" binder]
Publicity: invitation, excerpts of critical reviews, press clippings
Photos: installation [9 prints]

V.ICE-F-198-81.7 Giorgio de Chirico: Paris

Publicity: press clippings

V.ICE-F-199-81.1 A Century of Modern Drawing from the Museum of Modern Art: Checklist

2 folders. 226 works by 93 artists selected by Bernice Rose. Smaller version for U.S showing. Originally shown as MoMA Exh. #1329 1982 March 1-16.

Circulated to:
London, England; Cleveland, Ohio, U.S.A.; Boston, Massachusetts, U.S.A.: 1982 June-1983 April.
Dispersed 1983.

1982-1983
V.ICE-F-199-81.2 A Century of Modern Drawing from the Museum of Modern Art: All venues

[1.25" binder]

New York:
Photos: installation [9 prints, 1 negative]

London:
Publicity: press releases, report, BBC transcripts, press clippings
Photos: installation [8 prints], events [6 prints]

Cleveland:
Publicity: invitation, correspondence [1 TLS], press clippings

V.ICE-F-200-81.1 Louise Bourgeois: Checklist

4 folders. ca. 100 works, selected by Deborah Wye and Alicia Legg.
Shown as MoMA Exh. #1337 1982 September 29-November 30. Circulated as c/e R-95 1983 March-1984 January. Exh. never circulated abroad.

1982
V.ICE-F-200-81.2 Louise Bourgeois: New York

[0.5" binder]
Publicity: invitation, press release, press clippings
Photos: works in exhibition [12 prints]

V.ICE-F-200-81.3 Louise Bourgeois: New York

Publicity: press kit incl. press releases; artist's and curators' biographies; press clippings
Photos: works in exhibition [5 prints]

V.ICE-F-200-81.4 Louise Bourgeois: New York

Photos: installation [19 prints]

V.ICE-F-201-82.1 Eugene Atget: Fifty New Albumen Prints: Itinerary and checklist

13 folders; 2 boxes. 50 photographs selected by John Szarkowski. Tour in Italy organized by Idea Books, Milan.

Circulated to:
Venice, Florence, Rimini, and Pietrasanta, Italy; Caracas, Venezuela; São Paulo, Rio de Janeiro, Brasilia, and Pôrto Alegre, Brazil; Montevideo, Uruguay; Buenos Aires, Argentina; Santiago, Chile; Cuenca, Quito, and Quayaquil, Ecuador; Bogotá, Medellin, Cali, and Barranquilla, Colombia; San José, Costa Rica; Monterrey, Mexico; Havana, Cuba; Santo domingo, dominican Republic; Ponce, Puerto Rico: 1982 April-1986 August.
Dispersed 1986.

1982-1985
V.ICE-F-201-82.2 Eugene Atget: Fifty New Albumen Prints: Publicity

Re: all venues: reports, memo
Printed matter: Molly Nesbit. "The Use of History," Art in America 74, no. 2 (February 1986): 72-83.

V.ICE-F-201-82.3 Eugene Atget: Fifty New Albumen Prints: Italy

[0.5" binder]

Venice:
Publicity: press releases, invitation, catalogue (photocopy), excerpts of critical reviews, press clippings

Florence:
Publicity: press clippings

Rimini:
Publicity: press clippings
Photos: installation [1 print]

Pietrasanta:
Publicity: report

V.ICE-F-201-82.4 Eugene Atget: Fifty New Albumen Prints: Caracas

[0.5" binder]
Publicity: illustrated checklist incl. transl., correspondence [1 ALS, 1 TLS], report, guest and attendance list, press clippings
Photos: installation [8 prints]

V.ICE-F-201-82.5 Eugene Atget: Fifty New Albumen Prints: Brazil

[1" binder]

São Paulo:
Publicity: brochure, report, excerpts of critical reviews
Photos: installation [4 prints]

Rio de Janeiro:
Publicity: brochure, excerpts of critical reviews, press clippings

Brasilia:
Publicity: report, excerpts of critical reviews, press clippings
Photos: installation and events [12 prints]

Pôrto Alegre:
Publicity: press release, report, excerpts of critical reviews, press clippings
Photos: installation and events [12 prints]

V.ICE-F-201-82.6 Eugene Atget: Fifty New Albumen Prints: Buenos Aires, Argentina; Santiago, Chile

[0.5" binder]

Buenos Aires:
Publicity: reports, excerpts of critical reviews, press clippings
Photos: installation [4 prints]

Santiago:
Publicity: excerpts of critical reviews, press clippings

V.ICE-F-201-82.7 Eugene Atget: Fifty New Albumen Prints: Ecuador

[0.75" binder]

Cuenca:
Publicity: report, excerpts of critical reviews, press clippings

Quito:
Publicity: report, correspondence [1 TLS], excerpts of critical reviews, press clippings
Photos: events [3 prints]

Quayaquil:
Publicity: brochure incl. transl., report, excerpts of critical reviews, press clippings
Photos: events [8 prints]

V.ICE-F-201-82.8 Eugene Atget: Fifty New Albumen Prints: Colombia

[1.25" binder]

Barranquilla:
Publicity: invitation, report, wall text statements by Man Ray, excerpts of critical reviews, press clippings
Photos: installation and events [6 prints]

Cali:
Publicity: invitation, report, posters, excerpts of critical reviews, press clippings
Photos: events [12 prints]

Medellin:
Publicity: press release, correspondence [1 cablegram, 1 TLS tranl.], report, excerpts of critical reviews, press clippings

Bogotá:
Publicity: invitation, conference program, report, brochure, excerpts of critical reviews, press clippings
Photos: installation [3 prints]

V.ICE-F-201-82.9 Eugene Atget: Fifty New Albumen Prints: San José

[0.25" binder]
Publicity: invitation, report, correspondence [1 cablegram], excerpts of critical reviews, press clippings
Photos: events [5 prints], installation [6 prints]

V.ICE-F-201-82.10 Eugene Atget: Fifty New Albumen Prints: Monterrey

[0.75" binder]
Publicity: report, invitation, excerpts of critical reviews, press clippings, press release
Photos: installation [8 prints], events [25 prints]

V.ICE-F-201-82.11 Eugene Atget: Fifty New Albumen Prints: Havana

[0.25" binder]
Publicity: catalogue, press release, excerpts of critical reviews, press clippings

V.ICE-F-201-82.12 Eugene Atget: Fifty New Albumen Prints: Santo domingo

Publicity: report, press release, correspondence [shipping records, 1 TLS], brochure, press clippings [0.25" binder]

V.ICE-F-201-82.13 Eugene Atget: Fifty New Albumen Prints: Ponce

[0.25" binder]
Publicity: report, invitation, excerpts of critical reviews, press clippings

V.ICE-F-202-82.1 Twentieth Century Photographs from the Museum of Modern Art, New York: Checklist

2 folders. ca. 150 works selected by John Szarkowski.

Circulated to:
Tokyo, Japan; Honolulu, Hawaii: 1982 October-1983 February.
Dispersed 1983.

1982-1983
V.ICE-F-202-82.2 Twentieth Century Photographs from the Museum of Modern Art, New York: Tokyo

[15" binder]
Publicity: invitation, brochures, correspondence [1 TLS, 1 TL], report, excerpts of critical reviews, press clippings [some transl.]
Photos: packing [9 prints], hanging [9 prints], installation [67 prints], events [12 prints], Susan Kismaric panel discussion [5 prints]

V.ICE-F-203-82.1 Richard Neutra: from International Style To California Modern: Checklist

5 folders. ca. 100 drawings, 137 photos and text panels, 2 architectural models selected by Arthur Drexler. Originally shown as MoMA Exh. #1333 1982 July 21-August 12.

Circulated to:
Vienna, Austria; Barcelona, Spain; Berlin, Germany: 1982 July-1984 February.
Dispersed 1984.

1982-1984
V.ICE-F-203-82.2 Richard Neutra: from International Style To California Modern: New York

[0.5" binder]
Publicity: press clippings

V.ICE-F-203-82.3 Richard Neutra: from International Style To California Modern: Vienna

[0.75" binder] Publicity: report, invitation, transl. of poster's text, excerpts of critical reviews, press clippings Photos: installation [15 print], events [18 prints]

V.ICE-F-203-82.4 Richard Neutra: from International Style To California Modern: Barcelona

[0.75" binder]
Publicity: correspondence [shipping record], report, excerpts of critical reviews, press clippings incl. some transl.
Photos: installation [19 prints]

V.ICE-F-203-82.5 Richard Neutra: from International Style To California Modern: Berlin

[0.75" binder]
Publicity: correspondence [1 TLS], reports, invitation, supplementary brochure to the catalogue incl. transl., introductory address incl. transl., excerpts of critical reviews, press clippings
Photos: installation and events [11 prints]

V.ICE-F-204-83.1 American Video: Twenty New Works: Checklist

2 folders. 20 videotapes selected by Barbara London for the 4th Biennal of Sydney, Australia: 1982 April 7-May 3.

Circulated to:
Honolulu, Hawaii; Kobe, Kitakyushu, Tokyo, Fukui, and Toyama, Japan: 1983 February-August.
Dispersed 1984.

1982-1983
V.ICE-F-204-83.2 American Video: Twenty New Works: Japanese Tour

[0.75" binder]
Itinerary
Publicity re: all venues: brochure, catalogue foreword by B. London, excerpts of critical reviews

Kobe:
Publicity: report, press clipping (some transl.)
Photos: installation [4 prints]

Kitakyushu:
Publicity: report, press clippings

Tokyo:
Publicity: report, brochure, press clippings
Photos: installation [4 prints]

Fukui:
Publicity: ticket, report, press clippings

Toyama:
Publicity: report, brochure

V.ICE-F-205-83.1 Hollywood Portrait Photographers: 1921-1941: Itinerary and checklist

4 folders. 112 photographs by 24 photographers selected by Mary Corliss and John Kobal. Originally shown as MoMA Exh. #1299 1980 December-1981 February;

Also circulated as c/e R-71 1981-1983.

Circulated to:
Paris, France; Barcelona, Spain; Venice, Italy: 1983 October-1984 June.
Dispersed 1984.

1981-1984
V.ICE-F-205-83.2 Hollywood Portrait Photographers: 1921-1941: Paris

[0.5" binder]
Publicity: excerpts of critical reviews, press clippings
Photo, installation [1 print]

V.ICE-F-205-83.3 Hollywood Portrait Photographers: 1921-1941: Barcelona

[0.75" binder]
Publicity: report, invitation incl. transl., brochure, correspondence [1 TLS], excerpts of critical reviews, press clippings
Photos: events [6 prints]

V.ICE-F-205-83.4 Hollywood Portrait Photographers: 1921-1941: Venice

[0.5" binder]
Publicity: brochure, correspondence [1 TLS], excerpts of critical reviews, press clippings
Photos: installation [2 prints, 8 transparencies]

V.ICE-F-206-83.1 Printed Art of the Seventies: Checklist

2 folders. 93 prints and 35 artists' books selected by Riva Castleman. Exhibition was taken temporarily from its domestic circulation as c/e R-92 1982-1983, for a single showing in Mexico City, Mexico: 1983 May-August.
Dispersed 1983.

1983
V.ICE-F-206-83.2 Printed Art of the Seventies: Mexico

[0.25" binder]
Publicity: handout, correspondence [memo], excerpts of critical reviews, press clippings

V.ICE-F-Unnumbered.1 The Modern American Poster

[loan exh. Reg #634]. 2 folders. 213 posters selected by Stewart Johnson.

Circulated to:
Kyoto and Tokyo, Japan: 1983 October-1984 January.

1983-1984
V.ICE-F-Unnumbered.2 The Modern American Poster: Japan

[1" binder]
Publicity re: all venues: correspondence [1 memo, 4 TLS, 1 TL], brochure, press clippings incl. transl.

Kyoto:
Publicity: report
Photos: installation [3 prints]

Tokyo:
Publicity: report
Photos: installation [18 prints]

V.ICE-F-Unnumbered.3 The Modern American Poster: Japan

Publicity: Idea , no. 183 (March 1984), special issue on The Modern American Poster

V.ICE-F-208-83.1 Pop-Art: Checklist

7 folders. ca. 250 works (sculptures, paintings, drawings, prints) selected by guest curator Henry Geldzahler. Exhibition organized at the request of the Art Gallery of New South Wales, Sydney, for showing in three Australian museums.

Circulated to:
Sydney, Brisbane, and Melbourne, Australia: 1985 February-August.
Dispersed 1975.

1955-1970, 1985
V.ICE-F-208-83.2 Pop-Art: Sydney

[2" binder]
Publicity:
Brochures
Pop art dinner menu
Correspondence [2 TLS, 2 handwritten notes]
Reports, ticket, invitation, press releases incl. Henry Geldzahler's biography
Catalogue's distributed list
Opening speech from exhibition sponsor's (United Technologies Corporation)
Radio transcripts, press clippings
Photos: installation [14 prints]

V.ICE-F-208-83.3 Pop-Art: Brisbane

[1" binder]
Publicity:
Reports
Brochures, invitations
Pop Art dinner menu
Press release
List of art projects supported by exhibition sponsor's (United Technologies Corporation)
Photos: installation [11 prints, 1 negative]

V.ICE-F-208-83.4 Pop-Art: Brisbane

[0.75" binder]
Publicity: attendance report, press clippings

V.ICE-F-208-83.5 Pop-Art: Brisbane

Publicity:
Poster
Printed matter: Technologies Journal , United Technologies Corporation publication 1, no. 1 (1985)
"Pop Knows Best: the Australian Reception of Pop Art 1955-70," Art & Text , Masques, no. 19 (October-December 1985).

V.ICE-F-208-83.6 Pop-Art: Brisbane

Photos: installation [9 contact sheets]

V.ICE-F-208-83.7 Pop-Art: Melbourne

[1" binder]
Publicity: reports, correspondence [1 TLS], brochure, invitation, press clippings
Photos: installation [9 prints]

V.ICE-F-208-83.8 Pop-Art: Photos

Works in exhibition [103 prints]

V.ICE-F-209-83.1 Kurt Schwitters: Itinerary and checklist

11 folders; 2 boxes. ca. 200 works selected by John Elderfield; adapted from MoMA Exh. #1400 1985 June 10-October 1.

Circulated to:
London, England; Hanover, Germany: 1985 November-1986 April.
Dispersed 1986.

1985-1986
V.ICE-F-209-83.2 Kurt Schwitters: All venues

[0.5" binder]
Publicity: press release, excerpts of critical reviews, press clippings

V.ICE-F-209-83.3 Kurt Schwitters: London

[1" binder]
Publicity: report, invitation, leaflet, correspondence [1 TLS, 1 ALS, 1 memo], BBC transcripts, press clippings
Photos: installation [15 prints]

V.ICE-F-209-83.4 Kurt Schwitters: Hanover

[1.25" binder]
Publicity: brochure, invitation, reports, press release, radio transcripts, excerpts of critical reviews, press clippings
Photos: installation [12 prints]

V.ICE-F-209-83.5 Kurt Schwitters: Hanover

Publicity: press clippings

V.ICE-F-209-83.6 Kurt Schwitters: Hanover

Publicity: press clippings

V.ICE-F-209-83.7 Kurt Schwitters: Hanover

[0.5" binder]
Publicity: press clippings

V.ICE-F-209-83.8 Kurt Schwitters: Hanover

[0.5" binder]
Publicity: press clippings

V.ICE-F-209-83.9 Kurt Schwitters: Hanover

[0.75" binder]
Publicity: press clippings

V.ICE-F-209-83.10 Kurt Schwitters: Hanover

[0.75" binder]
Publicity: press clippings

V.ICE-F-209-83.11 Kurt Schwitters: Hanover

Catalogue

V.ICE-F-210-83.1 The Work of Atget: Old France: New York

2 folders. 121 photographs selected by John Szarkowski and Maria Hamburg Morris. Originally shown as MoMA Exh. #1322 1981 October-1982 January;

Also circulated as c/e R-85 1982-1983.

Circulated to:
London, England: 1984 February-March.
Dispersed 1984.

Includes: Publicity: poster, press clippings, press release re: MoMA catalogue [Italian incl. transl.

1982-1984
V.ICE-F-210-83.2 The Work of Atget: Old France: London

[0.5" binder]
Publicity: handout, report, correspondence [2 TLS], press clippings, poster
Photos: installation [6 prints]

Note: Museum Archives documentation on ICE-F-211-84 through ICE-F-233-89 exists only in itineraries, checklists, and catalogues.

V.ICE-F-211-84.1 Irving Penn: Itinerary and checklist

2 folders. ca. 200 works selected by John Szarkowski; adapted from MoMA Exh. #1381 1984 September 12-November 27.

Also circulated as c/e R-99 1985-86.

Circulated to:
Tokyo and Osaka, Japan; Paris, France; London, England; Madrid and Barcelona, Spain; Essen, Germany; Stockholm, Sweden; Humlbaek, Denmark; Oslo, Norway; Helsinki, Finland; Lausanne, Switzerland; Tel Aviv, Israel; Milan, Italy: 1985 April-1989 March.
Dispersed 1989.

1984-1989
V.ICE-F-211-84.2 Irving Penn: Catalogues

Helsinki [1], Stockholm [1]

V.ICE-F-212-84.1 Alvar Aalto: Furniture and Glass: Itinerary and checklist

2 folders. ca. 35 examples of furniture, lighting fixtures, glassware, textiles, and drawings selected by Stewart Johnson; adapted from MoMA Exh. #1383 1984 September 27-November 27; circulated as c/e R-98 1985-86.

Circulated to:
Tokyo, Japan; London, England: 1986 November-1987 September.
Dispersed 1988.

1984-1987
V.ICE-F-212-84.2 Alvar Aalto: Furniture and Glass: Catalogue

Tokyo

V.ICE-F-218-85.1 Contrasts of Form: Geometric Abstract Art: Itinerary and checklist

2 folders. Works from the Riklis collection of the McCrory Corporation selected by John Elderfield in collaboration with Magadalena Dabrowski; adapted from MoMA Exh. #1407 1985 October 2-1986 January 7.

Circulated as Contrasts of Form: Geometric Abstract Art 1910-1980 from the Guggenheim Museum and the Museum of Modern Art, New York To Madrid, Spain; Buenos Aires, Argentina; São Paulo, Brazil; Caracas, Venezuela: 1986 April-1987 January.
Dispersed 1987.

First version of Contrasts of Form: Geometric Abstract Art 1910-1980 , organized as ICE-F-189-79 Constructivism , cancelled.

1910-1980, 1985-1987
V.ICE-F-218-85.2 Contrasts of Form: Geometric Abstract Art: Catalogues

Buenos Aires [1], Madrid [1], São Paulo [1], Caracas [1]

V.ICE-F-219-85.1 Beijing Embassy Collection: Checklist

3 folders. 16 works selected by Waldo Rasmussen, sent to Ambassador Winston Lord for display at the U.S. Embassy Residence in Beijing, China: 1986 May-1988 May.
Dispersed 1988.

1986-1988
V.ICE-F-219-85.2 Beijing Embassy Collection: Photos

Installation: Beijing [3 prints, 2 negatives]

V.ICE-F-219-85.3 Beijing Embassy Collection: Catalogue
V.ICE-F-220-86.1 Frank Stella: 1970-1987: Itinerary and checklist

2 folders. ca. 60 works selected by William Rubin; adapted from MoMA Exh. #1463 1987 October 10-1988 January 5; circulated as c/e R-110 1988-89.

Shown in:
Amsterdam, the Netherlands; Paris, France: 1988 February-1988 October.
Dispersed 1988.

1987-1988
V.ICE-F-220-86.2 Frank Stella: 1970-1987: Catalogue

Paris

V.ICE-F-221-86.1 Jasper Johns: A Print Retrospective: Itinerary and checklist [Japan tour]

2 folders. 173 lithographs, etchings, silk-screen prints, monotypes, and paintings selected by Riva Castleman; adapted from MoMA Exh. #1483 1986 May 19-August 19.

Circulated to:
Frankfurt, Germany; Madrid, Spain; Vienna, Austria: 1986 November-1987 June. Circulated as C/E 1987; continued tour as ICE-F-221-86 to Shibukawa, Osaka, and Kitakyushu, Japan: 1988 May-October.
Dispersed 1988.

1986-1988
V.ICE-F-221-86.2 Jasper Johns: A Print Retrospective: Catalogues

Frankfurt [1], Vienna [1], Madrid [1], Japanese tour [1]

V.ICE-F-223-87.1 The Drawings of Roy Lichtenstein: Itinerary and checklist

2 folders. 275 drawings selected by Bernice Rose; adapted from MoMA Exh. #1443 1987 March 15-June 2.

Circulated to:
Amsterdam, the Netherlands; Tel Aviv, Israel; Dublin, Ireland; Frankfurt, Germany; Oxford, England: 1987 June-1988 July. Returned to U.S. for showing at the Corcoran Gallery, Washington D.C.: 1987 July-1988 November.
Dispersed 1988.

1987-1988
V.ICE-F-223-87.2 The Drawings of Roy Lichtenstein: Catalogue

Frankfurt

V.ICE-F-227-88.1 The Drawings of Philip Guston: Itinerary and checklist

2 folders. ca. 150 works on paper selected by Magdalena Dabrowski; adapted from MoMA Exh. #1494 1988 September 8-November 14.

Circulated to:
Amsterdam, the Netherlands; Barcelona, Spain; Oxford, England; Dublin, Ireland; Rome, Italy: 1989 January-November.
Dispersed 1989.

1988-1989
V.ICE-F-227-88.2 The Drawings of Philip Guston: Catalogues

Barcelona [1], Rome [1]

V.ICE-F-228-88.1 Andy Warhol: A Retrospective: Itinerary and checklist

2 folders. ca. 150 works selected by Kynaston McShine; adapted from MoMA Exh. #1510 1989 February 6-May 2, also shown at the Art Institute of Chicago 1989 May 31-August 13.

Circulated to:
London, England; Cologne, Germany; Venice, Italy; Paris, France: 1989 September-1990 September.
Dispersed 1990.

1989-1990
V.ICE-F-228-88.2 Andy Warhol: A Retrospective: Catalogue

Paris [1]

V.ICE-F-231-89.1 Nicholas Nixon: Pictures of People: Itinerary and checklist

2 folders. 85 works selected by Peter Galassi; adapted from MoMA Exh. #1496 1988 September 14-November 13; circulated as c/e R-112 1989-91.

Shown in:
Paris, France; London, England; Barcelona, Spain; Porto, Portugal: 1990 January-December. Returned to U.S. 1990 December and continued its domestic circulation.

1988-1990
V.ICE-F-231-89.2 Nicholas Nixon: Pictures of People: Catalogue

Porto [1]

V.ICE-F-232-89.1 Garry Winogrand: Figments from the Real World: Itinerary and checklist

2 folders. ca. 200 works selected by John Szarkowski; adapted from MoMA Exh. #1486 1988 May 15-August 16.

Circulated to:
Turin, Italy; London, England; Barcelona, Spain; Essen, Germany; Paris, France: 1990 September-1991 November.
Dispersed 1991.

1988-1991
V.ICE-F-232-89.2 Garry Winogrand: Figments from the Real World: Catalogue

MoMA publication/Italian

V.ICE-F-233-89.1 The Prints of Andy Warhol: Itinerary and checklist

2 folders. ca. 100 works selected by Riva Castleman.

Circulated to:
Jouy-en-Josas, France; Prague, Czekoslovakia; Dresden, Germany; Budapest, Hungary; Warsaw, Poland: 1990 June-1991 July.
Dispersed 1991.

1990-1991
V.ICE-F-233-89.2 The Prints of Andy Warhol: Catalogues

Jouy-en-Josas [1], Prague [1], Dresden [1]

V.ICE-F-233-89.3 The Prints of Andy Warhol: Catalogues

Installation: Prague [18 prints]


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Series VI. ICE-D documentation

Folder Title Date
VI.ICE-D-1-53 The Modern Movement in Italy: Checklist

4 folders 5". 16 text panels and 72 photo panels selected by Ada Louise Huxtable. Adapted from The Modern Movement in Italy: Architecture and Design (MoMA Exh. #565, 1954 August 18-September 6).

See alsoC/E Records II.1/81(1).

1953-1958
VI.ICE-D. 1-53.2 The Modern Movement in Italy: Photos

Photo panels of works in exhibition
131 negatives

VI.ICE-D. 1-53.3 The Modern Movement in Italy: Photos

Works in exhibition
10 prints, 3 negatives

VI.ICE-D.1-53.4 The Modern Movement in Italy: Photos

Text panels in exhibition
[81 negatives

VI.ICE-D-2-53.1 The Architecture of Japan: Checklists

2.5"4 folders; 2 boxes: 79 panels of photographs, plans, and drawings of Japanese architecture. Material provided with the help of the Japanese Consulate in New York, in cooperation with the Japanese Ministry of Foreign Affairs and the Society for Cultural Relations, Tokyo.

See alsoC/E Records II.1/36(1).

1953-1958
VI.ICE-D.-2-53.2 The Architecture of Japan: Photos

Works in exhibition
50 negatives

VI.ICE-D.-2-53.3 The Architecture of Japan: Photos

Works in exhibition
93 negatives

VI.ICE-D.-2-53.4 The Architecture of Japan: Photos

Text panels in exhibition
39 negatives

VI.ICE-D-3-53.1 Abstract Japanese Calligraphy: Checklists

1 folder. ca. 40 works by 35 artists selected by Arthur Drexler in Japan from material provided by the Japanese Society of Calligraphy; adapted from Modern Abstract Japanese Calligraphy (MoMA Exh. #561, 1954 June 22-September 19). Small version of 12 prints organized specifically for the Farnsworth Art Museum, Wellesley College: 1957 March.

See alsoC/E Records II.1/32(2).

1955-1957
VI.ICE-D-4-54.1 The Conquest of Istanbul as Seen in Paintings by Turkish Children: Checklist

3 folders. Originally titled Paintings by Turkish Children . 50 paintings selected by Elsa Schmidt from an exhibition of children's paintings in commemoration of the 500th Anniversary of the Conquest of Constantinople (1453). Exhibition held in Istanbul in 1953, under the auspices of the Ministry of Education and organized by Davut Akidil, School Inspector.

See alsoC/E Records II.1/90(4).

1954-1957
VI.ICE-D-4-54. 2 The Conquest of Istanbul as Seen in Paintings by Turkish Children: Publicity

Press release, notes re: exhibition for broadcast, press clippings; correspondence [ALS, TL]
3 memos

VI.ICE-D-4-54.3 The Conquest of Istanbul as Seen in Paintings by Turkish Children: Catalogue material

Estimated costs, introduction, sample layout
Catalogue: Istanbul

VI.ICE-D-5-54.1 Modern Textiles and Ornamental Arts of India: Itinerary and checklist

2 folders. ca. 120 objects (fabrics and ornaments from museums and private collections in India, England and U.S.; contemporary textiles, jewelry, and crafts) organized by Edgar Kaufmann, Jr. and Alexander Girard. Adapted from MoMA Exh. #576, 1955 April 11-September 25, directed by Monroe Wheeler.

See alsoC/E Records II.1/83(2).

1955-1958
VI.ICE-D-5-54.2 Modern Textiles and Ornamental Arts of India: Publicity

Press releases, press analysis, lenders list, memo
Photos: installation, 2 negatives

VI.ICE-D-6-54 Latin American Architecture Since 1945

See ICE-F-33-57

VI.ICE-D-10-56 Latin American Architecture Since 1945

See ICE-F-33-57

VI.ICE-D-11-56.1 The Graphic Work of Edvard Munch: Checklist

4 folders. 100 lithographs, woodcuts, and etchings. Exhibition organized in collaboration with the Norwegian Government and brought to the U.S. under the auspices of the International Program. Adapted from MoMA Exh. #614, 1957 February 6-March 3.

See alsoC/E Records II.1/62(11).

1957-1958
VI.ICE-D-11-56.2 The Graphic Work of Edvard Munch: Publicity

Press release, reports

VI.ICE-D-11-56.3 The Graphic Work of Edvard Munch: Publicity

Correspondence
5 TLS, 8 TL, 5 memos, 4 draft TL, 1 telegram, 2 bills

VI.ICE-D-11-56.4 The Graphic Work of Edvard Munch: Publicity

Press clippings

VI.ICE-D-12-64.1 Art Israel: 26 Painters and Sculptors: Itinerary; checklist; installation instructions; price list

5 folders. 85 works by 26 artists selected by William C. Seitz. Organized under the auspices of the International Council and the America-Israel Cultural Foundation, Inc.

See also C/E Records II.2/137(2). Additional research material was dispersed into the Museum Library's collections in 1984.

1964-1968
VI.ICE-D-12-64.2 Art Israel: 26 Painters and Sculptors: Publicity

Correspondence [3 memos], excerpts of critical reviews, press clippings

VI.ICE-D-12-64.3 Art Israel: 26 Painters and Sculptors: Publicity

Press clippings
1" binder

VI.ICE-D-12-64.4 Art Israel: 26 Painters and Sculptors: Photos

Works in exhibition
82 prints; 2" binder

VI.ICE-D-12-64.5 Art Israel: 26 Painters and Sculptors: Catalogue

MoMA publication

VI.ICE-D-13-64.1 The New Japanese Painting and Sculpture: Itinerary and checklist

19 folders; 5 boxes. 106 paintings and sculptures by 46 artists, selected by dorothy C. Miller and William S. Lieberman. Organized in collaboration with the San Francisco Museum of Art, under the sponsorship of the International Council of The Museum of Modern Art.

See alsoC/E Records II.1/138(4).

1965-1967
VI.ICE-D-13-64.2 The New Japanese Painting and Sculpture: Publicity

Press releases, invitations

VI.ICE-D-13-64.3 The New Japanese Painting and Sculpture: Publicity

Press clippings

VI.ICE-D-13-64.4 The New Japanese Painting and Sculpture: Publicity

Press clippings
10.5" binder

VI.ICE-D-13-64.5 The New Japanese Painting and Sculpture: Photos

Works in exhibition
58 prints; 1" binder

VI.ICE-D-13-64.6 The New Japanese Painting and Sculpture: Photos

Works in exhibition
52 prints; 1" binder

VI.ICE-D-13-64.7 The New Japanese Painting and Sculpture: Photos

Works in exhibition and artists' portraits
24 slides; 5x7" envelope

VI.ICE-D-13-64.8 The New Japanese Painting and Sculpture: Photos

Works in exhibition and artists' portraits
67 strip negatives; 9x11" envelopes

VI.ICE-D-13-64.9 The New Japanese Painting and Sculpture: Condition photos

24 prints

VI.ICE-D-13-64.10 The New Japanese Painting and Sculpture: Photos

Installation: San Francisco [6 contact sheets]
MoMA [23 prints]
0.5" binder)

VI.ICE-D-13-64.11 The New Japanese Painting and Sculpture: Photos

Events: MoMA
13 prints, 3 contact sheets

VI.ICE-D-13-64.12 The New Japanese Painting and Sculpture: Film

Re: artists [b/w, 16mm]
Film available for viewing in The Museum of Modern Art Film Study Center.

VI.ICE-D-13-64.13 The New Japanese Painting and Sculpture: Artist file #1

Lenders list, artists' addresses, unidentified correspondence

VI.ICE-D-13-64.14 The New Japanese Painting and Sculpture: Artist file #2

Arranged alphabetically by artist: A-K
42 file folders: incl. biographical questionnaires, correspondence, brochures, invitations and/or photos.

VI.ICE-D-13-64.15 The New Japanese Painting and Sculpture: Artists' file #3

Arranged alphabetically by artist: M-Y
51 file folders: incl. biographical questionnaires, correspondence, brochures, invitations and/or photos.

VI.ICE-D-13-64.16 The New Japanese Painting and Sculpture: Catalogue material

Artists' biographies

VI.ICE-D-13-64.17 The New Japanese Painting and Sculpture: Catalogue material

List of works, captions

VI.ICE-D-13-64.18 The New Japanese Painting and Sculpture: Printed Matter

Forum, New York Japan Society public programs, 1953-1964

VI.ICE-D-13-64.19 The New Japanese Painting and Sculpture: Catalogues

London

New York's 20th Century West Galleries Ltd. Words of a Painter, Taiji Kiyokawa

University of Champaign, Ill.: Contemporary Paintings collected by Larry Aldrich since 1951

Tokyo's Nihonbashi Gallery brochure

VI.ICE-D-18-64 Anthropological Cinema

See ICE-F-178-76


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Series VII. SP-ICE documentation

Folder Title Date
VII.SP-ICE-1-52.1 U.S. Selections for Berlin Trade Fair: Itinerary and checklist

6 folders. well-designed American household objects selected by guest curator Eric Quell (Cornell University, College of Architecture), circulated by the Mutual Security Agency to Berlin (Industrial Trade Fair), Stuttgart, Hanover, and Hamburg, Germany; Vienna, Austria; Paris, France; Milan, Italy: 1952 September-1954 April.

1952
VII.SP-ICE-1-52.2 U.S. Selections for Berlin Trade Fair: Publicity

Reports, correspondence
1 memo, 1 TLS

VII.SP-ICE-1-52.3 U.S. Selections for Berlin Trade Fair: Publicity

Illustrated report [incl.]
14 photos

VII.SP-ICE-1-52.4 U.S. Selections for Berlin Trade Fair: Exhibition “script”
VII.SP-ICE-1-52.5 U.S. Selections for Berlin Trade Fair: Photos

Installation: Berlin
50 prints

VII.SP-ICE-1-52.6 U.S. Selections for Berlin Trade Fair: Photos

Installation: Berlin [48 prints], Paris [3 prints

VII.SP-ICE-2-53.1 American Design for Home and Decorative Use: Itinerary and checklist

5 folders; 2 boxes and oversize Box 181. 312 objects produced in the U.S. Exhibition assembled at the request of the U.S.I.A. for circulation to Helsinki, Finland; Göteborg, Sweden; Oslo, Bergen, and Stravanger, Norway; Copenhagen and Aarhus, Denmark; Ostende and Liege, Belgium; Milan, Turin, Genoa, Florence, Naples, and Padua, Italy: 1953 October-1955 June.
Dispersed 1955.

1953
VII.SP-ICE-2-53.2 American Design for Home and Decorative Use: Publicity

Report, press analysis.

See also Box 181 [oversize]

VII.SP-ICE-2-53.3 American Design for Home and Decorative Use: Photos

Works in exhibition
50 prints; 2" binder

VII.SP-ICE-2-53.4 American Design for Home and Decorative Use: Photos

Installation and events:
Helsinki [8 prints]
Oslo [2 prints]
Copenhagen [8 prints]
Aarhus [6 prints]
Padua [1 print]
Florence [4 prints]
Naples [1 print]
Milan [18 prints]

VII.SP-ICE-2-53.5 American Design for Home and Decorative Use: Catalogue

Helsinki

VII.SP-ICE-3-53.1 U.S. Representation: International Sculpture Competition, the Unknown Political Prisoner: Itinerary and checklist

4 folders. 11 works by 11 sculptors selected by a national jury composed of Andrew C. Ritchie (MoMA), Daniel C. Rich (Art Institute of Chicago), Hans Swarenski (Boston Museum of Fine Art), Charles Seymour (Yale University Art Gallery) and Henri Marceau (Philadelphia Museum of Art). Adapted from MoMA Exh. #529, 1953 January 27-February 8.

Circulated to:
London, England for international jury. Winners' maquettes were exhibited at the Tate Gallery, London, England: 1953 March-April Dispersed 1953.

1953
VII.SP-ICE-3-53.2 U.S. Representation: International Sculpture Competition, the Unknown Political Prisoner: Publicity

Report, brochure [MoMA

VII.SP-ICE-3-53.3 U.S. Representation: International Sculpture Competition, the Unknown Political Prisoner: Photos

Works in exhibition
12 prints

VII.SP-ICE-3-53.4 U.S. Representation: International Sculpture Competition, the Unknown Political Prisoner: Photos

Works in exhibition [11 prints]
Installation [New York, 4 prints] and artists' portraits [9 prints]
(1.5" binder)

VII.SP-ICE-4-53.1 U.S. Representation: International Poster Exhibition: Itinerary and checklist; publicity report

1 folder. 43 posters by 23 designers selected by Mildred Constantine. Exhibition assembled at the request of the U.S.I.A.

Circulated to:
Berlin, Germany: 1953 April.

1953
VII.SP-ICE-5-54.1 U.S. Representation: Tenth Inter-American Conference: Itinerary and checklist; publicity report

1 folder. 1 painting each by 6 artists selected by Margaret Miller. Exhibition sponsored by the Secretary General of the Organization of American States.

Shown in:
Caracas, Venezuela: 1954 March 1-April 10.
Dispersed 1954.

1954
VII.SP-ICE-6-54.1 U.S. Representation: International Poster Exhibition: Itinerary and checklist; publicity report

1 folder. 39 posters by 19 designers selected by Mildred Constantine. Exhibition assembled at the request of the U.S.I.A.

Shown in:
Vienna, Austria: 1954 August.
Dispersed 1954.

1954
VII.SP-ICE-7-54.1 De David à Toulouse-Lautrec: Itinerary and checklist

16 folders; 2 boxes and oversize Box 185.
55 paintings, 40 watercolors and drawings from the 19th century, borrowed from American museums and private collections, selected by an American committee and sponsored by the U.S. Embassy in Paris and the French Government as part of Salute to France, A series of interdisciplinary cultural events.
The International Council assisted the Selection Committee and was responsible for administrative costs and organizational arrangements. the Metropolitan Museum of Art assisted with loans, catalogue, circulation, and special events.

Shown in:
Paris, France: 1955 April-20-July 5.
Dispersed 1955.

1955
VII.SP-ICE-7-54.2 De David à Toulouse-Lautrec: Publicity

Correspondence [2 TL], publicity reports with summary of press reactions

VII.SP-ICE-7-54.3 De David à Toulouse-Lautrec: Publicity

Press clippings
0.5" binder

VII.SP-ICE-7-54.4 De David à Toulouse-Lautrec: Publicity

Press clippings
1" binder

VII.SP-ICE-7-54.5 De David à Toulouse-Lautrec: Publicity

Press clippings in scrapbook.
See Volume I,
1.5" binder, Box 185 [oversize]

VII.SP-ICE-7-54.6 De David à Toulouse-Lautrec: Publicity

Press clippings in scrapbook. See Volume II, 1.25" binder, Box 185 [oversize]

VII.SP-ICE-7-54.7 De David à Toulouse-Lautrec: Publicity

Press clippings, special edition of U.S.I.S. Bi-weekly magazine.
SeeBox 185 [oversize]

VII.SP-ICE-7-54.8 De David à Toulouse-Lautrec: Publicity

Press clippings.
See15x11.5" envelope, Box 185 [oversize]

VII.SP-ICE-7-54.9 De David à Toulouse-Lautrec: Photos

Works in exhibition
55 prints, 54 negatives; 2" binder

VII.SP-ICE-7-54.10 De David à Toulouse-Lautrec: Photos

Works in exhibition
40 prints, 42 negatives; 1" binder

VII.SP-ICE-7-54.11 De David à Toulouse-Lautrec: Floor plans

9x11" envelope

VII.SP-ICE-7-54.12 De David à Toulouse-Lautrec: Photos

Loading and unpacking
31 prints; [0.75"] binder

VII.SP-ICE-7-54.13 De David à Toulouse-Lautrec: Photos

Installation and attendance
38 prints, 2 contact sheets, 1 negative; 1" binder

VII.SP-ICE-7-54.14 De David à Toulouse-Lautrec: Photos

Events: Paris
96 prints, 13 negatives; 2" binder

VII.SP-ICE-7-54.15 De David à Toulouse-Lautrec: Catalogue

Paris

VII.SP-ICE-7-54.16 De David à Toulouse-Lautrec: Printed Matter

Theodore Rousseau (Metropolitan Museum of Art). “De David à Toulouse-Lautrec,” Art et Style, No. 34 (1955).

“Salut à la France” [special issue], Informations et documents, No. 26 (April 15 1955)

VII.SP-ICE-8-55.1 U.S. Representation: III Bienal do Museu de Arte Moderna, São Paulo: Pacific Coast Art: Itinerary and checklist

3 folders. 98 paintings, drawings, prints, and sculptures by West Coast artists. Exhibition organized by the San Francisco Museum of Art at the invitation of MoMA in collaboration with the Los Angeles County Museum. Transportation and installation of exhibition was partly funded by the MoMA International Council.

Circulated to São Paulo, Brazil: 1955 July 2-October 12; and Rio de Janeiro, Brazil: 1955 October 31-December 11.

1955
VII.SP-ICE-8-55.2 U.S. Representation: III Bienal do Museu de Arte Moderna, São Paulo: Pacific Coast Art: Publicity

Reports

VII.SP-ICE-8-55.3 U.S. Representation: III Bienal do Museu de Arte Moderna, São Paulo: Pacific Coast Art: Photos

Installation and events:
São Paulo [13 prints]
Rio de Janeiro [1 print]

Note: For SP-ICE 9-55, Built in U.S.A.: Post-War Architecture, see ICE-F-10-53, ICE-F-12-53

VII.SP-ICE-10-55.1 The Family of Man: Itineraries

14 folders; 2 boxes.
503 photo panels, 50 text panels selected by Edward Steichen with the assistance of Wayne Miller. Originally shown at MoMA (Exh. #569, 1955 January 24-May 8).
Circulated as C/E, 1956-57 (copy as shown at MoMA) and C/E, 1957-58 (small version of 75 photo panels excerpted from MoMA Exh. #569). Original MoMA version and C/E, 1956-57, was sold to the U.S.I.A., 1957 August, for circulation abroad. Duplicates of MoMA Exh. #569, with minor changes, were commissioned by the U.S.I.A. for circulation to other parts of the world (copies 1, 2, 3, 4 and Japanese version).

(?) indicates a venue about which documentation is contradictory.

Copy 1 for circulation in Europe
circulated to:
Berlin and Munich, Germany; Paris, France; Amsterdam, the Netherlands; Brussels, Belgium; London, England; Rome, Italy; Belgrade, Yugoslavia; Vienna, Austria; (?)Hamburg, (?)Hanover, and (?) Frankfurt, Germany; Aarhus, Aalborg, and Odense, Denmark; Moscow, USSR (See SP-ICE-24-59); Helsinki, Finland; Rotterdam, the Netherlands; Milan, Italy: 1955 September-1962.
Dispersed 1962.

Copy 2 for circulation in Latin America and Asia
circulated to:
Guatemala City, Guatemala; Mexico City, Mexico; Bombay, Agra, New Delhi, Ahmadabad, Calcutta, Madras, and Trivandrum, India; Colombo, Ceylon; Salisbury, Southern Rhodesia/Zimbabwe; Johannesburg, Capetown, Durban, Pretoria, Windhoek, Port Elizabeth and Uitenhage, South Africa; Nairobi, British East Africa/Kenya; Cairo, United Arab Republic/Egypt; Kabul, Afghanistan; Tehran, Iran: 1955 June-1963.
Dispersed 1963.

Copy 3 for circulation in Scandinavia and Northern Europe
circulated to:
Oslo, Norway; Stockholm, Göteborg, and Helsingborg, Sweden; Reykjavik, Iceland; Copenhagen, Denmark; Basel, Zurich, Geneva, (?)Berne, (?)St. Gall, Switzerland; Zagreb, Yugoslavia; Milan, Turin, and Florence, Italy; Warsaw, Wroclaw, Walbrzych, Jelenia Gorá, Cracow, Poznan, Dabrowa Górnicza, Poland; (?)Ghent, Belgium; Luxembourg, Luxembourg: 1957 January-1965. Exhibition given along with ICE-F-101-65 The Bitter Years (also curated by Edward Steichen) to the Luxembourg government at Steichen's request for permanent display at the Common Market Headquarters, Luxembourg, 1965. Definitive installation inaugurated 1975 May 15.

Copy 4 for circulation in Latin America
circulated to:
Havana, Cuba; Caracas, Venezuela; Santiago, Chile; Montevideo, Uruguay; Melbourne, Sydney, Brisbane, and Adelaide, Australia; Bientani, Laos; Djakarta, Indonesia: 1957 March-1962 January.
Dispersed 1962.

Japanese Version, sponsored by Nihon Keizai, Shimbun Publications, exhibition produced in Japan from negatives and layout provided by MoMA:

Large version circulated to Tokyo, Osaka, Nagoya, Fukuoka, Tokyo, Kyoto, Okayama, Hiroshima, Shizuoka.

Smaller version circulated to Sendai, Akita, Hakodate, Niigata, Sapporo.

Smaller version circulated to Sasebo, Kokura, Kagoshima, Miyazaki, Kumamoto, Oita.

Another version (?) circulated to Yokohama, Utsunomiya, Matsuyama, Takamatsu, Himeji, Tottori, Kanazawa: 1956 March-1957 July.

In addition to these copies and versions, SP-ICE-10-55 also circulated as ICE-F-14-55, SP-ICE-18-57 and SP-ICE-24-59.

1955-1965
VII.SP-ICE-10-55.2 The Family of Man: Steichen Archive material

Itineraries, registrar card catalogue, memo

VII.SP-ICE-10-55.3 The Family of Man: Publicity

Correspondence [4 TL; 2 memos]
Draft reports, invitations [9x11" envelope

VII.SP-ICE-10-55.4 The Family of Man: Photos

Installation: MoMA, NY
52 prints; 1.5" binder

VII.SP-ICE-10-55.5 The Family of Man: Photos

Installation and events: Berlin
47 prints

VII.SP-ICE-10-55.6 The Family of Man: Photos

Installation and events:
Guatemala City [3 prints]
Munich [1 print]
Paris [3 prints]
Brussels [1 slide]
Bombay [3 prints]
London [14 prints]
Rome [6 prints]
Oslo [2 prints]
Stockholm [1 print]
Belgrade [4 prints, 1 negative]
Johannesburg [1 print]

VII.SP-ICE-10-55.7 The Family of Man: Photos

Installation: Salisbury
34 prints; 0.5" binder

VII.SP-ICE-10-55.8 The Family of Man: Photos

Installation: Tokyo [35 prints, 36 photostats incl. floor plans]

VII.SP-ICE-10-55.9 The Family of Man: Printed matter

“ `The Family of Man' Photographic Exhibition,” Coca-Cola Overseas 11, no. 6 (December 1958): 12-15.

VII.SP-ICE-18-57 The Family of Man: Original version

Refurbished, circulated to Tel Aviv, Israel; Athens, Greece; Beirut, Lebanon: 1957-1958.
Dispersed 1958.

VII.SP-ICE-24-59.10 The Family of Man Refurbishment of copy 1: Publicity

Presented at the American National Exhibition in Moscow, U.S.S.R.: 1959 January 24-May 8.
Subsidized by the Rockefeller Brothers Fund ($15,000).

Correspondence [1 TLS, 4 TL, 3 memos, 1 handwritten memo], statistics of photos published in press

VII.SP-ICE-24-59.11 The Family of Man Refurbishment of copy 1: Publicity

Press clippings

VII.SP-ICE-24-59.12 The Family of Man Refurbishment of copy 1: Publicity

Press clippings

VII.SP-ICE-24-59.13 The Family of Man Refurbishment of copy 1: Photos, Installation and Events

Moscow
25 prints, 3 b/w negatives, 10 color negatives; 1" binder

VII.SP-ICE-24-59.14 The Family of Man Refurbishment of copy 1: Catalog

Moscow

Printed matter:
Arlene Hannes. “Open door in Moscow, the American National Exhibition,” Arts & Architecture 76, no. 9 (September 1959): 10-13, 28.

VII.SP-ICE-11-55.1 American Posters: 1935-1955: Itinerary; publicity report

2 folders. 61 posters by 23 designers selected by Mildred Constantine. Exhibition assembled at the request of U.S.I.A. for circulation to Hamburg and Essen, Germany: 1955 June-October.
Dispersed 1955.

1955
VII.SP-ICE-11-55.2 American Posters: 1935-1955: Photos

Installation: Essen
3 prints

VII.SP-ICE-12-56.1 Twentieth Century Design in Europe and America from the Collections of the Museum of Modern Art, New York: Itinerary and checklist

6 folders; 2 boxes. 300 items selected by Arthur Drexler and Greta Daniel. Exhibition prepared at the request of the National Museum of Art, Tokyo, with a grant from the Japan Society and assistance from the Asahi Press, Tokyo.

Circulated to:
Tokyo, Osaka, Kokura, and Fuokoa, Japan: 1957 February-May.
Dispersed 1957.

1957
VII.SP-ICE-12-56.2 Twentieth Century Design in Europe and America from the Collections of the Museum of Modern Art, New York: Publicity

Press release, report

VII.SP-ICE-12-56.3 Twentieth Century Design in Europe and America from the Collections of the Museum of Modern Art, New York: Photos

Works in exhibition
87 prints; 2" binder

VII.SP-ICE-12-56.4 Twentieth Century Design in Europe and America from the Collections of the Museum of Modern Art, New York: Photos

Installation [30 prints, 2 negatives]
Events [4 prints]
Condition photos [7 prints]
(1" binder)

VII.SP-ICE-12-56.5 Twentieth Century Design in Europe and America from the Collections of the Museum of Modern Art, New York: Catalogue material

0.5" binder

VII.SP-ICE-12-56.6 Twentieth Century Design in Europe and America from the Collections of the Museum of Modern Art, New York: Catalogues

Tokyo [1]; printed matter [Japanese, 6]

VII.SP-ICE-15-56.1 U.S. Representation: III International Contemporary Art Exhibition, India: Itinerary and checklist

3 folders. 13 paintings by 9 American artists selected by Sam Hunter at the invitation of the All-India Fine Arts and Crafts Society. Exhibition sponsored by the Ford Foundation in collaboration with the Indian government.

Circulated to:
New Delhi, Ahmadabad, Hyderabad, Calcutta, India: 1957 February-June.
Dispersed 1957 August.

1957
VII.SP-ICE-15-56.2 U.S. Representation: III International Contemporary Art Exhibition, India: Publicity

Press release, publicity report

VII.SP-ICE-15-56.3 U.S. Representation: III International Contemporary Art Exhibition, India: Photos

Works in exhibition
13 prints, 6 negatives; 0.5" binder

VII.SP-ICE-16-57.1 U.S. Representation: IV International Art Exhibition, Japan: Itinerary and checklist

4 folders. 15 paintings by 15 American artists selected by Frank O'Hara. Exhibition sponsored by the Mainichi Newspapers; circulated under the auspices of the Japanese Ministry of Foreign Affairs to Tokyo, Osaka, Ube, Fukuoka, Sasebo, Kumamoto, Hiroshima, Takamatsu, and Nagoya, Japan: 1957 May-November.
Dispersed 1957.

1957
VII.SP-ICE-16-57.2 U.S. Representation: IV International Art Exhibition, Japan: Publicity

Press release, publicity report

VII.SP-ICE-16-57.3 U.S. Representation: IV International Art Exhibition, Japan: Photos

Works in exhibition
15 prints, 2 negatives; 0.5" binder
Photos, events: Tokyo, 6 prints

VII.SP-ICE-16-57.4 U.S. Representation: IV International Art Exhibition, Japan: Catalogue

Japanese tour

VII.SP-ICE-17-57.1 Design Today in America and Europe: Itinerary and checklist

8 folders; 1 box and oversize Box 182. ca. 300 objects produced in the U.S. and Europe selected by Greta Daniel. Exhibition sponsored by the Indian government in collaboration with the Ford Foundation; circulated to New Delhi, Madras, Bangalore, Cuttack, Hyderabad, Ahmadabad, Bombay, Calcutta, and Kanpur, India: 1958 March-1961. donated to the Indian government to form the basis of a permanent design collection in Ahmadabad, India.

1959-1961
VII.SP-ICE-17-57.2 Design Today in America and Europe: Publicity

Press release

VII.SP-ICE-17-57.3 Design Today in America and Europe: Photos

Works in exhibition
94 prints; 2.25" binder

VII.SP-ICE-17-57.4 Design Today in America and Europe: Registrar photos

Works in exhibition [13 prints, incl. Registrar records].
SeeBox 182 [oversize

VII.SP-ICE-17-57.5 Design Today in America and Europe: Photos

Events:
Madras [4 prints]
Bombay [3 prints]
Bangalore [3 prints]
Calcutta [4 prints]
Ahmadabad [3 prints]

VII.SP-ICE-17-57.6 Design Today in America and Europe: Photos

Installation and events: Amritsar
30 prints, 4 negatives stats

VII.SP-ICE-17-57.7 Design Today in America and Europe: Photos

Installation: New Delhi
36 prints, 3 photostats
Photos, events: New Delhi
22 prints

VII.SP-ICE-17-57.8 Design Today in America and Europe: Catalogue

Indian tour

Note: For SP-ICE-18-57, The Family of Man, see SP-ICE-10-55 and SP-ICE-24-59

VII.SP-ICE-19-57.1 Executive Board Room of Unesco Headquarters Building, Paris: Itinerary

7 folders; 1 box and oversize Box 182. the design and furnishing of the Executive Board Committee Room (Philip Johnson, architect) was administered by the MoMA International Council at the request of the U.S. Department of State and U.S. Commission for UNESCO with funds from 19 American donor organizations. Inaugurated 1958 November 3.

1958
VII.SP-ICE-19-57.2 Executive Board Room of Unesco Headquarters Building, Paris: Publicity

Draft releases

VII.SP-ICE-19-57.3 Executive Board Room of Unesco Headquarters Building, Paris: Publicity

Correspondence [12 TL], 6 memos, cable, photo requisition form

VII.SP-ICE-19-57.4 Executive Board Room of Unesco Headquarters Building, Paris: Report

Advisory Committee to the Department of State re: an Art Program for UNESCO, 1946 June 24

VII.SP-ICE-19-57.5 Executive Board Room of Unesco Headquarters Building, Paris: Floor plans

See Box 182 oversize

VII.SP-ICE-19-57.6 Executive Board Room of Unesco Headquarters Building, Paris: Photos

Views of building [10 prints, 2 oversize photos]
See Box 182 oversize

VII.SP-ICE-19-57.7 Executive Board Room of Unesco Headquarters Building, Paris: Printed matter

Courrier de l'UNESCO, no. 11 (November 1958), special issue re: UNESCO's New Headquarters.

Note: For SP-ICE-20-57, Built in U.S.A.: Postwar Architecture, see ICE-F-10-53 and ICE-F-12-53

VII.SP-ICE-21-58.1 French Drawings from American Collections: Clouet To Matisse: Itinerary and checklist

20 folders; 5 boxes. 224 drawings by 68 artists selected by a committee under the auspices of the MoMA International Council. Exhibition sponsored in the Netherlands by the Boysmans Museum; in France by the Ministry of Education and Ministry of Foreign Affairs in collaboration with U.S. Embassy in Paris.

Circulated to:
Rotterdam, the Netherlands; Paris, France; New York (The Metropolitan Museum of Art): 1958 July-1959 March.
Dispersed 1959.

1958-1959
VII.SP-ICE-21-58.2 French Drawings from American Collections: Clouet To Matisse: Publicity

Press releases, drafts publicity reports

VII.SP-ICE-21-58.3 French Drawings from American Collections: Clouet To Matisse: Publicity

Correspondence [4 TL, memo]

VII.SP-ICE-21-58.4 French Drawings from American Collections: Clouet To Matisse: Publicity

Excerpts of critical reviews

VII.SP-ICE-21-58.5 French Drawings from American Collections: Clouet To Matisse: Publicity

Press clippings [U.S.]
.0.25" binder

VII.SP-ICE-21-58.6 French Drawings from American Collections: Clouet To Matisse: Publicity

Press clippings [The Netherlands]
1.5" binder

VII.SP-ICE-21-58.7 French Drawings from American Collections: Clouet To Matisse: Publicity

Press clippings [France]
1.25" binder

VII.SP-ICE-21-58.8 French Drawings from American Collections: Clouet To Matisse: Publicity

Press clippings
2" binder

VII.SP-ICE-21-58.9 French Drawings from American Collections: Clouet To Matisse: Photos

For publicity
35 prints; 1.25" binder

VII.SP-ICE-21-58.10 French Drawings from American Collections: Clouet To Matisse: Condition photos

113 prints, 3 slides; 2.5" binder

VII.SP-ICE-21-58.11 French Drawings from American Collections: Clouet To Matisse: Condition photos

93 prints, 4 slides; 2.5" binder

VII.SP-ICE-21-58.12 French Drawings from American Collections: Clouet To Matisse: Photos

Works in exhibition chronologically arranged: 16th, 17th centuries
94 prints; 2.25" binder

VII.SP-ICE-21-58.13 French Drawings from American Collections: Clouet To Matisse: Photos

Works in exhibition: David - Impressionists
55 prints; 1" binder

VII.SP-ICE-21-58.14 French Drawings from American Collections: Clouet To Matisse: Photos

Works in exhibition: Impressionists - Post-Impressionists
75 prints; 1.25" binder

VII.SP-ICE-21-58.15 French Drawings from American Collections: Clouet To Matisse: Photos

Installation: Paris
14 prints
Photos, events: Paris
40 prints

VII.SP-ICE-21-58.16 French Drawings from American Collections: Clouet To Matisse: Photos

Events: Paris [40 prints] and photo captions

VII.SP-ICE-21-58.17 French Drawings from American Collections: Clouet To Matisse: Photos

Installation: Rotterdam
14 prints, 1 negative

VII.SP-ICE-21-58.18 French Drawings from American Collections: Clouet To Matisse: Photos

Installation: New York
13 prints

VII.SP-ICE-21-58.19 French Drawings from American Collections: Clouet To Matisse: Catalogues

Paris [1], Rotterdam [1], New York [1

VII.SP-ICE-21-58.20 French Drawings from American Collections: Clouet To Matisse: Printed matter

Roseline Bacou. “Collections Américaines/Dessins Français,” L'Oeil, No. 46 (October 1958): 36-43.

J. Bouchot-Saupique. “Les Dessins Français dans les Collections Américaines,” Art & Style, No. 47 [n.d.].

Informations & documents, no. 92 (October 15, 1958): 18-25.

VII.SP-ICE-22-58.1 20th Century Italian Art from American Collections: Itinerary and checklist

7 folders; 2 boxes. 191 paintings, sculptures, and drawings selected by James Thrall Soby with the assistance of Frank O'Hara; organized by a committee under the auspices of MoMA International Council. Sponsored in Italy by the Italian Ministry of Foreign Affairs, the Ente Manifestazione Milanesi, the Commission for the Palazzo Reale, Milan and the Galleria Nazionale d'Arte Moderna, Rome.

Circulated to:
Milan and Rome, Italy: 1960 April-September. Returned to New York for a special exhibition at the Santini Brothers Warehouse, New York: 1960 October 24-26.
Dispersed 1960.

1960
VII.SP-ICE-22-58.2 20th Century Italian Art from American Collections: Publicity

Press release, press clippings [9x11" envelope], installation floor plans

VII.SP-ICE-22-58.3 20th Century Italian Art from American Collections: Publicity

Press clippings
1.25" binder

VII.SP-ICE-22-58.4 20th Century Italian Art from American Collections: Photos

Installation: Milan [48 prints], New York [5 prints]
Photos: poster and publication
3 prints]; (1" binder)

VII.SP-ICE-22-58.5 20th Century Italian Art from American Collections: Photos

Works in exhibition alphabetically arranged by artists: Volume I. Afro - de Pisis
98 prints; 2" binder

VII.SP-ICE-22-58.6 20th Century Italian Art from American Collections: Photos

Works in exhibition alphabetically arranged by artists: Volume II. Fiazzini - Viani
94 prints; 10.5" binder

VII.SP-ICE-22-58.7 20th Century Italian Art from American Collections: Catalogue

Milan
Printed matter: L'Anno Culturale 1960 (sponsor's publication).

Note: For SP-ICE-23-59 Art in Embassies, see Series App.A

For IV.SP-ICE-24-59 The Family of Man, see SP-ICE-10-55

VII.SP-ICE-27-61.1 The Artist in His Studio: Itinerary and checklist

4 folders; 20.5". 141 black and white and color photographs of painters and sculptors of the School of Paris selected by Alexander Liberman; adapted from MoMA Exh. #653, 1959 October 29-1960 January 13, circulated as C/E 59-8, 1960-1964.

Circulated to:
London, England; Paris and Le Havre, France; Brussels, Belgium; Marseilles, Besançon, Villeurbanne, Longwy-Bas, Chalon-sur-Sˇaone, Boulogne-sur-Seine, Bourges, Vichy, and Amiens, France; Nairobi, Kenya; Kampala, Uganda; Salisbury, Southern Rhodesia; Cape Town, South Africa: 1961 July-1966 March.
Dispersed 1966.

1961-1966
VII.SP-ICE-27-61.2 The Artist in His Studio: Publicity

Press release, publicity report, correspondence [memo], BBC radio transcript, brochures [Brussels]

VII.SP-ICE-27-61.3 The Artist in His Studio: Publicity

Press clippings
[0.5" binder]

VII.SP-ICE-27-61.4 The Artist in His Studio: Photos

installation: Salisbury
[9 prints]

VII.SP-ICE-28-61.1 Children's Art Carnival in India: Itinerary

9 folders. A toy gallery and workshop for children's enjoyment and instruction and a training center for art teachers, organized by Victor D'Amico, Director of MoMA Education Department. The Carnival was presented annually at the Museum of Modern Art. in 1957, the U.S. Government commissioned duplicates of the Carnival for circulating to International Trade Fairs in Milan, Italy and Barcelona, Spain and in 1958, for presentation in the U.S. Pavilion of the Brussels World's Fair, Belgium.

Donated to the National Children's Museum of India (New Delhi) by Mrs. John F. Kennedy, the International Council, and the Asia Society in 1962 February, the exhibition was inaugurated in New Delhi, India: 1963 October 26.

Also shown as Works from the Children's Art Carnival (MoMA Exh. #755, 1965 February 2-26).

Circulated domestically as Paintings and Collages from the Children's Art Carnival , C/E 66-2, 1966-69: 60 works, photographs, and text panels selected by Victor D'Amico.

1957-1963
VII.SP-ICE-28-61.2 Children's Art Carnival in India: Publicity

Press releases

VII.SP-ICE-28-61.3 Children's Art Carnival in India: Publicity

Correspondence
[6 TL]

VII.SP-ICE-28-61.4 Children's Art Carnival in India: Publicity

Press clippings
[0.25" binder]

VII.SP-ICE-28-61.5 Children's Art Carnival in India: Publicity

illustrated proposal for Children's Art Education Center
[25 photostats]

VII.SP-ICE-28-61.6 Children's Art Carnival in India: Photos

installation and events: Brussels
[8 prints]

VII.SP-ICE-28-61.7 Children's Art Carnival in India: Photos

installation and events: Milan
[52 prints]

VII.SP-ICE-28-61.8 Children's Art Carnival in India: Photos

installation and events: Barcelona
[31 prints]

VII.SP-ICE-28-61.9 Children's Art Carnival in India: Photos

installation and events: New Delhi
[35 prints, 8 negatives]

VII.SP-ICE-29-62.1 Umberto Boccioni: His Graphic Art: Itinerary and checklist

[4 folders].73 drawings and prints selected by William S. Lieberman and Elaine Johnson from the collection of M/M Harry L. Winston. Adapted from Umberto Boccioni: Drawings and Etchings from the Collection of Mr. & Mrs. Harry L. Winston (MoMA Exh. #686, 1961 May 30-August 6);

Also circulated as C/E 61-7, 1962-1964.

Shown in:
Amsterdam, the Netherlands: 1962 April-May. Returned to the U.S. for domestic circulation then shown in London, Manchester, and Leeds, England; Aberdeen, Scotland: 1964 September-1965 January.
Dispersed 1965.

1961-1965
VII.SP-ICE-29-62.2 Umberto Boccioni: His Graphic Art: Publicity

Press release and press clippings
[0.25" binder]

VII.SP-ICE-29-62.3 Umberto Boccioni: His Graphic Art: Photos

installation: London
[4 prints]

VII.SP-ICE-29-62.4 Umberto Boccioni: His Graphic Art: Catalogues

Amsterdam [1], British tour [1]

VII.SP-ICE-30-62.1 Two Decades of American Painting 1945-1965: Itinerary and checklists

27 folders; 5 boxes; 20.5". 111 paintings by 35 artists selected by Waldo Rasmussen. Exhibited in Japan under the auspices of the Japanese Government and the American Embassy in Japan in cooperation with the Asahi Shimbun Press and the National Museum of Art (Tokyo).

Circulated to:
Tokyo and Kyoto, Japan; New Delhi, India; Melbourne and Sydney, Australia: 1966 October-1967 August.
Dispersed 1967.

A related film program circulated under two titles: The Experimental Film in U.S.A. and The Personal Film: Twenty Years of Short Film in the United States. Exhibited in connection with SP-ICE-30-62 in Japan, Australia, India and Ceylon.

Circulated to:
Hong Kong at the request of the Cultural Affairs Officer of the U.S.I.S. after the Japanese showing, ca. 1967. A separate Indian-Singalese tour of the film program was arranged at the request of the Lalit Kalā Akademi of New Delhi and the U.S. Embassy in New Delhi; sponsored by the U.S.I.S. in New Delhi, with donald Ritchie as lecturer.

Circulated to:
Calcutta, Bombay, Ahmadabad, Poona, Madras, Colombo, Kandy, Trivandrum, Hyderabad: 1967 November-December.

Files not retained by the International Program, Department of Registration, Exhibition Program, or by Film Department of The Museum of Modern Art.

1966-1967
VII.SP-ICE-30-62.2 Two Decades of American Painting 1945-1965: Publicity

Press releases, Waldo Rasmussen biographical note, W. Rasmussen interview, invitations and poster
[9x11" envelope]

VII.SP-ICE-30-62.3 Two Decades of American Painting 1945-1965: Publicity

Reports

VII.SP-ICE-30-62.4 Two Decades of American Painting 1945-1965: Publicity

excerpts of critical reviews

VII.SP-ICE-30-62.5 Two Decades of American Painting 1945-1965: Publicity

Re: film program: itinerary, correspondence [memo], press releases, U.S.I.S. bibliography, invitations
[6x9" envelope]

VII.SP-ICE-30-62.6 Two Decades of American Painting 1945-1965: Publicity

Re: film program: publicity reports, donald Ritchie's lecture schedule

VII.SP-ICE-30-62.7 Two Decades of American Painting 1945-1965: Publicity

Re: film program: press clippings

VII.SP-ICE-30-62.8 Two Decades of American Painting 1945-1965: Publicity

5"
Press clippings [all venues]
2.5" binder

VII.SP-ICE-30-62.9 Two Decades of American Painting 1945-1965: Publicity

Press clippings [all venues]

VII.SP-ICE-30-62.10 Two Decades of American Painting 1945-1965: Publicity

Press clippings [Japan]
[0.75"]" binder

VII.SP-ICE-30-62.11 Two Decades of American Painting 1945-1965: Publicity

Press clippings [Japan]

VII.SP-ICE-30-62.12 Two Decades of American Painting 1945-1965: Publicity

Press clippings [India]

VII.SP-ICE-30-62.13 Two Decades of American Painting 1945-1965: Publicity

Press clippings [Australia]

VII.SP-ICE-30-62.14 Two Decades of American Painting 1945-1965: Photos

works in exhibition alphabetically arranged by artist: Volume I. Albers - Lichtenstein
[52 prints; 10.5" binder]

VII.SP-ICE-30-62.15 Two Decades of American Painting 1945-1965: Photos

Works in exhibition alphabetically arranged by artist: Volume II. Louis - Warhol
[63 prints; 1 [0.75"]" binder]

VII.SP-ICE-30-62.16 Two Decades of American Painting 1945-1965: Condition photos

[99 prints; 10.5" binder]

VII.SP-ICE-30-62.17 Two Decades of American Painting 1945-1965: Condition photos

[103 prints; 10.25" binder]

VII.SP-ICE-30-62.18 Two Decades of American Painting 1945-1965: Photos

Installation: Tokyo and Kyoto
[73 prints, 9 contact sheets; 10.5" binder]

VII.SP-ICE-30-62.19 Two Decades of American Painting 1945-1965: Photos

Installation: Tokyo [13 prints, 94 negative strips in 9x11" envelope], unidentified location [30]

VII.SP-ICE-30-62.20 Two Decades of American Painting 1945-1965: Photos

installation and events: Sydney [5 prints], New Delhi [20 prints, 1 contact sheet]

VII.SP-ICE-30-62.21 Two Decades of American Painting 1945-1965: Photos

Packing and unloading: Melbourne [3 prints], New Delhi [43 prints]

VII.SP-ICE-30-62.22 Two Decades of American Painting 1945-1965: Photos

installation re: film program: Madras
[1 print]
Photos, events: Bombay
[5 prints]

VII.SP-ICE-30-62.23 Two Decades of American Painting 1945-1965: Catalogue material

Preface by Waldo Rasmussen, acknowledgments, artists' biographies

VII.SP-ICE-30-62.24 Two Decades of American Painting 1945-1965: Catalogues

MoMA publication [1], Japan [1], Australia [1]

VII.SP-ICE-30-62.25 Two Decades of American Painting 1945-1965: Printed matter, Australia

Australian News and Information Bureau, Reference Paper (July 1965).

Art Gallery of New South Wales Quarterly 1, no. 2 (January 1960).

Broadsheet of the Contemporary Art Society of Australia: film and exhibition programs (July 1967).

VII.SP-ICE-30-62.26 Two Decades of American Painting 1945-1965: Printed matter, India

New Delhi Lalit Kalā Akademi art symposium program New Delhi Lalit Kalā Akademi brochure

New Delhi Bahawalpur House leaflet re: film program

Films checklist [Bombay, 1]

Link 9, no. 35 (April 9, 1967): 39-40.

John Acton. “Two Decades of American Painting,” Lalit Kalā Contemporary no.6 (April 1967): 42-43.

The Century 4, no. 46 (April 1, 1967): 17-19.

Span 7, no. 3 (March 1967): 20-29.

VII.SP-ICE-30-62.27 Two Decades of American Painting 1945-1965: Printed matter, Japan

Mizue, no. 741 (October 1966) [no transl.].

Yoshiaki Tono. “Before and After the Pop Art,” Mizue, no. 742 (November 1966) [1, incl. 2 Engl. transl.].

Hariu Ichiro. “The False Image and Reality of American Painting,” Mizue no. 743 (December 1966): 13-16, 29-30 [2 Engl. transl., no original].

Japanese periodicals, undentified

Life (Asia ed.) 41, no. 8 (October 17, 1966): 52-56.

VII.SP-ICE-31-62.1 U. S. Representation: Sculpture in the City: Itinerary and checklist

6 folders. 82 sculptures by 52 artists selected by Peter Selz for the FESTIVAL OF TWO WORLDS, Spoleto, Italy. Subsidized by the International Council. Spoleto, Italy: 1962 June 21-July 22.
Dispersed 1962. See alsoICE-F-44-60 Modern American Drawings, 1961-1962.

1962
VII.SP-ICE-31-62.2 U. S. Representation: Sculpture in the City

Note to file by Pearl L. Moeller

VII.SP-ICE-31-62.3 U. S. Representation: Sculpture in the City: Publicity

press clippings

VII.SP-ICE-31-62.4 U. S. Representation: Sculpture in the City: Photos

works in exhibition
[9 prints; 0.5" binder]

VII.SP-ICE-31-62.5 U. S. Representation: Sculpture in the City: Catalogue

material: artists' biographies

VII.SP-ICE-31-62.6 U. S. Representation: Sculpture in the City: Printed matter

Paquerette Villeneuve. “Les Arts Plastiques à Spoleto,” Aujourd'hui, Art et Architecture, no. 38 (September 1962): 42-45.

Domus, no. 394 (September 1962).

FESTIVAL OF TWO WORLDS catalogue

VII.SP-ICE-32-62.1 Recent American Painting and Sculpture: Itinerary and checklist

2 folders. 34 works by 20 artists selected by Alicia Legg; organized for the Finish National Union of Students Headquarters (Helsinki), sponsored by the Program for Young American Culture of Yale University (New Haven).
Shown during the Helsinki Youth Festival. Helsinki, Finland: 1962 July 23-August 7. Circulated domestically as C/E 61-17, 1961-63.

1962
VII.SP-ICE-32-62.2 Recent American Painting and Sculpture: Publicity

Press clippings
[0.5" binder]

VII.SP-ICE-35-65.1 School of Paris: Paintings from the Florence May Schoenborn and Samuel A. Marx Collection: Itinerary and checklist

2 folders. 82 prints by 52 artists selected by Monroe Wheeler and Elaine Johnson; adapted from MoMA Exh. #779, 1965 November 2-1966 January 2,

Also circulated as C/E, 1965 and c/e R-43, 1977.

Shown in:
Mexico City, Mexico: 1966 July 2-August 16, under the joint auspices of the International Council and the Instituto Nacional de Bellas Artes.
Dispersed 1966.

1965-1966
VII.SP-ICE-35-65.2 School of Paris: Paintings from the Florence May Schoenborn and Samuel A. Marx Collection: Publicity

Press clippings
[1" binder]


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Series VIII. International Circulating Exhibitions Publications Program: Publicity Material and Correspondence

18 folders. Incl. correspondence, publicity material, and brochures; MoMA publications and exhibitions were exchanged or given to international venues as a corollary to the International Circulating Exhibitions program.

Folder Title Date
VIII.1 International Publications Program: publications distributed 1953-1955
VIII.2 International Publications Program: foreign editions of MoMA books 1953-1956
VIII.3 Presentation of MoMA Publications to Instituto di Storia dell'Arte, Palermo, Italia 5/10/1957
VIII.4 Presentation of MoMA Publications to Biblioteca Nacional del Peru 5/10/1957
VIII.5 Presentation of MoMA Publications to Le Centre d'Art, Port-au-Prince, Haiti 5/10/1957
VIII.6 Presentation of Publications to Society of Polish Architects, Warsaw, Poland 7/24/1957
VIII.7 Presentation of Publications to Orszagos Szepmuveszeti Museum, Budapest, Hungary 10/22/1957
VIII.8 Presentation of Publications to University of the Punjab, Lahore, West Pakistan 1/22/1958
VIII.9 Distribution of MoMA Publications to “Iron Curtain” countries: Free Europe Committee
VIII.10 Book presentation, Galleria d'Arte Moderna, Rome 1958
VIII.11 Book presentation, Galleria d'Arte Moderna, Rome 1958
VIII.12 Incoming requests and proposals for publications
VIII.13 Publications distributed 1956
VIII.14 Publications distributed 1957
VIII.15 Publications distributed 1958
VIII.16 Publications distributed 1959
VIII.17 Publications distributed 1960-61
VIII.18 Publications distributed 1962-1964

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Appendix A. SP-ICE-23-59 Art in Embassies Documentation

 

Subseries I. Art in Embassies Summary of Projects

10 folders. An Art in Embassies Committee was formed in 1960 by the International Council to assemble loan collections of American art for the residences of U.S. Ambassadors abroad. the program terminated in 1970 when the U.S. Department of State undertook a similar program. Between 1960 and 1970, 41 collections were prepared for embassies in Europe, Asia, Africa, and Latin America.

Folder Title Date
App.A.I.1 Organization of Program: Correspondence and Publicity

embassy exhibitions list

“Art in Embassies Summary of Projects Completed through July 1968”

“Status of Collections Currently Installed”

description of the program; 2 memos re: organization of Art in Embassies papers

App.A.I.2 Organization of Program: “Checklists and Complete Project Listing (Collections Installed in March 1967)”
App.A.I.3 Organization of Program: “Checklists and Complete Project Listing (Collections Terminated in March 1967)”
App.A.I.4 Organization of Program: Publicity

Press clippings

App.A.I.5 Organization of Program: Publicity

Press clippings

App.A.I.6 Organization of Program: Printed matter

Helen M. Franc. “A Program of Art Exhibitions Abroad,” News Bulletin, Institute of International Education 33, no. 4 (December 1957): 7-16.

Helen M. Franc. “To Reflect the True Image,” Overseas 2, no. 3 (November 1962): 7-10.
Installation photos used to illustrate Franc's article for News Bulletin
[11 negatives]

App.A.I.7 Promotional Events: MoMA Picture Story

14 photo panels, 12 text panels prepared as a photographic exhibition for promotion purposes; shown in conjunction with ICE-F-36-57 The New American Painting, 1958-1959.

Checklist Wall texts [English, German]

Floor plans: layout of photo panels in exhibition

Photos: photo panels of installation, events and works in exhibition, [14 photostats]

Photos: wall texts [4 negatives]

1959
App.A.I.8 Promotional Evets: MoMA Picture Story, American Embassy, London

14 photo panels, 12 text panels prepared as a photographic exhibition for promotion purposes, held at the American Embassy, London 1961 March-April.

Checklist

Photos, installation: London, [6 prints]

Catalogue: Modern American Painting (exhibition held at the American Embassy, London 1961 May 26-June 10).

1961
App.A.I.9 Promotional Evets: MoMA Picture Story, Penthouse installation, New York

Photos, New York: installation, [11 prints]

1963
App.A.I.10 Promotional Evets: MoMA Picture Story, Santini Brothers Warehouse, New York

Photographs of installations, events, and packing techniques, selected to demonstrate the preparation of embassy exhibitions.

The exhibition, based on the forthcoming example of the Warsaw Art in Embassies project (1962 August-1964 May) was shown in the Santini Brothers Warehouse for invited representatives of the art world, press, and Museum staff.

See also 172, Warsaw Embassy.

Photos, installation: New York [8 prints]

6/19/1962
 

Subseries II. Works Available from American Collections for Art in Embassies Loan Exhibitions

The Art in Embassies project drew from the Museum's collection, collections of other institutions, and private collections.

Binder Title
App.A.II.1 The Albright Art Gallery, Buffalo, New York: Photos

Works in exhibition
[6 prints]

App.A.II.2 Boston Museum of Fine Arts, for Rome Embassy: Checklist Photos

[0.25" binder]
Works in exhibition
[13 photostats]

App.A.II.3 Columbus Gallery of Fine Arts, Columbus, Ohio: Photos

Works in exhibition
[23 prints]

App.A.II.4 The downtown Gallery, New York: Checklist Photos

Works in exhibition
[18 prints]

App.A.II.5 William A. Farnsworth Art Museum, Rockland, Maine: Photos

Works in exhibition
[7 prints]

App.A.II.6 Norma and John Marin, Jr. Collection: Photos

Works in exhibition
[4 prints]

App.A.II.7 Philadelphia Museum of Art: Photos

Works in exhibition
[6 prints, 1 slide]

App.A.II.8 San Francisco Museum of Art: Photos

Works in exhibition
[4 prints]

App.A.II.9 Whitney Museum of American Art, New York: Checklist Photos

Works in exhibition
[16 prints]

 

Subseries III. Art in Embassies Program

Records are arranged in alphabetical order by city for Boxes 160-172; documentation includes checklists, photos, and floor plans.

Folder Title
App.A.III.1 Abidjan, Ivory Coast: Checklist
App.A.III.2 Abidjan, Ivory Coast: Photos

Works in exhibition incl. artists' biographies and statements [31 prints; 1.25" binder]

App.A.III.3 Addis Ababa, Ethiopia: Checklist; Photos

Works in exhibition incl. artists' biographies [7 prints; 0.25" binder]

App.A.III.4 Addis Ababa, Ethiopia: Photo

Installation [11 prints]

App.A.III.5 Ankara, Turkey: Checklist
App.A.III.6 Ankara, Turkey: Photo

Works in exhibition incl. artists' biographies [12 prints; 0.5" binder]

App.A.III.7 Ankara, Turkey: Photo

Installation incl. floor plans [15 prints; 0.5" binder]

App.A.III.8 Bangkok, Thailand: Checklist
App.A.III.9 Bangkok, Thailand: Photo

Installation [8 prints; 0.25" binder]

App.A.III.10 Belgrade, Yugoslavia: Checklist
App.A.III.11 Belgrade, Yugoslavia: Photo

Installation [23 prints; 1" binder]

App.A.III.12 Bogotá, Colombia: Checklist
App.A.III.13 Bogotá, Colombia: Photo

Works in exhibition incl. artists' biographies [17 prints; 1.5" binder]

App.A.III.14 Bonn, Germany: Checklist
App.A.III.15 Bonn, Germany: Photo

Works in exhibition incl. artists' biographies [18 prints; 1" binder]

App.A.III.16 Bonn, Germany: Photo

Works in exhibition incl. checklist [19 prints; 0.5" binder]

App.A.III.17 Bonn, Germany: Photo

Installation
Bonn/Bad Godesberg [19 prints and memo; 1" binder]

App.A.III.18 Brussels, Belgium: Checklist
App.A.III.19 Brussels, Belgium: Condition photos

[16 prints; 0.5" binder]

App.A.III.20 Brussels, Belgium: Photo

Works in exhibition incl. checklist and artists' biographies [47; 1.5" binder]

App.A.III.21 Bucharest, Romania: Checklist; catalogue
App.A.III.22 Bucharest, Romania: Photo

Works in exhibition incl. artists' biographies [32; 1.25" binder]

App.A.III.23 Budapest, Hungary: Checklist
App.A.III.24 Budapest, Hungary: Photo

Works in exhibition, incl. condition photos, checklist, artists' biographies and statements [48 prints; 1" binder]

App.A.III.25 Copenhagen, Denmark: Checklist
App.A.III.26 Copenhagen, Denmark: Photo

Works in exhibition incl. artists' biographies [9 prints; 0.5" binder]

App.A.III.27 Copenhagen, Denmark: Photo

Installation [9 prints; 0.5" binder]

App.A.III.28 Dakar, Senegal: Photo

Installation incl. 2 floor plans [1 print; 0.25" binder]

App.A.III.29 Damascus, Syria: Checklist
App.A.III.30 Damascus, Syria: Photo

Works in exhibition incl. artists' biographies [37 prints; 10.25" binder]

App.A.III.31 Damascus, Syria: Condition photos

[18 prints; 0.5" binder]

App.A.III.32 Djakarta, Indonesia: Photo

Installation [12 prints]

App.A.III.33 The Hague, the Netherlands: Photo

Works in exhibition incl. checklist and artists' biographies [6 prints; ¼"0.25" binder]

App.A.III.34 Helsinki, Finland: Checklist
App.A.III.35 Helsinki, Finland: Photo

Installation [33 prints; .25" binder]

App.A.III.36 Lagos, Nigeria: Checklist
App.A.III.37 Lagos, Nigeria: Photo

Works in exhibition incl. artists' biographies and statements [27 prints; 1.25" binder]

App.A.III.38 Lagos, Nigeria: Photo

Works in exhibition incl. checklist [16 prints; 0.25" binder]

App.A.III.39 Lagos, Nigeria: Photo

events [6 prints; 0.25" binder]

App.A.III.40 Lagos, Nigeria: Floor plans
App.A.III.41 Lima, Peru: Checklist
App.A.III.42 Lima, Peru: Photo

Installation incl. floor plan and instructions re: furniture [7 prints, 3 contact sheets; 0.25" binder]

App.A.III.43 Lisbon, Portugal: Checklist
App.A.III.44 Lisbon, Portugal: Photo

Works in exhibition incl. checklist [10 prints; 0.75" binder]

App.A.III.45 Lisbon, Portugal: Photo

Installation [37 prints; 1" binder]

App.A.III.46 Madrid, Spain: Photo

Installation [15 prints; 0.25" binder]

App.A.III.47 Manila, the Philippines: Checklist
App.A.III.48 Manila, the Philippines: Photo

Installation incl. floor plans [19 prints; 0.5" binder]

Works in exhibition [24 prints]

App.A.III.49 Mexico City, Mexico: Checklist
App.A.III.50 Mexico City, Mexico: Photo

Works in exhibition incl. checklist and artists' biographies [31 prints; 1.25" binder]

App.A.III.51 Mexico City, Mexico: Photo

Works in exhibition incl. artists' biographies [26 prints; 1" binder]

App.A.III.52 Mexico City, Mexico: Photo

Works in exhibition [29 prints; 1" binder]

App.A.III.53 Mexico City, Mexico: Photo

Installation [9 prints, 13 transparency strips, 6 slides; 0.5" binder]

App.A.III.54 Mexico City, Mexico: Catalogue; invitation
App.A.III.55 Montréal, Canada: Checklist
App.A.III.56 Montréal, Canada: Photo

Works in exhibition incl. artists' biographies and statements [37 prints; 1" binder]

App.A.III.57 Moscow, U.S.S.R.:Checklist and catalogue
App.A.III.58 New Delhi, India: Checklist
App.A.III.59 New Delhi, India: Photo

Works in exhibition incl. artists' biographies [12 prints; 0.5" binder]

App.A.III.60 New Delhi, India: Photo

Works in exhibition incl. artists' biographies [12 prints; 0.5" binder]

App.A.III.61 New Delhi, India: Photo

events and installation [13 prints; 0.25" binder]

App.A.III.62 New Delhi, India: Catalogue
App.A.III.63 Ottawa, Canada: Photo

Works in exhibition incl. checklist [4 prints; 0.25" binder]

App.A.III.64 Paris, France: Checklist
App.A.III.65 Paris, France: Photo

Works in exhibition [19 prints; 0.25" binder]

App.A.III.66 Paris, France: Condition photos

[24 prints; 0.5" binder]

App.A.III.67 Paris, France: Photo

Works in exhibition incl. checklist, artists' biographies and statements [18 prints; 0/5" binder]

App.A.III.68 Paris, France: Photo

Installation [12 prints; 0.25" binder]

App.A.III.69 Prague, Czechoslovakia: Checklist
App.A.III.70 Prague, Czechoslovakia: Artists' biographies and statements

Photo installation [6 prints; 0.5" binder]

App.A.III.71 Reykjavik, Iceland: Checklist
App.A.III.72 Reykjavik, Iceland: Photo

Works in exhibition incl. checklist, artists' biographies [7 prints; 0.25" binder]

App.A.III.73 Reykjavik, Iceland: Photo

Installation [13 prints; 0.25" binder]

App.A.III.74 Santiago, Chile: Checklist
App.A.III.75 Santiago, Chile: Photo

Works in exhibition incl. artists' biographies and statements [35 prints; 1.25" binder]

App.A.III.76 Santiago, Chile: Condition photos

[20 prints; 0.75" binder]

App.A.III.77 Santiago, Chile: Photo

Installation [4 prints]

App.A.III.78 Tokyo, Japan: Checklist
App.A.III.79 Tokyo, Japan: Photo

Works in exhibition incl. artists' biographies [24 prints; 1" binder]

App.A.III.80 Tokyo, Japan: Photo

Works in exhibition incl. artists' biographies [24 negatives; 1" binder]

App.A.III.81 Tokyo, Japan: Photo

Installation incl. floor plans [44 prints; 1" binder]

App.A.III.82 Tokyo, Japan: Catalogue
App.A.III.83 United Nations Mission, New York, U.S.A.: Checklist
App.A.III.84 United Nations Mission, New York, U.S.A.: Photo

Works in exhibition incl. artists' biographies [14 prints; 0.5" binder]

App.A.III.85 United Nations Mission, New York, U.S.A.: Photo

Works in exhibition incl. artists' biographies [6 prints; 0.75" binder]

App.A.III.86 United Nations Mission, New York, U.S.A.: Condition photos

[11 prints, 1 negative; 0/5" binder]

App.A.III.87 United Nations Mission, New York, U.S.A.: Photo

Installation [2 prints, 1 contact sheet]

App.A.III.88 Warsaw, Poland: Checklist
App.A.III.89 Warsaw, Poland: Description of Art in Embassies project

artists' biographies [Polish]

App.A.III.90 Warsaw, Poland: Photo

Works in exhibition [35 prints; 1.5" binder]

App.A.III.91 Warsaw, Poland: Photo

Installation [16 photostats; 1.5" binder]

App.A.III.92 Warsaw, Poland: Photo

Installation [21 prints; 0.75" binder]

See also Box 159, Organization of Papers, Art in Embassies Promotional Events, Santini Brothers Warehouse, 1962 June. the warehouse exhibition included samples from the Warsaw Embassy showing.

App.A.III.93 Yaounde, Cameroun: Checklist
App.A.III.94 Yaounde, Cameroun: Photo

Works in exhibition incl. artists' biographies [15 prints], installation [6 prints]; (1.25" binder)


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Box and Folder List

Series Box Folder
I.1 1 I.1.1-I.1.10
I.2 1a I.2.1-I.2.8
II 2 II.1-II.3.4
III 3 III.1.1-III.2.7
III 4 III.2.8-III.2.14
IV 181 IV.1-IV.3
V 5 V.V.ICE-F-1-52.1-V.ICE-F-3-53.3
V 6 V.ICE-F-3-53.4-V.ICE-F-3-53.8
V 7 V.ICE-F-4-53.1-V.ICE-F-4-53.5
V 8 V.ICE-F-5-53.1-V.ICE-F-6-53.2
V 9 V.ICE-F-7-53.1-V.ICE-F-18-53.7
V 10 V.ICE-F-8-53.1-V.ICE-F-25-54.9
V 11 V.ICE-F-10-53.1-V.ICE-F-10-53.10
V 12 V.ICE-F-10-53.11
V 13 V.ICE-F-10-53.12
V 14 V.ICE-F-10-53.13a, b
V 15 V.ICE-F-10-53.14
V 16 V.ICE-F-10-53.15-V.SP-ICE-20-57.25
V 17 V.ICE-F-12-53.1-V.ICE-F-12-53.8
V 18 V.ICE-F-13-53.1-V.ICE-F-20-53.3
V 19 V.ICE-F-22-54.1-V.ICE-F-22-54.3
V 20 V.ICE-F-23-54.1-V.ICE-F-23-54.7
V 21 V.ICE-F-24-54.1-V.ICE-F-24-54.3
V 22 V.ICE-F-24-54.4-V.ICE-F-24-54.10
V 23 V.ICE-F-24-54.11-V.ICE-F-24-54.15
V 24 V.ICE-F-24-54.16-V.ICE-F-24-54.24
V 25 V.ICE-F-24-54.25
V 26 V.ICE-F-24-54.26-V.ICE-F-24-54.29
V 27 V.ICE-F-26-55.1-V.ICE-F-30-56.1
V 28 V.ICE-F-32-57.1-V.ICE-F-32-57.9
V 29 V.ICE-F-32-57.10-V.ICE-F-32-57.12
V 30 V.ICE-F-32-57.13-V.ICE-F-32-57.17
V 31 V.ICE-F-32-57.18-V.ICE-F-32-57.22
V 32 V.ICE-F-33-57.1-V.ICE-F-33-57.5
V 33 V.ICE-F-33-57.6-V.ICE-F-33-57.7
V 34 V.ICE-F-33-57.8-V.ICE-D-6-54.14
V 35 V.ICE-F-35-57.1-V.ICE-F-35-57.11
V 36 V.ICE-F-36-57.1-V.ICE-F-36-57.10
V 37 V.ICE-F-36-57.11-V.ICE-F-36-57.21
V 38 V.ICE-F-36-57.22-V.ICE-F-36-57.31
V 39 V.ICE-F-36-57.32-V.ICE-F-36-57.39
V 40 V.ICE-F-37-58.1-V.ICE-F-37-58.8
V 41 V.ICE-F-37-58.9-V.ICE-F-37-58.10
V 42 V.ICE-F-38-58.1-V.ICE-F-38-58.6
V 43 V.ICE-F-38-58.7-V.ICE-F-68-61.11
V 44 V.ICE-F-40-59.1-V.ICE-F-40-59.9
V 45 V.ICE-F-40-59.10-V.ICE-F-40-59.14
V 46 V.ICE-F-40-59.15-V.ICE-F-40-59.17
V 47 V.ICE-F-41-59.1-V.ICE-F-42-59.1
V 48 V.ICE-F-44-60.1-V.ICE-F-44-60.9
V 49 V.ICE-F-45-60.1-V.ICE-F-45-60.7
V 50 V.ICE-F-46-60.1-V.ICE-F-47-60.5
V 51 V.ICE-F-48-61.1-V.ICE-F-48-61.9
V 52 V.ICE-F-50-61.1-V.ICE-F-50-61.8
V 53 V.ICE-F-69-62.9-V.ICE-F-103-65.19
V 54 V.ICE-F-52-61.1-V.ICE-F-52-61.3
V 55 V.ICE-F-52-61.4-V.ICE-F-52-61.8
V 56 V.ICE-F-52-61.9
V 57 V.ICE-F-61-61.1-V.ICE-F-65-61.5
V 58 V.ICE-F-66-61.1-V.ICE-F-66-61.8
V 59 V.ICE-F-66-61.9-V.ICE-F-66-61.10
V 60 V.ICE-F-67-61.1-V.ICE-F-67-61.7
V 61 V.ICE-F-67-61.8-V.ICE-F-67-61.12
V 62 V.ICE-F-70-62.1-V.ICE-F-113-67.11
V 63 V.ICE-F-71-62.1-V.ICE-F-71-62.10
V 64 V.ICE-F-72-62.1-V.ICE-F-72-62.7
V 65 V.ICE-F-72-62.8-V.ICE-F-75-62.7
V 66 V.ICE-F-75-62.8-V.ICE-F-75-62.10
V 67 V.ICE-F-76-63.1-V.ICE-F-76-63.9
V 68 V.ICE-F-77-63.1-V.ICE-F-77-63.7
V 69 V.ICE-F-79-63.1-V.ICE-F-79-63.7
V 70 V.ICE-F-80-63.1-V.ICE-F-80-63.5
V 71 V.ICE-F-82-63.1-V.ICE-F-82-63.7
V 72 V.ICE-F-82-63.8-V.ICE-F-82-63.10
V 73 V.ICE-F-87-63.1-V.ICE-F-88-63.5
V 74 V.ICE-F-95-63.1-V.ICE-F-95-63.5
V 75 V.ICE-F-95-63.6-V.ICE-F-95-63.8
V 76 V.ICE-F-112-67.9-V.ICE-F-112-67.17
V 77 V.ICE-F-96-63.1-V.ICE-F-96-63.7
V 78 V.ICE-F-96-63.8-V.ICE-F-96-63.12
V 79 V.ICE-F-97-64.1-V.ICE-F-98-64.3
V 80 V.ICE-F-99-64.1-V.ICE-F-99-64.8
V 81 V.ICE-F-100-65.1-V.ICE-F-101-65.6
V 82 V.ICE-F-104-65.1-V.ICE-F-104-65.7
V 83 V.ICE-F-105-66.1-V.ICE-F-105-66.8
V 84 V.ICE-F-106-66.1-V.ICE-F-107-66.5
V 85 V.ICE-F-109-66.1-V.ICE-F-109-66.8
V 86 V.ICE-F-110-66.1-V.ICE-F-110-66.7
V 87 V.ICE-F-111-67.1-V.ICE-F-111-67.8
V 88 V.ICE-F-111-67.9
V 89 V.ICE-F-111-67.10-V.ICE-F-111-67.12
V 90 V.ICE-F-114-67.1-V.ICE-F-115-67.3
V 91 V.ICE-F-116-67.1-V.ICE-F-118-68.6
V 92 V.ICE-F-120-68.1-V.ICE-F-121-68.6
V 93 V.ICE-F-121-68.7-V.ICE-F-121-68.9
V 94 V.ICE-F-122-68.1-V.ICE-F-142-70.11
V 95 V.ICE-F-130-68.1-V.ICE-F-131-68.5
V 96 V.ICE-F-133-69.1-V.ICE-F-133-69.4
V 97 V.ICE-F-134-69.1-V.ICE-F-137-69.3
V 98 V.ICE-F-137-69.2-V.ICE-F-140-69.6
V 99 V.ICE-F-148-70.1-V.ICE-F-154-70.3
V 100 V.ICE-F-157-70.1-V.ICE-F-157-70.6
V 101 V.ICE-F-155-71.1-V.ICE-F-159-72.5
V 102 V.ICE-F-160-73.1-V.ICE-F-161-73.7
V 103 V.ICE-F-162-73.1-V.ICE-F-164-74.3
V 104 V.ICE-F-164-74.5-V.ICE-F-166-74.8
V 105 V.ICE-F-168-74-V.ICE-F-169-74.4
V 106 V.ICE-F-170-74.1-V.ICE-F-171-74.5
V 107 V.ICE-F-173-75.1-V.ICE-F-179-76.6
V 108 V.ICE-F-180-76.1-V.ICE-F-Unnumbered.2
V 109 V.ICE-F-182-77.1-V.ICE-F-182-77.9
V 110 V.ICE-F-183-78.1-V.ICE-F-183-78.8
V 111 V.ICE-F-183-78.9-V.ICE-F-183-78.11
V 112 V.ICE-F-184-78.1-V.ICE-F-184-78.7
V 113 V.ICE-F-185-79.1-V.ICE-F-185-79.9
V 114 V.ICE-F-186-79.1-V.ICE-F-188-79.6
V 115 V.ICE-F-188-79.7-V.ICE-F-195-80.4
V 116 V.ICE-F-195-80.5-V.ICE-F-196-81.4
V 117 V.ICE-F-197-81.1-V.ICE-F-197-81.9
V 118 V.ICE-F-Unnumbered.1-V.ICE-F-198-81.7
V 119 V.ICE-F-199-81.1-V.ICE-F-201-82.13
V 121 V.ICE-F-202-82.1-V.ICE-F-203-82.5
V 122 V.ICE-F-204-83.1-V.ICE-F-Unnumbered.3
V 123 V.ICE-F-208-83.1-V.ICE-F-208-83.8
V 124 V.ICE-F-209-83.1-V.ICE-F-209-83.6
V 125 V.ICE-F-209-83.7-V.ICE-F-209-83.11
V 126 V.ICE-F-210-83.1-V.ICE-F-212-84.2
V 127 V.ICE-F-218-85.1-V.ICE-F-220-86.2
V 128 V.ICE-F-221-86.1-V.ICE-F-223-87.2
V 129 V.ICE-F-227-88.1-V.ICE-F-231-89.2
V 130 V.ICE-F-232-89.1-V.ICE-F-233-89.3
VI 131 VI.ICE-D-1-53-VI.ICE-D.1-53.4
VI 132 VI.ICE-D-2-53.1-VI.ICE-D.-2-53.2
VI 133 VI.ICE-D.-2-53.3-VI.ICE-D.-2-53.4
VI 134 VI.ICE-D-3-53.1-VI.ICE-D-12-64.5
VI 135 VI.ICE-D-13-64.1-VI.ICE-D-13-64.8
VI 136 VI.ICE-D-13-64.9-VI.ICE-D-13-64.12
VI 137 VI.ICE-D-13-64.13-VI.ICE-D-13-64.14
VI 138 VI.ICE-D-13-64.15
VI 139 VI.ICE-D-13-64.16-VI.ICE-D-18-64
VII 140 VII.SP-ICE-1-52.1-VII.SP-ICE-2-53.2
VII 141 VII.SP-ICE-2-53.3-VII.SP-ICE-2-53.5
VII 142 VII.SP-ICE-3-53.1-VII.SP-ICE-6-54.1
VII 143 VII.SP-ICE-7-54.1-VII.SP-ICE-7-54.10
VII 144 VII.SP-ICE-7-54.11-VII.SP-ICE-7-54.16
VII 145 VII.SP-ICE-8-55.1-VII.SP-ICE-10-55.6
VII 146 VII.SP-ICE-10-55.7-VII.SP-ICE-24-59.14
VII 147 VII.SP-ICE-11-55.1-VII.SP-ICE-12-56.5
VII 148 VII.SP-ICE-12-56.6
VII 149 VII.SP-ICE-15-56.1-VII.SP-ICE-16-57.4
VII 150 VII.SP-ICE-17-57.1VII.SP-ICE-19-57.7
VII 151 VII.SP-ICE-21-58.1-VII.SP-ICE-21-58.7
VII 152 VII.SP-ICE-21-58.8-VII.SP-ICE-21-58.10
VII 153 VII.SP-ICE-21-58.11
VII 154 VII.SP-ICE-21-58.12-VII.SP-ICE-21-58.14
VII 155 VII.SP-ICE-21-58.15-VII.SP-ICE-21-58.20
VII 156 VII.SP-ICE-22-58.1-VII.SP-ICE-22-58.4
VII 157 VII.SP-ICE-22-58.5-VII.SP-ICE-22-58.7
VII 173 VII.SP-ICE-27-61.1-VII.SP-ICE-27-61.4
VII 174 VII.SP-ICE-28-61.1-VII.SP-ICE-29-62.4
VII 175 VII.SP-ICE-30-62.1-VII.SP-ICE-30-62.7
VII 176 VII.SP-ICE-30-62.8-VII.SP-ICE-30-62.13
VII 177 VII.SP-ICE-30-62.14-VII.SP-ICE-30-62.16
VII 178 VII.SP-ICE-30-62.17-VII.SP-ICE-30-62.22
VII 179 VII.SP-ICE-30-62.23-VII.SP-ICE-30-62.27
VII 180 VII.SP-ICE-31-62.1-VII.SP-ICE-35-65.2
VIII 186 VIII.1-VIII.18
App.A.I 158 App.A.I.1-App.A.I.10
App.A.II 159 App.A.II.1-App.A.II.9
App.A.III 160 App.A.III.1-App.A.III.11
App.A.III 161 App.A.III.12-App.A.III.17
App.A.III 162 App.A.III.18App.A.III.24
App.A.III 163 App.A.III.25-App.A.III.32
App.A.III 164 App.A.III.33-App.A.III.42
App.A.III 165 App.A.III.43-App.A.III.48
App.A.III 166 App.A.III.49-App.A.III.54
App.A.III 167 App.A.III.55-App.A.III.62
App.A.III 168 App.A.III.63-App.A.III.70
App.A.III 169 App.A.III.71-App.A.III.77
App.A.III 170 App.A.III.78-App.A.III.87
App.A.III 171 App.A.III.88-App.A.III.92
App.A.III 172 App.A.III.93-App.A.III.94


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